Mixed Race Studies

Zazie Beetz on ‘Atlanta,’ Her Emmy Nomination and Impostor Syndrome

The New York Times
2018-08-24

Aisha Harris, Assistant Television Editor, Culture Desk

Zazie Beetz received her first Emmy nomination, for her work in “Atlanta” on FX. Guy D’Alema/FX

Zazie Beetz has had quite the year. The burgeoning actor returned for Season 2 of FX’s critically acclaimed dramedy “Atlanta,” unpacking more layers of her character Van in some particularly memorable episodes. (One scene from the episode “Champagne Papi” took on new life thanks to Drake, who included one of her lines at the end of his No. 1 hit “In My Feelings.”) This summer, she reached an even wider audience with “Deadpool 2,” receiving accolades for her performance as Domino, a mutant whose superpower is luck.

And last month Ms. Beetz received her first Emmy nomination, for best supporting actress in a comedy for “Atlanta.” As someone who suffers from severe anxiety, however, the awards recognition and the increased visibility that comes with it have not been easy to process. “I don’t even know if I should say this publicly, but I feel kind of like, ‘O.K., cool,’” she said.

“I’m glad that shows like ‘Atlanta’ and our other contemporaries are having an opportunity to be seen and to be appreciated,” she continued, “and I’m glad that I can contribute in that way. That’s really what I’m happy about.”

In a phone interview, Ms. Beetz discussed exploring new facets of Van, her own biracial identity and experiencing anxiety and impostor syndrome in Hollywood. These are edited excerpts from the conversation…

Read the entire interview here.

Danzy Senna’s Life Isn’t Black and White

Articulate
2018-04-24

Jim Cotter, Host & Managing Editor

Author Danzy Senna’s heritage gives her a unique perspective on race in America.

Watch the interview (00:06:40-00:16:40) and read the transcript here.

Tanya Katerí Hernández

Writers Read
2018-08-09

Marshal Zeringue

Tanya Katerí Hernández is the Archibald R. Murray Professor of Law at Fordham University School of Law, where she co-directs the Center on Race, Law & Justice as its Head of Global and Comparative Law Programs and Initiatives.

Her new book is Multiracials and Civil Rights: Mixed-Race Stories of Discrimination.

Recently I asked Hernández about what she was reading. Her reply:

I have been re-reading Trevor Noah’s memoir Born a Crime: Stories from a South African Childhood, in anticipation of the film version that Lupita Nyongo is slated to star in portraying Noah’s mother. The book has a special resonance for me as a comparative-race law scholar whose personal background as a black-identified mixed-race Afro-Latina traveling the globe informs her insights about the (in)significance of the growth of racial mixture to the pursuit of racial equality whether it be in the US, South Africa, or Latin America. Noah’s story of being mixed-race during and after apartheid ended in South Africa is both a poignant and humorous read (as you would expect from the host of Comedy Central’s The Daily Show)…

Read the entire interview here.

Interview: ‘White people are so fragile, bless ’em’ … meet Rhiannon Giddens, banjo warrior

The Guardian
2018-07-23

Emma John

‘I’m not here to be famous’ … Rhiannon Giddens, who is curating the Cambridge folk festival. Photograph: Tanya Rosen-Jones

She pours fire and fury into powerful songs that target everything from police shootings to slavery. The musician reveals all about her mission to put the black back into bluegrass – and Shakespeare

‘We’re all racist to some degree,” says Rhiannon Giddens. “Just like we’re all privileged to some degree. I have privilege in my system because I’m light-skinned. I hear people say, ‘I didn’t have it easy growing up either.’ But when did it become a competition?”

As someone on a mission to bridge such divides, Giddens thinks about this stuff a lot. The Grammy-winning singer and songwriter was born to a white father and a black mother in Greensboro, North Carolina, in the late 1970s. Her parents married only three years after the landmark Loving v Virginia decision, which reversed the anti-miscegenation laws that had made interracial marriage illegal. Their union was still shocking enough that her father was disinherited.

While much has changed in the 40 years that Giddens has been alive, her latest album, Freedom Highway, is a powerful testament to the inequality and injustice that remain. It opens with At the Purchaser’s Option, a devastating track inspired by an 1830s advert for a female slave whose nine-month-old baby could also be included in the sale. “It was kind of a statement to put that one first,” says Giddens. “If you can get past that, you’ll probably survive the rest.”…

Read the entire interview here.

