Mixed Race Studies

Beyond Visible: Gina Prince-Bythewood on the Necessity of Black Women’s Cinema

The Criterion Collection
2021-10-15

Rebecca Carroll

There is a gloriously unaffected vibe about Gina Prince-Bythewood. Cerebral and sublime, casually beautiful and laser-focused, she has written and directed impressive television and film for the past twenty-plus years with equal parts rigor and joy. And she has achieved all this without losing her sense of self as a Black woman in America, and while continuing to fight to get personal projects made in Hollywood.

Prince-Bythewood has recently reached new heights by becoming the first Black woman to direct a major comic-book movie. That film—The Old Guard, starring KiKi Layne and Charlize Theron—premiered on Netflix in the summer of 2020, at the peak of the pandemic, to widely favorable reviews. Prince-Bythewood, though, is still best known for writing and directing her 2001 feature debut, Love & Basketball, which tells the indelibly original story of a young Black woman ballplayer. The film is not just a love letter to basketball but a paean to the complexity, ambition, and perseverance of Black womanhood. After writing for shows like A Different World and Felicity, Prince-Bythewood went on to direct for TV, including episodes of Girlfriends and Everybody Hates Chris. She returned to the big screen in 2008 with The Secret Life of Bees, and again in 2014 with Beyond the Lights, which is when we first met.

I had known and admired Gina’s work; I don’t know a single Black woman who did not obsess over the love scene in Love & Basketball set to Maxwell’s “This Woman’s Work.” But Beyond the Lights, from the opening scene, hit different. Here was the story of a young Black girl with a white mother who couldn’t see her daughter outside of her own white gaze. It echoed my own experience. I reviewed the film for an online blog and then requested an interview with Gina, which very quickly turned into a conversation that felt uncannily familiar. We were born within a month of each other, in 1969, and were both adopted into white families three weeks after being born. We had both spent our youth navigating all-white environments, desperately in search of a reflection of ourselves. We both turned to storytelling as a career path and a way to make sense of that experience.

Gina has written herself into the narrative—in the movies she’s brought to the screen, the family she’s made, and the world she’s created around her. In celebration of the new Criterion edition of Love & Basketball, we got together to catch up, reflect, and get into it…

Read the entire interview here.

Belonging is Everything: Talking with Georgina Lawton

The Rumpus
2021-03-01

Donna Hemans

“My teacher’s methods were most definitely trash, but that day she taught me a valuable lesson about race,” Georgina Lawton writes in her memoir Raceless: In Search of Family, Identity, and the Truth about Where I Belong. “She let me know that whiteness is a wholly exclusive racial category based around notions of racial purity, and as such would never allow admittance to anyone like me.” While Lawton’s teacher had drawn boundaries around whiteness that excluded Lawton, her white, Anglo-Irish parents stubbornly insisted that their darker-skinned daughter was white like they were.

In her memoir, out now from Harper Perennial, Lawton describes her family’s silence around her racial identity, their refusal to acknowledge her difference, her own experience with racial reckoning, and the detrimental effects of growing up in a color-blind household. “As a child I spent a very long time trying to work everything out for myself before eventually becoming invested in upholding the story my parents told me: I was theirs and that’s all that mattered,” Lawton writes.

As her father is dying of cancer, Lawton and he briefly speak for the first time about the potential that their DNA is different. After her father’s death in her early twenties, Lawton embarks on a journey of self-discovery, traveling to and living in predominantly Black communities in the United States, the Caribbean, and Africa, in a bid to understand and claim her own identity. The memoir, though, is not solely about Lawton’s childhood and journey. She talks to sociologists, psychologists, and others who, like her, had a part of their identities obscured, to understand how identity is formed and its relationship with race.

I spoke to Lawton recently about the challenges of writing a memoir about a story her family would rather not confront, the necessity and value of family stories, and the lasting impact of silences…

Read the entire interview here.

Betty Reid Soskin shares forgotten histories as a national park ranger

The San Francisco Chronicle
2021-06-02

Brittany Bracy
Las Positas College, Livermore, California

The nation’s oldest ranger is hopeful for tomorrow: ‘I get a feeling that change is going to come’

At age 85, Betty Reid Soskin started a new career. She took a job as a park ranger at Rosie the Riveter WWII Home Front National Historical Park in Richmond, sharing her story and the story of Black women’s and men’s efforts during World War II with visitors who are often familiar with the white “We Can Do It!” propaganda figure — and little else.

