Scholarly perspectives on the mixed race experience.
There is good reason to expect that in the United States today individuals who identify as multiracial experience negative treatment. Multiracial individuals report encountering discrimination and microaggressive behaviors such as racial exclusion and marginalization, exoticization, invalidation of their racial identities, and racial essentialization.2 These behaviors are in part a result of the kinds of racism that all groups of color face, and in part products of monoracism, a system which privileges single-race categories over racial mixing.3 This system leads to the systematic exclusion and reduction of multiracial identities. For example, during much of the history of the United States, the “one-drop rule” (the idea that every person with any black ancestry was to be identified as only black) was both a social and a legal principle that was heavily enforced.”4
Monoracism and the discriminatory and microaggressive behavior it produces continue to affect multiracial individuals today. For example, there have been numerous cases of workplace racial discrimination presented to courts by multiracial plaintiffs alleging the violation of Titles VI and VII of the Civil Rights Act of 1964.5 A common type of microaggressive behavior found in many of the court cases was racial essentialization; individuals were assigned to a single, monoracial group by others despite their multiracial background.6 For example, multiracial individuals with a black parent are typically described and treated as if they are solely African American.7 Even the courts themselves generally describe multiracial people with any black ancestry as simply black. Many scholars who are supporters of the “Personal Identity Equality” approach have critiqued this pattern, arguing that the “misrecognition of one’s identity” is a form of “social subordination,”8 although it is not against the law to refuse to acknowledge the racial identity that a person claims.
Mary E. Campbell and Sylvia M. Emmanuel, “On The Edge: Multiracial Groups and Public Policies,” in How Public Policy Impacts Racial Inequality, Josh Grimm and Jaime Loke eds. (Baton Rouge: Louisiana State University Press, 2019), 96.
ZUN LEE, FATHER FIGURE. IMAGES COURTESY BAS BERKHOUT
German-born photographer Zun Lee documents the special non-special moments of black family life.
In his late thirties, Zun Lee discovered that he was not the son of two Korean immigrants to Frankfurt, Germany, as he had believed for most of his life. He was the son of one Korean immigrant—his mother—and a black man he’s never met. He’s been struggling with this shift in identity ever since, most recently in the form of three documentary projects, Father Figure, Black Love Matters, and Fade Resistance. Each series examines an underrepresented facet of black culture, often actively fighting harmful stereotypes that Lee has encountered…
PETALING JAYA: Alena Murang, who has mixed parentage, discovered only as an adult that she was not legally “native” in her homeland, Sarawak.
Alena, 32, a musician, songwriter and visual artist, said she and many others were oblivious to the issue. Her birth certificate said she was a Kelabit.
Her father Ose Murang, 67, is a Dayak Kelabit community leader and her mother is European.
“Only when I was an adult did I come to understand that in Sarawak, mixed children like myself are not legally native…
From the talented multidisciplinary artist, musician, and writer Leanne Dunic comes the lyric memoir One and Half of You. In sinuous language, with candour, openness, and surprising humour, Dunic explores sibling and romantic love and the complexities of being a biracial person looking for completion in another.
Including links to three songs written and performed for the book by tidepools.
Disliking her paler skin compared to other darker-complected Hispanics growing up, Rachel González-Martin spent hours lying under the sun willing herself to tan. Only burning and turning red, she grew frustrated. González-Martin wanted others to easily recognize her as Hispanic.
“There’s who we know we are and how we tell our own story, but we can never escape from what people see in us or read from our appearance,” the associate professor of Mexican American and Latina/o studies said.
Racial passing — a term used to describe those perceived as a member of another racial group than their own — can affect how closely people connect to and feel a part of their communities. For UT students and staff, the process of navigating different cultural stereotypes and learning to embrace their identities regardless of their appearance remains a lifelong project.
Growing up in Oakland, California, with very few fellow Hispanics, González-Martin felt she needed to physically show her identity. However, as she’s grown older, she said she’s learned to accept her own meaning of belonging to a community aside from outside biases…
As the population of mixed-race Japanese—popularly called hāfu—grows, entertainers and athletes with bicultural backgrounds are increasingly prominent. However, most of those considered hāfu in Japan live normal, private lives, struggling daily with curiosity, prejudice, and their own identity conflicts. Whole, a new short film, takes up the issues facing just such people through the story of two young men. We spoke with the director, writer, and leading actor about the film…
Fay Wu Goodson is a 25-year-old queer, multiracial woman who documents the identity journeys of other New Yorkers. She finds her videography work meaningful, but more importantly, it distracts her from investigating the challenges of her own life and keeps relationships at a distance. When the family’s Taiwanese patriarch dies, Fay’s Asian grandmother moves to America; and Fay, her mother, and her aunt learn unsettling truths about their family and each other. They must decide to finally confront themselves, or let their pasts destroy everything each woman has dreamed of and worked for.
An unconventional story of an Asian-American matriarchy, The Balance Tips is a literary exploration of Taiwanese-American female roles in family, sexual identity, racism, and the internal struggles fostered by Confucian patriarchy that would appeal to fans of Celeste Ng’sEverything I Never Told You.
