Mixed Race Studies

To Tell the Truth: Alumna’s new film about family secrets to show at Boston film festival (video)

Harvard Law Today
Alumni Focus
2014-11-12

Lewis Rice

Lacey Schwartz ’03 will return to Cambridge this weekend to speak about her new documentary “Little White Lie,” showing Saturday Nov. 15 and 17 as part of the Boston Jewish Film Festival. The film traces her personal story of being raised as a white Jewish girl in Woodstock, N.Y., only to find out as a young adult that her biological father was an African-American man with whom her mother had an affair (a family friend who died nearly ten years ago). In an interview with Harvard Law Today, she spoke about family secrets, the universal appeal of her story, and the power of film to reveal truths—including at Harvard Law School…

Read the entire interview here.

Ibeyi: “I feel like our father is looking over us”

DIY Magazine
London, United Kingdom
2014-11-11

Jamie Milton

Photo: Emma Swann

From ancient teachings to modern electronics, these French-Cuban twins bring a modern hybrid of pop.

Lisa-Kainde and Naomi Díaz make up Ibeyi, two French-Cuban twins producing music with XL Recordings head honcho Richard Russell at the helm. Earlier this year Russell helped out on Damon Albarn’s solo debut ‘Everyday Robots’, a project that’s been a long time coming but was practically forced into existence. Ibeyi, on the flipside, comes off like something eager to career into view, the first step of an act that’s only just beginning to evolve.

The pair’s basics build on the teachings of the Yoruba culture, which in their own words believes in “energy”, not necessarily spirits, “love and life and death”, but not strictly life after death. Musically, Yoruba teaches the importance of dance and percussion, the latter of which their late Father, Anga Díaz, became celebrated for. It’s not something that strictly runs in the family, mind you.

“Oh no, I’m bad at percussion!” proclaims the afro-sporting Lisa-Kainde. “But I appreciate it so much. When you’re a child you must have to learn how to dance with rhythm. It’s one of the most amazing things.”…

Read the entire interview here.

Fanshen Cox DiGiovanni on Growing Up with Matt Damon and Ben Affleck, Race, and What It Takes to Do a One-Woman Show

Phoenix New Times
2014-10-30

Zaida Dedolph

Fanshen Cox DiGiovanni stars in a one-woman show written by her and produced by Matt Damon and Ben Affleck.

Fanshen Cox DiGiovanni wants to talk about race in America — and she’s got an idea of where she wants to start. The writer-actor-director-producer extraordinaire will bring her one-woman show, One Drop of Love, to Mesa Arts Center on Saturday, November 1.

Inspired by her own experiences with race, family, and reconciliation, One Drop of Love endeavors to explore these concepts in a funny, relatable way. In addition to giving two performances, Cox DiGiovanni will be hosting a panel discussion and community dialogue on Thursday, October 31, at the Arizona Opera Center. We spoke with the creative about her performance, her history, and her first-ever visit to Arizona.

Zaida Dedolph: Fanshen, you seem to wear a lot of hats. Where did you learn to do all of these things?

Fanshen Cox DiGiovanni: I mostly see myself as an actor — that’s why I moved to Los Angeles and what I’ve been pursuing for the longest time in a creative capacity. I’ve known I wanted to be an actor since I was very young, but at the mean time I had all these other interests. So I joined the Peace Corps in West Africa and that got me into teaching, so I balanced teaching and acting.

As an actor, especially in LA, I started to notice that I wasn’t booking but I also was auditioning for things that I didn’t feel good about or proud of, so it was hard to bring my all to an audition when I felt like the roles were demeaning or just not me. As much as I think it’s good to stretch as an actor, it’s also good to know that you’ve got at least a base that you can work from. So I started to learn about writing.

It helps that I grew up with Matt Damon and Ben Affleck and was incredibly fortunate to watch them take a story that they believed in, then write that story, and write themselves into lead roles in that story, and then turn it into Good Will Hunting. So I had some people close to me to model the fact that I could write characters that I could feel good about and be proud of.

I started learning about writing, did some stand-up, wrote a couple feature-length screenplays, so now I had this writing and some characters I was proud of, but then I asked “what’s next, how do I get these characters out there?” and realized I needed to learn how to produce as well. I joined a program in Los Angeles called Project Involve [a faction of Film Independent that works to support filmmakers from backgrounds that are not frequently represented in the film industry] and learned a little more about producing.

My husband was researching MFA schools and found the most affordable one in the country was at California State University [at] Los Angeles, so I followed him into the program. That’s where I really learned hands on producing. One Drop of Love was my thesis for the MFA program, so I got to put all the things that I learned together. That’s how I ended up producing and performing and writing…

..ZD: When it comes to the American discussion of race, what issues do you think we are focusing too much attention on? Which ones do you think we should be paying more mind to?

