Mixed Race Studies

Matthew McConaughey & Gary Ross Mount Civil War Saga; Bob Simonds’ STX In Talks To Finance

Deadline Hollywood
2014-11-05

Mike Fleming Jr., Film Editor

Anita Busch, Film Editor

EXCLUSIVE: Matthew McConaughey and writer-director Gary Ross are the catalysts for a project called Free State Of Jones, which is getting some serious attention from STX Entertainment, the new mini-studio founded by investors TPG Growth, Gigi Pritzker, Hony and Robert Simonds. We hear that company reps, financial partner IM Global (who is handling foreign), and the filmmakers are heading to AFM this afternoon to discuss pre-sales. This is one of many projects STX is considering pushing through as part of its first slate. They are looking to go before the cameras in the first quarter of 2015.

Free State Of Jones is based on the untold and extraordinary story of Newton Knight, the leader of one of the greatest rebellions in Civil War history, and we hear that STX may finance (up to $20M) for the $65M-budgeted story of one of the most controversial men from the that era. McConaughey is in talks to play the Mississippian, who defected from the Confederate Army, banded together with a group of like-minded soldiers, and set out to form their own State known as the Free State Of Jones.

Knight would later have a common-law marriage to a former slave, one of the first outwardly mixed racial unions in the South — unheard of at the time. The rebellious Knight actually fought against the Confederates from within the state and after the war freed children still enslaved after a daring raid…

Note from Steven F. Riley: For more about the Knight family, please read Victoria E. Bynum’s superb monograph, The Free State of Jones: Mississippi’s Longest Civil War.

Read the entire article here.

‘One Drop of Love’ star Fanshen Cox DiGiovanni talks race, family and more

The Tampa Bay Times
St. Petersburg, Florida
2014-11-05

Robbyn Mitchell, Times Staff Writer

Fanshen Cox DiGiovanni: “Race is like a religion to us.”

It’s been an interesting year in race relations for America. In just over 10 months, there have been communities violently protesting loss of due process, NBA owners losing their teams over racist remarks and anti-immigration zealots blockading school buses full of brown children because they were presumed to be foreign.

It’s a climate — not of change, as was promised by the election of President Barack Obama, but of an overwhelming dedication to fight change.

“People believe in race so strongly they’re faithful to it. Race is like a religion to us,” said Fanshen Cox DiGiovanni, writer and performer of One Drop of Love, a one-woman multimedia show coming to the Straz Center for the Performing Arts Saturday night.

As a woman with parents who identify themselves as different races — her father is black and her mother is white — Cox DiGiovanni says she has the had the privilege to move between two different spheres of American society and decide for herself how she would be defined.

“The way I identify myself is as a culturally mixed woman searching for racial answers,” she said. “I care about justice and that’s more important than racial identity.”…

Read the entire article here.

What ‘White Privilege’ Really Means

The New York Times
2014-11-05

George Yancy, Professor of Philosophy
Duquesne University, Pittsburgh, Pennsylvania

Naomi Zack, Professor of Philosophy
University of Oregon

This is the first in a series of interviews with philosophers on race that I am conducting for The Stone. This week’s conversation is with Naomi Zack, a professor of philosophy at the University of Oregon and the author of “The Ethics and Mores of Race: Equality After the History of Philosophy.”  The interview was conducted by email and edited. — George Yancy

George Yancy: What motivates you to work as a philosopher in the area of race?

Naomi Zack:  I am mainly motivated by a great need to work and not to be bored, and I have a critical bent. I think there is a lot of work to be done concerning race in the United States, and a lot of ignorance and unfairness that still needs to be uncovered and corrected. I received my doctorate in philosophy from Columbia University in 1970 and then became absent from academia until 1990. When I returned it had become possible to write about real issues and apply analytic skills to social ills and other practical forms of injustice. My first book, “Race and Mixed Race” (1991) was an analysis of the incoherence of U.S. black/white racial categories in their failure to allow for mixed race. In “Philosophy of Science and Race,” I examined the lack of a scientific foundation for biological notions of human races, and in “The Ethics and Mores of Race,” I turned to the absence of ideas of universal human equality in the Western philosophical tradition…

…G.Y.: We can safely assume white parents don’t need to have this talk with their children. Do you think white privilege is at work in this context?

