Mixed Race Studies

Shapes & Disfigurements of Ramond Antrobus

Burning Eye Books
2013-11-03
36 pages
12.9 x 0.3 x 19.8 cm
Paperback ISBN: 978-1909136076

Raymond Antrobus

This third book in the Burning Eye pamphlet series (following Sally Jenkinson’s Sweat-borne Secrets and Mairi Campbell-Jack’s This Is A Poem…) presents Raymond Antrobus, a poet from Hackney with a talent for plucking poetry from the mouths of ordinary people. Whether a strawberry seller in Sweden, a homeless man on a London street or a taxi driver in South Africa, Raymond channels their voices through his own. This is the work of a confident young poet with an exceptional ear for language.

Bendición: The Complete Poetry of Tato Laviera

Arte Público Press
2014-11-30
346 pages
Paperback ISBN: 978-1-55885-800-8

Tato Laviera (1950-2013)

Introduction by: Laura Lomas
Preface by: Nicolás Kanellos

“i think in spanish / i write in english / i want to go back to puerto rico / but I wonder if my kink could live / in ponce, mayaguez and carolina.” Born in Puerto Rico but raised in New York City, Tato Laviera’s poetry reflects his bilingual, bicultural Nuyorican existence while celebrating the universality of the human condition and his European, indigenous and African roots.

Tato Laviera explores identity, community, urban life, oppression and much more in these multi-layered pieces that spanned his too-short life. Many deal with themes specific to the immigrant experience, such as the sense of alienation many feel when they are not accepted in their native or adopted land. In “nuyorican,” he writes about returning to his native island, only to be looked down upon for his way of speaking: “ahora regreso, con un corazón boricua, y tú / me desprecias, me miras mal, me atacas mi hablar.”

Music and dance, an integral part of Puerto Rican life, permeate Laviera’s verse and pay homage to the Caribbean’s African roots. “i hear merengue in french haiti / and in dominican blood, / and the guaracha in yoruba, / and the mambo sounds inside the plena.”

Including all of his previously published poems and some that have never been published, these are bold expressions of hybridity in which people of mixed races speak a combination of languages. He skillfully weaves English and Spanish, and frequently writes in Spanglish. The importance of language and its impact on his identity is evident in poems entitled “Español,” “Bilingue” and “Spanglish.” Known for his lively, energetic poetry readings, Bendición represents an internationally recognized poet’s life work and will serve to keep Tato Laviera’s words and the issues he wrote about alive long after his death.

Women Warriors of the Afro-Latina Diaspora

Arte Público Press
2012-04-30
248 pages
Paperback ISBN: 978-1-55885-746-9

Edited by: Marta Moreno Vega, Alba Marinieves and Yvette Modestin

Afro-Latina women relate their personal stories and advocacy for racial equality

“My housewife mother turned into a raging warrior woman when the principal of my elementary school questioned whether her daughter and the children of my public school had the intelligence to pass a citywide test,” Marta Moreno Vega writes in her essay. She knew then she was loved and valued, and she learned that to be an Afro-Puerto Rican woman meant activism was her birth right.

Hers is one of eleven essays and four poems included in this volume in which Latina women of African descent share their stories. The authors included are from all over Latin America—Brazil, the Dominican Republic, Haiti, Panama, Puerto Rico and Venezuela—and they write about the African diaspora and issues such as colonialism, oppression and disenfranchisement. Diva Moreira, a black Brazilian, writes that she experienced racism and humiliation at a very young age. The worst experience, she remembers, was when her mother’s bosses told her she didn’t need to go to school after the fourth grade, “because blacks don’t need to study more than that.”

The contributors span a range of professions, from artists to grass-roots activists, scholars and elected officials. Each is deeply engaged in her community, and they all use their positions to advocate for justice, racial equality and cultural equity. In their introduction, the editors write that these stories provide insight into the conditions that have led Afro-Latinas to challenge systems of inequality, including the machismo that is still prominent in Spanish-speaking cultures.

A fascinating look at the legacy of more than 400 years of African enslavement in the Americas, this collection of personal stories is a must-read for anyone interested in the African diaspora and issues of inequality and racism.

