Mixed Race Studies

“War Baby/Love Child~Capturing the Artistry of Mixed Identity

Mixed Race Radio
Blog Talk Radio
2013-08-07, 16:00Z (12:00 EDT)

Tiffany Rae Reid, Host

Laura Kina, Associate Professor Art, Media and Design and Director Asian American Studies
DePaul University

Born in Riverside, California in 1973 to an Okinawan father from Hawai’i and a Spanish-Basque/Anglo mother, Laura Kina was raised in Poulsbo, WA, a small Norwegian town in the Pacific Northwest, and currently lives and works in a Jewish and South Asian neighborhood in Chicago, Illinois. She is a visual artist, curator, and author whose research is focused on Asian American and mixed race identities and history. Kina is a Vincent de Paul associate professor of Art, Media, & Design at DePaul University and the coeditor, along with Wei Ming Dariotis, of War Baby/Love Child: Mixed Race Asian American Art (University of Washington Press, 2013).

Laura Kina is a cofounder of the DePaul biennial Critical Mixed Race Studies conference and cofounder and co-managing editor of the Journal of Critical Mixed Race Studies. She has exhibited her artwork across the U.S. and internationally including at the Chicago Cultural Center, India Habitat Centre, Nehuru Art Centre, Okinawa Prefectural Art Museum, the Rose Art Museum, and the Spertus Museum.

Laura Kina and Wei Ming Dariotis have curated an exhibition “War Baby/Love Child: Mixed Race Asian American Art,” which features the work of 19 contemporary artists. It debuted at the DePaul University Art Museum in Chicago this past spring and will open up tomorrow night, April 8, 2013 at the Wing Luke Museum of the Asian Pacific American Experience in Seattle and will run through January 19, 2014.

For more information, click here.

An Interview with Lise Funderburg

Hot Metal Bridge: published by Writing MFA students at the University of Pittsburgh
Spring 2009 (All The Way Down)

Interview by Liberty Hultberg

Lise Funderburg is the author of Black, White, Other: Biracial Americans Talk About Race and Identity (1994) and the memoir Pig Candy (2008), which has been described as part memoir, part travelogue, and part social history, about race, mortality, filial duty…and barbecue. She has written numerous articles for publications including O Magazine, Self Magazine. She is a creative writing instructor at the University of Pennsylvania and resides in Philadelphia.

HMB: What prompted you to write Pig Candy? At what point did you know this needed to be a book?

LF: My dad got sick and almost died. I was in my late thirties, and I realized, suddenly, that he wasn’t going to be around forever. He recovered fully from that incident, but I realized there were things about my father that I just didn’t know because he’d been a very close-to-the-vest kind of person growing up. I wanted to figure out who he was; he was a curious combination of disparate elements. He was hardworking and reliable and charming and funny and unpredictable and cantankerous and mean and abusive. He was a very strict father, but in some ways he didn’t care about formalities at all. So who was this man and what made him tick?

I thought: Here’s this guy who’s so different from me demographically. He’s a man born in the twenties right before the Great Depression into the Jim Crow South in Monticello, a rural Georgia town. He grew up Black, and I grew up a mixed race girl in the integrated North in an urban environment during Civil Rights. There’s so much about what shaped his life that I don’t know anything about and how will I find this out? So I started to interview him. I was already a journalist, so I had this idea that maybe it was a book, but I didn’t really know what form the book was going to take. I interviewed him on safe subjects, which were his jobs; he was such a hardworking person that I thought this was something he’ll talk to me about, and it wouldn’t have the goopy, unpleasant (to him) qualities of emotion…

Read the entire interview here.

Mixed Race Studies with Steven Riley [on Research at the National Archives & Beyond]

Research at the National Archives & Beyond
Blog Talk Radio
Thursday, 2013-07-25, 21:00 EDT, (18:00 PDT), (2013-07-26, 01:00Z, 02:00 BST)

Natonne Kemp, Host

Steven Riley is the creator of MixedRaceStudies.org which is a non-commercial website that provides a gateway to contemporary interdisciplinary English language scholarship about the relevant issues surrounding the topic of multiracialism. At present, the site contains +6,000 posts which consists of links to +3,300 articles; +1,000 books; nearly 600 dissertation, papers and reports; nearly 300 multimedia items; +300 excerpts and quotes, +100 course offerings; etc.

