Mixed Race Studies

Half-Asian Tattooers Use Art To Confront Mixed Race Stereotypes

Konbini
2016-08-04

Morgan English

Five Asian-Canadian artists (some female, some genderqueer) have joined forces for a new exhibit that explores what it means to be half-Asian in the west.

Of the crew, four are also tattooers: Nomi Chi, Mandy Tsung, Shannon Elliott and Katie So. Their fifth, Lauren Ys, has made a name for herself in street art, among other things. Their tattoo work often serves as an outlet to push back on stereotypes, express individualism, and even heal the wounds of other people of colour…

Read the entire article here.

Painful but necessary: Why I stopped putting off the racism talk with my daughter

CBC News
2016-07-01

Samantha Kemp-Jackson
Toronto, Ontario, Canada

Demonstrators stand in front of the East Baton Rouge Parish City Hall doors on Monday. (Reuters)

Talk opens door to a world where ignorance is not bliss and racism must be confronted head-on

“There are people who will not like you because of the colour of your skin.”

As a woman of colour raising biracial children, I have always been very aware that their reality will one day include the experience of being discriminated against solely for the way they appear. It’s an uneasy truth that I’ve not wanted to address, because who wants to think of anyone hurting their children?

And so I muddled through. Tomorrow, next week, next month — that’s when I’ll talk to them.

Then Alton Sterling was killed. Five gunshot wounds to the chest and back from a pair of Baton Rouge, La., police. Philando Castile the next day in suburban St. Paul, Minn. Five Dallas police officers killed by a sniper two days later as they worked to protect protesters who had gathered to demand justice for the deaths of Sterling and Castile…

Read the entire article here.

How To Talk To Your Kids About Race

Roundhouse Radio, 98.3 FM
Vancouver, British Columbia, Canada
Thursday, 2016-07-14, 17:00-18:00Z (10:00-11:00 PDT)

Live Call-in: How to talk to your kids about race

With author and educator Sharon Chang, author of “Raising Mixed Race” and host Minelle Mahtani

It’s been a tough news week. The media has been full of stories about police shootings, Black Lives Matter demonstrations, and violence. As a parent you know that your kids are not immune to these stories. They are discussed on the playground just as surely as they are discussed in the office. So how can you talk about race with your kids during these turbulent times? When your children ask you what Black Lives Matter is, what’s your answer? How do you explain the spate recent police shootings? To get some tips on how to tackle these difficult topics, tune into Sense of Place on Roundhouse Radio 98.3 FM, www.roundhouseradio.com Thursday at 10 am. Minelle Mahtani hosts Sharon Chang, author of the book Raising Mixed Race. Together – they’ll be answering your questions about how to talk to children about issues related to race…

For more information, click here.

“What are you?”: Mixed race responses to the racial gaze

Ethnicities
Published online before print 2015-12-16
DOI: 10.1177/1468796815621938

Jillian Paragg
Department of Sociology
University of Alberta, Edmonton, Canada

Mixed race scholarship considers the deployment of the term “mixed race” as an identification and theorizes that the operation of the external racial gaze is signaled through the “what are you?” question that mixed race people face in their everyday lives. In interviews conducted with mixed race, young adults in a Western Canadian urban context, it was evident that the “what are you?” question is the verbal form of the external racial gaze’s production of ambivalence on mixed race bodies. However, this study also found that mixed race people have “ready” identity narratives in response to the “what are you?” question. This paper shows the importance of these narratives (the very existence of the “ready” narratives, as well as the content of the “ready” narrative) for fleshing out the operation of the external racial gaze in the Canadian context. Respondents draw on two closely related modes of narrating origin when responding to the “what are you?” question: they respond through a kinship narrative that is heteronormative and they narrate that they inherit “national origin” “through blood.” I argue that these responses point to how the gaze produces the multiracialized body through the desire to imagine and “know” its originary point of racial mixing. Yet, the “ready” narratives are also agential: while at times they narrate to the expectations of the gaze, they also “play on” the gaze.

Read or purchase the article here.

Social-practice art challenges the status quo

The Winnipeg Free Press
2016-05-30

Alison Gillmor, Writer – Arts and Life

From KC Adams’ Perception series, 2014-15.

Adams’ portraits blend personal, political

Even if you don’t regularly visit art galleries, you probably saw some of KC Adams’ work in the weeks following the notorious Maclean’s magazine article that labelled Winnipeg “Canada’s most racist city.”

Perception, a photographic series the visual artist started in 2014, was all over the place, challenging stereotypes about indigenous people from bus shelters, billboards, and across social media.

