Mixed Race Studies

The Autobiography of an Ex-Colored Man

Dover Publications
May 1995 (Originally published in 1912)
112 pages
5 3/16 x 8 1/4
ISBN 10:  048628512X
ISBN 13: 9780486285122

James Weldon Johnson (1871-1938)

This remarkable novel documents the life of an American of mixed ethnicity who moves freely in society — from the rural South to the urban North and eventually, Europe. A revolutionary work which not only probes the psychological aspects of “passing for white” but also examines the American caste and class system.

The Wedding: A Novel

Anchor and imprint of Random House
1995
256 pages
Paperback ISBN: ISBN: 978-0-385-47144-2

Dorothy West (1907-1998)

In her first novel in forty-seven years, Dorothy West, the last surviving member of the Harlem Renaissance, offers an intimate glimpse into African American middle class.  Set on bucolic Martha’s Vineyard in the 1950s, The Wedding tells the story of life in the Oval, a proud, insular community made up of the best and brightest of the East Coast’s black bourgeoisie.  Within this inner circle of “blue-vein society,” we witness the prominent Coles family gather for the wedding of the loveliest daughter, Shelby, who could have chosen from “a whole area of eligible men of the right colors and the right professions.” Instead, she has fallen in love with and is about to be married to Meade Wyler, a white jazz musician from New York. A shock wave breaks over the Oval as its longtime members grapple with the changing face of its community.

With elegant, luminous prose, Dorothy West crowns her literary career by illustrating one family’s struggle to break the shackles of race and class.

Marion: The Story of an Artist’s Model

McGill-Queen’s University Press
2012-03-19
410 pages
21 b&w photos
6 x 9
Paper (077353962X) 9780773539624

Winnifred Eaton (1875-1954)

Introduction by:

Karen E. H. Skinazi, Lecturer
Princeton Writing Program
Princeton University

The daughter of an English merchant father and Chinese mother, Winnifred Eaton (1875-1954) was a wildly popular fiction writer in her time. Born in Montreal, Eaton lived in Jamaica and several places in the United States before settling in Alberta. Her books, many of them published under the Japanese pseudonym Onoto Watanna, encompass the experiences of marginalized women in Canada, Jamaica, the United States, and a romantic, imagined Japan. Marion: The Story of an Artist’s Model is Eaton’s only book that explicitly deals with being “foreign” in Canada.

The novel follows the life of “half-foreign” Marion Ascough—a character based on Eaton’s own sister—while never identifying her “foreignness.” Escaping the unrelenting racial discrimination her family endures in Quebec, Marion follows her dream of being an artist by moving to New York, where she becomes “Canadian” instead of ethnic – a more palatable foreignness. Having successfully stripped herself of her ethnicity, Marion continues to experience discrimination and objectification as a woman, failing as an artist and becoming an artist’s model. Karen Skinazi’s introduction to Eaton’s fascinating narrative draws attention to the fact that although the novel uses many of the conventions of the “race secret” story, this time the secret is never revealed.

This new edition of Marion: The Story of An Artist’s Model brings back into print a compelling and sophisticated treasure of Asian Canadian/American fiction that offers a rare perspective on ethnicity, gender, and identity.

Conjure Tales and Stories of the Color Line: Collected Stories

Penguin Classics
June 2000
304 pages
5.23 x 7.59in
Paperback ISBN: 9780141185026

Charles W. Chesnutt (1858-1932)

Edited by:

William L. Andrews, E. Maynard Adams Professor of English
University of North Carolina, Chapel Hill

Unlike the popular “Uncle Remus” stories of Joel Chandler Harris, Charles W. Chesnutt’s tales probe psychological depths in black people unheard of before in Southern regional writing. They also expose the anguish of mixed-race men and women and the consequences of racial hatred, mob violence, and moral compromise.

This important collection contains all the stories in his two published volumes, The Conjure Woman and The Wife of His Youth, along with two uncollected works: the tragic “Dave’s Neckliss” and “Baxter’s Procustes,” Chesnutt’s parting shot at prejudice.

The Stones of the Village

The Works of Alice Dunbar-Nelson
Current copyright holder unknown. Due diligence has been exercised by the National Humanities Center to identify the copyright holder.
ca. 1900-1910
19 pages

Alice Dunbar-Nelson

Victor Grabért strode down the one, wide, tree-shaded street of the village, his heart throbbing with a bitterness and anger that seemed too great to bear. So often had he gone home in the same spirit, however, that it had grown nearly second nature to him—this dull, sullen resentment, flaming out now and then into almost murderous vindictiveness. Behind him there floated derisive laughs and shouts, the taunts of little brutes, boys of his own age.

He reached the tumble down cottage at the farther end of the street and flung himself on the battered step. Grandmére* Grabért sat rocking herself to and fro, crooning a bit of song brought over from the West Indies years ago; but when the boy sat silent, his head bowed in his hands she paused in the midst of a line and regarded him with keen, piercing eyes.

