Mixed Race Studies

Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media

University of Illinois Press
2022-04-26
152 pages
6 x 9 in
12 black & white photographs
Cloth ISBN: 978-0-252-04441-0
Paper ISBN: 978-0-252-08648-9
eBook ISBN: 978-0-252-05340-5

Reighan Gillam, Associate Professor of Anthropology
University of Southern California

A new generation of Afro-Brazilian media producers have emerged to challenge a mainstream that frequently excludes them. Reighan Gillam delves into the dynamic alternative media landscape developed by Afro-Brazilians in the twenty-first century. With works that confront racism and focus on Black characters, these artists and the visual media they create identify, challenge, or break with entrenched racist practices, ideologies, and structures. Gillam looks at a cross-section of media to show the ways Afro-Brazilians assert control over various means of representation in order to present a complex Black humanity. These images–so at odds with the mainstream–contribute to an anti-racist visual politics fighting to change how Brazilian media depicts Black people while highlighting the importance of media in the movement for Black inclusion.

An eye-opening union of analysis and fieldwork, Visualizing Black Lives examines the alternative and activist Black media and the people creating it in today’s Brazil.

Watch IRAAS Conversations | Visualizing Black Lives: Ownership and Control in Afro Brazilian Media on YouTube (01:26:36) here.

Race, Monogamy, and Other Lies They Told You, Second Edition: Busting Myths about Human Nature

University of California Press
May 2022
352 pages
Illustrations: 10 b/w illustrations
Trim Size: 6 x 9
Paperback ISBN: 9780520379602
eBook ISBN: 9780520976818

Agustín Fuentes, Professor of Anthropology
Princeton University, Princeton, New Jersey

A compelling takedown of prevailing myths about human behavior, updated and expanded to meet the current moment.

There are three major myths of human nature: humans are divided into biological races; humans are naturally aggressive; and men and women are wholly different in behavior, desires, and wiring. Race, Monogamy, and Other Lies They Told You counters these pervasive and pernicious myths about human behavior. Agustín Fuentes tackles misconceptions about what race, aggression, and sex really mean for humans, and incorporates an accessible understanding of culture, genetics, and evolution that requires us to dispose of notions of “nature or nurture.”

Presenting scientific evidence from diverse fields, including anthropology, biology, and psychology, Fuentes devises a myth-busting toolkit to dismantle persistent fallacies about the validity of biological races, the innateness of aggression and violence, and the nature of monogamy, sex, and gender. This revised and expanded edition provides up-to-date references, data, and analyses, and addresses new topics, including the popularity of home DNA testing kits and the rise of ‘”incel” culture; the resurgence of racist, nativist thinking and the internet’s influence in promoting bad science; and a broader understanding of the diversity of sex and gender.

Bleach in the Rainbow: Latin Ethnicity and Preference for Whiteness

Transforming Anthropology
Volume 13, Issue 2 (October 2005)
Pages 103-109
DOI: 10.1525/tran.2005.13.2.103

William A. Darity, Jr., Samuel DuBois Cook Distinguished Professor of Public Policy
Duke University, Durham, North Carolina

Jason Dietrich, Section Chief, Compliance Analytics and Policy
Consumer Financial Protection Bureau, Washington, D.C.

Darrick Hamilton, Henry Cohen Professor of Economics and Urban Policy
Milano School of Policy, Management, and Environment
The New School, New York, New York

The conventional wisdom is that race is constructed in vastly different ways in the United States and throughout Latin America. Race is ostensibly understood as genotypical in the United States, while race ostensibly is understood as phenotypical in Latin America. Furthermore, the conventional wisdom, represented by the rainbow people metaphor, characterizes racial identity as far less a source of stigma in Latin America than in the United States. In contrast, research reported in this article indicates strong similarities in the construction and the operation race the entire Americas. Genotype, or African ancestry, is shown to matter in Latin America; phenotype, or appearance, is shown to matter in the United States. Race is strongly associated with social exclusion and inequality throughout all of the Americas, with Latinos demonstrating a strong preference for Whiteness and an aversion toward a Black identity. African Americans’ tendency to be Black identified may be the result of the social selection effects the phenomenon “passing.”