Soskin grew up in Oakland in the 1920s and ’30s, and well before she became the country’s oldest park ranger, she found ways to contribute to her community. She has been a record store owner, a fundraiser for the Black Panthers and a political aide during her “ordinary extraordinary” life.

Now 99, Soskin has used her platform with the National Park Service to educate the public about crucial moments in history and highlight the sacrifices of those whose names are often left out of the retellings. As she approaches her 100th birthday this year, Soskin’s wisdom and courage continues to have a positive impact on California residents and institutions.

This interview is part of Lift Every Voice, a series that connects young Black journalists with Black elders in our communities to celebrate and learn from their life experiences. The San Francisco Chronicle has joined Hearst newspapers, magazines and television stations to publish dozens of profiles as part of the project…

Read the entire interview here.

New Miami Dolphins coach Mike McDaniel: ‘Extremely proud’ to be biracial

ESPN
2022-02-11

Marcel Louis-Jacques, Miami Dolphins Reporter

MIAMI — Dolphins coach Mike McDaniel, clarifying comments this week in which he said he identified “as a human being,” affirmed that his racial background is not something he simply identifies as — it’s what he is.

“First and foremost, I’m biracial. My mom’s white, my dad’s Black. I’ve been extremely proud of that my whole life,” McDaniel told ESPN on Friday. “It is a unique experience, being a race and then fully acknowledging that most outside observers, when they perceive you, they identify you as something other than the race you are. When you’re younger and that is happening, it’s very, very confusing.”

The Dolphins introduced McDaniel as their 14th head coach this week. During a news conference Thursday in Miami, McDaniel was asked what his experience was growing up and whether his success can serve as an example for people with similar backgrounds…

Read the entire article here.

On Being Other: Primadonna 2021

Primadonna Festival
2022-02-11

Join writer and journalist Bee Rowlatt as she introduces this year’s Costa winner Monique Roffey, author of the remarkable novel The Mermaid of Black Conch, and Natalie Morris, whose debut title Mixed/Other came out in 2021. Together they explore shared themes of otherness, outsider

Introducing… Monique Roffey

FMcM Associates
London, United Kingdom
2020-10-15

Robert Greer

‘Introducing…’ is our online interview series to introduce you to some of the amazing authors we’re working with and their brilliant books!

Monique Roffey is an award-winning Trinidadian-born British writer of novels, essays, a memoir and literary journalism. Her novels have been translated into five languages and shortlisted for several major awards and, in 2013, Archipelago won the OCM BOCAS Award for Caribbean Literature. With the Kisses of His Mouth and The Tryst are works which examine female sexuality and desire. Her essays have appeared in The New York Review of Books, Boundless magazine, The Independent, Wasafiri, and Caribbean Quarterly. She is a Senior Lecturer in Creative Writing at Manchester Metropolitan University.

Welcome! To start with, could you tell us a little bit about yourself…

I’m a bi-national writer based in East London. My identity is mixed and fluid in that I was born in Port of Spain, (a city I frequently return to), but I’m also half English. Via my mother, I have Italian, Maltese and Middle Eastern blood. My consciousness, though, has been shaped by my knowledge and understanding of the Caribbean region. Four of my seven books have been set in the Caribbean region. Two of my books have dealt directly with female sexuality and desire. I’d call myself a magical realist as a writer and a practicing Buddhist in my everyday life; everything else is for others to decide. I teach creative writing on the MA/MFA at Manchester Metropolitan University and for the National Writers Centre. I’ve always enjoyed teaching and know, for sure, that the craft of writing can be taught to anyone with a feel for language and an active imagination…

Read the entire interview here.

A Man Called White and Exploring America’s Darkest Secret in “White Lies”

Chicago Review of Books
2022-02-07

Steve Nathans-Kelly

An interview with A.J. Baime about his new book, “White Lies: The Double Life of Walter F. White and America’s Darkest Secret.”

When we speak of the peak years of the Civil Rights Movement, typically we refer to the period beginning with Brown v. Board of Education in 1954 and the Montgomery Bus Boycott of 1955-56—which thrusted Martin Luther King, Jr. onto the national stage. This canonical era concludes with the passage of the Voting Rights Act in August 1965 following the pivotal showdown in Selma. Those eleven years formed the Movement’s dominant narrative, which blurred and obscured most of what came before and after (and oversimplified much that’s in between).