Loop of Jade

Chatto & Windus, part of Vintage Publishing
2015-05-07
80 pages
Paperback EAN: 9780701188696
eBook EAN: 9781448190683

Sarah Howe

• WINNER OF THE T. S. ELIOT PRIZE 2015
• WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015
• SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015

There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots.

With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.

In the Creole Twilight: Poems and Songs from Louisiana Folklore

Louisiana State University Press
September 2015
88 pages
6.00 x 9.00 inches
30 halftones
Hardcover ISBN: 9780807161548

Joshua Clegg Caffery, Visiting Professor in Folklore
Indiana University, Bloomington

Many recurring motifs found in south Louisiana’s culture spring from the state’s rich folklore. Influenced by settlers of European and African heritage, celebrated customs like the Courir de Mardi Gras and fabled creatures like the Loup-Garou are outgrowths of the region’s distinctive oral traditions. Joshua Clegg Caffery’s In the Creole Twilight draws from this vibrant and diverse legacy to create an accessible reimagining of traditional storytelling and song.

A scholar and Grammy-nominated musician, Caffery borrows from the syllabic structures, rhyme schemes, narratives, and settings that characterize Louisiana songs and tales to create new verse that is both well-researched and refreshingly inventive. Paired with original pen-and-ink illustrations as well as notes that clarify the origins of characters and themes, Caffery’s compositions provide a link to the old worlds of southern Louisiana while constructing an entirely new one.

page as bone – ink as blood

Talonbooks
2015
96 pages
6 W x 9 H inches
Paperback ISBN 13: 9780889229235

Jónína Kirton

Death, desire, and divination are the threads running through Jónína Kirton’s debut collection of poems and lyric prose. Delicate and dark, the pieces are like whispers in the night – a haunted, quiet telling of truths the mind has locked away but the body remembers. Loosely autobiographical, these are the weavings of a wagon-goddess who ventures into the double-world existence as a mixed-race woman. In her struggle for footing in this in-between space, she moves from the disco days of trance dance to contemplations in her dream kitchen as a mother and wife.

With this collection, Kirton adds her voice to the call for the kind of fierce honesty referred to by Muriel Rukeyser when she asked, What would happen if one woman told the truth about her life? The world would split open. Kirton tells her truth with gentleness and patience, splitting the world open one line at a time.

Scree: The Collected Earlier Poems, 1962–1991

Talonbooks
2015
640 pages
6 W x 9 H inches
Hardcover ISBN 13: 9780889229471; ISBN 10: 0889229473

Fred Wah

Edited and Introduction by:

Jeff Derksen, Associate Professor of English
Simon Fraser University, Burnaby, British Columbia, Canada

Fred Wah’s career has spanned six decades and a range of formal styles and preoccupations. Scree collects Wah’s concrete and sound poetry of the 1960s, his landscape-centric work of the 1970s, and his ethnicity-oriented poems of the 1980s. Fred was a founding member of the avant-garde TISH group, which helped turn Canadian poetry, in the West in particular, to a focus on language. He has said that his “writing has been sustained, primarily, by two interests: racial hybridity and the local.”

Most of Wah’s early work is out of print. This collection allows readers to (re)discover this groundbreaking work. The volume contains:

Lardeau (1965)
Mountain (1967)
Among (1972)
Tree (1972)
Earth (1974)
Pictograms from the Interior of B.C. (1975)
Loki Is Buried at Smoky Creek (1980)
Owner’s Manual (1981)
Breathin’ My Name with a Sigh (1981)
Grasp the Sparrow’s Tail (1982)
Waiting for Saskatchewan (1985)
Rooftops (1988)
So Far (1991)

The collection has been organized according to a chronology of composition (rather than a chronology of original publication): this reveals new connections and thematic trajectories in the body of work as a whole, and makes the book an eminently “teachable” volume. The book includes full-colour facsimiles of two early books, Earth and Tree, reproduced to show the “hands-on” object-based aspect of chapbook publishing.