Wedding of Arthur and Kyoko Brina, Elizabeth’s parents, in Okinawa, 1974
Speak, Okinawa is a book I needed to write for a long time, long before I knew I needed to write it. The book is essentially about healing the relationship between me and my mother, me and my heritage. Both felt very strange and foreign to me, distant from me, for most of my life.
My mother was born and raised in Okinawa. She was born in 1948, three years after the Battle of Okinawa, which destroyed and devastated the entire island, killing one third of the population and leaving those who survived to wander and scavenge amidst the ash and wreckage. My mother was born into poverty and chaos and grief. As she grew up, she witnessed the militarization of the island, the countless crimes that were committed, the injustice. She became a waitress at a nightclub where soldiers, marines, and sailors came from nearby bases to drink, flirt, and forget about the war. She met and married my father, who was a U.S. soldier stationed on the island after fighting in Vietnam.
I had not learned this history, my mother’s history, my history, until I was thirty-four years old.
Perhaps the most direct impetus for writing my book was attending my mother’s baptism. She had recently joined the Rochester Japanese Christian Congregation. The forty or so members were all Japanese, almost all women, almost all middle-aged or older, almost all married to white American men who had served in the military. Seeing all these women together was a revelation. That was when I realized that my family was not utterly unique, not an isolated incident. I began asking questions. I began searching for answers. I wanted to capture this revelation, but in order to render the full impact I had to explain the history that brought these women together, brought my mother and father together. I had to explain my experience of growing up as the only child of two people from such vastly different cultural backgrounds.
Speak, Okinawa is my attempt to explain myself. Not just my own shame and internalized racism, but the long-standing systems and imperialistic origins that caused me to reject my mother and deny my heritage. Speak, Okinawa is my attempt at reconciliation…
Presented by: Nosheen Iqbal with Dan Hancox and Yvonne Foley
Produced by Joshua Kelly and Axel Kacoutié
Executive producers Phil Maynard and Archie Bland
Yvonne Foley, Photograph: Christopher Thomond/The Guardian
During the second world war, Chinese sailors served alongside their British allies in the merchant navy, heroically keeping supply lines open to the UK. But after the war hundreds of them who had settled in Liverpool suddenly disappeared. Now their children are piecing together the truth
Liverpool is home to the longest-established Chinese community in Europe having built sea links with Shanghai from the 19th century onwards. A thriving Chinatown is among the city’s present day inheritance of the era. But there is a darker side to the story of Liverpool’s Chinese community.
During the second world war, Chinese men served alongside their British comrades in merchant vessels that kept supply lines of food and other essentials flowing into the UK. It was incredibly dangerous work as the enormous cargo ships were ready targets for German U-boats and many of the seamen perished. After the war, many of the Chinese sailors settled in Liverpool with some starting families. But from 1946 onwards many started to go missing from the city.
On a day that Britain remembers the sacrifices of its war dead, writer Dan Hancox tells Nosheen Iqbal how he began investigating what had happened to the missing Chinese sailors and found a story of betrayal that is largely unknown in the UK. In the months following the war, the Home Office carried out thousands of secret deportations of Chinese seamen leaving their wives and children to believe they had been abandoned.
Yvonne Foley tells Nosheen she was 11 when she was told the truth about her Chinese heritage and has been trying ever since to find out what happened to her biological father she has never known.
Listen to the story (00:30:52) here. Download the story here.
How far do you need to travel to unlock the truth of your own heart? This is the central question in Anne Liu Kellor’s lyrical memoir Heart Radical: A Search for Language, Love, and Belonging, forthcoming from She Writes Press on September 7. Propelled by a spiritual quest and a longing to reconnect with the language her mother spoke to her growing up, Kellor left the comfort of her Pacific Northwest home to embark on a journey to Tibet and China in her twenties. Although it wasn’t her first time there—she’d visited before in college—this time she returned to China with a stronger resolve to find a sense of purpose and renew a part of her identity that felt stifled at home.
After traveling to Lhasa, visiting a remote monastery, and almost losing her passport, Kellor set up a home base in Chengdu, a bustling metropolis in Western China that’s bigger than New York City. She found work teaching English to college and graduate students but quickly became overwhelmed with the workload and the stress of having to be a role model and tiptoeing around sensitive topics such as Tibet and Tiananmen. Without a job and determined to stay in Chengdu, she moved in with an artist friend, Yizhong, who soon became her lover.
The safe shelter of her tender relationship with Yizhong allowed her to explore more confidently, develop her vocabulary, and pursue her creative impulses to paint and write in her journal. But even as her Mandarin fluency grew and she settled into a comforting rhythm, as a mixed-race and bicultural woman living in China she ultimately decided she wanted more—choosing a life that would be expansive enough to embrace all of her various identities.
I spoke with Kellor in late July about her debut memoir, her relationship to language, her evolving impressions of China, and having the heart of a seeker…
