Mixed Race Studies

How and why did they do it?

Harriet Beecher Stowe House
2950 Gilbert Avenue
Cincinnati, Ohio 45206
Sunday, 2016-02-28, 13:00 EST (Local Time)

Between the the 18th and mid-20th centuries, countless African Americans passed as white, leaving behind families and friends, roots and communities.

Allyson Hobbs, Ph.D., Assistant Professor, Department of History, Stanford University, will be at the Harriet Beecher Stowe House Sunday, February 28, at 1 pm to discuss her book A Chosen Exile: A History of Racial Passing in American Life, published Harvard University Press.
A Chosen Exile was selected as an Editors’ Choice by The New York Times Book Review, The Root, and The San Francisco Chronicle.
It’s a story of challenges and loss in a country obsessed with racial distinctions.

Free to the public. Refreshments will be served. Reservations available by e-mail @ friendsharrietbeecherstowe@gmail.com or call 513-751-0651.

What Matters to Me & Why – Allyson Hobbs

Stanford University
Common Room
Center for Inter-Religious Community Learning and Experiences (CIRCLE) at Old Union, 3rd Floor
Stanford, California
Wednesday, 2016-02-17, 12:00 PST (Local Time)

Allyson Hobbs

Sponsored by: Office for Religious Life

The purpose of What Matters to Me and Why is to encourage reflection within the Stanford community on matters of personal values, beliefs, and motivations in order to better understand the lives and inspirations of those who shape the University.

Allyson Hobbs, Assistant Professor of History

Allyson Hobbs is an Assistant Professor in the History Department at Stanford. She graduated magna cum laude from Harvard University and she received a Ph.D. with distinction from the University of Chicago. She has received fellowships from the Ford Foundation, the Clayman Institute for Gender Research, and the Center for the Comparative Study of Race and Ethnicity at Stanford.

Allyson’s first book, A Chosen Exile: A History of Racial Passing in American Life, published by Harvard University Press in 2014, examines the phenomenon of racial passing in the United States from the late eighteenth century to the present. A Chosen Exile won two prizes from the Organization of American Historians: the Frederick Jackson Turner Prize for best first book in American history and the Lawrence Levine Prize for best book in American cultural history.

A Chosen Exile has been reviewed in the New York Times Book Review, the San Francisco Chronicle, Harper’s, the Los Angeles Review of Books, and the Boston Globe. The book was selected as a New York Times Book Review Editor’s Choice, a “Best Book of 2014” by the San Francisco Chronicle, and a “Book of the Week” by the Times Higher Education in London. The Root named A Chosen Exile as one of the “Best 15 Nonfiction Books by Black Authors in 2014.”

Allyson teaches courses on American identity, African American history, African American women’s history, and twentieth century American history and culture. She has won numerous teaching awards including the Phi Beta Kappa Teaching Prize, the Graves Award in the Humanities, and the St. Clair Drake Teaching Award.

Allyson is a contributing writer to the New Yorker.com and her work has also been featured on cnn.com, slate.com, and in the New York Times, Los Angeles Times, The Chronicle of Higher Education, The National Review, and the Christian Science Monitor.

For more information, click here.

One Drop of Love: Presented by Mesa Arts Center as part of the Performing Live Series

Mesa Arts Center
Nesbitt/Elliott Playhouse
One East Main Street
Mesa, Arizona 85201
Telephone: 480.644.6500
Friday, 2016-02-05, 19:30 MST (Local Time)

Fanshen Cox DiGiovanni

How does our belief in ‘race’ affect our most intimate relationships? One Drop of Love travels near and far, in the past and present to explore family, race, love and pain – and a path towards reconciliation. It is produced by Fanshen Cox DiGiovanni, Ben Affleck and Matt Damon.

For more information, click here.