FCD: I hope people walk away from the show [understanding] that we tend to focus too much on our differences when it comes to race. In the show I try to make it clear that race doesn’t exist genetically, and yes, we’ve all kind of come to a place where we believe in it culturally and politically, but genetically there is zero difference, as was proven by Human Genome Project.

In the show, I take the racial categories from the first U.S. Census in the 1790s. It had three racial categories and has been changed 24 times since then, now there are so many racial categories on the census. Anything that can change that easily can’t have any real, strong bearing on anything! Unfortunately, we’ve let it become so important.

I hope people will focus less on what our differences in race are and focus on what we all have in common, which is that none of us want racism. We created race to oppress people, so let’s not focus on these differences and instead focus on where we can unify…

Read the entire interview here.

On The Cusp of Dual Identities #Dispatch: Afropean

Everywhere All The Time
2014-11-10

Bani Amor

Johny Pitts is a writer, photographer, and broadcast journalist interested in issues of Afro-European identity. He won a Decibel Penguin Prize for a short story included in the ‘The Map of Me’; a Penguin books anthology about mixed-race identity. He recently collaborated with author Caryl Phillips on a photographic essay for the BBC and Arts Council England dealing with London and immigration, and curates the online journal Afropean.com, for which he received the 2013 ENAR foundation (European Network Against Racism) award for a contribution to a racism free Europe. He currently hosts a youth travel show for the BBC and recently finished the first draft of a travel narrative about a five month trip through ‘Black Europe’, due to be released in 2015.

Bani Amor: Tell us about yourself. How would you describe your work and the impetus behind it?

John: Well, I hold American and British passports, I was raised between London and Sheffield, in the UK. My Father is black, my mother is white, and I was born on the cusp of Capricorn and Aquarius, so even my star sign dual! So I identify with W.E.B DuBois’ double consciousness stuff. I feel as though I kind of grew up in that liminal terrain between cultures, races and spaces, and I suppose my work is all about trying to find some kind of coherence in that liminal space. Instead of seeing myself as half-this or mixed-that, I try to solidify the cultural ground I walk on as something whole. And that is where this term ‘Afropean’ comes in.

It is a platform to engage with-and acknowledge the duality of- my influences, whilst bringing them together as something new. I didn’t create the term Afropean, so in a way I’m working off the backs of a Generation X who came of age in the 90’s. People like Neneh Cherry, Zap Mama, Stephen Simmonds, Les Nubians… artists and musicians who brought forth new aesthetics that were a mix of African and European influences. The word was being used, but it hadn’t really entered the popular lexicon, so I snapped up afropean.com and tried to create a community around that. See if there was a way for Afro-Europeans to get a sense of themselves in the same way I feel African Americans did…

Read the entire interview here.

A Chosen Exile: A History of Racial Passing in American Life – Allyson Hobbs

Research at the National Archives and Beyond
BlogTalk Radio
Thursday, 2014-11-06, 21:00 EST (Friday, 2014-11-07, 02:00Z)

Bernice Bennett, Host

Allyson Hobbs is an assistant professor in the history department at Stanford. She graduated magna cum laude from Harvard and she received a Ph.D. with distinction from the University of Chicago. She has received fellowships from the Ford Foundation, the Clayman Institute for Gender Research, and the Center for the Comparative Study of Race and Ethnicity at Stanford. Allyson teaches courses on American identity, African American history, African American women’s history, and twentieth century American history. She has won numerous teaching awards including the Phi Beta Kappa Teaching Prize. She has appeared on C-SPAN and National Public Radio and her work has been featured on CNN.com and Slate.com. Allyson’s first book, A Chosen Exile: A History of Racial Passing in American Life, published by Harvard University Press, examines the phenomenon of racial passing in the United States from the late eighteenth century to the present.

For more information, click here. Download the audio here.

What ‘White Privilege’ Really Means

The New York Times
2014-11-05

George Yancy, Professor of Philosophy
Duquesne University, Pittsburgh, Pennsylvania

Naomi Zack, Professor of Philosophy
University of Oregon

This is the first in a series of interviews with philosophers on race that I am conducting for The Stone. This week’s conversation is with Naomi Zack, a professor of philosophy at the University of Oregon and the author of “The Ethics and Mores of Race: Equality After the History of Philosophy.”  The interview was conducted by email and edited. — George Yancy

George Yancy: What motivates you to work as a philosopher in the area of race?