Currently, MixedRaceStudies.org receives over 1,800 visitors/day, over 37,000 unique visitors/month, and nearly ½ million page views/month. The site has been called the “most comprehensive and objective clearinghouse for scholarly publications related to critical mixed-race theory” by a leading scholar in the field.

Steve has been an Information Technology professional for 25 years in the D.C. area and is currently Director of Database Development and Design at a trade association in Washington D.C. His areas of expertise are application programming, database and website development.

When he is not developing software applications, he spends his time at home in Silver Spring, Maryland with his artist wife Julia, working on his photography and reading books on history and sociology.

For more information, click here.

“One Drop of Love” is Fanshen’s Story & She’s Sticking To It

Mixed Race Radio
Blog Talk Radio
2013-07-17, 16:00Z (12:00 EDT)

Tiffany Rae Reid, Host

Fanshen Cox DiGiovanni, Playwright, Producer, Actress, Educator

Join us on today’s episode of Mixed Race Radio as we meet award-winning actor, producer and educator, Fanshen Cox. Fanshen is currently touring the one-woman show she wrote and performs in: One Drop of Love, which is produced by Ben Affleck, Chay Carter and Matt Damon.

One Drop follows Fanshen’s journey to reconciliation with her father, taking audiences from the 1700s to the present and through various locations near and far—all in search of how our belief in ‘race’ affects our most precious intimate relationships.

Fanshen is also the co-creator of the Mixed Chicks Chat podcast (named a top podcast by Ebony magazine and the Black Weblog Awards) and co-founder of the Mixed Roots Film & Literary Festival^®—a five-year festival celebrating its final event in 2012. She won a 2012 SAG award for Outstanding Performance by a Cast (for the film Argo).

Fanshen served as a Peace Corps Volunteer for two years in Cape Verde, West Africa as a teacher, and has taught in and designed curricula for over 15 years. She holds a BA in Spanish and Education, an MA in Teaching English to Speakers of Other Languages, and just earned her MFA in Acting and Performance in Film, TV and Theater. Fanshen is dedicated to constantly questioning the notion of ‘race’ and fighting racism through storytelling.

For more information, click here.

Mixed Chicks Chat with Professor Rudy Guevarra

Mixed Chicks Chat (Founders of the Mixed Roots Film & Literary Festival)
Hosted by Fanshen Cox, Heidi W. Durrow and Jennifer Frappier
Episode: #261: Rudy Guevarra
When: Wednesday, 2012-06-20, 21:00Z (17:00 EDT, 14:00 PDT)

Rudy P. Guevarra, Jr., Assistant Professor, Asian Pacific American Studies, School of Social Transformation, College of Liberal Arts and Sciences
Arizona State University, Tempe

[This is the final episode of Mixed Chicks Chat.]

Rudy P. Guevarra Jr. is an assistant professor of Asian Pacific American Studies at Arizona State University. He is the author of Filipinos in San Diego: Images of America Series, and coeditor of Transnational Crossroads: Remapping the Americas and the Pacific and Crossing Lines: Race and Mixed Race Across the Geohistorical Divide.

His new book, Becoming Mexipino: Multiethnic Identities and Communities in San Diego, is a social-historical interpretation of two ethnic groups, one Mexican, the other Filipino, whose paths led both groups to San Diego, California. Rudy P. Guevarra Jr. traces the earliest interactions of both groups with Spanish colonialism to illustrate how these historical ties and cultural bonds laid the foundation for what would become close interethnic relationships and communities in twentieth-century California and the Pacific West Coast. Through racially restrictive covenants, both groups were confined to segregated living spaces along with African Americans, other Asian groups, and a few European immigrant clusters. Within these urban multiracial spaces, Mexicans and Filipinos coalesced to build a world of their own. Mexipino children, living simultaneously in two cultures, have forged a new identity for themselves and their lives are the lens through which these two communities are examined. Using archival sources, oral histories, newspapers, and personal collections and photographs, Guevarra defines the niche that this particular group carved out for itself.

Listen to the episode (00:33:22) here. Download the episode here.

