Mixed Race Studies

Artist Turns Racist Flirtations on Tinder Into Compelling Look at Race and Sex

The Root
2016-05-13

Demetria Lucas D’Oyley

Phoebe Boswell Source: phoebeboswell.com

She Matters: Inspired by James Baldwin’s “Stranger in a Village,” Phoebe Boswell was interested in exploring the perceptions of black women in predominantly white spaces.

Over the weekend I swung by the 156 Art Fair, an annual exhibition of African art at Pioneer Works in Brooklyn, N.Y. Among the many strong presentations on display, Phoebe Boswell’s Stranger in the Village stood out.

In April 2015 Boswell, a biracial Kenyan woman currently living in London, was temporarily situated in Gothenburg, Sweden, in a predominantly white area. Boswell set out to explore perceptions of race and sex during her stay by turning to dating app Tinder.

“I thought I might want to explore what my body might feel like living in a space that might not be very welcoming,” Boswell says.

Any black woman who has ever ventured online to look for love—a particularly painful place for black women—should be able to predict the worst of what happened to Boswell next. Reactions to Boswell ranged from microaggressions to flat-out racism. But Boswell turned her lemons into artistic lemonade. For her installation, she sketched portraits of her online suitors with a mechanical pencil and included quotes from her exchanges.

“In the space of day, I go back through microaggressions for a month,” Boswell explained. “It’s like, ‘Oh, my God!’ I’m frightened from the things that I see.” Here, she talks about the experiences on Tinder that inspired the project…

Read the entire interview here.

Marlene Daut

New Books Network
2016-04-18

Dan Livesay, Assistant Professor of History
Claremont McKenna College, Claremont, California

Marlene Daut tackles the complicated intersection of history and literary legacy in her book Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789-1865 (Liverpool University Press, 2015). She not only describes the immediate political reaction to the Haitian Revolution, but traces how writers, novelists, playwrights, and scholars imposed particular racial assumptions onto that event for decades afterward. Specifically, she identifies a number of recurring tropes that sought to assign intense racial divisions to the Haitian people. Individuals of joint African and European heritage, she contends, received the blunt of these attacks, as they were portrayed as monstrous, vengeful, mendacious, and yet also destined for tragedy. Moreover, observers and chroniclers of the Revolution maintained that these supposed characteristics produced ever-lasting discord with black Haitians. Daut analyzes hundreds of fictional and non-fictional accounts to argue that portrayals of the Haitian Revolution, and of the country itself, have long suffered under these false assumptions of exceptional racial problems. She has also produced a compendium of Haitian fiction during this period, in conjunction with the book. You can find it here.

Listen to the interview (00:49:33) here. Download the interview here.

Four Questions for Sarah A. Chavez

Little Myths
2015-12-09

Daniel M. Shapiro

Sarah A. Chavez

Sarah A. Chavez, a mestiza born and raised in the California Central Valley, is the author of the chapbook All Day, Talking (Dancing Girl Press, 2014). She holds a Ph.D. in English with a focus in poetry and Ethnic Studies from the University of Nebraska – Lincoln. Her work can be found or is forthcoming in the anthologies Bared: An Anthology on Bras and Breasts and Political Punch: The Politics of Identity, as well as the journals North Dakota Quarterly, Pittsburgh Poetry Review, and The Boiler Journal, among others. Her debut full-length collection, Hands That Break & Scar, is forthcoming from Sundress Publications. She is a proud member of the Macondo Writers Workshop.

DS: Why do you write poetry?

SC: As a kid growing up in a mobile home on the west side of Fresno, CA, when I was upset or couldn’t sleep, I read. Mostly prose, novels and the occasional short story; they were about upper class people, romance, things that take place in forests, or vampire/horror – always an escape. When I was done with a book, it felt like I was transported back against my will. My brain a little fuzzy, feeling dissatisfied closing the back cover, unhappy to come back to the life I had…

Read the entire interview here.

The PEN Ten with Mat Johnson

PEN American Center
2015-03-17

Randa Jarrar

The PEN Ten is PEN America’s weekly interview series. This week, guest editor Randa Jarrar talks with Mat Johnson, the author of Pym and the graphic novel Incognegro. His upcoming novel, Loving Day, will be published by Spiegiel & Grau on May 26. Johnson is a Full Professor at the University of Houston Creative Writing Program.

When did being a writer begin to inform your sense of identity?

Oh sweet lord, I don’t know. When people started to treat me with respect and stop reacting to me like I was a big goon asshole? That part’s nice. Not to be a twit and turn the question around just to show you how deep I am, but it’s kinda been the other way around. I already had an identity, writing allowed me to clear a place in the world for it to exist. I’m a 6’4”, 230 lbs guy who looks like a Latvian rugby player, but I’m actually a black man of biracial descent. On the page, with Incognegro and Pym, and this new one Loving Day, I created a place for myself, so the world can see me coming…

…What’s the most daring thing you’ve ever put into words?