Naomi Zack:  I am mainly motivated by a great need to work and not to be bored, and I have a critical bent. I think there is a lot of work to be done concerning race in the United States, and a lot of ignorance and unfairness that still needs to be uncovered and corrected. I received my doctorate in philosophy from Columbia University in 1970 and then became absent from academia until 1990. When I returned it had become possible to write about real issues and apply analytic skills to social ills and other practical forms of injustice. My first book, “Race and Mixed Race” (1991) was an analysis of the incoherence of U.S. black/white racial categories in their failure to allow for mixed race. In “Philosophy of Science and Race,” I examined the lack of a scientific foundation for biological notions of human races, and in “The Ethics and Mores of Race,” I turned to the absence of ideas of universal human equality in the Western philosophical tradition…

…G.Y.: We can safely assume white parents don’t need to have this talk with their children. Do you think white privilege is at work in this context?

N.Z.: The term “white privilege” is misleading. A privilege is special treatment that goes beyond a right. It’s not so much that being white confers privilege but that not being white means being without rights in many cases. Not fearing that the police will kill your child for no reason isn’t a privilege. It’s a right.  But I think that is what “white privilege” is meant to convey, that whites don’t have many of the worries nonwhites, especially blacks, do. I was talking to a white friend of mine earlier today. He has always lived in the New York City area. He couldn’t see how the Michael Brown case had anything to do with him. I guess that would be an example of white privilege.

Other examples of white privilege include all of the ways that whites are unlikely to end up in prison for some of the same things blacks do, not having to worry about skin-color bias, not having to worry about being pulled over by the police while driving or stopped and frisked while walking in predominantly white neighborhoods, having more family wealth because your parents and other forebears were not subject to Jim Crow and slavery. Probably all of the ways in which whites are better off than blacks in our society are forms of white privilege. In the normal course of events, in the fullness of time, these differences will even out. But the sudden killings of innocent, unarmed youth bring it all to a head…

Read the entire interview here.

An interview with Dr Chamion Caballero

University of Cambridge
Festival of Ideas
2014-10-22

Dr Chamion Caballero, a senior research fellow at London Southbank University, is speaking at the “Mixed race: the future of identity politics in Britain” debate on 25th October. Her research formed the basis of the BBC’s recent Mixed Britannia series, fronted by George Alagaiah. With Dr Peter Aspinall of Kent University, she collected histories, photographs, images and film to highlight the voices and first-hand experiences of mixed race people. The photo is from LBSU’s coverage of the Mixed Britannia series.

Q What was the feedback from Mixed Britannia?

A The feedback from the Mixed Britannia series has been phenomenal. The BBC tells us that it received the second highest audience satisfaction score for a current affairs series and even now we continue to receive emails from viewers all around the world who inform us just how fascinating, enlightening and moving they found the programmes.

Q How did you become involved?

A In 2007, Dr Peter Aspinall (University of Kent) and I were awarded funding by the British Academy to explore the mostly overlooked experiences of mixed race people, couples and families in early twentieth century Britain, a period which we had come to understand had seen considerable public debate on racial mixing and mixedness. This project – The Era of Moral Condemnation: Mixed Race People in Britain, 1920-50 – unearthed a range of material and the strength of the findings was such that they inspired and formed the foundations of the Mixed Britannia series on which we acted as academic consultants.

Q Has it affected your ongoing research?

A Yes, absolutely. While the broadcast medium was a very successful dissemination route, it was nevertheless a temporary and partial one: the series is no longer available to view on iPlayer and, moreover, only provides an overview of the history rather than the more detailed account that we are able to provide through, for example, academic publications which are themselves accessed by a limited readership. With this in mind – alongside the awareness of what Dr Caroline Bressey calls the ‘absence of colour in British Archives’ – we recognised the need to identify new and creative ways to provide access to archival material on the lived experiences of groups whose histories remain somewhat hidden from public understandings. In 2012, we collaborated with the third sector organisation Mix-d and were fortunate to receive a grant from the Arts and Humanities Research Council to create the ‘Mix-d Museum’, an interactive online repository of the material we had collected on racial and ethnic mixing in 20th century Britain. We are also in the process of finalising our book based on the research behind the programme to be published by Palgrave Macmillan in 2015 as Racial Mixing and Mixedness in Britain: Social Constructions and Lived Experience in the 20th and 21st Centuries…

Read the entire interview here.

