Mixed Race Studies

Identity Politics of the Captivity Narrative after 1848

University of Nebraska Press
2006
160 pages
Hardcover ISBN: 978-0-8032-4400-9
Paperback ISBN: 978-0-8032-2067-6

Andrea Tinnemeyer, English Teacher
The College Prepartory School, Oakland, California

Andrea Tinnemeyer’s book examines the nineteenth-century captivity narrative as a dynamic, complex genre that provided an ample medium for cultural critique, a revision of race relations, and a means of elucidating the U.S.–Mexican War’s complex and often contradictory significance in the national imagination.

The captivity narrative, as Tinnemeyer shows, addressed questions arising from the incorporation of residents in the newly annexed territory. This genre transformed its heroine from the quintessential white virgin into the Mexican maiden in order to quell anxieties over miscegenation, condone acts furthering Manifest Destiny, or otherwise romanticize the land-grabbing nature of the war and of the opportunists who traveled to the Southwest after 1848. Some of these narratives condone and even welcome interracial marriages between Mexican women and Anglo-American men.

By understanding marriage for love as an expression of free will or as a declaration of independence, texts containing interracial marriages or romanticizing the U.S.–Mexican War could politicize the nuptials and present the Anglo-American husband as a hero and rescuer. This romanticizing of annexation and cross-border marriages tended to feminize Mexico, making the country appear captive and in need of American rescue and influencing the understanding of “foreign” and “domestic” by relocating geographic and racial boundaries.

In addition to examining more conventional notions of captivity, Tinnemeyer’s book uses war song lyrics and legal cases to argue that “captivity” is a multivalenced term encompassing desire, identity formation, and variable definitions of citizenship.

Josephine Baker and the Rainbow Tribe

Harvard University Press
April 2014
288 pages
5-1/2 x 8-1/4 inches
30 halftones
Hardcover ISBN: 9780674047556

Matthew Pratt Guterl, Professor of Africana studies and American studies
Brown University

Creating a sensation with her risqué nightclub act and strolls down the Champs Elysées, pet cheetah in tow, Josephine Baker lives on in popular memory as the banana-skirted siren of Jazz Age Paris. In Josephine Baker and the Rainbow Tribe, Matthew Pratt Guterl brings out a little known side of the celebrated personality, showing how her ambitions of later years were even more daring and subversive than the youthful exploits that made her the first African American superstar.

Her performing days numbered, Baker settled down in a sixteenth-century chateau she named Les Milandes, in the south of France. Then, in 1953, she did something completely unexpected and, in the context of racially sensitive times, outrageous. Adopting twelve children from around the globe, she transformed her estate into a theme park, complete with rides, hotels, a collective farm, and singing and dancing. The main attraction was her Rainbow Tribe, the family of the future, which showcased children of all skin colors, nations, and religions living together in harmony. Les Milandes attracted an adoring public eager to spend money on a utopian vision, and to worship at the feet of Josephine, mother of the world.

Alerting readers to some of the contradictions at the heart of the Rainbow Tribe project—its undertow of child exploitation and megalomania in particular—Guterl concludes that Baker was a serious and determined activist who believed she could make a positive difference by creating a family out of the troublesome material of race.

Table of Contents

• Prologue
• 1. Too Busy to Die
• 2. No More Bananas
• 3. Citizen of the World
• 4. Southern Muse
• 5. Ambitious Assemblages
• 6. French Disney
• 7. Mother of a Wounded World
• 8. Unraveling Plots
• 9. Rainbow’s End
• Epilogue
• Abbreviations
• Notes
• Acknowledgments
• Index

“They Treated Us Just Like Indians”: The Worlds of Bennett County, South Dakota

University of Nebraska Press
2002
156 pages
Illus., maps
Paperback ISBN: 978-0-8032-9830-9
Hardcover ISBN: 978-0-8032-4800-7

Paula L. Wagoner, Associate Professor of Anthropology
Juniata College, Huntingdon, Pennsylvania

On a typical day in Bennett County, South Dakota, farmers and ranchers work their fields and tend animals, merchants order inventory and stock shelves, teachers plan and teach classes, health workers aid the infirm in the county hospital or clinic, and women make quilts and heirlooms for their families or the county fair. Life is usually unhurried, with time for chatting with neighbors and catching up on gossip. But Bennett County is far from typical.

