From Ferguson to Charleston and Beyond, Anguish About Race Keeps Building
The New York Times
2015-06-20
Lydia Polgreen, Johannesburg Bureau Chief
Ferguson. Baltimore. Staten Island. North Charleston. Cleveland.
Over the past year in each of these American cities, an unarmed black male has died at the hands of a police officer, unleashing a torrent of anguish and soul-searching about race in America. Despite video evidence in several of the killings, each has spurred more discord than unity.
Grand juries have tended to give the benefit of the doubt to police officers. National polls revealed deep divisions in how whites and blacks viewed the facts in each case. Whites were more likely to believe officers’ accounts justifying the use of force. Blacks tended to see deeper forces at work: longstanding police bias against black men and a presumption that they are criminals.
Then, on Wednesday night, a young white man walked into a historic black church in Charleston, S.C., and joined a group of worshipers as they bowed their heads over their Bibles. He shot and killed nine of them. In his Facebook profile picture, the suspect, Dylann Roof, wore the flags of racist regimes in South Africa and the former Rhodesia.
The massacre at Emanuel African Methodist Episcopal Church in Charleston was something else entirely from the police killings. But it, too, has become a racial flash point and swept aside whatever ambiguity seemed to muddle those earlier cases, baldly posing questions about race in America: Was the gunman a crazed loner motivated by nothing more than his own madness? Or was he an extreme product of the same legacy of racism that many black Americans believe sent Michael Brown, Freddie Gray, Eric Garner, Walter Scott and Tamir Rice to their graves?
The debate has already begun…
…America is living through a moment of racial paradox. Never in its history have black people been more fully represented in the public sphere. The United States has a black president and a glamorous first lady who is a descendant of slaves. African-Americans lead the country’s pop culture in many ways, from sports to music to television, where show-runners like Shonda Rhimes and Lee Daniels have created new black icons, including the political fixer Olivia Pope on “Scandal” and the music mogul Cookie Lyon on “Empire.”
It has become commonplace to refer to the generation of young people known as millennials as “post-racial.” Black culture has become so mainstream that a woman born to white parents who had claimed to be black almost broke the Internet last week by saying that she was “transracial.”
Yet in many ways, the situation of black America is dire…
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