Jacquelyn Dowd Hall’s landmark 2005 essay, “The Long Civil Rights Movement and the Uses of the Past,” ushered in a critical reassessment of these artificial historical boundaries. Hall argued that anointing this era not only limited the movement’s lifespan to a “halcyon decade,” but also narrowed its goals to the pursuit of a vaguely defined “color-blind” society, a notion later used to recast King and others as proponents of neoliberal social and fiscal policy.

Focusing exclusively on this period also meant overlooking many of the foundational figures who preceded it and laid the groundwork for nearly everything that followed.

One such figure is Walter F. White—known in his lifetime as “Mr. NAACP”—who led America’s most powerful civil rights organization from 1929 until his death in 1955. White featured prominently in nearly every important battle against segregation and white supremacy during those years. White’s extraordinary life demonstrates how blinding white Americans’ appalling lack of color-blindness could be.

By all appearances, the blond-haired and blue-eyed Walter White was white. But like his multiracial parents, both born to formerly enslaved people, White identified as Black throughout his life. In his early years with the NAACP, he used his appearance to infiltrate Southern white communities as an undercover white man, gathering critical information on brutal lynchings from killers keen to brag about their crimes…

Read the entire interview here.

A New Orleans Company Shines A Light On Opera’s Diverse History

Weekend Edition Sunday
National Public Radio
2017-05-28

Malika Gumpangkum and Lulu Garcia-Navarro

For many people, New Orleans is practically synonymous with jazz; it’s the birthplace of both the music and many of its leading lights, from Louis Armstrong to Christian Scott aTunde Adjuah. But now, one organization is working to draw attention to the city’s history of opera music.

OperaCréole, an opera company founded in New Orleans, is resurrecting music written by local composers of color and others who’ve been left out of the overwhelmingly white, male canon. The company’s latest production, La Flamenca, is by the Creole composer Lucien-Léon Guillaume Lambert, whose father was born in New Orleans.

OperaCréole founder and mezzo-soprano Givonna Joseph joined NPR’s Lulu Garcia-Navarro to discuss La Flamenca and her company’s work in general. Hear their full conversation at the audio link…

Listen the entire story here.

S2E10 Black Feminist Physics: A Conversation with Chanda Prescod-Weinstein

Cite Black Women
November 2020

Christen Smith, Host

In this episode Cite Black Women podcast host Christen Smith sits down with theoretical physicist and feminist theorist Dr. Chanda Prescod-Weinstein to discuss Black feminist physics, the intersections between the matrix of violence against Black women and science, her radical Black feminist upbringing and her forthcoming book, The Disordered Cosmos: A Journey Into Dark Matter, Spacetime, & Dreams Deferred (March 2021, Bold Type Books).

Dr. Chanda Prescod-Weinstein (she/her) is an Assistant Professor of Physics and Core Faculty Member in Women’s Studies at the University of New Hampshire. She is also a columnist for New Scientist and Physics World. Her research in theoretical physics focuses on cosmology, neutron stars, and dark matter. Using ideas from both physics and astronomy, she responds to deep questions about how everything in the universe got to the be the way it is. She also does research in Black feminist science, technology, and society studies. Essence magazine recognized her as one of “15 Black Women Who Are Paving the Way in STEM and Breaking Barriers.” She has been profiled in several venues, including TechCrunch, Ms. Magazine, Huffington Post, Gizmodo, Nylon, and the African American Intellectual History Society’s Black Perspectives. A cofounder of the Particles for Justice movement, she has received the 2017 LGBT+ Physicists Acknowledgement of Excellence Award for her contributions to improving conditions for marginalized people in physics, as well as the 2021 American Physical Society Edward A. Bouchet Award for her contributions to particle cosmology. She divides her time between the New Hampshire Seacoast, and Cambridge, Massachusetts.

Listen to the interview (01:11:29) here.

Nadia Owusu Examines Her Ghanaian-Armenian Identity In ‘Aftershocks’

Weekend Edition Saturday
National Public Radio
2021-01-16

NPR’s Scott Simon speaks to Nadia Owusu about her memoir, Aftershocks.

Listen to the interview (00:07:02) and/or read the transcript here.