This whole damn book I just wrote, Loving Day. I spent the first decades of my life overcompensating for my whitish appearance within the black community, rejecting mixed identity as an escape plan for self-hating blacks of mixed descent. Then as an adult, I slowly began seeing the merits of self-identifying as biracial, and eventually the need for it, despite larger ambivalence to it in the larger black community. So I was petrified to actually talk about this directly in my new novel. I know some old allies are not going to be happy. But art shouldn’t be about making people happy, or confirming their existing ideas. I had to say this, my truth. This book is my coming out as a mulatto…

Read the entire interview here.

With ‘Keanu,’ Key & Peele Break Into Feature Films — With Kittens in Tow

The New York Times
2016-04-20

Dave Itzkoff, Culture Reporter

There is no longer “Key & Peele,” the razor-sharp Comedy Central sketch series that ended in September. There are only Keegan-Michael Key and Jordan Peele, the comic actors and writers who used the five seasons of that show to shine a satirical spotlight on racial stereotypes and injustice (not to mention the increasingly distinctive names of college football players). And so the two men started pursuing their individual career paths.

A few months later, those paths have brought Mr. Key and Mr. Peele back together on their first movie, “Keanu,” which Warner Bros. will release on Friday, April 29. In this comedy, they star as cousins in Los Angeles who take in an adorable kitten they name Keanu. (It can mean “cool breeze,” too, you know.) But, unaware that Keanu once belonged to a notorious drug lord, the strait-laced pair must navigate the city’s criminal underbelly to reclaim Keanu when he is stolen from them.

…There’s a running idea in “Keanu” about black men who don’t fit traditional stereotypes having to navigate a world of stereotypical characters. Is that drawn in any way from your real-life experiences?

PEELE Part of it is a commentary on the lack of representation in movies. Certainly, there’s an overwhelming amount of stereotypes in movies. We’ve placed ourselves in a more typical world of Hollywood stereotypes.

KEY African-American culture’s not a monolith. You could take 56 pictures, and there’s one picture where you make this face [contorts his features], and that’s the picture they pick. “He loves to make that face!” No, dude, you didn’t look at the other 55 pictures. If we’re black nerds, we write from a point of view being black nerds. But we’re still African-American. In my life, it’s been frustrating when someone says, “You’re not black enough.” And I’m going: I’m black enough to not get that cab you also didn’t get. They didn’t pick me up either…

Read the entire article here.

Seeing Baltimore’s Native Americans Clearly

BmoreArt
Baltimore, Maryland
2015-05-26

Cara Ober, Founding Editor

An Inverview with Ashley Minner about her Exquisite Lumbee Project, currently on display at Trickster Gallery

Ashley Minner is a community based visual artist from Baltimore, Maryland. She holds a BFA in Fine Art, an MA and an MFA in Community Art, which she earned at MICA. A member of the Lumbee Tribe of North Carolina, she has been active in the Baltimore Lumbee community for many years. Her involvement in her community informs and inspires her studio practice. Ashley is currently a PhD in American Studies student at University of Maryland College Park, where she is studying vernacular art as resistance in tri-racial isolate communities of the U.S. South and Global South…

Read the entire interview here.

Alumni Interview: Miranda Brawn Esq

The University of Law
Future Lawyers Network
Guildford, Surrey, United Kingdom
2015-04-30

Since qualifying as a Barrister, Miranda Brawn has not looked back. Currently, Director of Legal and Transaction Management at Daiwa Capital Markets and specialising in finance, she has worked with top investment banks such as Goldman Sachs, JPMorgan, and Citigroup. Passionate about promoting diversity within the profession she is patron for Black British Academics and a Board member for various diversity organisations such as the Black Cultural Archives and the City Women Network.

Do you believe there are greater challenges for women and people from ethnic backgrounds to succeed in law?

I think there are challenges for everyone regardless of their gender and race to succeed in law as it is one of the most competitive fields to enter which includes investment banking. I have managed to succeed in both of these fields, which have in the past been considered to be a male dominated industry. That said, being a female and from an ethnic background, I have proven that it is possible to overcome challenges with the right amount of drive, intelligence and determination…

Finally, tell us something about yourself that people might not know

I have a family history of law and politics where I am related to Sir Thomas Bellot, 2nd Bt. 1 (1651-1709), who studied at Oxford University, was admitted to Lincoln’s Inn in 1670, succeeded to the title of 2nd Baronet Bellot in 1674 and was a Member of Parliament (MP) for Newcastle-under-Lyme from 1679 until 1681…

Read the entire interview here.

Jussie Smollett Talks About Growing Up in a Biracial Home and Pranking His ‘Empire’ Costars

ABC News
2016-04-08

Angela Williams, Entertainment TV Producer

There is lots of great music, loads of drama and plenty of surprises packed into each episode of Fox’s “Empire.” And much of it is centered around break-out star Jussie Smollett who plays singer/musician Jamal Lyon, son of fictitious music moguls Cookie and Luscious Lyon (played by Taraji P. Henson and Terrance Howard). It’s the role that has thrust Smollett into the spotlight – something he’s still wrapping his head around.

