Mixed Race Studies

Transformable Race: Surprising Metamorphoses in the Literature of Early America

Oxford University Press
2014-01-27
336 Pages | 9 halftones
6-1/8 x 9-1/4 inches
Hardcover ISBN: 9780199313501

Katy L. Chiles, Associate Professor of English
University of Tennessee, Knoxville

• First detailed study of “literary race” in eighteenth-century America
• Brings together the scholarly discourses on American Indian identity, the racial regime of African slavery, and the developing discourse of race in eighteenth-century natural history with convincing literary analysis
• Covers canonical texts by Ben Franklin, Samson Occum, Phillis Wheatley, and J. Hector St. John de Crèvecoeur

As surprising as it might seem now, during the late eighteenth century many early Americans asked themselves, “How could a person of one race come to be another?” Racial thought at the close of the eighteenth century differed radically from that of the nineteenth century, when the concept of race as a fixed biological category would emerge. Instead, many early Americans thought that race was an exterior bodily trait, incrementally produced by environmental factors and continuously subject to change. While historians have documented aspects of eighteenth-century racial thought, Transformable Race is the first scholarly book that identifies how this thinking informs the figurative language in the literature of this crucial period. It argues that the notion of “transformable race” structured how early American texts portrayed the formation of racial identities. Examining figures such as Phillis Wheatley, Benjamin Franklin, Samson Occom, and Charles Brockden Brown, Transformable Race demonstrates how these authors used language emphasizing or questioning the potential malleability of physical features to explore the construction of racial categories.

Measuring Manhood: Race and the Science of Masculinity, 1830–1934

University of Minnesota Press
September 2015
368 pages
32 b&w photos
5 1/2 x 8 1/2
Paper ISBN 978-0-8166-7303-2
Cloth ISBN 978-0-8166-7302-5

Melissa N. Stein, Assistant Professor of Gender and Women’s Studies
University of Kentucky

From the “gay gene” to the “female brain” and African American students’ insufficient “hereditary background” for higher education, arguments about a biological basis for human difference have reemerged in the twenty-first century. Measuring Manhood shows where they got their start.

Melissa N. Stein analyzes how race became the purview of science in nineteenth- and early twentieth-century America and how it was constructed as a biological phenomenon with far-reaching social, cultural, and political resonances. She tells of scientific “experts” who advised the nation on its most pressing issues and exposes their use of gender and sex differences to conceptualize or buttress their claims about racial difference. Stein examines the works of scientists and scholars from medicine, biology, ethnology, and other fields to trace how their conclusions about human difference did no less than to legitimize sociopolitical hierarchy in the United States.

Covering a wide range of historical actors from Samuel Morton, the infamous collector and measurer of skulls in the 1830s, to NAACP leader and antilynching activist Walter White in the 1930s, this book reveals the role of gender, sex, and sexuality in the scientific making⎯and unmaking⎯of race.

European Others: Queering Ethnicity in Postnational Europe

University of Minnesota Press
2011
304 pages
6 b&w photos
5 1/2 x 8 1/2
Paper ISBN 978-0-8166-7016-1
Cloth ISBN 978-0-8166-7015-4

Fatima El-Tayeb, Professor of African-American Literature and Culture
University of California, San Diego

European Others offers an interrogation into the position of racialized communities in the European Union, arguing that the tension between a growing nonwhite, non-Christian population and insistent essentialist definitions of Europeanness produces new forms of identity and activism. Moving beyond disciplinary and national limits, Fatima El-Tayeb explores structures of resistance, tracing a Europeanization from below in which migrant and minority communities challenge the ideology of racelessness that places them firmly outside the community of citizens.

Using a notable variety of sources, from drag performances to feminist Muslim activism and Euro hip-hop, El-Tayeb draws on the largely ignored archive of vernacular culture central to resistance by minority youths to the exclusionary nationalism that casts them as threatening outcasts. At the same time, she reveals the continued effect of Europe’s suppressed colonial history on the representation of Muslim minorities as the illiberal Other of progressive Europe.

