Mixed Race Studies

I don’t usually do this, but…

Simply Eartha
2017-11-18

Kitt Shapiro

Eartha Kitt leaving hospital after giving birth to her daughter Kitt (c. 1961-11-26).

I don’t usually respond to negative comments, but I am compelled to do so here because I feel there is an opportunity for dialogue on a subject that many struggle with and is very relevant in today’s times.

As the most popular post on my blog, ‘Why Don’t You Look More Like Your Mother?’, continues to receive a lot of attention, one recent comment has brought me back to the subject of race, specifically, mixed race, and the desire of some truly ignorant people to deny the existence of others, because they do not ‘fit’ the stereotype of how ‘mixed race’ people should look…

Eartha Kitt with daughter Kitt Shapiro

Read the entire article here.

Lucy Parsons bio reveals new facts about the birth, ethnicity of the ‘Goddess of Anarchy’

The Chicago Tribune
2017-11-15

Mark Jacob, Metro Editor

A new biography of Lucy Parsons reveals new facts about her life. Photo courtesy of the Lucy Parsons Project/Justice Design (/ LUCY PARSONS PROJECT)

Lucy Parsons, an anarchist firebrand who was one of the most enigmatic Chicagoans ever, might fit in better today than she did during her own time a century ago.

She was a black woman married to a white man. Scandalous then, no big thing now…

She favored an eight-hour workday and a social safety net, positions that made her a radical in the late 1800s but would qualify her for Congress today.

And Parsons had another trait of today’s politicians: She was a merchant of misinformation.

“Goddess of Anarchy: The Life and Times of Lucy Parsons, American Radical” is an important new biography by University of Texas historian Jacqueline Jones that fact-checks Parsons’ made-up details about her own background, correcting errors existing in virtually every biographical sketch ever written about this amazing woman…

Read the entire article here.

One in Twelve

Mary Frances Berry
2014-12-25

Mary Frances Berry, Geraldine R. Segal Professor of American Social Thought and Professor of History
University of Pennsylvania

When I read in the New Orleans Times Picayune that about 12 percent of Louisiana residents who identify themselves as white have at least 1 percent African ancestry, or one African ancestor within the last 11 generations, I thought of Louis Antoine Snaer and his family. Louis Antoine was one of many New Orleans free men of color who joined the Union army in the Louisiana Native Guards, but the only one to remain an officer after the Union capture of New Orleans in 1862. The others were ejected when Union commanders decided African Americans as a race were “naturally” unfit for leadership, and could not expect white officers to respect them. But Snaer did not identify himself. He passed as “white” in silence and stayed in the service. He became a Union military hero who led troops at the Battle of Port Hudson, and retired as a decorated officer.

Snaer was later elected to political office as a “Negro” and then like other Colored Creoles moved his family to northern California after Plessy v Ferguson (1896) leaving behind their identities and their histories as Colored Creoles, and becoming white for all intents and purposes…

Read the entire article here.

We Are Who We Say We Are: A Black Family’s Search for Home Across the Atlantic World

Oxford University Press
2014-12-01
224 Pages
32 illustrations
5-1/2 x 8-1/4 inches
Paperback ISBN: 9780199978335

Mary Frances Berry, Geraldine R. Segal Professor of American Social Thought and Professor of History
University of Pennsylvania

This colored Creole story offers a unique historical lens through which to understand the issues of migration, immigration, passing, identity, and color-forces that still shape American society today. We Are Who We Say We Are provides a detailed, nuanced account of shifting forms of racial identification within an extended familial network and constrained by law and social reality.

Author Mary Frances Berry, a well-known expert in the field, focuses on the complexity and malleability of racial meanings within the US over generations. Colored Creoles, similar to other immigrants and refugees, passed back and forth in the Atlantic world. Color was the cause and consequence for migration and identity, splitting the community between dark and light. Color could also split families. Louis Antoine Snaer, a free man of color and an officer in the Union Army who passed back and forth across the color line, had several brothers and sisters. Some chose to “pass” and some decided to remain “colored,” even though they too, could have passed. This rich global history, beginning in Europe–with episodes in Haiti, Cuba, Louisiana, and California–emphasizes the diversity of the Atlantic World experience.