“I was sitting in a restaurant yesterday and I was just in a lunch meeting and then I look and there’s paparazzi out there taking pictures. And I’m like, ‘That’s so weird. It’s not normal,’” Smollett told ABC News. “At first you’re looking around, and you’re like, ‘Is One Direction here? Where’s Michael B. Jordan?’ And then you realize that they’re there for you. And I’m like, ‘There’s gotta be something better to do than follow me around,’” joked Smollett.

Smollett’s character is struggling to gain his father’s approval.

“And because he’s gay, Luscious, played by the great Terrance Howard, is not very supportive,” said Smollett. “He’s not happy. He’s not going on any marches with his son, let’s just say that. He ain’t gone be there.”

A gay, black man living in the world of hip-hop is a role rarely seen on prime-time television. But Smollett said he feels no added pressure on how he portrays the character…

…Smollett’s confidence likely stems from his upbringing. He grew up in a tight-knit family with a diverse background — his mother is African American and his father is Russian-Polish — and he’s one of six siblings.

“We’re a very close family, a functioning family, instead of dysfunctional – unlike the Lyons,” Smollett said. “No one’s ever loved me in spite of who I am. They’ve always loved me because of who I am.”…

Read the entire article here.

Blanket Fort Chats: Game Making With Meagan Byrne

FemHype: the safe space for women & nonbinary gamers
2016-04-01

Miss N (Nicole Pacampara)

“Blanket Fort Chats” is a weekly column featuring women and nonbinary game makers talking about the craft of making games. In this week’s post, we feature Meagan Byrne, a Toronto-based Game Design student currently working as a Peer Mentor for her school’s Aboriginal Initiatives office and an active member of her school’s Aboriginal Student Group. She hopes to create games that reflect her Métis/Cree roots and bring new stories to video game players.

Miss N: Can you tell us a little bit about your background and how you got into making games?

Meagan: I actually started out in the live production/theatre field doing lighting design and event planning, but then the recession hit and I couldn’t find full-time work anymore. As my last contract was starting to wrap up, I took a really hard look at the job market. It was clear that if I stuck with this career, I was most likely never going to be able to rise above the poverty line. So I looked at what market was growing, and lo and behold, I saw the gaming industry!…

…Miss N: You’ve previously described Wanisinowin as a game about “being lost or unsure of your place in the world.” What drew you to this theme?

Meagan: I wasn’t told straight up that I was native until I was at least a pre-teen. It wasn’t really a shock, it was more of a “that makes sense” thing. What was hard was the rejection from the native community my aunt brought me to. Almost right away I was dismissed because my skin was too light or I because I didn’t grow up on a reservation. I didn’t feel comfortable going to “native” events or Friendship Centres. Was I going to be thrown out of there, too? My mother was not interested in embracing her identity, neither were my siblings, so I acted like I didn’t care either.

My aunt was my only connection, but it felt too distant that way. I felt that if this is what I am, then why do I feel like a fraud or an outsider? It was really only because of the growing Native community at my school and our Aboriginal Student Success Officer that I was able to find my path and begin to meet with other First Nations, Métis, and Inuit students, and talk to elders.

I know I am not the only Native person who feels this way. I’m sure even outside of the issue of Native identity, many people feel the pain of unsure cultural identity. I wanted to make a game that explored that and maybe work through my own issues of belonging…

Read the entire interview here.

Obama praises wife Michelle’s curves as he sits down with prima ballerina Misty Copeland for interview about body image and growing up black in America

The Daily Mail
London, United Kingdom
2016-03-14

• The president and ballerina interviewed each other for TIME magazine
• Copeland is the first ever African American to be named the principal dancer at the American Ballet Theater
• Obama praised her for being a role model to his young daughters as she breaks barriers with her athletic body type
• Copeland asked Obama for advice on how to stay humble and grounded when one reaches the top of their field

They have a shared history of multiracial families, being raised by single mothers and making it to the top position of their respective fields.

Now President Barack Obama and Prima Ballerina Misty Copeland are sharing a table, discussing their thoughts on women’s body image, affirmative action and growing up black in America.

Copeland, the first African American to be named the principal dancer at the American Ballet Theater, has been breaking barriers in the ballet world with her athletic body type.

And Obama revealed during the TIME interview that it was the likes of Copeland and wife Michelle that were acting as role models for his daughters as they learn the pressures women face today to ‘look a certain way’…

…Copeland said that growing up African American has definitely been a ‘huge obstacle’ but she credited for giving her ‘this fire’ that has made her one of the best in her field.

As both she and the president praised social media for inciting conversation on racism and discrimination in the country, Obama pointed out that more still had to be done…

Read the entire article here.