Mixed Race Studies

Walter F. White: The NAACP’s Ambassador for Racial Justice

West Virginia University Press
January 2019
468 pages
Cloth ISBN: 978-1-946684-62-2
eBook ISBN: 978-1-946684-63-9

Robert L. Zangrando, Professor Emeritus of History
University of Akron

Ronald L. Lewis, Stuart and Joyce Robbins Chair and Professor Emeritus of History
West Virginia University

Walter F. White of Atlanta, Georgia, joined the National Association for the Advancement of Colored People (NAACP) in 1918 as an assistant to Executive Secretary James Weldon Johnson. When Johnson retired in 1929, White replaced him as head of the NAACP, a position he maintained until his death in 1955. During his long tenure, White was in the vanguard of the struggle for interracial justice. His reputation went into decline, however, in the era of grassroots activism that followed his death. White’s disagreements with the US Left, and his ambiguous racial background—he was of mixed heritage, could “pass” as white, and divorced a black woman to marry a white woman—fueled ambivalence about his legacy.

In this comprehensive biography, Zangrando and Lewis seek to provide a reassessment of White within the context of his own time, revising critical interpretations of his career. White was a promoter of and a participant in the Harlem Renaissance, a daily fixture in the halls of Congress lobbying for civil rights legislation, and a powerful figure with access to the administrations of Roosevelt (via Eleanor) and Truman. As executive secretary of the NAACP, White fought incessantly to desegregate the American military and pushed to ensure equal employment opportunities. On the international stage, White advocated for people of color in a decolonized world and for economic development aid to nations like India and Haiti, bridging the civil rights struggles at home and abroad.

It’s time to recognize Sally Hemings as a first lady of the United States

The Los Angeles Times
2019-01-04

Evelia Jones

A man reads a plaque about Sally Hemings at Monticello, Thomas Jefferson’s estate in Charlottesville, Va., on Saturday, June 16, 2018. (Steve Ruark / Associated Press)

It is now widely understood that my ancestor Sally Hemings, an enslaved black woman, was the intimate companion of Thomas Jefferson for nearly four decades.

Monticello, the Virginia plantation operated as a museum by the Thomas Jefferson Foundation, acknowledged as much with a new exhibit last year: Hemings’ living quarters. The exhibit presents as fact that Hemings gave birth to at least six of Jefferson’s children.

Much about their relationship remains lost to history. We know that Hemings was Jefferson’s property, and that in America she did not have the right to refuse sexual advances from her owner. We also know that Hemings was able to negotiate freedom for her children and “extraordinary privileges” for herself, and that she occupied a central place in Jefferson’s life…

Read the entire article here.

Jean Toomer’s ‘Cane’ and the Ambiguity of Identity

NYR Daily
The New York Review of Books
2018-12-28

George Hutchinson, Newton C. Farr Professor of American Culture
Cornell University, Ithaca, New York

A drawing of a sugar cane field in South Carolina, by Edouard Riou, late nineteenth century Veneranda Biblioteca Ambrosiana, Milan, Italy/De Agostini Picture Library/Bridgeman Images

Jean Toomer’s Cane was greeted in 1923 by influential critics as the brilliant beginning of a literary career. Many stressed the “authenticity” of Toomer’s African Americans and the lyrical voice with which he conjured them into being. His treatment of black characters contrasted starkly with both the stereotypes of earlier work by (mostly) white authors and the then current limitations of African-American problem fiction. As Montgomery Gregory pointed out for the new black magazine Opportunity, Toomer had avoided “the pitfalls of propaganda and moralizing on the one hand and the snares of a false and hollow race pride on the other hand.” Waldo Frank wrote, in the foreword to the book, “It is a harbinger of the South’s literary maturity: of its emergence from the obsession put upon its mind by the unending racial crisis—an obsession from which writers have made their indirect escape through sentimentalism, exoticism, polemic, ‘problem’ fiction, and moral melodrama. It marks the dawn of direct and unafraid creation.”

The unusual features and effectiveness of Cane can be attributed to the fact that its author was in rapid transition, vocationally, geographically, socially, and intellectually, between different identities. His unsettled position derived from both a complicated personal history and the unusual cultural moment in which he emerged as an artist. Born just two years after his famous grandfather, P.B.S. Pinchback—a former governor of Louisiana during Reconstruction—had moved from a palatial home in New Orleans to a smaller, though fashionable, house in Washington, Toomer never really knew the father for whom he was originally named. His mother, Nina, gave birth to him just nine months after a wedding of which her father disapproved and then found herself abandoned when Nathan Pinchback Toomer (as Jean was first named) was only a year old. Nina moved back to her autocratic father’s home, on the condition that she change the boy’s surname to Pinchback and his first name to anything other than Nathan (her husband’s name). Eventually, the first name became Eugene, after a godfather; but friends called the boy “Pinchy.” His mother called him Eugene Toomer and his grandparents, Eugene Pinchback. Ambiguity of identity and a strong intuition of the arbitrary nature of social labels came early to Toomer…

Read the entire article here.

