Mixed Race Studies

Being Proud of my Blasian Identity Didn’t Come Without Some Pain

Wear Your Voice
2018-05-30

Latonya Pennington, Pop Culture Writer

Despite the ongoing trauma I’ve experienced and the toxic things I’ve had to unlearn, I wouldn’t trade being Blasian for anything.

Until recently, I thought that being a biracial Black and Asian person was no big deal. I look Black and was always closer to my African American dad than my Vietnamese mom, so I thought that nullified my biracial heritage somehow. However, certain experiences, new stories, and media have reminded me that no matter how Black I appear to be, I will always be Blasian.

The very first time I became aware of how my ethnicity affected me was when I was asked what my race was on a form when I was in elementary school. Ten to twenty years ago, official documents didn’t give you the option to say that you were multiracial or choose more than one race. I remember being a little confused because I knew my skin was Black, but both my parents weren’t. In the end, I chose “Black” and sometimes I still just choose “Black” when I think my ethnicity is too complicated for others to understand…

Read the entire article here.

If you ask me what I am

The Daily Californian
Berkeley, California
2018-08-11

Jasmine Tatah, Senior Staff

Mixed Feelings

I used to welcome personal questions about race and identity. Where is my family from? What’s my ethnic background? Where does my last name come from? However ambiguously or indirectly they were phrased, they all came across as equally amusing. If someone was curious about my heritage, that was fine with me. I considered the attention to be flattering.

There was one day in my senior year of high school when my biology teacher wanted to illustrate the scope of human genetic variation. She pulled up a National Geographic article on mixed-race Americans, scrolled through the various faces pictured and remarked, “Aren’t they beautiful?” The idea that mixed people were considered beautiful wasn’t new to me, but in that moment, her remark made me want to vomit. Was that all she had to say?

Moments like that made me question what others really thought about me. Could I ever be uncoupled from my racial identity? Could my internal connection to my roots ever be uncoupled from my external appearance? Was my race always the first thing people wondered about me and the primary way people identified me?…

Read the entire article here.

Albums of Inclusion: The Photographic Poetics of Caribbean Chinese Visual Kinship

Small Axe: A Caribbean Journal of Criticism
Volume 22, Number 2 (56)
2018-07-01
pages 35-56
DOI: 10.1215/07990537-6985666

Tao Leigh Goffe, Assistant Professor of Africana Studies and Feminist, Gender, & Sexuality Studies
Cornell University, Ithaca, New York

This essay focuses on artwork that centers family photographs and home movies as a point of departure to trouble the conventional family album in order to narrate a story about Caribbean Chinese kinship. In the art examined, personal visual archives are used to respond to the lacuna of Caribbean Chinese familial intimacies from the colonial archive. Engaging shared themes of migration and racialized ideas of reproduction, three contemporary diasporic visual artists—Albert Chong, Richard Fung, and Tomie Arai—mine oral histories and family archives to blend aural and visual narratives. These artists rupture the surface of family images to trouble the bourgeois, heteronormative, and colorist scripts that often police the formation of family. The family album is rearranged and marked up; thus it becomes rendered as flesh inscribed with silent narratives. Through different forms of remixing, they engage with the affect and entanglements of family photography to form a visual vocabulary of diasporic kinship. In doing so, the artwork—collages, documentaries, installations—interrogates the afterlife of the nineteenth-century European colonial experiment of Chinese indenture, designed to install a discreet “buffer race” between the white minority and the black majority in the Caribbean after abolition. The experiment, which depended on the capacity for the Chinese to develop bourgeois domesticity in the Caribbean after abolition, failed because of sexual intimacies between people of African descent and people of Asian descent, beyond the imperial order’s imagining. Another future of familial intimacies in the diaspora is present in the artists’ aesthetic of fragmentation and collage.

Read or purchase the article here.