N.Z.: The term “white privilege” is misleading. A privilege is special treatment that goes beyond a right. It’s not so much that being white confers privilege but that not being white means being without rights in many cases. Not fearing that the police will kill your child for no reason isn’t a privilege. It’s a right.  But I think that is what “white privilege” is meant to convey, that whites don’t have many of the worries nonwhites, especially blacks, do. I was talking to a white friend of mine earlier today. He has always lived in the New York City area. He couldn’t see how the Michael Brown case had anything to do with him. I guess that would be an example of white privilege.

Other examples of white privilege include all of the ways that whites are unlikely to end up in prison for some of the same things blacks do, not having to worry about skin-color bias, not having to worry about being pulled over by the police while driving or stopped and frisked while walking in predominantly white neighborhoods, having more family wealth because your parents and other forebears were not subject to Jim Crow and slavery. Probably all of the ways in which whites are better off than blacks in our society are forms of white privilege. In the normal course of events, in the fullness of time, these differences will even out. But the sudden killings of innocent, unarmed youth bring it all to a head…

Read the entire interview here.

BEING a mixed-race black person…

Max News: ‘View from the Bottom’ Magazine of Kevin Maxwell
London, United Kingdom
2014-11-05

Kevin Maxwell

I was talking with a black woman earlier, and we happened to get on to the subject of race – something close to my skin, literally.

She said that a lot of mixed-race people only identified as black, when they had experienced racism. I thought, how true.

Prior to my own challenges against racism within the police, I’m unsure how I described myself. I mean, the Government gave me labels on forms like mixed-race because I have a white mother and black father – but, I was just me.

It was the Metropolitan Police which ironically got me to look closer under my skin, at my race and identity.

I wrote in The Nubian Times for the recent Black History Month that, in my challenges against discrimination within Scotland Yard the Met said I wasn’t black (enough) to be discriminated against.

I was like, this is just stupid.

The first thing people see when they meet me is my black skin, and it’s how I identify anyhow too – which, is what is important…

Read the entire article here.

Am I ‘black enough’?

Cable News Network (CNN)
2014-10-27

Gene Seymour

Editor’s note: Gene Seymour is a film critic who has written about music, movies and culture for The New York Times, Newsday, Entertainment Weekly and The Washington Post. The opinions expressed in this commentary are solely those of the writer.

(CNN) — I am black, though for most of my life, I’ve heard from various people that I wasn’t.

From children with skin the same color as mine saying that my normal speaking voice was somehow faked and that I spoke and therefore acted “like a white man”; from a black woman who berated me for listening to the Beatles in my car because, in her words, their music “wasn’t yours”; from strangers and would-be acquaintances of varied races over several decades who openly wondered if I was something other than African-American because of an eclectic range of interests (Jewish novelists, New Wave French movies, Wallace Stevens’ poetry, etc.) that didn’t quite jibe with whatever was expected from African-Americans.

There was even a liberal white teacher in my high school who suggested to me, straight-faced and with the very best of intentions, that if I was feeling out of place among my fellow black students I should just spend more time around what was then called “the ghetto” and learn how to speak as they would prefer; maybe even to adopt their speech as my own, so as to ….I don’t remember the exact words, but I’m guessing it was to better embody whatever her idea of legitimate blackness was back in the mid-60s.

If you came of age in mid- to late-20th century America when the civil rights movement gave way to growing consciousness of, and pride in being of African descent, the charge from within the black community that you were Not Black Enough was almost as wounding, even debilitating, as a racial epithet from a white person.

Apparently, you can’t even win a Super Bowl as a black quarterback without somebody slurring your authenticity. There were reports swirling around the Internet last week that Russell Wilson, signal caller for the defending NFL champion Seattle Seahawks, was being accused by some of his black teammates of being Not Black Enough. “I don’t even know what that means,” Wilson, who has mixed-race parentage, told a press conference yesterday after his team rallied from a two-week losing streak to beat the Carolina Panthers…

…This fall, what was once a mostly insular discourse among black folks has gone even more public through two cozily familiar entertainment genres: the family sitcom and the campus comedy.

The latter, “Dear White People” is writer-director Justin Simien’s Sundance Film Festival sensation about culture clashes between white and black students (and among black students themselves) at a mythical Ivy League college. There’s a black Big Man On Campus named (what else) Troy, who besides being the son of the dean of students is dating the daughter of the white university president. There’s also a gay nerd-outcast named Lionel, who wears a retrograde Afro hairstyle so big as to be compared to a weather system, listens to Mumford & Sons, loves Robert Altman movies and, as he puts it, “isn’t black enough” for either the black or the white students.