Earnest Harris Declares: NO MORE RACE

Mixed Race Radio
Blog Talk Radio
2013-07-03, 16:00Z (12:00 EDT)

Tiffany Rae Reid, Host

Earnest Harris, Producer/Director/Talent Manager/Writer
No More Race

Earnest Harris has written extensively on matters related to race relations, especially focused on moving beyond “racial” concepts and getting our society to a place where color and cultural differences might play less of  volatile role in how we work, play and deal with one another. His study and focus on this issue comes from seeing the unfortunate ways in which so many of our societal dealings, whether it be politics, dating, religion, neighborhoods and education are impacted by “racial” influencers. It has been his mission for most of those years as a journalist and writer to help bring people together and get beyond these superficial ways of living our lives.

An award-winning journalist, Earnest has written on this topic for New York Newsday, The Philadelphia Inquirer, The Dallas Morning News, The Riverfront Times (St. Louis), National Review magazine, Politico, The Huffington  Post, Hispanic magazine and many others. He has also been a political columnist with the daily paper, The Austin American-Statesman, the editor-in-chief of a weekly newspaper in Washington, D.C., The American Weekly News, and the host of his own talk radio shows in Austin, Texas and St. Louis, Missouri.

Earnest has also directed and produced one feature film that was nationally distributed, “A Simple Promise,” and is currently working on several other films at the moment. Earnest also oversees Harris Management, a talent management company in Los Angeles, where he manages actors, directors and recording artists. Additionally, Harris taught communications for two sessions at the famed Lyndon Baines Johnson Graduate School for Public Affairs at The University of Texas at Austin as a Woodrow Wilson Program Instructor.

He is married and has two children.

Listen to the episode here.

Q&A with artist and author Laura Kina

Book Q&As with Deborah Kalb
2013-07-11

Deborah Kalb

Laura Kina, the Vincent de Paul associate professor of Art, Media, and Design at DePaul University, is the co-editor of the new book War Baby/Love Child: Mixed Race Asian American Art and the co-curator of an accompanying art exhibit. She lives in Chicago.

Q: How did you select these particular authors and artists to include in the book?

A: I’m a visual artist, a painter, and much of my work has been about Asian American and mixed race identity and history. As a result, I’m tapped into a network of artists, scholars, and activists working on similar topics. My co-editor Wei Ming Dariotis and I also teach classes on mixed race and Asian American studies so we were also both seeking out work by relevant artists and authors to share with our students.

This is actually how we met. She was using my art in her classes at San Francisco State University and I was using her articles on “hapa” mixed Asian American identity in my classes at DePaul University.

The kernel for our book and the related traveling exhibition happened organically over several years of research and teaching and involvement with community multiracial organizations such as MAVIN in Seattle and iPride and Hapa Issues Forum in San Francisco and then later working together with my colleague Camilla Fojas to found the Critical Mixed Race Studies biennial conference at DePaul University in Chicago…

Read the entire interview here.

Photographer Interview: Albert Chong

Dodge & Burn: diversity in photography history
2011-02-08

Qiana Mestrich, Visual Artist + Writer

Dodge & Burn: Where are you from?

Albert Chong: I am originally from Kingston, Jamaica by way of Brooklyn, NY, San Diego, CA and presently Boulder, CO.

D&B: What kind of photography do you shoot and how did you get started – any “formal” training?

AC: My photography has been primarily focused on the use of the medium as a means of artistic and personal expression. My work has been a contributor to the discourses surrounding the contemporary visual arts of people of African and Asian descent. Inherent in these discourses are issues of race, identity, ethnicity, multiculturalism and postcolonial visual expression of methods of cultural retrieval.

My work has also investigated the role of family and ancestry in the constructed identity that is the artist. One of my better known body of work are the still life photographs that I construct sometimes using old family photographs, that in the context of the arrangement creates a shrine like tableaux that renders these Ancestors into Icons…

…D&B: Have you experienced any setbacks or different treatment along your photography career that you would attribute to being a woman and/or photographer of color? (this question is optional)

AC: Yes, I have had my share of racist discrimination, and I am fully aware that there are subtle methods and layers of exclusion that are designed to strain and filter out people whose difference was being from some demographic other than white, mainstream America. There were many instances in which I did not fit the prevailing notion among whites of what an artist looks like and that was generally white and male.

There was one incident that sticks out for me even after almost 30 years. I dropped off a portfolio of my photographs at a then very prestigious photography gallery called Light Gallery when I returned to retrieve it a few days later the gallerist was super enthusiastic about the work and mentioned that they were interested in giving the artist a show, she then asked me if I was the messenger and if I was would I relay this message to the artist. I then revealed that I was the artist and with her mouth agape in shock and surprise, the offer instantly evaporated.