Nearly a century ago the county was carved out of Pine Ridge Reservation and opened to white settlers. Today Bennett County sits awkwardly between the Pine Ridge and Rosebud Sioux Reservations, with nearly one-third of its land classified as “Indian Country” and the rest considered by many Pine Ridge Lakotas to still belong to the reservation. The county is home to a dynamic population, divided by the residents into three groups—”whites,” “fullbloods,” and “mixedbloods.” Tensions between the three groups lurk admid the quiet harmony of Bennett County’s everyday rural life and emerge in moments of community crisis.

In a moving account, anthropologist Paula L. Wagoner tells the story of Bennett County, using snapshots of community events and crises, past and present, to reveal the complexity of race relations and identities there. A homecoming weekend at Bennett County High School becomes a flashpoint for controversy because of the differences of meaning ascribed by the county’s three identity groups to the school’s team name—the Warriors. At another time, the shooting of a Lakota man by a local non-Indian rancher and the volatile wake that follows demonstrate the impulse to racialize disputes that lies just beneath the surface of everyday life.

Yet such very real problems of identity have not completely overwhelmed Bennett County. Wagoner also shows that despite their differences, residents have managed to find common ground as a region of “diverse insiders” who share an economic dependency on federal funds, distrust outsiders, and, above all, deeply love their land.

Tuning Out Blackness: Race and Nation in the History of Puerto Rican Television

Duke University Press
2005
280 pages
24 b&w photos
Paperback ISBN: 978-0-8223-3543-6
Cloth ISBN: 978-0-8223-3531-3

Yeidy M. Rivero, Associate Professor in the Department of Screen Arts and Culture and the Program in American Culture
University of Michigan, Ann Arbor

Tuning Out Blackness fills a glaring omission in U.S. and Latin American television studies by looking at the history of Puerto Rican television. In exploring the political and cultural dynamics that have shaped racial representations in Puerto Rico’s commercial media from the late 1940s to the 1990s, Yeidy M. Rivero advances critical discussions about race, ethnicity, and the media. She shows that televisual representations of race have belied the racial egalitarianism that allegedly pervades Puerto Rico’s national culture. White performers in blackface have often portrayed “blackness” in local television productions, while black actors have been largely excluded.

Drawing on interviews, participant observation, archival research, and textual analysis, Rivero considers representations of race in Puerto Rico, taking into account how they are intertwined with the island’s status as a U.S. commonwealth, its national culture, its relationship with Cuba before the Cuban Revolution in 1959, and the massive influx of Cuban migrants after 1960. She focuses on locally produced radio and television shows, particular television events, and characters that became popular media icons—from the performer Ramón Rivero’s use of blackface and “black” voice in the 1940s and 1950s, to the battle between black actors and television industry officials over racism in the 1970s, to the creation, in the 1990s, of the first Puerto Rican situation comedy featuring a black family. As the twentieth century drew to a close, multinational corporations had purchased all Puerto Rican stations and threatened to wipe out locally produced programs. Tuning Out Blackness brings to the forefront the marginalization of nonwhite citizens in Puerto Rico’s media culture and raises important questions about the significance of local sites of television production.

Table of Contents

• Acknowledgments
• Introduction: Translating Televisual Blackness
• 1. Caribbean Negritos: Ramon Rivero, Blackface, and Black Voice in Puerto Rico
• 2. Bringing the Soul: Afros, Black Empowerment, and the Resurgent Popularity of Blackface
• 3. The CubaRican Space Revisited
• 4. Mi familia: A Black Puerto Rican Televisual Family
• 5. Translating and Representing Blackness
• Notes
• Bibliography
• Index

Sex Tourism in Bahia: Ambiguous Entanglements

University of Illinois Press
December 2013
224 pages
1 map
6 x 9 in
Cloth ISBN: 978-0-252-03793-1
Paper ISBN: 978-0-252-07944-3

Erica Lorraine Williams, Assistant Professor of Anthropology
Spelman College, Atlanta, Georgia

Winner of the National Women’s Studies Association/University of Illinois Press First Book Prize

How sexism, racism, and socio-economic inequality interact in the Brazilian sex industry

Brazil has the largest economy of any Latin American country with a population five times greater than any other South American country, and for nearly a decade, Brazil has surpassed Thailand as the world’s premier sex tourism destination. As the first full-length ethnography of sex tourism in Brazil, this pioneering study treats sex tourism as a complex and multidimensional phenomenon that involves a range of activities and erotic connections, from sex work to romantic transnational relationships. Erica Lorraine Williams explores sex tourism in the Brazilian state of Bahia from the perspectives of foreign tourists, tourism industry workers, sex workers who engage in liaisons with foreigners, and Afro-Brazilian men and women who contend with foreigners’ stereotypical assumptions about their licentiousness.