Portrait Of: ‘The Latinos Of Asia’

Latino USA
2018-05-22

Janice Llamoca, Digital Media Editor
Futuro Media Group

When you hear of last names like Torres, Rodriguez or Santos, you might automatically think of Latin America—and you’re not completely wrong. Those surnames are common throughout Latin America, but they’re also common in the Philippines.

Because of Spanish colonization, Filipinos and Latinos also share —aside from last names— religion, food and even similarities in language. These lines become even clearer here in the United States, as Filipino-Americans grow up in a cities with large Latino populations, like Los Angeles.

Anthony Ocampo, associate professor of sociology at California State Polytechnic University, Pomona, breaks down these similarities in his book, The Latinos of Asia: How Filipino Americans Break the Rules of Race.

Maria Hinojosa talks to Ocampo about the book, his experience growing up in Los Angeles as a Filipino-American and what his research tells us about the link between Filipinos and Latinos…

Listen to the interview (00:19:30) here.

The Chat With Chelene Knight

49th Shelf
2018-05-09

Trevor Corkum

Chelene Knight’s debut memoir Dear Current Occupant (Bookt*ug) takes a closer look at childhood trauma and the uncertain idea of home. It’s a haunting, experimental, and deeply moving book which follows the author as she returns to many of the apartments she lived in as a young girl.

The Toronto Star calls Knight “one of the storytellers we need most right now” and calls the writing in Dear Current Occupant “lush, lyrical…mesmerizing.”

Chelene Knight was born in Vancouver, and is currently the Managing Editor of Room Magazine. A graduate of The Writers’ Studio at SFU, Chelene has been published in various Canadian and American literary magazines. Her debut book, Braided Skin, was published in 2015. Dear Current Occupant is her second book. Chelene is also working on a historical novel set in the 1930s and 40s in Vancouver’s Hogan’s Alley.

Trevor Corkum: Can you tell us more about the inspiration behind Dear Current Occupant?

Chelene Knight: While I was writing my first book, Braided Skin (Mother Tongue Publishing 2015), I felt that there was an unfinished thread. Something wasn’t complete. I actually started working on Dear Current Occupant in 2013, but quickly tucked it away because the realization that I was not ready to re-experience everything was quite apparent. I was not ready to write these stories.

When it comes to childhood and trauma, there’s a certain amount of healing that needs to occur, you have to distance yourself a bit, step back from the table. Every day on my way to work I’d pass ride the Sky Train and just before the train pulled into Broadway Station, I’d get this twinge as I passed one of the buildings I used to live in as a young girl. Then I’d pass another, and another, and another and the same twinges poked and prodded under my skin. Then I knew I was ready to start the work, to put the pieces together.

I stood out front of as many of the houses as I could remember and I just wrote. It was winter and I was cold. I didn’t have gloves on and the snow was coming down, but I couldn’t stop. Memories and fragments came back like lightening. There was something about being there in the space. Even though I was outside those walls I knew so well, I will still there, back in time. I had no idea the effect this book would have on people. I have received nothing but stories of change, emails, tweets, messages, and posts about how this book changed them.

And at the end of the day isn’t that what a book is supposed to do? Change the reader…

Read the entire interview here.

Jesmyn Ward: ‘Black girls are silenced, misunderstood and underestimated’

The Guardian
2018-05-11

Lisa Allardice, Editor
Guardian Review

Jesmyn Ward: ‘I fought from the very beginning.’ Photograph: Sarah Lee for the Guardian

The author of Sing, Unburied, Sing, had a tough childhood in Mississippi, survived Hurricane Katrina, and became the first woman to win two US national book awards for fiction

If Jesmyn Ward’s fiction tends towards the epic, that is maybe because her life has been marked by monumental events. “I fought from the very beginning”, she says. Born prematurely at just 26 weeks, she was badly attacked by her father’s pit bull as a small child, her younger brother was killed at 19, and, along with several generations of her family, she sheltered from Hurricane Katrina in a truck. Yet today she is the first woman to win the US national book award for fiction twice, hailed by a leading reviewer as “one of the most powerfully poetic writers in the country”. And on the morning we meet, it has just been announced that she has been shortlisted for the Women’s prize for fiction for her novel Sing, Unburied, Sing…

Ward’s subject is what it means to be poor and black in America’s rural south, where “life is a hurricane”. Modern Mississippi, she says, “means addiction, ground-in generational poverty, living very closely with the legacy of slavery, of Jim Crow, of lynching and of intractable racism”. In her first novel, Where the Line Bleeds (2008), she felt she “protected” her characters from these brutal realities, because she knew and cared about them too much: “So I kept pulling my punches. And later I realised that was a mistake. Life doesn’t spare the kind of people who I write about, so I felt like it would be dishonest to spare my characters in that way.”…

Read the entire interview here.