Legacies of Postwar Japan’s “War Bride” Era

Japanese American National Museum
100 North Central Avenue
Los Angeles, California 90012
Telephone: (213) 625-0414
2018-06-30, 09:00-17:30 PDT (Local Time)

Presented in partnership with the Hapa Japan Project at USC Shinso Ito Center for Japanese Religions and Culture.

During and shortly after the US-Allied Occupation of Japan, the Japanese women who fraternized with soldiers often met opposition from their families and were shunned by other Japanese. Many mixed-raced children faced severe prejudice for being “impure” and born from the former enemy.

This symposium brings together various stakeholders to tell the stories of the war brides and their children. By focusing on the memories, realities, and legacies of this community, this groundbreaking gathering will create opportunities for listening, discussing, healing, and empowering attendees.

Symposium Schedule

9:00am – 9:30am Welcome and Opening Remarks

• Duncan Williams (USC Shinso Ito Center and Hapa Japan Project)
• Fredrick Cloyd (author of Dream of the Water Children)

9:30am – 10:40am Session 1 – Occupation/Migration: Women, Children and the U.S. Military Presence

• Etsuko Crissey (author of Okinawa’s GI Brides: Their Lives in America)
• Mire Koikari (University of Hawai‘i; author of Cold War Encounters in US-Occupied Okinawa: Women, Militarized Domesticity, and Transnationalism in East Asia)
• Elena Tajima Creef (Wellesley College; author of Imaging Japanese America: The Visual Construction of Citizenship, Nation, and the Body and Following Her Own Road: The Life and Art of Mine Okubo)

10:40am – 11:50am Session 2 – Difference and Other: War-Bride and Mixed-race Children’s Representations

• Margo Okazawa-Rey (Fielding Graduate University; Professor Emeritus, San Francisco State University)
• Sonia Gomez (University of Chicago; Visiting Scholar, MIT; author of From Picture Brides to War Brides: Race, Gender, and Belonging in the Making of Japanese America)

11:50am – 1:15pm LUNCH BREAK

1:15pm – 2:45pm Session 3 — Book Launch of “Dream of the Water Children: Memory & Mourning in the Black Pacific”

• Fredrick D. Kakinami Cloyd (author of Dream of the Water Children)
• Curtiss Takada Rooks (Loyola Marymount University)
• Angela Tudico (Archives Specialist, National Archives at New York City)

2 :45pm – 3 :00pm COFFEE/TEA BREAK

3 :00pm – 5 :30pm Session 4 – Film and Discussion of “Giving Voice, The Japanese War Brides”

• Miki Crawford (Producer/author of Giving Voice, The Japanese War Brides)
• Kathryn Tolbert (Washington Post; Producer/Director of Seven Times Down, Eight Times Up: The Japanese War Brides)

5:30pm Closing Remarks: Fredrick Cloyd

For more information and to RSVP, click here.

What It’s Like Being an “Other”

College Magazine
2018-06-19

Mailinh McNicholas

Mailinh McNicholas

I’ve remained on the fringes of two different and separate Anchorage, Alaska communities. I have a Caucasian father and Vietnamese mother. My high school friends often talked about my ethnicity and attempted to place me into a defined racial category. Some of my peers pegged me as an Asian immigrant, some have asked if I am Native Alaskan, and others simply asked ‘What are you?’

Unfortunately, my hopes did not match my reality. A few months into my freshman year at GW [George Washington University] I found that my college peers also cast me as “the other.” Although I’m equal parts Asian and White, to my white friends I’m Asian and to my Asian friends, I’m white. My bi-cultural heritage once again left me excluded from being included in ether community…

Read the entire article here.

Dream of the Water Children: Memory and Mourning in the Black Pacific

2Leaf Press
2018-06-08
470 pages
Paperback ISBN-13: 978-1-940939-28-5
ePub ISBN-13: 978-1-940939-29-2

Fredrick D. Kakinami Cloyd

Introduction by Gerald Horne
Foreword by Velina Hasu Houston
Edited by Karen Chau

Fredrick D. Kakinami Cloyd’s debut, Dream of the Water Children: Memory and Mourning in the Black Pacific, is a lyrical and compelling memoir about a son of an African American father and a Japanese mother who has spent a lifetime being looked upon with curiosity and suspicion by both sides of his ancestry and the rest of society. Cloyd begins his story in present-day San Francisco, reflecting back on a war-torn identity from Japan, U.S. military bases, and migration to the United States, uncovering links to hidden histories.