In her analysis, Williams argues that the cultural and sexual economies of tourism are inextricably linked in the Bahian capital city of Salvador’s tourism industry. She shows how the Bahian state strategically exploits the touristic desire for exotic culture by appropriating an eroticized blackness and commodifying the Afro-Brazilian culture in order to sell Bahia to foreign travelers. Drawing on eighteen months of ethnographic research and in-depth interviews, Sex Tourism in Bahia: Ambiguous Entanglements combines historical, sociological, anthropological, cultural studies, and feminist perspectives to demonstrate how sexism, racism, and socio-economic inequality interact in the context of tourism in Bahia.

San Francisco Lithographer: African American Artist Grafton Tyler Brown

University of Oklahoma Press
2014
264 pages
8.5″ x 11″
Illustrations: 20 b&w and 125 color illus.
Hardcover ISBN: 9780806144108

Robert J. Chandler, Retired Senior Research Historian
Wells Fargo Bank

A lavishly illustrated biography of an often overlooked artist and his work

Grafton Tyler Brown—whose heritage was likely one-eighth African American—finessed his way through San Francisco society by passing for white. Working in an environment hostile to African American achievement, Brown became a successful commercial artist and businessman in the rough-and-tumble gold rush era and the years after the Civil War. Best known for his bird’s-eye cityscapes, he also produced and published maps, charts, and business documents, and he illustrated books, sheet music, advertisements, and labels for cans and other packaging.

This biography by a distinguished California historian gives an underappreciated artist and his work recognition long overdue. Focusing on Grafton Tyler Brown’s lithography and his life in nineteenth-century San Francisco, Robert J. Chandler offers a study equally fascinating as a business and cultural history and as an introduction to Brown the artist.

Chandler’s contextualization of Brown’s career goes beyond the issue of race. Showing how Brown survived and flourished as a businessman, Chandler offers unique insight into the growth of printing and publishing in California and the West. He examines the rise of lithography, its commercial and cultural importance, and the competition among lithographic companies. He also analyzes Brown’s work and style, comparing it to the products of rival firms.

Brown was not respected as a fine artist until after his death. Collectors of western art and Americana now recognize the importance of Californiana and of Brown’s work, some of which depicts Portland and the Pacific Northwest, and they will find Chandler’s checklist, descriptions, and reproductions of Brown’s ephemera—including billheads and maps—as uniquely valuable as Chandler’s contribution to the cultural and commercial history of California. In an afterword, historian Shirley Ann Wilson Moore discusses the circumstances and significance of passing in nineteenth-century America.

American Cocktail: A “Colored Girl” in the World

Harvard University Press
2014-02-17
352 pages
5-1/2 x 8-1/4 inches
20 halftones
Hardcover ISBN 9780674073050

Anita Reynolds (1901-1980), actress, dancer, model, and psychologist

with

Howard Miller, Professor of Education and Chair in the Department of Secondary Education
Mercy College, Dobbs Ferry, New York

Edited by:

George Hutchinson, Professor of English and Newton C. Farr Professor of American Culture
Cornell University

Foreword by:

Patricia J. Williams, James L. Dohr Professor of Law
Columbia Law School

This is the rollicking, never-before-published memoir of a fascinating woman with an uncanny knack for being in the right place in the most interesting times. Of racially mixed heritage, Anita Reynolds was proudly African American but often passed for Indian, Mexican, or Creole. Actress, dancer, model, literary critic, psychologist, but above all free-spirited provocateur, she was, as her Parisian friends nicknamed her, an “American cocktail.”

One of the first black stars of the silent era, she appeared in Hollywood movies with Rudolph Valentino, attended Charlie Chaplin’s anarchist meetings, and studied dance with Ruth St. Denis. She moved to New York in the 1920s and made a splash with both Harlem Renaissance elites and Greenwich Village bohemians. An émigré in Paris, she fell in with the Left Bank avant garde, befriending Antonin Artaud, Man Ray, and Pablo Picasso. Next, she took up residence as a journalist in Barcelona during the Spanish Civil War and witnessed firsthand the growing menace of fascism. In 1940, as the Nazi panzers closed in on Paris, Reynolds spent the final days before the French capitulation as a Red Cross nurse, afterward making a mad dash for Lisbon to escape on the last ship departing Europe.

In prose that perfectly captures the globetrotting nonchalance of its author, American Cocktail presents a stimulating, unforgettable self-portrait of a truly extraordinary woman.