Presenting a sharp analysis of the challenges facing a united Europe seen by many as a model for twenty-first-century postnational societies, El-Tayeb combines theoretical influences from both sides of the Atlantic to lay bare how Europeans of color are integral to the continent’s past, present, and, inevitably, its future.

Contents

• Acknowledgments
• Introduction: Theorizing Urban Minority Communities in Postnational Europe
• 1. “Stranger in My Own Country”: European Identities, Migration, and Diasporic Soundscapes
• 2. Dimensions of Diaspora: Women of Color Feminism, Black Europe, and Queer Memory Discourses
• 3. Secular Submissions: Muslim Europeans, Female Bodies, and Performative Politics
• 4. “Because It Is Our Stepfatherland”: Queering European Public Spaces
• Conclusion: “An Infinite and Undefinable Movement”
• Notes
• Bibliography
• Index

The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families

University of Texas Press
November 2015
328 pages
6 x 9
Hardcover ISBN: 978-1-4773-0238-5
Paperback ISBN: 978-1-4773-0788-5

Elizabeth Hordge-Freeman, Assistant Professor of Sociology with a joint appointment in the Institute for the Study of Latin America & the Caribbean
University of South Florida

Drawing on more than one hundred interviews and observations within ten core families, this study of intimate relationships as sites of racial socialization reveals a new facet of race-based differential treatment and its origins—and the mechanisms that perpetuate these strata across generations.

The Color Of Love reveals the power of racial hierarchies to infiltrate our most intimate relationships. Delving far deeper than previous sociologists have into the black Brazilian experience, Elizabeth Hordge-Freeman examines the relationship between racialization and the emotional life of a family. Based on interviews and a sixteen-month ethnography of ten working-class Brazilian families, this provocative work sheds light on how families simultaneously resist and reproduce racial hierarchies. Examining race and gender, Hordge-Freeman illustrates the privileges of whiteness by revealing how those with “blacker” features often experience material and emotional hardships. From parental ties, to sibling interactions, to extended family and romantic relationships, the chapters chart new territory by revealing the connection between proximity to whiteness and the distribution of affection within families.

Hordge-Freeman also explores how black Brazilian families, particularly mothers, rely on diverse strategies that reproduce, negotiate, and resist racism. She frames efforts to modify racial features as sometimes reflecting internalized racism, and at other times as responding to material and emotional considerations. Contextualizing their strategies within broader narratives of the African diaspora, she examines how Salvador’s inhabitants perceive the history of the slave trade itself in a city that is referred to as the “blackest” in Brazil. She argues that racial hierarchies may orchestrate family relationships in ways that reflect and reproduce racial inequality, but black Brazilian families actively negotiate these hierarchies to assert their citizenship and humanity.

Race and the Modern Exotic: Three ‘Australian’ Women on Global Display

Monash University Publishing
October 2011
180 pages
Paperback ISBN: 9781921867125
eBook ISBN: 9781921867132

Angela Woollacott, Manning Clark Professor of History
The Australian National University

Annette Kellerman, Rose Quong and Merle Oberon were internationally successful ‘Australian’ performers of the first half of the twentieth century. Kellerman was a swimmer, diver, lecturer, and silent-film star, Quong an actor, lecturer and writer who forged a career in London and New York, and Oberon one of the most celebrated film stars of the 1930s and 1940s, first in London and then Hollywood.

Through her international vaudeville performances and film roles, Kellerman played with the quasi-racial identity of South Sea Islander. Quong built a career based on her own body, through a careful appropriation of Orientalism. Her body was the signifier of her Chinese authenticity, the essentialist foundation for her constructed, diasporic Chinese identity. The official story of Oberon’s origins was that she was Tasmanian. However, this was a publicity story concocted at the beginning of her film career to mask her lower-class, Anglo-Indian birth. Despite anxious undercurrents about her exoticism, Australians were thrilled to claim a true Hollywood star as one of their own.

These three women performers created newly modern, racially ambiguous Australian femininities. Racial thinking was at the core of White Australian culture: far from being oblivious to racial hierarchies and constructions, Australians engaged with them on an everyday basis. Around the world, ‘Australian’ stars represented a white-settler nation, a culture in which white privilege was entrenched, during a period replete with legal forms of discrimination based on race. The complex meanings attached to three successful ‘Australian’ performers in this period of highly articulated racism thus become a popular cultural archive we can investigate to learn more about contemporary connections between race, exoticism and gender on the global stage and screen.