Contents

• Preface
• Chapter I: Becoming Colored Creole
• Chapter II: Becoming Americans
• Chapter III: Family Troubles
• Chapter IV: Fighting for Democracy
• Chapter V: Becoming “Negroes”
• Chapter VI: Opportunity and Tragedy in Iberia Parish
• Chapter VII: Mulattoes and Colored Creoles
• Chapter VIII: Just Americans
• Chapter IX: At Home or Away: We Are Who We Say We Are
• Epilogue: Becoming “Black”
• Notes

Zendaya to produce, star in thriller on Anita Hemmings, first black woman Vassar grad, passing as white to attend

Shadow And Act
2017-11-14

Zendaya (left) and Anita Hemmings (right).

Zendaya has booked what Deadline calls a hot pitch package on the street right now.

The film is called ‘A White Lie’ and it is a film adaptation of the Karin Tanabe novel, The Gilded Years.

The novel, a psychological thriller, “built around the true story of Anita Hemmings, a light-skinned African American woman. She is the daughter of a janitor, who passed as white so she could attend Vassar at the turn of the century.” She is treated as a wealthy and educated white woman and sparks a romance with a rich Harvard student.

Zendaya will play Hemmings…

Read the entire article here.

Zendaya To Star In ‘A White Lie,’ Pitch Package From Reese Witherspoon’s Hello Sunshine

Deadline
2017-11-13

Mike Fleming Jr

REX/Shutterstock

The hot pitch package on the street is A White Lie, an adaptation of the Karin Tanabe novel The Gilded Years. The book is a psychological thriller built around the true story of Anita Hemmings, a light-skinned African-American woman. The daughter of a janitor, she passed as white so she could attend Vassar at the turn of the 20th century. Spider-Man: Homecoming star co-star Zendaya will play Hemmings. Monica Beletsky is writing the script, and Hello Sunshine’s Witherspoon and Lauren Neustadter are producing along with Zendaya…

Read the entire article here.

Secret heritage

The Herald-Argus
La Porte, Indiana
2017-10-26

Matt Christy, Staff Writer
Telephone: (219) 326-3870

Secret heritage “White Like Her: My Family’s Story of Race and Racial Passing” is on book shelves now and available for check-out at the La Porte County Public Library.

Author tells story behind new book

Looks can be deceiving.

To look at a photograph of Alvera Frederic Kalina, you wouldn’t know the secret she was hiding. Hiding from her husband, hiding from her children, hiding from everyone but those she cut all ties to when she left her New Orleans roots far, far behind.

Alvera avoided the sun. She had no photos of her family. She was obsessed with makeup, even wearing it when she slept.

“I can’t even imagine the fear she lived with, which I later understood was why she did (those mysterious things),” said Alvera’s daughter, author Gail Lukasik.

Lukasik is a mystery writer, but her newest book “White Like Her” is a mystery of another sort. Unlike the female driven detective novels Lukasik is known to pen, “White Like Her” tells the story of a true mystery, one Lukasik — not one of her fictional protagonists — unraveled. It was the mystery her mother made her swear to carry to her grave.

It began with Lukasik wanting to know more about her mother’s father, Azemar Frederic. She knew nothing of her grandfather and when asked, her mother would only say her parents divorced when she was young and her father didn’t raise her.

“The one time I asked her if we could visit New Orleans, where she grew up, she said it would depress her to go home, so I let it go. But in the back of my mind I always wondered about Azemar Frederic. What did he look like? What did he do for a living? What kind of man was my grandfather?” she said.

The answers would shock her and would change everything she thought she knew…

Read the entire article here.

“You’re the one with the slaves in your family”

Salon
2017-10-28

Gail Lukasik

(Credit: Salon/Ilana Lidagoster)

I went looking for information on my mother’s side of the family. My experience was eye-opening

Excerpted with permission from “White Like Her: My Family’s Story of Race and Racial Passing” by Gail Lukasik. Copyright 2017, Skyhorse Publishing.

The windowless basement of the Buffalo Grove Family History Center had the feel of an underground bunker—fluorescent lights, cinder block walls, the musty scent of dampness. At the room’s entrance sat a gray-haired woman, birdlike and benign. With robotic precision, she meted out instructions on how to use the machines, where the microfilms were located and how to order original documents. She appeared as nondescript and gray as the walls.

I’d come to the family history center in search of my grandfather Azemar Frederic. I was between adjunct college teaching jobs, applying for tenure track teaching positions in creative writing, and working part-time as an assistant editor for a medical journal. The year before, I’d been offered a position in creative writing at a liberal arts college in Tennessee. But I turned it down. Uprooting my life at the age of forty-nine for a position that paid in the low five figures seemed foolhardy. My husband would need to obtain a Tennessee dental license to practice dentistry, and we would have to pay out-of-state tuition at the University of Illinois for our daughter Lauren. So I resigned myself to seeking positions in the Chicago area where the competition was especially rigorous and my chances for success slim.