Shirley Segree Cuffee (July 16, 1932 – November 10, 2018)

Beyond The Dash
2018-12-28

Shirley G. Segree Cuffee was born on Saturday, July 16, 1932 in the woodlands of Varina, in Henrico county, Virginia. She was born in her grandmother’s house on her 140 acre farm, to Native American (Powhatan/ Arrohateck, Cherokee) and African-American parents.

Her mother, Inez Selena Baugh was indigenous to that land and her father, James Bethea, was born in Cherokee, North Carolina.

Shirley was her mothers second eldest daughter (first daughter, Thelma “Nuni” Baugh [deceased]); and the eldest of her parents three children together. Before turning 2 years old, she moved to New York City with her parents where her younger brothers James Bethea, Jr., and Cleave Bethea where born.

In 1937, she and her family moved into the first, then “experimental” project in New York City, the ‘Harlem River Houses‘ located along the Harlem River Drive between 151st and 153rd streets in Harlem, New York…

Read the entire obituary here.

Sono Osato, Japanese-American Ballet Star, Is Dead at 99

The New York Times
2018-12-26

Richard Goldstein

Sono Osato rehearsing a number from the Broadway musical “On the Town” with the show’s choreographer, Jerome Robbins, in 1944. It was one of two hit musicals in which Ms. Osato appeared in the 1940s. Eileen Darby/Graphic House

Sono Osato, a Japanese-American dancer who toured the world with the Ballets Russes de Monte Carlo, performed with the Ballet Theater in New York and then gained acclaim on Broadway in the World War II-era musicals “One Touch of Venus” and “On the Town,” was found dead early Wednesday at her home in Manhattan. She was 99.

Her death was confirmed by her sons, Niko and Antonio Elmaleh.

In the 1930s, Ms. Osato was a groundbreaking presence in Col. Wassily de Basil’s Ballets Russes, the world’s most widely known ballet company. She was the company’s youngest dancer when she joined, at 14; she was also its first performer of Japanese descent…

…Although she was born and raised in the Midwest, Ms. Osato seemed an incongruous choice to play Ivy Smith, billed as the “all-American girl,” in “On the Town.” Her father, Shoji, was a native of Japan, and her mother, Frances, was of French-Irish background…

Read the entire obituary here.

Michael Tisserand: “Krazy Kat and the Poetics of Passing” | Talks at Google

Talks at Google
2018-06-26

Michael discusses his book, “Krazy: George Herriman, A Life in Black and White,” winner of the 2017 Eisner Award for best comics-related book, and a finalist in both the National Book Critics Circle Awards for Biography and the PEN America/Jacqueline Bograd Weld Award for Biography. Krazy was also selected as a Kirkus Best Nonfiction Book of 2016 and as one of Vanity Fair‘s “Must-Read Books of the Holiday Season.”

Tisserand’s previous books include THE KINGDOM OF ZYDECO, an exploration of Louisiana music that received the ASCAP-Deems Taylor award for music writing, and the Hurricane Katrina memoir SUGARCANE ACADEMY. His work has appeared in The New York Times, The Washington Post, and The Los Angeles Times. When not writing, he coaches scholastic chess and is a member of The Laissez Boys, a Mardi Gras parading organization.

More information about Tisserand and his work can be found at www.MichaelTisserand.com.

Moderated by Camille Gennaio.

The 97-Year-Old Park Ranger Who Doesn’t Have Time for Foolishness

Glamour
2011-11-02

Farai Chideya
Photographs by Shaniqwa Jarvis

Photo: Shaniqwa Jarvis  “History has been written by people who got it wrong. But the people who are always trying to get it right have prevailed,” says Reid Soskin, photographed at Rosie the Riveter Park. “If that were not true, I would still be a slave like my great-grandmother.”

As the oldest career National Park Service ranger, Betty Soskin is unabashed about revealing all of America’s history—and her optimism about our future.

What gets remembered is determined by who is in the room doing the remembering,” Betty Reid Soskin likes to say. So she’s made it her singular purpose to always be in the room.

Today that room is the auditorium at the Rosie the Riveter/WWII Home Front National Historical Park in Richmond, California, where—at 97—she’s the oldest person now serving as a permanent National Park Service ranger. She packs the theater three times a week with talks about the Rosies and the typically white narrative about the women who served the war effort, but interweaves her experience as a young black woman in segregated America.

There are a few things you should know about my friend Betty. Barely five feet three inches tall, she is sylphlike and strong. When she walks, she leans slightly forward, as if facing a headwind, and strides with speed and purpose. Betty never planned to be a ranger. She got the job at the young age of 85, after working as a field representative for her California assemblywoman, Dion Aroner. Aroner asked her to sit in on planning meetings for what would become the park, and Betty quickly saw that, if she didn’t speak up, the park would portray a whitewashed version of history. “There was no conspiracy to leave my history out,” she says. “There was simply no one in that room with any reason to know it.” So she sparked additions to the formal narratives: the 120,000 people of Japanese descent placed in internment camps by the government; the 320 sailors and workers, 202 of them black men, who died in the explosions at nearby Port Chicago. “So many stories,” Betty muses, “all but forgotten.”