Dream of the Water Children tells two main stories: Cloyd’s mother and his own. It was not until the author began writing his memoir that his mother finally addressed her experiences with racism and sexism in Occupied Japan. This helped Cloyd make better sense of, and reckon with, his dislocated inheritances. Tautly written in spare, clear poetic prose, Dream of the Water Children delivers a compelling and surprising account of racial and gender interactions. It tackles larger social histories, helping to dispel some of the great narrative myths of race and culture embedded in various identities of the Pacific and its diaspora.

How I Finally Learned To Accept Both My Chinese And Jewish Identities

The Huffington Post
2018-05-22

Gen Slosberg
Guest Writer

Gen Slosberg To be mixed and a woman meant my appearance was of the foremost importance to everyone around me.

Growing up in China, I never quite understood why I didn’t fit in.

I ate Chinese food, went to Chinese school, had Chinese friends and did Chinese things. I memorized poems and Confucius passages at school and learned how to play the zither. At night, my grandma would sit next to my bed, fan away mosquitoes with her bamboo fan and sing nursery rhymes about the summer rain in Cantonese. On weekends, I would wake up early to watch my neighbor roll dumpling dough and my mom cut green onions into small pieces for the filling.

What little exposure I had to American culture was when my Jewish-American father would come home after monthslong business trips and read me Dr. Seuss. Until I was 15, my understanding of America consisted of vague memories of The Boy and The Apple Tree, summer trips to my dad’s hometown Portland, Maine, where his white relatives would look at me in wonder and express concern for my broken English.

I was, as far as I understood, Chinese. But as far as everyone else in China was concerned, I was only white, Jewish and American because of my father. For reasons incomprehensible to me at the time, I was “different” in the eyes of those in a society so emphatic about its homogeneity…

Read the entire article here.

Portrait Of: ‘The Latinos Of Asia’

Latino USA
2018-05-22

Janice Llamoca, Digital Media Editor
Futuro Media Group

When you hear of last names like Torres, Rodriguez or Santos, you might automatically think of Latin America—and you’re not completely wrong. Those surnames are common throughout Latin America, but they’re also common in the Philippines.

Because of Spanish colonization, Filipinos and Latinos also share —aside from last names— religion, food and even similarities in language. These lines become even clearer here in the United States, as Filipino-Americans grow up in a cities with large Latino populations, like Los Angeles.

Anthony Ocampo, associate professor of sociology at California State Polytechnic University, Pomona, breaks down these similarities in his book, The Latinos of Asia: How Filipino Americans Break the Rules of Race.

Maria Hinojosa talks to Ocampo about the book, his experience growing up in Los Angeles as a Filipino-American and what his research tells us about the link between Filipinos and Latinos…

Listen to the interview (00:19:30) here.

Black-Asian Counterintimacies: Reading Sui Sin Far in Jamaica

J19: The Journal of Nineteenth-Century Americanists
Volume 6, Number 1, Spring 2018
pages 197-204
DOI: 10.1353/jnc.2018.0015

Christine “Xine” Yao, SSHRC Postdoctoral Fellow
Department of English
University of British Columbia