Eslanda: The Large and Unconventional Life of Mrs. Paul Robeson

Yale University Press
2013-01-08
424 pages
64 b/w illus.
6 1/8 x 9 1/4
Cloth ISBN: 9780300124347

Barbara Ransby, Professor, Gender and Women’s Studies, African American Studies & History
University of Illinois, Chicago

• Won Honorable Mention for the 2013 Southern California Book Festival, in the Biography/Autobiography category, sponored by JM Northern Media LLC.
• Won an Honorable Mention for the 2013 New England Book Festival given by the JM Northern Media Family of Festivals, in the Biography/Autobiography Category.
• Selected as a Choice Outstanding Academic Title for 2013 in the North America Category.
• Won a Honorable Mention for the 2014 Los Angeles Book Festival in the Biography/Autobiography Category.

Eslanda “Essie” Cardozo Goode Robeson lived a colorful and amazing life. Her career and commitments took her many places: colonial Africa in 1936, the front lines of the Spanish Civil War, the founding meeting of the United Nations, Nazi-occupied Berlin, Stalin’s Russia, and China two months after Mao’s revolution. She was a woman of unusual accomplishment—an anthropologist, a prolific journalist, a tireless advocate of women’s rights, an outspoken anti-colonial and antiracist activist, and an internationally sought-after speaker. Yet historians for the most part have confined Essie to the role of Mrs. Paul Robeson, a wife hidden in the large shadow cast by her famous husband. In this masterful book, biographer Barbara Ransby refocuses attention on Essie, one of the most important and fascinating black women of the twentieth century.

Chronicling Essie’s eventful life, the book explores her influence on her husband’s early career and how she later achieved her own unique political voice. Essie’s friendships with a host of literary icons and world leaders, her renown as a fierce defender of justice, her defiant testimony before Senator Joseph McCarthy’s infamous anti-communist committee, and her unconventional open marriage that endured for over 40 years—all are brought to light in the pages of this inspiring biography. Essie’s indomitable personality shines through, as do her contributions to United States and twentieth-century world history.

W. E. B. Du Bois and The Souls of Black Folk

University of North Carolina Press
August 2015
288 pages
6.125 x 9.25, notes, index
Paper ISBN: 978-1-4696-2643-7

Stephanie J. Shaw, Professor of History
Ohio State University

In this book, Stephanie J. Shaw brings a new understanding to one of the great documents of American and black history. While most scholarly discussions of The Souls of Black Folk focus on the veils, the color line, double consciousness, or Booker T. Washington, Shaw reads Du Bois’ book as a profoundly nuanced interpretation of the souls of black Americans at the turn of the twentieth century.

Demonstrating the importance of the work as a sociohistorical study of black life in America through the turn of the twentieth century and offering new ways of thinking about many of the topics introduced in Souls, Shaw charts Du Bois’ successful appropriation of Hegelian idealism in order to add America, the nineteenth century, and black people to the historical narrative in Hegel’s philosophy of history. Shaw adopts Du Bois’ point of view to delve into the social, cultural, political, and intellectual milieus that helped to create The Souls of Black Folk.

The Color of Our Future: Race in the 21st Century

HarperCollins
1999
288 pages
6.125 (w) x 9.25 (h) x 0 (d)
Paperback ISBN: 780688175801

Farai Chideya

Two years ago, Newsweek named Farai Chideya to its “Century Club” of a hundred people to watch as we approached the year 2000. Beautiful, savvy, and wired for sound, she’s an ideal guide to the new, multiracial America that’s emerging as the next generation grows up and begins to shape our society. From coast to coast, from urban ‘hoods to Indian reservations to lily-white small towns, she talks to young men and women about their views on race, painting a vivid portrait of a notion in transition, as America ceases to be defined by the black/white divide and enters a more complex multiethnic era. Most of all, she allows the voices of the next generation — black, while, Latino, Asian, Native American, and multiracial — to ring out with truth and clarity.