Using black-and-white photographic diptychs, Adams shot each of her subjects twice. In the first image, the faces are accompanied with ugly words such as “Squaw,” “Victim” and “Government Mooch.” In the second image, the subjects — usually looking much happier — offer up their own descriptions of themselves (“golfer,” “homeowner,” “taxpayer,” “father,” “mother,” “sundancer”). The two-part images are straight-up, immediate and effective.

Adams, who is of Cree, Ojibway, Scottish, and English descent, was thrilled to see the works on city streets, where average Winnipeggers might view them while waiting for a bus, grabbing some lunch or going to a Jets game. “(Perception) is not geared toward the art world,” Adams explains. “It’s geared toward the public.”…

Read the entire article here.

In Due Season

Wilfrid Laurier University Press
May 2016
375 pages
ISBN13: 978-1-77112-071-5

Christine van der Mark (1917–1970)

Afterword by:

Carole Gerson, Professor of English Department
Simon Fraser University, British Columbia, Canada

Janice Dowson, Lecturer in English literature and Academic Writing
Simon Fraser University and University of the Fraser Valley

First published in 1947, In Due Season broke new ground with its fictional representation of women and of Indigenous people. Set during the dustbowl 1930s, this tersely narrated prize-winning novel follows Lina Ashley, a determined solo female homesteader who takes her family from drought-ridden southern Alberta to a new life in the Peace River region. Here her daughter Poppy grows up in a community characterized by harmonious interactions between the local Métis and newly arrived European settlers. Still, there is tension between mother and daughter when Poppy becomes involved with a Métis lover. This novel expands the patriarchal canon of Canadian prairie fiction by depicting the agency of a successful female settler and, as noted by Dorothy Livesay, was “one of the first, if not the first Canadian novel wherein the plight of the Native Indian and the Métis is honestly and painfully recorded.” The afterword by Carole Gerson and Janice Dowson provides substantial information about author Christine van der Mark and situates her under-acknowledged book within the contexts of Canadian social, literary, and publishing history.

Christine van der Mark (1917–1970) was born and raised in Calgary. While teaching in rural Alberta schools, she attended the University of Alberta, receiving her B.A. in 1941 and her M.A. in Creative Writing in 1946. Much of her writing expressed sympathetic concern for the Métis of Northern Alberta.

Metis and the Medicine Line: Creating a Border and Dividing a People by Michel Hogue (review)

Labour / Le Travail
Issue 77, Spring 2016
pages 297-299
DOI: 10.1353/llt.2016.0039

Sterling Evans, Louise Welsh Chair in Southern Plains and Borderlands History
University of Oklahoma

Michel Hogue, Metis and the Medicine Line: Creating a Border and Dividing a People (Regina: University of Regina Press 2015)

It is not an exaggeration to assert that Michel Hogue’s Metis and the Medicine Line is now one of the best studies written about the western Canadian – US borderlands. It is thoroughly researched from a variety of different archival sources from both sides of the 49th parallel, it is very well organized and written, and will be a standard for North American borderlands history for many years to come. Likewise it is a fine addition to the already robust scholarship on Metis history (and note, it was Hogue’s choice to use the word “Metis” without an accent on the “e”). Thus, this combination of themes works to do exactly as the book’s subtitle suggests, relating the history of how creating a border divided a people.

To do so, Hogue argues that the goal of Metis and the Medicine Line is to reveal “how the process of nation-building and race-making were intertwined and how … the Metis shaped both.” (8) “The experiences of these borderland Metis communities,” he continues, “therefore offer a fresh perspective on the political, economic, and environmental transformations that re-worked the Northern Plains across the nineteenth century.” (9) And finally, he states how the book “offers a (partial) corrective to those who would focus solely on race by drawing attention to the historical circumstances that gave rise to the Metis emergence as an autonomous people … and to the resilience and persistence of such notions.” (19) Those are noble objectives, but it is fair to assess how well they are achieved in this study. Along the way, Hogue gives special attention to how the Metis developed “mobile communities” (7) in the borderlands, how they negotiated “racialized markers of belonging,” and how they created a “hybrid borderland world” (10) and “an interethnic landscape.” (20) And more than theoretical labels here, these kinds of terms help to define Hogue’s message of Metis resilience and agency and set up the book’s themes well in the Introduction.