There were many others including Aperture magazine in a meeting in 1992 the white man I met with I won’t mention his name told me they could not publish a book of my work because I was black and I was not famous and that their audience was primarily white. Well the irony there was that he was to become complicit in my fame when a traveling exhibition of photography my work was in hit New York and he was asked by the New York Times to review it and my photograph was used to advertise the show. At around the same time I was in an exhibition at the Museum of Modern Art and my photograph was being used in the New York Times as well to advertise that one.

Read the entire interview here.

‘Americanah’ Author Explains ‘Learning’ To Be Black In The U.S.

Fresh Air from WHYY
National Public Radio
2013-06-27

Terry Gross, Host

When the novelist Chimamanda Ngozi Adichie was growing up in Nigeria she was not used to being identified by the color of her skin. That changed when she arrived in the United States for college. As a black African in America, Adichie was suddenly confronted with what it meant to be a person of color in the United States. Race as an idea became something that she had to navigate and learn.

The learning process took some time and was episodic. Adichie recalls, for example, an undergraduate class in which the subject of watermelon came up. A student had said something about watermelon to an African-American classmate, who was offended by the comment.

“I remember sitting there thinking, ‘But what’s so bad about watermelons? Because I quite like watermelons,’ ” Adichie tells Fresh Air’s Terry Gross.

She felt that her African-American classmate was annoyed with her because Adichie didn’t share her anger — but she didn’t have the context to understand why. The history of the trans-Atlantic slave trade was not taught to students in Nigeria. Adichie had yet to learn fully about the history of slavery — and its continuing reverberations — in the U.S.

“Race is such a strange construct,” says Adichie, “because you have to learn what it means to be black in America. So you have to learn that watermelon is supposed to be offensive.”

Adichie is a MacArthur Fellowship winner and author of the novels Purple Hibiscus and Half of A Yellow Sun. Her new novel, Americanah, explores this question of what it means to be black in the U.S., and tells the story of a young Nigerian couple, one of whom leaves for England and the other of whom leaves for America.

The title, she says, is a Nigerian word for those who have been to the U.S. and return with American affectations.

“It’s often used,” she says, “in the context of a kind of gentle mockery.”…

Read the transcript here. Listen to the interview here. Download the interview here.

Podcast interview with Paisley Rekdal, poet and 2013 UNT Rilke Prize winner

University of North Texas, Denton, Texas
2013-04-29

Julie K. West, Publications Specialist
Office of Research and Economic Development

Poet Paisley Rekdal is the 2013 recipient of the University of North Texas Rilke Prize. The $10,000 award, named for the great German poet, Rainer Maria Rilke, recognizes a book written by a mid-career poet and published in the preceding year that demonstrates exceptional artistry and vision. Paisley visited the UNT Department of English in April 2013 to accept the award for her prize-winning collection of poetry, “Animal Eye,” published by the University of Pittsburgh Press. She joins Julie West, publications specialist with the UNT Office of Research, in an audio podcast interview to discuss her poetry and the creative writing process.

…JW: But yet that does seem to be somewhat of a theme running not only through this work but you, yourself, as a Chinese-American with Norwegian ancestry … surely you are used to switching lens …

PR: doubled

JW: … and having that doubled perspective, and I’m just now thinking of that, even, as I hear you read this last poem.

PR: I think that’s very true. I think that’s a really good point. What’s funny though, is the doubled-ness of my vision is not cultural because I grew up in America. So, to a certain extent, the doubled-ness of my vision is something that’s been placed on me. The ways in which — depending on who’s looking at me — I’m either potentially Chinese, or White, or a mixture of both … when people are interested in my ancestry and they’ll ask me questions about that. For me I feel like there’s a real — even though any self contains multiplicities and complexities — I feel like there’s a real unity to my vision. But the experience of being biracial in America means that I do recognize how I can appear two ways and what I mean can mean multiple things. So the willingness and the interest in playing with multiple perspectives — moving in and out of different bodies — I think reflects that, for sure, what you’re just pointing out — that experience of being biracial. But it doesn’t actually reflect my own identity, if that makes any sense. How biracialism exists outside of me, even though I, myself, am biracial…

Listen to the podcast here. Read the transcript here.