Mixed Race Studies

My People Will Sleep for One Hundred Years: Story of a Métis Self

University of Victoria
2004
106 pages

Sylvia Rae Cottell, B.F.A.
Emily Carr Institute of Art and Design

A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Arts in the Department of Educational Psychology and Leadership Studies at the University of Victoria.

“My people will sleep for one hundred years when they awake, it will be the artists who give them their spirit back.”
Louis Riel

As a result of the current political debate that surrounds the definition of Métis, the issue of Métis identity on both community and individual levels is often challenged in a public forum. Metis people outside of the areas considered the main hubs of Metis culture are likely to be faced with a myriad of different factors that impact their identity, including lack of community connections and limited contact with Métis cultural influences. There is a need to openly voice the diverse experiences of being Métis in order to affirm the experiences of many Métis people. This autoethnographic study aims to provide an account of an experience of being Métis and to salvage a sense of identity after many generations of assimilation. Autoethnography provides the freedom necessary for the representation of cultural values that are beyond the traditional assumptions of academic discourse (Spry, 2001) and aims to engage the reader on an emotional level. A purpose of this study is to validate the experience of many Métis readers and to enhance the level of culturally relevant practice provided to Métis individuals and communities by counsellors.

Read the entire thesis here.

Metis Identity Creation and Tactical Responses to Oppression and Racism

Variegations Journal
University of Victoria, Canada
Volume 2 (2005)
ISSN: 1708-9840

Cathy Richardson
Indigenous Governance
University of Victoria, Victoria, Canada

As one of Canada’s founding Aboriginal people (Department of Justice Canada, 1982), the Metis exist at the periphery of the Canadian historical, cultural and social landscape. Today, the Metis are starting to write themselves into larger historical and social sciences narratives, reclaiming their right to inclusion and belonging after generations of living “underground” without public cultural expression. The Canadian Metis are an Aboriginal group who celebrate their mixed ancestry and identify with a unique Metis culture.  This culture evolved and crystallized after the Metis lived together for generations, mixing and mingling with other Metis of both English and French-speaking origins. Due to the forces of colonization, the Metis exist as marginalized Aboriginal people living between a number of cultural worlds within the larger Euro-Canadian society. In “Becoming Metis: The Relationship Between The Sense of Metis Self and Cultural Stories” (Richardson, 2004), I elucidate various tactics used by Metis people to create a personal and cultural identity. In this paper, I draw on this work to present some of the socio-political conditions that set the context for a Metis tactical identity development.

I present and discuss some of the responses enacted by key Metis interview participants in the process of creating a “sense of Metis self.” These tactical responses were, and are, performed by Metis people who are trying to balance their need for safety and inclusion with a need to live as cultural beings in a European Canada. I term the responses “tactical,” as opposed to “strategic,” in response to an important distinction between oppressor and oppressed in colonial societies. Political strategies and strategic responses tend to be developed for long-term use by those in political positions of relative power, on secure ground whereas tactical responses tend to be developed “on the move,” as short-term acts to attack political oppression. For example, General [Frederick Dobson] Middleton implemented strategic military plans to defeat the Metis, while Louis Riel and Gabriel Dumont employed tactical acts in response to Middleton’s attacks. Finally, after discussing various tactical responses, I close with some explanations about how Metis people have developed a third space to create a Metis cultural identity…

Read the entire article here.

The role of Japanese as a heritage language in constructing ethnic identity among Hapa Japanese Canadian children

Journal of Multilingual and Multicultural Development
Volume 30, Issue 1 (February 2009)
pages 1-18
DOI: 10.1080/01434630802307874

Hiroko Noro, Professor of Pacific and Asian Studies
University of Victoria, Canada

Today, Japanese Canadians are marrying outside of their ethnic community at an unprecedented rate, resulting in the creation of a newly identifiable group of ‘Japanese Canadians’ borne from these interracial unions. Members of this emergent group are increasingly being referred to both by social scientists and self-referentially as Hapa. This term, originally a Hawaiian term, is now a common and empowering tool of self-identification for people of mixed ethnic heritage. Recent sociological research argues that, while the notion of a shared Hapa identity exists, it is less rooted in individual members’ physical appearance or cultural identification and more rooted in their experiences, parental upbringing, and the locality/environment in which they grew up.

Read or purchase the article here.

Race – The Power of an Illusion

California Newsreel – Film and video for social change since 1968
2003
3 Episodes, 56 minutes each
DVD and VHS

The division of the world’s peoples into distinct groups – “red,” “black,” “white” or “yellow” peoples – has became so deeply imbedded in our psyches, so widely accepted, many would promptly dismiss as crazy any suggestion of its falsity. Yet, that’s exactly what this provocative, new three-hour series by California Newsreel claims. Race – The Power of an Illusion questions the very idea of race as biology, suggesting that a belief in race is no more sound than believing that the sun revolves around the earth.