The Adoption Papers

Bloodaxe Books
1991
64 pages
21.6 x 13.9 x 0.5 cm
Paperback ISBN: 978-1852241568

Jackie Kay, Professor of Creative Writing
Newcastle University

North End Love Songs

J. Gordon Shillingford Publishing
2012-03-20
108 pages
Paperback ISBN: 978-1-897289-76-1

Katherena Vermette

Winner of the 2013 Governor General’s Award for Poetry.

A self-described “tuff grrl with two ffs” there is no doubt that after poet Katherena Vermette’s first collection of poetry, North End Love Songs, she will also be known as one “tuff” poet. Chronicling several short lived affairs that follow the break-up of a long term relationship, North End Love Songs recounts a quest for love in all wrong places. In it poet Katherena Vermette pulls out all the stops with gritty stripped down lyrics about the kind of love doesn’t always talk nice, sometimes drinks way too much, smokes when it shouldn’t and winds up in bed with people it barely knows or trusts.

But North End Love Songs is more than just a poetic road trip to the wrong side of love. Described by critics as having “a complicated sense of beauty,” there is undeniable eloquence at work in Katherena Vermette’s poetry. These poems go way deeper than the usual explorations of loss and self discovery, grappling with the destructive social and cultural constructs that often keep women on the hunt for solace and stability outside of themselves instead of finding strength within.

Katherena Vermette is well known in Winnipeg for her spoken word and poetry performances. Her poems often feel like songs, sometimes country in tone, and sometimes dark, urban, and alternative. In North End Love Songs readers will find a fierce honesty, and resonant clarity that is unique to this fresh, new voice.

Katherena Vermette is a Métis writer of poetry and fiction. Her work has appeared in several literary magazines and compilations, including the upcoming Manitoapow—Aboriginal Literary History of Manitoba (Highwater Press 2012). Vermette was the 2010-2011 Blogger in Residence for thewriterscollective.org and recently begun graduate work in the prestigious Master of Fine Arts Creative Writing program at the University of British Columbia. A member of the Aboriginal Writers Collective of Manitoba since 2004, Vermette lives, works and plays in Winnipeg, Manitoba.

Fast Talking PI

Arc Publications
July 2012
80 pages
216 x 138 mm (paperback), 223 x 145 mm (hardback)
Paperback ISBN: 978-1904614-35-7
Hardback ISBN: 978-1904614-77-7

Selina Tusitala Marsh, Senior Lecturer of English Drama and Writing Studies
University of Auckland, Auckland, New Zealand

Fast Talking PI (pronounced pee-eye) reflects the poet’s focus on issues affecting Pacific communities in New Zealand, and indigenous peoples around the world including the challenges and triumphs of being afakasi [mixed race]. The book is structured in three sections, Tusitala (personal), Talkback (political and historical) and Fast Talking PIs (dialogue). She writes as a calabash breaker, smashing stereotypes and challenging historic injustices; also exploring the idea of the calabash as the honoured vessel for identity and story. Her aesthetics and indigenous politics meld marvellously together.

List of Contents

• TUSITALA
  • Googling Tusitala
  • Not Another Nafanua Poem
  • Afakasi
  • Calabash Breakers
  • Hone Said
  • Things on Thursdays
  • Song for Terry
  • Langston’s Mother
  • Cardboard Crowns
  • The Sum of Mum
  • Wild Horses
  • Three to Four
  • Le Amataga
  • The Beginning
  • Spare the Rod
  • A Samoan Star-chant for Matariki
  • Circle of Stones
• TALKBACK
  • Guys like Gauguin
  • Nails for Sex
  • Mutiny on Pitcairn
  • Two Nudes on a Tahitian Beach, 1894
  • Venus in Transit
  • Realpolitik
  • Contact 101
  • Has the whole tribe come out from England?
  • What’s Sarong With This?
  • The Curator
  • Hawai’i: Prelude to a Journey
  • Touring Hawaii and Its People
  • Alice’s Billboard
• FAST TALKING PIS
  • Fast Talkin’ PI
  • Acronym
  • Outcast
• Acknowledgements
• Notes
• Biographical Note