Racial Prescriptions: Pharmaceuticals, Difference, and the Politics of Life (Race & Difference Colloquium Series)

Emory University
Robert W. Woodruff Library, Jones Room
540 Asbury Circle
Atlanta, Georgia 30322
Monday, 2016-02-01, 12:00-13:30 EST (Local Time)

Presented by: James Weldon Johnson Institute for the Study of Race and Difference

Jonathan Xavier Inda, Chair and Professor of Latino/a Studies
University of Illinois, Urbana-Champagne

In the contemporary United States, matters of life and health have become key political concerns. Important to this politics of life is the desire to overcome racial inequalities in health; from heart disease to diabetes, the populations most afflicted by a range of illnesses are racialized minorities. The solutions generally proposed to the problem of racial health disparities have been social and environmental in nature, but in the wake of the mapping of the human genome, genetic thinking has come to have considerable influence on how such inequalities are problematized. In this Race and Difference Colloquium, Professor Jonathan Xavier Inda (University of Illinois at Urbana-Champagne) explores the politics of dealing with health inequities through targeting pharmaceuticals at specific racial groups based on the idea that they are genetically different. Drawing on the introduction of BiDil to treat heart failure among African Americans, her contends that while racialized pharmaceuticals are ostensibly about fostering life, they also raise thorny questions concerning the biologization of race, the reproduction of inequality, and the economic exploitation of the racial body.

Engaging the concept of biopower in an examination of race, genetics and pharmaceuticals, Inda’s talk will appeal to sociologists, anthropologists and scholars of science and technology studies with interests in medicine, health, bioscience, inequality and racial politics.

For more information and to RSVP, click here.

A Chosen Exile: A History of Racial Passing in American Life (Race & Difference Colloquium Series)

Emory University
Robert W. Woodruff Library, Jones Room
540 Asbury Circle
Atlanta, Georgia 30322
Monday, 2016-02-15, 12:00-13:30 EST (Local Time)

Presented by: James Weldon Johnson Institute for the Study of Race and Difference

Allyson Hobbs, Assistant Professor of History
Stanford University

In this Race and Difference Colloquium, Allyson Hobbs, an Assistant Professor in the Department of History at Stanford University, discusses her first book, A Chosen Exile: A History of Racial Passing in American Life, published by Harvard University Press in October 2014. The book examines the phenomenon of racial passing in the United States from the late eighteenth century to the present. A Chosen Exile won the Frederick Jackson Turner Award for best first book in American History and the Lawrence Levine Award for best book in American cultural history.

For more information and to RSVP, click here.

Jeff Chang in conversation with Adam Mansbach

Kepler’s Books
1010 El Camino Real
Menlo Park, California 94025-4349
Tuesday, 2015-01-26, 19:30 PST (Local Time)

It’s hard to express just how cool and important Who We Be is with words alone. Jeff seems to share this sentiment when it comes to a cultural history of the idea of racial progress because Who We Be remixes comic strips and contemporary art, campus protests and corporate marketing campaigns, Martin Luther King, Jr. and Trayvon Martin.

Now you can join the conversation too: How do Americans see race now? How has that changed – and not changed – over the half-century? After eras framed by words like “multicultural” and “post-racial,” do we see each other anymore clearly? Join us for a timely discussion with journalist, music critic, and Executive Director of the Institute for Diversity in the Arts at Stanford University, Jeff Chang. He will be interviewed by the author of Go the F**k to Sleep, Adam Mansbach, to celebrate the paperback release of Who We Be.

Jeff Chang co-founded and ran the indie hip hop label, then known as SoleSides, but now known as Quannum Projects, and helped launch the careers of DJ Shadow, Blackalicious, Lyrics Born, and Lateef the Truth Speaker. The anti-apartheid and the anti-racist movement at UC Berkeley politicized Chang and he worked as a community laborer and student organizer; Chang was an organizer of the inaugural National Hip-Hop Political Convention. In 2007 Chang interviewed Barack Obama, for the cover of Vibe Magazine. He’s the author of Can’t Stop Won’t Stop and has written for The Nation, the New York Times, the San Francisco Chronicle, The Believer, Foreign Policy, Salon, Slate, and Buzzfeed, among others.

Adam Mansbach is the author of Angry Black White Boy, a San Francisco Chronicle Best Book of 2005 and The End of the Jews (for which he won the California Book Award for fiction in 2008). Mansbach was the founding editor of the 1990s hip-hop journal Elementary. He lives in Berkeley and co-hosts a radio show, “Father Figures.”…

For more information and to RSVP, click here.

What’s the Difference with “Difference”?