Read or purchase the article here.

Nitasha Tamar Sharma: Hawai’i Is My Haven: Race and Indigeneity in the Black Pacific

New Books Network
2022-03-30

Hawai’i Is My Haven: Race and Indigeneity in the Black Pacific (Duke UP, 2021) maps the context and contours of Black life in the Hawaiian Islands. This ethnography emerges from a decade of fieldwork with both Hawaiʻi-raised Black locals and Black transplants who moved to the Islands from North America, Africa, and the Caribbean. Nitasha Tamar Sharma highlights the paradox of Hawaiʻi as a multiracial paradise and site of unacknowledged anti-Black racism. While Black culture is ubiquitous here, African-descended people seem invisible. In this formerly sovereign nation structured neither by the US Black/White binary nor the one-drop rule, non-White multiracials, including Black Hawaiians and Black Koreans, illustrate the coarticulation and limits of race and the native/settler divide. Despite erasure and racism, nonmilitary Black residents consider Hawaiʻi their haven, describing it as a place to “breathe” that offers the possibility of becoming local. Sharma’s analysis of race, indigeneity, and Asian settler colonialism shifts North American debates in Black and Native studies to the Black Pacific. Hawaiʻi Is My Haven illustrates what the Pacific offers members of the African diaspora and how they in turn illuminate race and racism in “paradise.”

Listen to the interview (01:48:48) here.

Punta Music Has Never Been a Honduran ‘Thing,’ It Has Always Been a Black One

Remezcla
2022-03-24

Julaiza Alvarez

I was 12 years old when I went to my first fedu, a Garifuna word for a traditional gathering or party in Honduras. I was intrigued by how comfortable everyone was: The women dressed in traditional garments danced to the beat of the drum and sang to the sound of hands clapping. It was effortless. I had never seen anything like it. While I had been to family functions and seen my aunts dance, this did not compare. It was mesmerizing, especially with everyone being Black. It was different, and it set me on a journey to discover who I was.

Growing up in Charlotte, North Carolina, I struggled to find a sense of belonging in a community that did not accept me but accepted what my Blackness could give them. I wrestled with constantly being challenged to prove myself, not realizing that we are burdened with defending ourselves from the people we call our neighbors. Through music, Garifunas have told their story. But sadly, Punta is one of the countless Black musical movements that are having its history erased. The scene at my first fedu was unlike the music videos I grew up watching on YouTube where the Garifuna men would beat the drums, and the fair-skinned and dark-haired women would dance in front of them.

In my introduction to Punta, I saw my Blackness be celebrated. But to the rest of the world, their introduction to Punta showed my Blackness used as an accessory. Something you put on and take off when you are done with it. That’s why it is disheartening to watch the deliberate whitewashing of this sacred genre of music. The genre’s mainstream face is based on the misconception that Punta is the heartbeat of the Honduran people, the entirety of the country. In fact, this genre is rooted in a more specific community: the Garifuna people, the descendants of mixed West African and indigenous people that have historically resided on the Caribbean coast of Central America…

Read the entire article here.

Theorizing People of Mixed Race in the Pacific and the Atlantic

Social Sciences
Volume 11, Issue 3 (Published 2022-03-14)
14 pages
DOI: 10.3390/socsci11030124

Yasuko Takezawa, Professor of Cultural Anthropology and Sociology
Institute for Research in the Humanities, Kyoto University, Kyoto

Stephen Small, Professor
Department of African Diaspora Studies
University of California, Berkeley

The most extensive theoretic and empirical studies of people of mixed racial descent extant today have addressed nations across the Atlantic. This article reveals how this literature on people of mixed racial descent is limited in its claims to represent a “global model”. In contrast, we argue that by juxtaposing institutional factors in the Atlantic region and Japan we can expand our understanding of people of mixed racial descent across a far wider range of social and political terrains. A consideration of Japan uncovers a fascinating combination of factors impactful in the emergence of populations of mixed origins in the Pacific region more generally. By identifying this range of variables, we believe this analysis can be instructive for scholars of race focusing on the Atlantic and can contribute to a more encompassing approach for theorizing people of mixed racial descent.

