Mixed Race Studies

The Greek-American R&B Legend Who Passed as Black

Zócalo Public Square
2018-12-17

Kristen E. Broady, Dean and Professor of Economics
College of Business
Dillard University, New Orleans, Louisiana

An Excelsior Records advertisement features R&B pioneer Johnny Otis between blues singer Jimmy Rushing and bandleader Gerald Wilson. Courtesy of Flickr.

Johnny Otis Felt He Had Been ‘Saved’ by the Political, Spiritual, and Moral Force of African-American Culture

If a role exists in black music that Johnny Otis couldn’t play, it would be hard to find. Known as the godfather of rhythm and blues, Otis was a bandleader, talent scout, singer, drummer, minister, journalist, and television show host. Between 1950 and 1952, Johnny and his band recorded 15 top 40 R&B blues hits. He discovered, produced and promoted a roster of stars, including Etta James, Little Esther, and Jackie Wilson.

Otis was not only a trailblazer in the world of music but also a religious leader and political activist. Born seven months after the beginning of the 1921 Tulsa Race Riot, he lived through Supreme Court decisions that decriminalized interracial marriage, barred racial gerrymandering of political districts, and ended covenants barring black Americans from owning property. He witnessed the inauguration of the nation’s first African-American president and was a friend of Malcolm X and an enemy of racial oppression. Yet Johnny Otis, arguably one of the most important figures in mid-century black music in America, was not actually black. He was white, passing as black…

Read the entire article here.

Kamala Harris grew up in a mostly white world. Then she went to a black university in a black city.

The Washington Post
2019-09-16

Robin Givhan, Fashion critic

From left: Karen Gibbs, Kamala Harris and Valerie Pippen at Homecoming in 1986-1987. (Courtesy of Karen Gibbs)

When anyone challenges her racial identity, the presidential candidate points to her four years at Howard University.

Kamala Harris wanted to go to a black school. That’s what black folks called Howard University in the early 1980s when Harris was a teenager considering her future.

Harris, she would say later, was seeking an experience wholly different from what she had long known. She’d attended majority-white schools her entire life — from elementary school in Berkeley, Calif., to high school in Montreal. Her parents’ professional lives and their personal story were bound up in majority-white institutions. Her father, an economist from Jamaica, was teaching at Stanford University. Her mother, a cancer researcher from India, had done her graduate work at the University of California at Berkeley, where the couple had met and fallen in love. And Harris’s younger sister would eventually enroll at Stanford.

Harris wanted to be surrounded by black students, black culture and black traditions at the crown jewel of historically black colleges and universities…

Read the entire article here.

The Tale of Hollywood’s Most Curious Career Imposter

Messy Nessy: Cabinet of Chic Curiosities
2019-07-11

Francky Knapp

Sex sells, and it sells even better with a dash of mystery. For every housewife in mid-century America, the enigmatic charm of Indian performer Korla Pandit was the ticket to getting weak in the knees before the kids came home from school. In the 15 minutes allotted to The Korla Pandit Program, the performer brought a scintillating new rhythm to suburbia’s ho-hum beat. Every week, he’d grace the small screen and play the sultry sounds of Miserlou with a coy smile, wearing a bejewelled turban, and flashing those soul-searching bedroom eyes. It was all part of his schtick, of course, and one of the most strangest in Hollywood history, given that Pandit wasn’t Indian, but African American. Today, the persona he created opens up a dialogue about race, fame, and surprising flexibility of truth…

Read the entire article here.

Hachimura, Japan’s mixed-race basketball star who once ‘hid from the world’

Japan Today
2019-08-26

Natsuko Fukue

Japan’s Rui Hachimura is set to star at the basketball World Cup. Photo: AFP

TOKYO — Rui Hachimura says he gets his height from his Beninese father and his work ethic from his Japanese mother — a combination that has propelled him to basketball stardom.

The 21-year-old made history in June when he became the first Japanese to be selected in the first round of the NBA draft, picked up by the Washington Wizards.

And like tennis superstar Naomi Osaka, Hachimura’s fast-growing fame is raising the profile of biracial sportspeople in a homogeneous country where mixed-race children still face prejudice.