Eh, Victor?—she asked. That was all, but he understood. He raised his head and waved a hand angrily down the street towards the lighted square that marked the village center…

Read the entire short story here.

Charles W. Chesnutt: Stories, Novels, and Essays

The Library of America
2002
939 pages
8.1 x 5.3 x 1.3 inches
Hardcover ISBN-10: 1931082065; ISBN-13: 978-1931082068

Edited by

Werner Sollors, Henry B. and Anne M. Cabot Professor of English and African-American Studies
Harvard University

Before Langston Hughes and Zora Neale Hurston, before James Weldon Johnson and James Baldwin, Charles W. Chesnutt broke new ground in American literature with his innovative exploration of racial identity and his use of African American speech and folklore. Rejecting his era’s genteel hypocrisy about miscegenation, lynching, and “passing,” Chesnutt laid bare the deep contradictions at the heart of American attitudes toward race and history, and in the process created the modern African American novel. The Library of America presents the best of Chesnutt’s fiction and nonfiction in the largest and most comprehensive edition ever published, featuring a newly researched chronology of the writer’s life.

The Conjure Woman (1899) introduced Chesnutt to the public as a writer of “conjure” tales that explore black folklore and supernaturalism. In such stories as “The Goophered Grapevine” and “The Conjurer’s Revenge,” the storyteller Uncle Julius reveals a world of fantastic powers and occult influence. That same year, Chesnutt published The Wife of His Youth, and Other Stories of the Color Line, a collection set in his native North Carolina that examines the legacies of slavery and Reconstruction at the turn of the century.

His first novel, The House Behind the Cedars (1900) dramatizes the emotional turmoil and inevitable conflicts brought on racial passing. Through the agonizing fate of Rena Walden, a beautiful woman in search of her own identity, Chesnutt exposes the destructive consequences of the legal and social fictions surrounding race in the post-bellum South.

The Marrow of Tradition (1901), Chesnutt’s masterpiece, is a powerful and bitter novel about the harsh reassertion of white dominance in a Southern town. Based on the 1898 massacre in Wilmington, North Carolina, the book reveals the political underpinnings of the emerging segregationist status quo through the story of two secretly related families, one black, one white. Neglected in its own time, The Marrow of Tradition has been recognized increasingly as a unique and multilayered depiction of the hidden dynamics of a society giving way to violence.

Nine uncollected short stories, including all the Uncle Julius tales omitted from The Conjure Woman, round out the volume’s fiction. A selection of essays, mixing forceful legal argument and political passion, highlight Chesnutt’s prescient views on the paradoxes and future prospects of race relations in American and the definition of race itself. Also included is the revealing autobiographical essay written late in his life, “Post-Bellum—Pre-Harlem.”

Table of Contents

• The Conjure Woman [1899]
  • The Goophered Grapevine
  • Po’ Sandy
  • Mars Jeems’s Nightmare
  • The Conjurer’s Revenge
  • Sis’ Becky’s Pickaninny
  • The Gray Wolf’s Ha’nt
  • Hot-Foot Hannibal
• The Wife of His Youth and Other Stories of the Color Line [1899]
  • The Wife of His Youth
  • Her Virginia Mammy
  • The Sheriff’s Children
  • A Matter of Principle
  • Cicely’s Dream
  • The Passing of Grandison
  • Uncle Wellington’s Wives
  • The Bouquet
  • The Web of Circumstance
• The House Behind the Cedars [1900]
• The Marrow of Tradition [1901]
• Uncollected Stories
  • Dave’s Neckliss [1889]
  • A Deep Sleeper [1893]
  • Lonesome Ben [1900]
  • The Dumb Witness [ca. 1900]
  • The March of Progress [1901]
  • Baxter’s Procrustes [1904]
  • The Doll [1912]
  • White Weeds
  • The Kiss
• Selected Essays
  • What is a White Man [1889]
  • The Future American [1900]
  • Superstitions and Folk-Lore of the Modern South [1901]
  • Charles W. Chesnutt’s Own View of His New Story, The Marrow of Tradition [1901]
  • The Disfranchisement of the Negro [1903]
  • The Courts and the Negro [1908]
  • Post-Bellum-Pre-Harlem [1931]

City of Broken Promises

Hong Kong University Press
1967
320 pages
Paperback ISBN: 978-962-209-076-7
ebook ISBN: 978-988-8053-59-9

Austin Coates (1922-1997)

The city is Macao, the Portuguese settlement on the China Coast, as it was more than 200 years ago. The promises are those made by Englishmen to marry their Macao mistresses, only to leave them abandoned and their children bastards.

Martha Merop and her English lover are unique in this period. He, son of the founder of Lloyd’s and cousin of the philosopher, Jeremy Bentham, was one of the first merchants to oppose the trade in opium. She, Chinese, abandoned at birth and sold into prostitution at the age of thirteen, became an international trader in her own right, the richest woman on the China Coast and Macao’s greatest public benefactress.