I had time on my hands and an insatiable longing to find Azemar who over the years had become more and more unreal to me as if he never existed, was a figment of my mother’s imagination. Without a photograph of him, I had nothing physical to connect him to me. This need for a physical image of him was primal. It was an aching absence that I needed to fill…

Read the entire article here.

‘The Inscrutable Alexander Fitten’

The Atlanta Journal Constitution
2017-11-03

Marc Fitten

An excerpt from ‘We Wear the Mask: 15 True Stories of Passing in America.’ By Marc Fitten

My full legal name is Marc Jeffrie Fitten, but I have always disliked it. It’s like the skin tag hanging from my neck that I keep promising myself I will do something about.

Since I was 6, I have never been comfortable with hearing it spoken or saying it out loud. I have never identified with it. Ever since I was a child, everything in my DNA rejected this name. Probably because I instinctively knew it was a fake.

My real name is lost to my family and me. Lost for many reasons, but especially because along the way an ancestor realized his name gave away an ethnicity that was more trouble than it was worth. So he changed it. Twice. A shoemaker and a migrant who traveled around the Caribbean taking odd jobs, my half-Chinese great grandfather managed to hide his identity from the people around him and from his descendants for 100 years…

Marc Fitten looks at a recently discovered photo of his great grandfather, who Marc learned was part Chinese after his 2-year-old nephew was diagnosed with Kawasaki disease, an illness prone to Asians. HYOSUB SHIN / HSHIN@AJC.COM

…The twist is intriguing as well. While mixed-race African-Americans were passing as white in the United States, in the Caribbean, a Chinese Jamaican wanted to hide his name and ethnicity and for his children to pass as colored.

My great-grandfather — forever after known as Mr. Fitten — even had the good sense to die early, and so he took his secrets with him…

Read the entire article here.

Coming to Terms with Mixed Race

The Quadrant
July 2017

Robert Murray

One of the difficulties of Stan Grant’s recent book is trying to pin down how pre-TV life differed from that of any working-class boy from the bush who makes it in the big smoke. But then there are quite a few things Grant neglects to explore in his genial but ultimately frustrating personal history

From either a primary school teacher or from my Mum, I heard at an early age that part-European indigenous people—then known inelegantly as “half-castes”—were caught between two worlds, and that could make life difficult for them. Their dilemma has been around for a long time but has never really been part of the public discussion, or even much awareness. “The Aboriginal problem” seems to remain firmly with the remote tribal people, where it has always been.

This is part of the value of Stan Grant’s memoir, reviewed by Jeremy Sammut in the June 2016 edition of Quadrant, his story of being one of the Westernised “light-skinned” part-Europeans who today make up the majority of those who identify as Aborigines. Sammut’s review concentrated on the part of the book dealing with recent indigenous public policy. This piece adds the more personal mixed-race aspect.

“The old definitions of Aboriginality strain to serve the constellation of groups and individuals that lay claim to that identity,” Stan Grant writes. In some ways, it doesn’t seem to have made things all that difficult for Grant, manual worker’s son from the Riverina who became a successful television journalist and is now an indigenous celebrity. But he says it was an extra load to carry, perhaps in small rather than big ways.

His autobiography, Talking to My Country, is important as a brightly written, lucid account of mixed-race life—if we can use that useful but unloved term. As the title suggests, it aspires to be talking to this country about Aboriginality, but is a word-play also on his home country in the Riverina district of New South Wales where his boyhood had little in common with the “full descent” communities of the remote outback that get all the publicity.

“Aboriginal” or “indigenous” still implies to most Australians the Northern Territory, Cape York or the Kimberley, the dark-skinned people only lately and lightly integrated to modern ways and often troubled by them. The figures put it otherwise. Most who identify as Aborigines these days live in the south, much as other Australians do, but their circumstances or predicaments, when there are predicaments, get little media, political, academic and thus public attention. It has ever been thus. Colonial governments believed they had an obligation to shield “full-bloods” from the conspicuously damaging effects of newly established white society, but they expected mixed-race people to just become like everybody else. To a large extent they did, but not without problems, often emotional as much as anything.

The total Australian population now identifying officially as of Aboriginal or Torres Strait Islander descent is close to 700,000. About 175,000 live in New South Wales, almost all of them thought to be of mixed descent and more or less Westernised, like the majority nationally. Corroboree-type ceremony in New South Wales is believed to have died out around 1900…

Read the entire article here.