Hachimura, who is 203 cms tall, will lead Japan’s challenge at the basketball World Cup in China, which begins on Saturday. He is also poised to be a poster boy the hosts at the Tokyo 2020 Olympics. Big pressure for one so young.

As a child Hachimura stood out in Japan — and not just because of his height. “I inherited my body from my father and my diligence from my mother,” he said in a recent interview with the Mainichi Shimbun daily.

He now feels a sense of pride at being biracial but admits to feeling self-conscious about it when he was a child…

Read the entire article here.

A Real Negro Girl: Fredi Washington and the Politics of Performance during the New Negro Renaissance.

National Endowment for the Humanities
400 7th Street SW
Washington, D.C. 20506
Grant number: HB-263199-19
2019-08-14

Grantee: Laurie Avant Woodard, Assistant Professor of History
CUNY Research Foundation, City College (New York, New York)

Grant Period: 2019-09-01 through 2020-08-31
$60,000 USD (approved), $60,000 USD (awarded)

Research and writing a biography of Fredi Washington (1903-1994), a civil rights activist and a performing artist active in the Harlem Renaissance.

Focusing upon the life and career of performing artist and civil rights activist Fredi Washington, this project places an African American female performing artist at the center of the narrative of the New Negro Renaissance; illuminates the vital influence of performing artists on the movement; and demonstrates the ways in which Washington and the New Negro Renaissance are central components of the long civil rights narrative and our understanding of the African American quest for civil and human rights. The manuscript will consist of six chapters and a prologue and epilogue.

For more information, click here.

Aaron Burr — villain of ‘Hamilton’ — had a secret family of color, new research shows

Retropolis
The Washington Post
2019-08-24

Hannah Natanson

A depiction of the duel between then-Vice President Aaron Burr and Alexander Hamilton at Weehawken, N.J., in 1804. The fight would end Hamilton’s life and forever soil Burr’s reputation. (Manuel Balce Ceneta/AP)

The vice president is best known for killing rival Alexander Hamilton in an 1804 duel. But he was also a notorious rake, historians say.

Within a week of her arrival at Princeton University, Sherri Burr received a puzzling phone call.

The caller, another student, said Sherri was invited to a Burr family meeting — “Burr” as in Aaron Burr, the third vice president of the United States and villain of “Hamilton,” the astronomically popular musical. Aaron Burr’s father co-founded Princeton, the caller told her, so all descendants who attend the school are summoned to regular gatherings.

“I took a look down at my brown skin and thought, ‘Well, that doesn’t apply to me,’ ” said Sherri Burr, who was getting her graduate degree from Princeton. “So I never went.”…

Read the entire article here.

Alternate lives: Korean orphans’ quests for answersAlternate lives: Korean orphans’ quests for answers

France 24
2019-08-23

Seoul (AFP)

On a summer’s day in 1985 a seven-year-old boy sat alone at a crowded bus station in Seoul, sobbing as he waited desperately for his mother to return.

Jo Youn-hwan was wearing a baseball uniform that his mother had bought him a few days before — the only gift she had ever given him.

She told him to wait for her before leaving him at the terminal. So he did, increasingly terrified as day turned to dusk.

“I’ll be a really good kid if only she chooses to return,” he promised himself, over and over again. “I’ll be a really, really good kid.”

She never did…

…International adoption from South Korea began after the Korean War as a way to remove mixed-race children, born to local mothers and American GI fathers, from a country that emphasized ethnic homogeneity.

More recently the main driver has been babies born to unmarried women, who still face ostracism in a patriarchal society, and according to historians, are often forced to give up their children.

Most children remain institutionalised till adulthood as many South Koreans are reluctant to adopt. The country has sent some 180,000 children overseas over the years, mostly to the US…

Read the entire article here.