The most radical character is a mixed-race young woman named Sam White, a rabble-rousing radio jock and aspiring filmmaker whose acerbically funny barbs aimed at genteel racial stereotyping at mythical Winchester University sets off a nationalist insurgency among the black students. Yet, as with Lionel, she carries a portfolio of seeming contradictions, such as a white lover and a preference for Ingmar Bergman’s movies over Spike Lee’s…

Read the entire article here.

My Children and the Limits of White Privilege

Nursing Clio: Because the Personal is Historical
2013-08-28

Danielle J. Swiontek, Assistant Professor of History
Santa Barbara City College, Santa Barbara, California

Nursing Clio is honored to have Danielle J. Swiontek as our guest author today. Danielle is an Assistant Professor of History at Santa Barbara City College. She received her Ph.D. in History from the University of California, Santa Barbara. Her dissertation, entitled “With Ballots and Pocketbooks: Women, Labor, and Reform in Progressive California” examines California women’s campaign for, and subsequent use of, the vote in the 1910s and 1920s.

The community in which I live held a march in memory of Trayvon Martin two weeks ago. It seemed so dated, in a way. In this 24-hour news cycle that we live in, it feels like forever ago since Trayvon Martin was shot and killed on February 26, 2012. It seems like ages since the jury found George Zimmerman not guilty of his death this past July. Yet the killing of Trayvon Martin continues to haunt me, as it probably does the people who joined the march. The news cycle has moved on, but the issues that Trayvon Martin’s death brought to the forefront have not. When I first heard about Trayvon Martin’s death, it made me fear for my son. That fear has not gone away in the last two months. It will probably never go away.

In a very specific, concrete way, I worry that my almost three-year-old boy will someday be shot by an overly zealous neighborhood watcher, by a police officer, or by someone who simply feels threatened by him, because of his size and the color of his skin. This is not a fear I would have if my son were white. I know this in my bones.

When President Obama offered his thoughts on Trayvon Martin and the experience of race in the U.S., I was not surprised by the experiences that others have found so striking. He talked about how he had been followed in department stores, how people locked their car doors when he walked down the street, how women were visibly nervous when he got on the elevator with them.

I am a middle-class white woman, but I believe I have some understanding of what those experiences feel like. I come to this conversation about race from a position of racial and class privilege. I was raised in a white, middle-class neighborhood by parents who lived out an archetypical American narrative of rising from working-class roots to a comfortable upper-middle class life…

Read the entire article here.

‘Dear White People’ or ‘Dear Bougie Black People’?

The Boston Globe
2014-11-04

Farah Stockman

THIS WEEKEND, I saw the new satirical film “Dear White People.” I was curious what it would tell me about how young people view race today.

Each generation plays out the drama of race in the movies. Baby boomers flocked to“Guess Who’s Coming to Dinner,” which raised the question: Could a well-educated black man ever be good enough for a white family’s daughter? The jury was still out in 1967, the year my mom, who is black, saw that movie several times. Two years later, she married my dad, who is white.

Then came my generation. Born in the ’70s, we grew up glued to depictions of black slavery and impoverishment, with the television miniseries “Roots” and the sitcom “Good Times.” We came of age with Spike Lee’s “Jungle Fever,” released in 1991, which asked the question: Will the gulf between black and white ever be bridged? Lee’s answer seemed to be: Don’t hold your breath. In 1992, I left my predominantly white high school for a predominantly white Ivy League college.

Now we have the millennial generation, the most ethnically diverse, socially liberal cohort America has ever seen; kids who never wondered whether America could elect a black president. About 90 percent report being “fine” with a family member marrying outside the race. Yet, for much of this generation, the civil rights movement is ancient history, and systemic black poverty and incarceration take place on a separate planet. Millennials feel deeply ambivalent about acknowledging race, even for the purpose of righting wrongs: According to one poll, 70 percent feel it’s “never fair to give preferential treatment to one race over another, regardless of historical inequalities.” Nearly half of white young people today believe that discrimination against whites has become “as big a problem as discrimination against racial minority groups.” By comparison, only 27 percent of people of color share that belief…

…W. E. B. Du Bois famously defined a black man as anybody “who must ride ‘Jim Crow’ in Georgia,’ ” writes Stanford historian Allyson Hobbs in her new book, “A Chosen Exile.” That “raises the question, What would a black man be without Jim Crow in Georgia?”…

Read the entire article here.