Season 2, Episode 6: Stanford Prof. Allyson Hobbs Talks about A Chosen Exile: A History of Racial Passing in American Life

The Mixed Experience
2014-10-20

Heidi Durrow, Host

Allyson Hobbs, Assistant Professor of History
Stanford University

I was lucky enough to get an advance reading copy of A Chosen Exile: A History of Racial Passing in American Life, a most excellent book by Stanford Professor Allyson Hobbs. She recently did a TED Talk about the role of grief in these narratives of racial crossing. The book very aptly and eloquently “examines how passing became both a strategy for survival and an avenue to loss.” You will love this interview with Allyson Hobbs as she explains the inspiration for this book, a brief discussion on the idea of “passing as black” and much much more.

Listen to the episode here. Download the episode here.

What if you were told you were white

All In with Chris Hayes
MSNBC
2014-10-02

Chris Hayes, Host

Lacey Schwartz, Filmaker
“Little White Lie”

But it turns out you’re not. Chris Hayes talks to filmmaker Lacey Schwartz about growing up believing she was white, when in fact, she’s not.

Watch the video here.

Born Champions [Full Episode]

Finding Your Roots with Henry Louis Gates, Jr.
2014-09-30

Henry Louis Gates Jr., Host and Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research
Harvard University

Three of America’s greatest athletes, whose determination and love of sports were deeply shaped by their families, were all cut off from their true origins. Billie Jean King learns the story of her grandmother. Derek Jeter confronts his ancestors’ lives as slaves. Rebecca Lobo finds out that her Spanish ancestor fought side by side with a famous revolutionary.

Watch the full episode here.

Partial Transcript below:

GATES: I’M HENRY LOUIS GATES JR. WELCOME TO FINDING YOUR ROOTS.

TONIGHT, WE REVEAL THE ANCESTRY OF THREE OF AMERICA’S GREATEST ATHLETES: TENNIS LEGEND BILLIE JEAN KING, YANKEES ALL-STAR DEREK JETER, AND WOMEN’S BASKETBALL PIONEER REBECCA LOBO… ATHLETES WHOSE PURPOSE AND DRIVE WERE PROFOUNDLY SHAPED BY THEIR FAMILIES.

TO DISCOVER THEIR ANCESTORS, WE’VE USED EVERY TOOL AVAILABLE…

GENEALOGISTS HELPED STITCH TOGETHER THE PAST USING THE PAPER TRAIL THEIR FAMILIES LEFT BEHIND, WHILE GENETICISTS UTILIZED THE LATEST ADVANCES IN DNA ANALYSIS TO REVEAL SECRETS HUNDREDS OF YEARS OLD.

GATES: The answers are in this book…

GATES VO: AND WE’VE COMPILED EVERYTHING INTO A BOOK OF LIFE, A RECORD OF ALL OF OUR DISCOVERIES…

LOBO: I mean it’s just amazing to see her handwriting!

JETER: That’s unbelievable… all the way back to 1605!

BILLIE JEAN KING: This is from a bible?  Family…we have a family bible?

GATES: Mhm.

BILLIE JEAN KING: This (audio cuts off 1:01:04:12) is fantastic!

GATES: AS WE TRACE BILLIE JEAN, DEREK, AND REBECCA’S ROOTS, WE’LL EXPLORE HOW THEY BECAME CHAMPIONS, DID THEY COME TO GREATNESS THROUGH HARD WORK AND INDIVIDUAL EFFORT? IS THEIR TALENT SIMPLY ENCODED IN THEIR GENES? COULD IT BE, THESE THREE ATHLETES WERE MODELED IN WAYS THEY NEVER COULD HAVE IMAGINED? BY THE LIVES OF THEIR ANCESTORS.

ROOTS TITLE SEQUENCE…

…GATES VO: DEREK’S FATHER, CHARLES JETER, IS AFRICAN-AMERICAN AND HIS MOTHER, DOROTHY CONNORS, IS OF IRISH DESCENT. IT WASN’T EASY BEING THE CHILD OF A MIXED MARRIAGE. WHEN DEREK WAS YOUNG, HE OFTEN HAD TO FACE UNWANTED ATTENTION.

JETER: You know back in the day, yeah you’d get some second glances, people trying to figure out what the dynamic is there. And if you go somewhere with both of them, obviously you get some stares.

GATES: Mhm.

JETER: My parents tried to explain to us that it’s just people’s ignorance they’re not used to seeing it.

GATES: Did your parents take any flack?

JETER: I think when you’re a young child, I think your parents don’t necessarily tell you how difficult it was…

GATES: Yeah.

JETER: …on them. So, you know, a lot of their troubles that they went through, I’m sure they sheltered us from it.

GATES:  So when people come up to you and say, you know, “What are you?” what do you say?

JETER:  Black and Irish…

GATES: Black and Irish, that’s what you say?

JETER: Yeah, that’s, that’s what I believe I am but I don’t know much about my history…