Ijeoma Oluo and Rebecca Carroll on Race and Representation in Journalism

Midday on WNYC
WNYC
New York, New York
2018-05-03

Duarte Geraldino, Guest Host

Ijeoma Oluo and Rebecca Carroll discuss the ethics of representation in Sally Kohn’s book, The Opposite of Hate: A Field Guide to Repairing Our Humanity. Oluo and Aminatou Sow take issue with how they were quoted in Kohn’s book, which sets up what they say is an inaccurate dichotomy between their positions. In a recent interview with Vanity Fair about the controversy, Oluo said the real focus should be that “we need to talk about the work that people of privilege should be doing, not how many more ways we can harm ourselves so that our humanity will be seen.”

(L to R) Call Your Girlfriend’s Aminatou Sow, WNYC’s Rebecca Carroll, Nancy’s Kathy Tu, and Ear Hustle’s Nigel Poor speaking at the 2017 Werk It Festival. (Gina Clyne Photography )

Listen to the discussion here.

Melissa Harris-Perry in Conversation with Allyson Hobbs

Stanford University
Cubberley Auditorium
Stanford, California
Wednesday, 2018-05-23, 17:00-18:30 PDT (Local Time)

Contact: rmeisels@stanford.edu

Join us for an evening of conversation with Melissa Harris-Perry, Maya Angelou Presidential Chair at Wake Forest University, founding director of the Anna Julia Cooper Center, Editor-at-Large, Elle.com and Author of Sister Citizen: Shame, Stereotypes, and Black Women in America, in conversation with Allyson Hobbs, Associate Professor of History and Director of African and African American Studies [and author of A Chosen Exile: History of Racial Passing in American Life].

Sponsored by: Clayman Institute for Gender Research, Feminist, Gender, and Sexuality Studies, Humanities Center, African & African American Studies, Center for Comparative Studies in Race and Ethnicity, Division of Literatures, Cultures, and Languages, History Department, and Vice Provost for Undergraduate Education.

For more information, click here.

Why Chelene Knight wrote letters to the current occupants of the houses she lived in growing up

CBC Books
Canadian Broadcasting Corporation
2018-03-06

Ryan B. Patrick, Associate Producer

Chelene Knight is an author based in Vancouver. (Chelene Knight/BookThug)

Chelene Knight is a Vancouver-based writer and editor. Of Black and East Indian heritage, Knight’s Dear Current Occupant mixes poetry and prose to tell a story about home and belonging, set in the 1980s and 1990s of Vancouver’s Downtown Eastside.

The book plays with genre by way of a series of letters addressed to the current occupants now living in the 20 different houses she moved in and out of with her mother and brother. Knight tells CBC Books how she wrote Dear Current Occupant.

A bus ride beginning

“The first draft was originally all poetry, but my publisher suggested I rewrite it as creative nonfiction. I tried to write this book in generic memoir form. I sat down wanting to write about some of my childhood experiences. But it couldn’t come out. I thought maybe it’s not the right time.

“Then I was on the bus one snowy day and I passed by one of the houses that I lived in as a child and something sparked in me. I got off the bus and I stood in front of this house. I had a notebook with me and I started scribbling. The memories were coming back to me — flooding in — and it was this visceral thing where I needed to be in that place and then be transported back to those times.”…

…Writing for others

“We always hear people say there are no Black people in Vancouver, but there are. I identify as a Black woman. I know there was a larger Black community in Vancouver many years ago, but people have been displaced. I definitely want to reach people who not only are of mixed ethnicity but who also identify as Black.

“I’m writing this for the community that I wish were here now. So whether you are Black, of mixed race or can identify with the trauma parts of the book, I think there are different layers in the work where you can see something different every time. That’s what I like with the hybrid form, of poetry and prose.”

Read the entire article here.