Producer Phillip Rodriguez Acquires Rights To ‘The Strange Career of William Ellis’

Deadline: Breaking Hollywood News Since 2006
2019-08-21

Dino-Ray Ramos, Associate Editor/Reporter

EXCLUSIVE: Producer and indie filmmaker Phillip Rodriguez has optioned the film and TV rights to Karl Jacoby’s book The Strange Career of William Ellis: The Texas Slave Who Became a Mexican Millionaire. Rodriguez is set to develop and produce the narrative-based project

Jacoby’s prize-winning book tells the true story of William Ellis, a larger-than-life figure who was born on the U.S.-Mexico border in the twilight of slavery and inhabited a world divided along ambiguous racial lines. Adopting the name Guillermo Eliseo, he passed as Mexican, transcending racial lines to become fabulously wealthy as a Wall Street banker, diplomat, and owner of scores of mines and haciendas south of the border. In The Strange Career of William Ellis, Columbia University historian Jacoby weaves an astonishing tale of cunning, scandal, self-invention and the abiding riddle of race in America…

Read the entire article here.

Breaking the Ocean: A Memoir of Race, Rebellion, and Reconciliation

House of Anansi Press
2019-08-20
280 pages
8.5 in × 5.5 in
Paperback ISBN: 9781487006471
Ebook ISBN: 9781487006488

Annahid Dashtgard

Annahid Dashtgard was born into a supportive mixed-race family in 1970s Iran. Then came the 1979 Islamic Revolution, which ushered in a powerful and orthodox religious regime. Her family was forced to flee their homeland, immigrating to a small town in Alberta, Canada. As a young girl, Dashtgard was bullied, shunned, and ostracized by both her peers at school and adults in the community. Home offered little respite as her parents were embroiled in their own struggles, exposing the sharp contrasts between her British mother and Persian father.

Determined to break free from her past, Dashtgard created a new identity for herself as a driven young woman who found strength through political activism, eventually becoming a leader in the anti–corporate globalization movement of the late 1990s. But her unhealed trauma was re-activated following the 9/11 terrorist attacks. Suffering burnout, Dashtgard checked out of her life and took the first steps towards personal healing, a journey that continues to this day.

Breaking the Ocean introduces a unique perspective on how racism and systemic discrimination result in emotional scarring and ongoing PTSD. It is a wake-up call to acknowledge our differences, offering new possibilities for healing and understanding through the revolutionary power of resilience. Dashtgard answers the universal questions of what it means to belong, what it takes to become whole, and ultimately what is required to create change in ourselves and in society.

Yuli – The Carlos Acosta Story

Dirty Movies — Your platform for thought-provoking cinema
2019-04-03

Redmond Bacon

Tender portrait of iconic ballet dancer doubles up as an exploration of fatherhood and also of the artist’s home nation Cuba – now available on VoD

Director – Icíar Bollaín – 2019

When I was very young, my parents took me to ballet class. I immediately baulked at the idea and sat on the floor until my mother gave up and took me home. At the time I believed that being a ballet dancer was the worst possible thing on earth; now I see it as a massive lost opportunity. Carlos Acosta’s own father, Pedro (Santiago Alfonso), wasn’t as magnanimous as my mother, completely ignoring his son’s wishes in the pursuit of a higher aim.

His bet paid off, turning Carlos Acosta (nicknamed Yuli) into one of the greatest ballet dancers that ever lived; the first black man to perform at the Royal Ballet in London. Played at three different ages by Edlison Manuel Olbera Núnez, Keyvin Martínez and finally by the man himself, Yuli…

It starts in the poverty stricken streets of Havana; a place where the best options for young men to make something of themselves is through sport or dance. Carlos’ talent, expressed early on through street dance, gives his father an idea, and soon he is dragged to an audition at the National Ballet School of Cuba. But Carlos doesn’t want to perform ballet and mocks both his future teachers and his parents by putting on a tongue-in-cheek Michael Jackson-homage. He derisively describes ballet as something “for faggots”. Yet it is this very same ebullient spirit that lands him a place. His talent cannot be denied.

This is played out against a political and ethnic backdrop that acutely portrays the complexity of the Afro-Cuban experience. In one haunting scene, Carlos’ father takes him to his great-grandmother’s plantation, showing him how he is a direct descendent from the slave trade. Meanwhile his white mother escapes with her white relatives to Miami, benefiting from the same privilege that is denied to the young man. Pedro spins this hardship into a positive, telling Carlos that if his descendants could survive slavery, then he can become anything he wants…

Read the entire review here.