Working at an all-black union hall during World War II and then briefly in an all-white branch of the Air Force (they didn’t realize she was black when they hired her), Betty saw stories like these firsthand, becoming, as she puts it, “a primary source” from the time. Tom Leatherman, the park’s superintendent, says Betty motivated organizers to bring more people to the table: “Because of Betty, we made sure we had African American scholars review our films and exhibits, but we also made sure we were looking out for other, often forgotten stories—Japanese American, Latino American, American Indian, and LGBTQ narratives—that were equally important.”…

Read the entire article here.

Peace Weavers: Uniting the Salish Coast through Cross-Cultural Marriages

Washington State University Press
2017
290 pages
Illustrations / maps / notes / bibliography / index
Paperback ISBN: 978-0-87422-346-0

Candace Wellman

Peace-weaving marriages between Salish families and pioneer men played a crucial role in mid-1800s regional settlement. Author Candace Wellman illuminates this hidden history and shatters stereotypes surrounding these relationships. The four exceptional women she profiles left a lasting legacy in their Puget Sound communities.

Strategic cross-cultural marriages between Coast and Interior Salish families and pioneer men played a crucial role in mid-1800s regional settlement and spared Puget Sound’s upper corner from tragic conflicts. Accounts of the husbands exist in a variety of records, but the native wives’ contributions remained unacknowledged. Combining primary and secondary sources, genealogy, and family memories, author Candace Wellman illuminates this hidden history and shatters stereotypes surrounding these relationships. The four women she profiles exhibited exceptional endurance, strength, and adaptability. They ran successful farms and businesses and acted as cultural interpreters and mediators. Although each story is unique, collectively they and other intermarried individuals helped found Puget Sound communities and left a lasting legacy. They were peace weavers.

In visit to Kenyon, author illuminates history of racial passing in America

Kenyon College
Gambier, Ohio
2018-11-09

Mary Keister, Director of News Media Relations
Telephone: 740-427-5592

GAMBIER, Ohio — Award-winning author Gail Lukasik will speak about her book “White Like Her: My Family’s Story of Race and Racial Passing” at Kenyon College on Wednesday, Nov. 14, at 7 p.m. The event, free and open to the public, will be held in the Gund Gallery’s Community Foundation Theater, 101 ½ College Drive.

Lukasik’s memoir chronicles her journey to uncover her mother’s racial lineage and traces her family back to 18th-century colonial Louisiana. Her mother was born into a black family in New Orleans and eventually left the Jim Crow South, moving north and marrying a white man. She passed as white for the rest of her life.

In 1995, as Lukasik, who identifies as white, was exploring Louisiana census records, she learned that her mother’s father and his entire family were designated black. The shocking discovery changed her sense and understanding of white identity.

When Lukasik tried to ask her mother questions about her family’s black heritage, her mother refused to speak about the matter and told her daughter to not share the secret. In the 17 years Lukasik kept her mother’s secret, the author of mystery novels started to retrace her memories in order to better understand her mother, sorting out fiction from truth to solve her own real-life mystery. Was this why, growing up, Lukasik never really visited her mother’s side of the family or saw pictures of her grandfather?…

Read the entire press release here.

Misty Copeland: the trailblazing ballerina loved by Prince, Obama and Disney

The Guardian
2018-11-07

Lyndsey Winship, Dance Critic

‘I had this awakening’ … Misty Copeland. Photograph: Danielle Levitt for the Observer

She thinks ballet’s broken – and has a plan to fix it. The star of Disney’s Nutcracker reboot talks about racism, nude shoes and growing up bendy

Ballet was definitely my escape,” says Misty Copeland. “It was the first thing I’d ever experienced in my life that was mine – only mine, not my five other siblings’. It gave me a voice, made me feel powerful.”

When Copeland discovered ballet she was 13, living with her mother and siblings in a motel in California. She was a shy, slight child who rarely spoke and tried not to be noticed. Twenty-three years later, hers is the kind of transformation story even ballet might think far-fetched. In 2015, she became the first black female principal dancer at American Ballet Theatre – and with that a spokesperson, poster girl, and bona fide star. Barack Obama sought her out as an adviser, Prince invited her on tour, Spike Lee wants her in his films, and people queue up to meet her at the stage door of the Metropolitan Opera House in New York.

And now the latest chapter in her real-life fairytale has begun to unfold. Copeland is dancing in Disney’s The Nutcracker and the Four Realms, a cinema revamp of the Christmas favourite starring Keira Knightley, Helen Mirren and Morgan Freeman…

Read the entire article here.