This moving novel that captures the time and place so convincingly is a historical reconstruction of the years 1780 to 1795 when the two were together. It is based on oral tradition handed down through generations in Macao, and on documents that survive about them in Macao, Lisbon and London. Austin Coates identified Martha Merop’s lover, about whom little was known. The documents about him confirmed the traditional Macao story, and the outcome was this book.

Absalom, Absalom!

Random House
1936
432 pages
Paperback ISBN: 978-0-679-73218-1

William Faulkner

First published in 1936, Absalom, Absalom! is William Faulkner’s ninth novel and one of his most admired. It tells the story of Thomas Sutpen and his ruthless, single-minded attempt to forge a dynasty in Jefferson, Mississippi, in 1830. Although his grand design is ultimately destroyed by his own sons, a century later the figure of Sutpen continues to haunt young Quentin Compson, who is obsessed with his family legacy and that of the Old South. “Faulkner’s novels have the quality of being lived, absorbed, remembered rather than merely observed,” noted Malcolm Cowley. “Absalom, Absalom! is structurally the soundest of all the novels in the Yoknapatawpha series—and it gains power in retrospect.” This edition follows the text of Absalom, Absalom! as corrected in 1986 under the direction of Faulkner expert Noel Polk and features a new Foreword by John Jeremiah Sullivan.

Washed in the Blood

Mercer University Press
October 2011
420 pages
Hardback ISBN: 9780881462579

Lisa Alther

This unique three-part novel assumes that, regardless of what Americans learn in school, the Southeast was not a barren wilderness when the English arrived at Jamestown. It was full of Native Americans, other Europeans, and Africans who were there for various reasons. Based on extensive research into the racial mixing that occurred in the early years of southeastern settlement, this provocative multi-generational story shows that these people did not simply vanish, but that many were absorbed into the new communities that gradually formed throughout the southeast, becoming “white” whenever their complexions allowed. The inability to accept their true heritages illustrates the high price many of these people paid for their way of life. Diego Martin arrives in 1567 in the American Southeast—the region the Spaniards call La Florida—as a hog drover with a Spanish exploring party. The leader of the expedition turns against him and abandons him to the wilderness, where friendly natives rescue him. Daniel Hunter, a Quaker from Philadelphia, sets up a school among these “disadvantaged” mountain people and falls in love with a Martin daughter. Later, Daniel’s descendants are living in the same town, though with little awareness of their ancestral past. The Martin family has split in two, the merchants in town denying any relationship to their racially mixed cousins on Mulatto Bald. A young woman from town, Galicia, falls in love with a young man from the bald, Will, not realizing that he is her cousin. They marry, have a daughter, and move to a new industrial center, becoming prominent citizens. When Will’s son from a teenage liaison appears at his door, he invites him in, unwittingly setting the stage for a forbidden love between his unacknowledged son and his cherished daughter, neither of whom realizes that they are half-siblings. This is a novel you will not be able to put down without wondering “Where will it take me next?”

Table of Contents

• Part I – The Swine King: A. D. 1567
  • 1-The San Jorge
  • 2 – Landfall
  • 3 – Santo Domingo
  • 4 – Santa Elena
  • 5 – Orista
  • 6 – Cofitachequi
  • 7 – Joara
  • 8 – Cauchi
  • 9 – Land of the Lost
  • 10 – The Cave
• Part II – The Squabble State
  • 1 – The Five-Chicken Baby: 1818
  • 2 – Couchtown: August 1837
  • 3 – The Shenandoah: October 1837
  • 4 – Mulatto Bald: October 1837
  • 5 – Baptism by Fire: November 1837
  • 6 – The Frost Moon: December 1837
  • 7 – Seedbeds: April 1838
  • 8 – Soldiers’Joy: June 1838
  • 9 – The Wilderness Road: July 1838
  • 10 – Squatters: October 1838
• Part III – Passing Fancy
  • 1 – The Ringer: August 1909
  • 2 – Leesville: October 1909
  • 3 – Palestine: February 1911
  • 4 – Hijacked Happiness: March 1911
  • 5 – Old Times There Are Not Forgotten: April 1911
  • 6 – Homecoming: December 1911
  • 7 – Mongrels: August 1913
  • 8 – A Roll of the Dice: November 1913
  • 9 – The Perils of Pauline: March 1914
  • 10 – Holston: May 1914
  • 11 – Half-Breeds: 1920
  • 12 – Home to Roost: 1927
  • 13 – Mountain Meadows: 1930
  • 14 – The Plantation Ball: 1930

Diamond Grill (10th Anniversary Edition)

NeWest Press
Fall 2006
208 pages
paperback ISBN 13: 978-1-897126-11-0

Fred Wah

This story of family and identity, migration and integration, culture and self-discovery is told through family history, memory, and the occasional recipe.

Diamond Grill is a rich banquet where Salisbury steak shares a menu with chicken fried rice, and bird’s nest soup sets the stage for Christmas plum pudding; where racism simmers behind the shiny clean surface of the action in the cafe.

An exciting new edition of Fred Wah’s best-selling bio-fiction, on the 10th anniversary of its original publication, with an all new afterword by the author and the same pagination as the original publication.