Republican Larry Hogan wins Md. governor’s race in stunning upset

The Washington Post
2014-11-05

John Wagner, Maryland Political Reporter

Jenna Johnson, Maryland Political Reporter

Republican businessman Larry Hogan pulled off a stunning upset in heavily Democratic Maryland on Tuesday, winning the governor’s race against Lt. Gov. Anthony G. Brown by relentlessly promising to roll back tax increases and chart a new direction for the state.

Shortly after midnight, Brown conceded a race that he lost despite the strong support of the state’s Democratic establishment and visits to Maryland in the closing weeks of the campaign by President Obama, first lady Michelle Obama, former President Bill Clinton and Hillary Rodham Clinton…

…With more than 90 percent of precincts reporting, Brown was winning handily in Montgomery and Prince George’s counties, and he was well ahead in the city of Baltimore. But turnout appeared fairly low in those populous jurisdictions. And Hogan led everywhere else, including in the Baltimore suburbs. That was the region that in 2002 paved the way to victory for Ehrlich, who hired Hogan as a member of his Cabinet.

“Tonight, we fell short of our campaign goals,” Brown told supporters at what turned out to be a subdued gathering at the University of Maryland at College Park. “It was a tough campaign. But it was tough because there’s a lot at stake, a lot worth fighting for.”

Brown, the son of a Jamaican father and a Swiss mother, was attempting to become the first African American governor of Maryland and only the third elected anywhere in the nation. He would also have been Maryland’s first lieutenant governor to ascend to the state’s top job…

Read the entire article here.

The “Dear White People” syndrome: Why movies are obsessed with light-skinned black characters

Salon
2014-10-23

Morgan Jerkins

This isn’t the first film to relegate dark-skinned actors to the sidelines — but it may be the most frustrating

For Princeton University’s recent Black Alumni Conference, an advance screening of “Dear White People” took place at the town’s Garden Theater, and I was one of many who could not wait to see it. Throughout the film, I could hear many black alums scoff at some of the micro-aggressions that we’ve all experienced and heard about, or laugh at all the things that we’ve all wanted to say in response to white people when these experiences occur but may have never had the gall to do so. The film is a bold attempt. But I could not help wondering why a light-skinned biracial woman was the lead female protagonist, the champion of civil rights on the fictitious Winchester University’s campus.

Frankly, as a light-skinned African-American female, I am tired of seeing women who look like myself presented as the epitome of complexity when it comes to setting forth the many different layers of the black experience for a mainstream audience. Yet we all know why this happens. A lighter-skinned black person is more marketable to an overwhelmingly white-dominated space. Not to mention, white appeal equals more marketability. The brown skin with a yellow undertone is the color “nearest [to] the light,” as Goethe once wrote, or in this case, to whiteness. White moviegoers want to see their reflections. Film is a form of escapism tinged with a dash of possibility from this perspective. A white character can be a villain or a hero while exemplifying a wide variety of emotions, and for a light-skinned black character with a name as equally “safe” as Samantha White, it all makes sense. She was able to show her radical and revolutionary side while effortlessly switching to her vulnerable side, via teary eyes, deliberate hesitations in speech, and even hairstyle changes to reflect her character development…

Read the entire article here.

St Martin de Porres

Victoria and Albert Museum: The world’s greatest museum of art and design
London, United Kingdom
2014-11-03

William Newton, Assistant Curator

Today on Sanctus Ignotum we have a case study in race relations, and our first South American saint. Born in Lima, Peru in 1579, the illegitimate son of a Spanish knight and a liberated black slave, Martin was initially apprenticed to a barber-surgeon. He initially joined the Dominican Order as a lay-helper, though his dedication to the poor and hallowed nature meant that he was soon invited to join the order as a full-time lay-brother.

He frequently experienced bouts of religious ecstasy, having spent nights in prayer. He kept himself very busy as monastic gardener and barber (two related skills), and as a counselor (some barbers may also believe this is a native skill), as well as attending to the sick and the poor. It was said that most of his cures came from a simple glass of water (presumably not part his barber’s training). Being of mixed race parentage himself, he was not as discerning as some of his colleagues in offering spiritual and physical comfort. The other Brothers did, however, dub him the ‘Father of Charity’ although he, being humble and saintly, preferred to call himself ‘Mulatto Dog’. Martin’s commitment to everyone’s wellbeing, no matter their colour or creed, does not appear to have been complemented by a reforming attitude to social conditions. Once, when his monastery encountered financial difficulties, he suggested that they sell him into slavery in order to make ends meet. Happily, they declined to do so…

Read the entire article here.