University of Washington
Kane Hall, Room 120
4069 Spokane Lane
Seattle, Washington 98105
2016-01-14, 19:30 PST (Local Time)

Ralina L. Joseph, Associate Professor
Department of Communication
(also adjunct associate professor in the Departments of American Ethnic Studies and Gender, Women, and Sexuality Studies)
University of Washington

Language is power. The words we use and the names we say count, both individually and institutionally. This is particularly true when it comes to minoritized, identity-based nomenclature, such as the language of a racialized and gendered naming. The movement from “colored” to “negro” to “black” to “African-American” signifies important historical shifts in the state and community-naming processes. In other words, the words we use matter in terms of how we assess, frame, and ultimately understand difference.

But what about the naming of “difference” itself? Difference is a term that late 20th and early 21st century scholars of race, gender, and sexuality have claimed and yet left largely untheorized. We use the word difference almost reflexively. Difference replaces—or rather revises—diversity, multiculturalism, or a long-connected string of descriptors such as race, gender, sexuality, class, nationality, and ability. But what does this shift in language mean and why is it significant for the ways in which we assess, inhabit, and perhaps even change our world? Does a change to “difference” lead to a change in identity and inequality?

Registration opens December 2015.

You do not need to be an alum of the University of Washington to attend or register.

For more information, click here.

Book Talk – A Chosen Exile: The History of Racial Passing

National Civil Rights Museum: At the Lorraine Motel
450 Mulberry Street
Memphis, Tennesee 38103
2015-12-17, 18:00-20:00 CST (Local Time)

Allyson Hobbs, a professor of History at Stanford University, has written a remarkable book entitled [A] Chosen Exile: A History of Racial Passing in America. This title has many key links to the museum’s history ranging from the era of Jim Crow to the most recent scandals. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.

A Chosen Exile won the Frederick Jackson Turner Award for best first book in American History and the Lawrence Levine Award for best book in American cultural history. The book was selected as a New York Times Book Review Editor’s Choice, a “Best Book of 2014” by the San Francisco Chronicle, and a “Book of the Week” by the Times Higher Education in London. The Root named A Chosen Exile as one of the “Best 15 Nonfiction Books by Black Authors in 2014.”

Hobbs is a contributor to the New Yorker.com and the BBC World Service. She graduated magna cum laude from Harvard University and she received a Ph.D. with distinction from the University of Chicago. She has received fellowships from the Ford Foundation, the Michelle R. Clayman Institute for Gender Research, and the Center for the Comparative Study of Race and Ethnicity at Stanford. Hobbs teaches courses on American identity, African American history, African American women’s history, and twentieth century American history and culture. She has won numerous teaching awards including the Phi Beta Kappa Teaching Prize, the Graves Award in the Humanities, and the St. Clair Drake Teaching Award…

For more information, click here.

Virtual release party for ‘Raising Mixed Race’ – December 11th, 2015

Facebook Release Party
2015-12-11, 17:30-21:30Z (09:30-13:30 PST)

Join us for giveaways, Q&A, discussion, and much more as we celebrate the launch of Raising Mixed Race.

Publishing in December 2015, Raising Mixed Race by Sharon Chang is the first book to examine the complex task of supporting young children who are “two or more races” and Asian. To celebrate, the author has organized a virtual release party complete with over 20 giveaways.

For more information, click here.

Krotoa-Eva’s Suite: A performance by poet Toni Stuart

Goldsmiths University of London
New Cross
London, United Kingdom
Caribbean Studies Centre
Top Floor, Education Building
2015-12-03, 18:30-20:30Z

Join the Centre for Caribbean and Diaspora Studies and the Centre for Feminist Research for a performance by poet Toni Stuart and a ‘Stories are Medicine’ discussion circle.

Toni Stuart (@nomadpoet) is a poet, performer, festival organiser and educator from Cape Town, South Africa.

She’ll be performing poems from her collection in progress, Krotoa-Eva’s Suite – a cape jazz poem in three movements. This is the re-imagined story of Krotoa-Eva, a Khoi woman who played a pivotal role in South African history in the 17th Century, when the first European settlers arrived at Cape Town, as it is known today. The poems give voice to Krotoa-Eva’s “interior” life, and aim to offer a counter-narrative to the male, colonial perspectives through which her story has previously been told.

The performance will be followed by an informal discussion circle around the role of self-care and healing in our work as feminists. And, it will explore how stories and the creative arts might facilitate and support this practice.

For more information, click here.