At that point Metis and the Medicine Line is divided into five chapters, all with cleverly developed action noun signposts as main title markers. The first chapter, “Emergence: Creating a Metis Borderland” discusses the importance of the Metis bison economy and trade and how the Metis used that for border marking. Chapter 2, “Exchange: Trade, Sovereignty, and the Forty-Ninth Parallel,” explores the Metis role in the “growing salience of the 49th parallel” (55) and how they came to negotiate it for their benefit. Chapter 2, “Exchange: Trade, Sovereignty, and the 49th Parallel,” explores the Metis role in the “growing salience of the 49th parallel” (55) and how they came to negotiate it for their benefit. Chapter 3, “Belonging: Land, Treaties, and the Boundaries of Race,” gets into the more difficult business of trying to explain the complexity of Metis racial identity (and especially with the concept of “racial marking”) and continues to address the bison economy (especially as that came to change with the different degrees of bison decline on opposite sides of the US-Canadian border. In what I consider to be one of the book’s greatest strengths, Hogue provides excellent analyses of the Metis role in Plains geopolitics – not only in their dealings with the US and Canadian governments, but also with other Indigenous groups throughout the Northern Plains. The fourth chapter, “Resistance: Dismantling Plains Borderlands Settlements, 1879-1885,” gets into some comparative discussion of US and Canadian policies on Native peoples, offers more on border diplomacy, and reiterates the role of Louis Riel in all of this history. Likewise, for the Metis on the Canadian side of the line, it provides excellent analysis on “symbols of economic re-orientation.” (172) And finally, Chapter 5, “Exile: Scrip and Enrollment Commissions and the Shifting of Boundaries and Belongings,” is a bit more complicated and perhaps unnecessarily too detailed (the only place in the book I thought so) on the history of the scrip use by Metis peoples in Canada. This chapter seems like more of a stand-alone…

Read or purchase the review here.

Jewish/Afro-Caribbean Artist Explores Mixed Race Identities

The Canadian Jewish News
2016-05-03

Kathryn Kates

Sarah Waisvisz in her one-woman show ‘Monstrous‘ CHRISTOPHER SNOW PHOTO

Jewish/Afro-Caribbean artist, performer and playwright Sarah Waisvisz, 34, will be presenting her one-woman show, Monstrous, which explores the often ignored mixed race identity based on her own personal experiences, and her work on her PhD thesis research about Francophone/Anglophone literature specifically by Afro/Caribbean women.

Monstrous made its world premiere in February in Waisvisz’s hometown of Ottawa during the Undercurrent Festival. It will make its Toronto premiere on May 5, 8 p.m. at Toronto’s Artscape Wychwood Barns as part of the 14th Annual rock.paper.sistahz – a black, indigenous and multicultural festival featuring new works based on social issues examined in new and unusual ways. The festival runs from May 3-5…

Read the entire article here.

Coloring Outside The Lines With Interracial Marriage

The Stony Brook Independent
Stony Brook, New York
2016-05-02

Kayla Frazier, Staff Writer

For Stony Brook student Shage Price, being the daughter of parents of different races led her to have questions about her looks early on.

“I would always ask my mother why she married daddy and not someone with better hair so my hair would be nice,” Price said.

Price, 21, grew up in Middletown, New York, a predominantly white town on the edge of the Catskill Mountains. Though she had plenty of friends and experienced little or no harassment because of her multiracial background, she said she felt “too black to be white and too white to be black.”

At college, that racial ambivalence has become more of a cultural question. Back home, she said, her high school friends see her as “too artsy to be hood” while on campus, where she is switching her major from linguistics to a multidisciplinary blend including theater and music. She sometimes feels “too hood to be artsy.”

It is no secret that America has continuous lingering issues dealing with race. As millennials come of age, coloring outside the lines, so to speak, is a path waiting to be explored…

Read the entire article here.

Real Native Genius: How an Ex-Slave and a White Mormon Became Famous Indians

University of North Carolina Press
September 2015
270 pages
8 halftones, 1 map, notes, bibl., index
6.125 x 9.25
Paper ISBN: 978-1-4696-2443-3

Angela Pulley Hudson, Associate Professor of History
Texas A&M University

In the mid-1840s, Warner McCary, an ex-slave from Mississippi, claimed a new identity for himself, traveling around the nation as Choctaw performer “Okah Tubbee.” He soon married Lucy Stanton, a divorced white Mormon woman from New York, who likewise claimed to be an Indian and used the name “Laah Ceil.” Together, they embarked on an astounding, sometimes scandalous journey across the United States and Canada, performing as American Indians for sectarian worshippers, theater audiences, and patent medicine seekers. Along the way, they used widespread notions of “Indianness” to disguise their backgrounds, justify their marriage, and make a living. In doing so, they reflected and shaped popular ideas about what it meant to be an American Indian in the mid-nineteenth century.

Weaving together histories of slavery, Mormonism, popular culture, and American medicine, Angela Pulley Hudson offers a fascinating tale of ingenuity, imposture, and identity. While illuminating the complex relationship between race, religion, and gender in nineteenth-century North America, Hudson reveals how the idea of the “Indian” influenced many of the era’s social movements. Through the remarkable lives of Tubbee and Ceil, Hudson uncovers both the complex and fluid nature of antebellum identities and the place of “Indianness” at the very heart of American culture.