Since the Civil Rights movement, most Americans have thought of race as a black and white issue. That won’t be the case for long. By the year 2050, there will be more nonwhite than white Americans, and most of the nonwhite population will be Asian and Latino, not black. Increasingly, America is becoming a multiracial society. Americans in their teens and twenties are at the forefront of this cultural revolution. In The Color of Our Future, young journalist Farai Chideya explores how members of the next generation deal with race in their own lives and how the decisions they make determine America’s ethnic future.

From urban hoods to Native American reservations to lily-white small towns, Chideya talks to young men and women about their personal views of race, painting a vivid portrait of a nation in transition. In clear, compelling language, she describes young people dealing with the complexities of diversity in their everyday lives. She writes of a young interracial couple pitted against their community in the South and of the white teens in Indiana, birthplace of the Klan, who get their black, hip-hop aesthetic from MTV. She interviews a Native American who wants to be the next Bill Gates, bringing computer access to his reservation in Montana, and a Mexican-American woman, working for the border patrol in El Paso, who catches the destitute Mexicans who flock into the United States to work for affluent white Texans. All these young people have clear, strong ideas about the impact of race on everything from education to pop culture. They are honest, sometimes brutally so, about their own prejudices. Their moving stories are the blueprint for the future of America. With a discerning ear and sharp insight, Chideya allows the voices of the next generation — black, white, Latino, Asian, Native American, and multiracial — to ring out with truth and clarity and guide us to the kaleidoscope of our future.

The Souls of Black Folk

Yale University Press
2015-06-30 (Originally published in 1903)
240 pages
18 b/w illus.
5 1/2 x 8 1/4
Paper ISBN: 9780300195828

W. E. B. Du Bois (1868–1963)

Introduction and Chronology by:

Jonathan Scott Holloway, Edmund S. Morgan Professor of African American Studies, History, and American Studies; Dean of Yale College
Yale University

This collection of essays by scholar-activist W. E. B. Du Bois is a masterpiece in the African American canon. Du Bois, arguably the most influential African American leader of the early twentieth century, offers insightful commentary on black history, racism, and the struggles of black Americans following emancipation. In his groundbreaking work, the author presciently writes that “the problem of the twentieth century is the problem of the color line,” and offers powerful arguments for the absolute necessity of moral, social, political, and economic equality. These essays on the black experience in America range from sociological studies of the African American community to illuminating discourses on religion and “Negro music,” and remain essential reading in our so-called “post-racial age.” A new introduction by Jonathan Scott Holloway explores Du Bois’s signature accomplishments while helping readers to better understand his writings in the context of his time as well as ours.

Cachita’s Streets: The Virgin of Charity, Race, and Revolution in Cuba

Duke University Press
2015
376 pages
27 illustrations
Cloth ISBN: 978-0-8223-5918-0
Paperback ISBN: 978-0-8223-5937-1

Jalane D. Schmidt, Associate Professor of Religious Studies
University of Virginia

Cuba’s patron saint, the Virgin of Charity of El Cobre, also called Cachita, is a potent symbol of Cuban national identity. Jalane D. Schmidt shows how groups as diverse as Indians and African slaves, Spanish colonial officials, Cuban independence soldiers, Catholic authorities and laypeople, intellectuals, journalists and artists, practitioners of spiritism and Santería, activists, politicians, and revolutionaries each have constructed and disputed the meanings of the Virgin. Schmidt examines the occasions from 1936 to 2012 when the Virgin’s beloved, original brown-skinned effigy was removed from her national shrine in the majority black- and mixed-race mountaintop village of El Cobre and brought into Cuba’s cities. There, devotees venerated and followed Cachita’s image through urban streets, amassing at large-scale public ceremonies in her honor that promoted competing claims about Cuban religion, race, and political ideology. Schmidt compares these religious rituals to other contemporaneous Cuban street events, including carnival, protests, and revolutionary rallies, where organizers stage performances of contested definitions of Cubanness. Schmidt provides a comprehensive treatment of Cuban religions, history, and culture, interpreted through the prism of Cachita.