Read the entire article in HTML or PDF format.

Poland’s multicultural music landscape: from Afro-Polish folk to Polish jazz from Peru

Notes From Poland
2022-02-17

Zula Rabikowska

Poland is often depicted as an ethnically homogeneous country, and in some senses it is. Contemporary Polish identity, however, is more complex and diverse than is often represented in the media, and the markers of Polishness are changing.

Historically, Poland was a multicultural country, with a third of its population composed of minorities. That rich legacy is still reflected in contemporary culture, from food to literature and art.

Though the death, destruction and displacement of World War Two ended that ethnic diversity, the postwar era was marked by migrations from fellow communist countries, in particular Vietnam. And in recent years, Poland has recorded one of Europe’s highest rates of immigration…

Read the entire article here.

Afro Germany – being black and German | DW Documentary

DW Documentary
2017-03-29

Black and German: news anchor Jana Pareigis has spent her entire life being asked about her skin color and afro hair. What is it like to be Black in Germany? What needs to change?

In our documentary “Afro Germany”, Pareigis travels through Germany to speak with other black Germans, including rap and hip hop artists and pro footballers, and find out what their experiences of racism in Germany have been. “Where are you from?” Afro-German journalist Jana Pareigis has heard that question since her early childhood. And she’s not alone. Black people have been living in Germany for around 400 years, and today there are an estimated one million Germans with dark skin. But they still get asked the often latently racist question, “Where are you from?” Jana Pareigis is familiar with the undercurrents of racism in the western world. When she was a child, the Afro-German TV presenter also thought her skin color was a disadvantage. “When I was young, I wanted to be white,” she says. Pareigis takes us on a trip through Germany from its colonial past up to the present day, visiting other Black Germans to talk about their experiences. They include German rapper and hip hop artist Samy Deluxe, pro footballer Gerald Asamoah and Theodor Michael, who lived as a Black man in the Third Reich. They talk about what it’s like to be Black in Germany.

Too black for Brazil | Guardian Docs

The Guardian
2016-02-09

Nayara Justino thought her dreams had come true when she was selected as the Globeleza carnival queen in 2013 after a public vote on one of Brazil’s biggest TV shows. But some regarded her complexion to be too dark to be an acceptable queen. Nayara and her family wonder what this says about racial roles in modern Brazil.

All Tangled Up: Intersecting Stigmas of Race, Gender, and Sexuality in Mariana Rondón’s Bad Hair

Black Camera: An International Film Journal
Volume 9, Number 1, Fall 2017
pages 47-61

Reighan Gillam, Assistant Professor of Anthropology
University of Southern California

The film Pelo Malo / Bad Hair (dir. Mariana Rondón, 2013) depicts the story of Junior, a mixed-race young boy in Venezuela who wishes to straighten his curly hair. This essay shows that the stigmatization of black hair is part of Venezuela’s racial aesthetic regime and thus contextualizes the actions and desires of the main character. Moreover, while much of the literature on race and beauty in Latin America focuses on women’s experiences, this essay examines men’s and boys’ experiences of aesthetic regimes that value whiteness. Junior’s continual fussing with his hair, as well as his other actions, informs his mother’s fears that he is gay. I argue that the main character, Junior, is subject to shifting forms of stigma that inform his attempts to straighten his curly hair and in turn inform Junior’s mother’s perception that he is gay.

Read or purchase the article here.