Breathing Race into the Machine: The Surprising Career of the Spirometer from Plantation to Genetics

University of Minnesota Press
February 2014
304 pages
29 b&w photos
6 x 9
Cloth/jacket ISBN: 978-0-8166-8357-4

Lundy Braun, Royce Family Professor in Teaching Excellence and Professor of Medical Science and Africana Studies
Brown University

In the antebellum South, plantation physicians used a new medical device—the spirometer—to show that lung volume and therefore vital capacity were supposedly less in black slaves than in white citizens. At the end of the Civil War, a large study of racial difference employing the spirometer appeared to confirm the finding, which was then applied to argue that slaves were unfit for freedom. What is astonishing is that this example of racial thinking is anything but a historical relic.

In Breathing Race into the Machine, science studies scholar Lundy Braun traces the little-known history of the spirometer to reveal the social and scientific processes by which medical instruments have worked to naturalize racial and ethnic differences, from Victorian Britain to today. Routinely a factor in in clinical diagnoses, preemployment physicals, and disability estimates, spirometers are often “race corrected,” typically reducing normal values for African Americans by 15 percent.

An unsettling account of the pernicious effects of racial thinking that divides people along genetic lines, Breathing Race into the Machine helps us understand how race enters into science and shapes medical research and practice.

Contents

• Acknowledgments
• Introduction: Measuring Vital Capacity
• 1. “Inventing” the Spirometer: Working-Class Bodies in Victorian England
• 2. Black Lungs and White Lungs: The Science of White Supremacy in the Nineteenth-Century United States
• 3. Filling the Lungs with Air: The Rise of Physical Culture in America
• 4. Progress and Race: Vitality in Turn-of-the-Century Britain
• 5. Globalizing Spirometry: The “Racial Factor” in Scientific Medicine
• 6. Adjudicating Disability in the Industrial Worker
• 7. Diagnosing Silicosis: Physiological Testing in South African Gold Mines
• Epilogue: How Race Takes Root
• Notes
• Index

New Orleans after the Civil War: Race, Politics, and a New Birth of Freedom

Johns Hopkins University Press
2010
344 pages
Hardback ISBN: 0801894344, 9780801894343

Justin A. Nystrom, Assistant Professor of History
Loyola University, New Orleans, Louisiana

We often think of Reconstruction as an unfinished revolution. Justin A. Nystrom’s original study of the aftermath of emancipation in New Orleans takes a different perspective, arguing that the politics of the era were less of a binary struggle over political supremacy and morality than they were about a quest for stability in a world rendered uncertain and unfamiliar by the collapse of slavery.

Commercially vibrant and racially unique before the Civil War, New Orleans after secession and following Appomattox provides an especially interesting case study in political and social adjustment. Taking a generational view and using longitudinal studies of some of the major political players of the era, Nystrom asks fundamentally new questions about life in the post–Civil War South: Who would emerge as leaders in the prostrate but economically ambitious city? How would whites who differed over secession come together over postwar policy? Where would the mixed-race middle class and newly freed slaves fit in the new order? Nystrom follows not only the period’s broad contours and occasional bloody conflicts but also the coalition building and the often surprising liaisons that formed to address these and related issues. His unusual approach breaks free from the worn stereotypes of Reconstruction to explore the uncertainty, self-doubt, and moral complexity that haunted Southerners after the war.

This probing look at a generation of New Orleanians and how they redefined a society shattered by the Civil War engages historical actors on their own terms and makes real the human dimension of life during this difficult period in American history.

A Man Called White: The Autobiography of Walter White

University of Georgia Press
1994 (First published in 1948)
392 pages
5.5 x 8.5
Paper ISBN: 978-0-8203-1698-7

Walter White (1893-1955)

Foreword by Andrew Young

The life story of a man who crossed the color line to fight for civil rights

First published in 1948, A Man Called White is the autobiography of the famous civil rights activist Walter White during his first thirty years of service to the National Association for the Advancement of Colored People. White joined the NAACP in 1918 and served as its executive secretary from 1931 until his death in 1955. His recollections tell not only of his personal life, but amount to an insider’s history of the association’s first decades.

Although an African American, White was fair-skinned, blond-haired, and blue-eyed. His ability to pass as a white man allowed him—at great personal risk—to gather important information regarding lynchings, disfranchisement, and discrimination. Much of A Man Called White recounts his infiltration of the country’s white-racist power structure and the numerous legal battles fought by the NAACP that were aided by his daring efforts.

Penetrating and detailed, this autobiography provides an important account of crucial events in the development of race relations before 1950—from the trial of the “Scottsboro Boys” to an investigation of the treatment of African American servicemen in World War II, from the struggle against the all-white primaries in the South to court decisions–at all levels—on equal education.