In “Leaves from the Mental Portfolio of a Eurasian,” Edith Maude Eaton, writing as Sui Sin Far, reflects on her time in Jamaica as a white-passing mixed-race woman.¹ Rumor of her Chinese ancestry provokes a white English naval officer to seek her out for sexual favors, a scenario still all too familiar to women, particularly women of color, today: a predatory conversation sheathed in friendly euphemisms. At first Far believes his visit has to do with her work as a journalist, but his repeated “silly and offensive laugh” suggests otherwise.² When she attempts to dismiss him, he laughs again, “There’s always plenty of time for good times. That’s what I am here for.”³ After commenting on her “nice little body,” he invites her to sail with him where “I will tell you all about the sweet little Chinese girls I met when we were at Hong Kong. They’re not so shy!”⁴ The officer’s framing of her presumed affective and sexual availability, and the foregrounding of his own sexual and social prerogative, are an everyday life manifestation of what Lisa Lowe names a “‘political economy’ of intimacy … a particular calculus governing the production, distribution, and possession of intimacy” predicated on empire and settler colonialism.⁵ The man’s proposition to Far is a demand for her friendliness because those other Chinese girls in Hong Kong are “not so shy.” In her rejection of his desire for intimacy, she risks the dangerous backlash that attends injured white masculinity along with broader social consequences that could impact the relative privilege of her personal and professional life in the Caribbean. Still, instead of a “friendly” relationship to whiteness, Sui Sin Far seeks alternative intimacies. In the same section of her memoir she juxtaposes this incident with musings about her position as a white-passing mixed-race Chinese woman in relation to her observations about antiblackness in the West Indies. Despite the warnings of the English who tell her to fear the “‘brown boys’ of the island,” the writer considered the mother of Asian North American literature affirms a sense of transnational solidarity between peoples of color in her affective racial identifications. “I too am of the ‘brown people’ of the earth,” she confides to her readers, prefiguring, in this assertion, the anti-colonial alliance between African and Asian nations that would be formalized in 1955 at the Bandung Conference in Indonesia.⁶

Intimacy operates, here, as a heuristic for understanding how the racialized and gendered pressures of domesticity, sentimentality, and sexuality are imbricated with the projects of empire. These exploitative relations undergird the transnational violences of settler colonialism, slavery, and indentured servitude—systems which, as Lowe argues, enable the liberal fictions of white Western individuals, who are able to claim intimacy as one of the privileges associated with the private sphere, as a property of their citizenship in modern civil society. In the shift from the late nineteenth-century threatening “Yellow Peril” to modern-day deserving “model minority,” Asian Americans, particularly those of East Asian descent, are lured by false promises of inclusion into this liberal fiction on the basis of intimate affiliation with whiteness. Among the processes of comparative racialization that emerge from transnational intimacies, Ellen Wu traces how Asian Americans were complicit in the anti-black creation of the “model minority” category in the American cultural imaginary.⁷ Nonetheless, the solidarity work of activists like Grace Lee Boggs and Yuri Kochiyama, along with studies of earlier black-Asian cultural and political engagements by scholars like Edlie Wong and Julia H. Lee, indicates an alternative genealogy of counterintimacies that disrupts those aligned with the afterlife of imperial exploitation.⁸ In defiance of the coercive pressures made manifest through sexual violence and emotional labor, the mixed-race Asian and black women of Sui Sin Far’s fiction and nonfiction writings reorient these indices of transnational power relations away from their focus on whiteness and toward the possibility of resistance through affective connections that center peoples of color.

In Far’s rediscovered Jamaican stories and journalism…

Mixed Korean: Our Stories

Truepeny Publishing Company
2018
ISBN: 978-0-692-06959-2

Edited by: Cerrissa Kim, Katherine Kim, Soon Kim-Russell, and Mary-Kim Arnold

From the struggles of the Korean War, to the modern dilemmas faced by those who are mixed race, comes an assortment of stories that capture the essence of what it is to be a mixed Korean. With common themes of exclusion, and recollections of not looking Korean enough, black enough, white enough, or “other” enough, this powerful collection features works by award-winning authors Alexander Chee, Michael Croley, Heinz Insu Fenkl, alongside pieces composed by prominent writers, poets and scholars. Interwoven between known literary names, are the voices of newcomers with poignant memories that have never been captured before. Collectively, these stories will resonate with anyone who has ever stood on the outside of a group, longing for inclusion. They are a testament to the courage, strength and resilience of mixed people everywhere.