Yet race still matters. Just because race doesn’t exist in biology doesn’t mean it isn’t very real, helping shape life chances and opportunities.

Episode 1– The Difference Between Us [transcript] examines the contemporary science – including genetics – that challenges our common sense assumptions that human beings can be bundled into three or four fundamentally different groups according to their physical traits.

Episode 2– The Story We Tell [transcript] uncovers the roots of the race concept in North America, the 19th century science that legitimated it, and how it came to be held so fiercely in the western imagination. The episode is an eye-opening tale of how race served to rationalize, even justify, American social inequalities as “natural.”

Episode 3– The House We Live [transcript] In asks, If race is not biology, what is it? This episode uncovers how race resides not in nature but in politics, economics and culture. It reveals how our social institutions “make” race by disproportionately channeling resources, power, status and wealth to white people.

By asking, What is this thing called ‘race’?, a question so basic it is rarely asked, Race – The Power of an Illusion helps set the terms that any further discussion of race must first take into account. Ideal for human biology, anthropology, sociology, American studies, and cultural studies.

Read the online transcript here.
Visit the facilitator guide website here.

Integrating Multiple Identities: Multiracials and Asian-Americans in the United States (Review Essay)

Canadian Journal of Sociology
Volume 33, Number 2 (2008)
pages 397-403

Wendy D. Roth, Assistant Professor of Sociology
University of British Columbia, Canada

Kimberly McClain DaCosta, Making Multiracials: State, Family, and Market in the Redrawing of the Color Line. Stanford: Stanford University Press, 2007, 280pp., paper (978-0-8047-5546-7), hardcover (978-0-8047-5545-0).

Pawan Dhingra, Managing Multicultural Lives: Asian American Professionals and the Challenge of Multiple Identities. Stanford: Stanford University Press, 2007, 328 pp., paper (978-0-8047-5578-8), hardcover (978-0-8047-5577-1).

As the sociological literature has shifted away from a primordial view of race and ethnicity as fixed identities, research has emphasized not only their fluid and changing nature, but also how individuals maintain and negotiate multiple identities. It was not so long ago that ethnic and — especially — racial identities were seen as exclusive: a person could only have one. Today we recognize that people can identify as both White and Black, as both Chinese and Canadian, or that they can create new identities that combine yet are different from any of their constituent parts (e.g., a “Canadian-Born Chinese” identity that is neither Canadian nor Chinese).

Kimberly McClain DaCosta and Pawan Dhingra both take up the question of how people create and legitimize new identities that blend together different, and sometimes conflicting, cultures or sets of meaning. DaCosta focuses on the construction of “multiracial” as a social category and mode of identification, particularly how the family, marketing, and the state contribute to this construction. Dhingra illustrates how professional second-generation Korean-Americans and Indian-Americans in Dallas live out the hybridity they experience on both sides of their hyphen. His groups work in the mainstream economy, allowing them to balance their ethnic and American selves. DaCosta’s book is ultimately a more satisfying contribution, but both works offer valuable illustrations of how groups resist pressures to sublimate one identity into another, and thereby integrate multiple identities into a more complex whole…

Read the entire book review here.

Multiracial Men in Toronto: Identities, Masculinities and Multiculturalism

Masters Thesis of Education
Department of Sociology and Equity Studies in Education
Ontario Institute for Studies in Education, University of Toronto
2009-12-11

Danielle Lafond
University of Toronto

This thesis draws from ten qualitative semi-structured interviews with multiracial men in Toronto. It is an exploratory study that examines how participants experience race, masculinities and identities. Multiracial identities challenge popular notions of racial categories and expose processes of racialization and the shifting nature of social identities. I explore how gender impacts participants’ experiences of multiple, fluid or shifting racial identities, and the importance of context in determining how they identify themselves. Participants also discussed the impact of multiculturalism and their understandings of racism in Canada. There were differences in the experiences of Black multiracial men and non-Black multiracial men in terms of how gender and race impact their lives. These differences imply that the colour line in Canada is shifting and that categories like ‘whiteness’ are being redefined. Analyses of these topics are taken up from an anti-racist and critical mixed race studies perspective.

Read the entire thesis here.

Emerging whole from Native-Canadian relations: mixed ancestry narratives: a thesis

University of British Columbia
1999-04-25

Dawn Marsden

Submitted in partial fulfillment of the requirements for the degree of Masters of Arts in the Department of Educational Stuides.

After hundreds of years of contact, the relationships between the people of Native Nations and the Canadian Nation are still filled with turmoil. This is common knowledge. What isn’t well known, are the personal consequences for children who have Native and non-Native ancestors. This thesis is written with the assistance of eight people of mixed ancestry, who share their experiences, ideas, strategies and dreams, to help others who are dealing with similar issues. This thesis has been organized around the dominant themes and commonalities that have emerged out of eight interviews, into four sections: CONTEXT, CHALLENGES, STRATEGIES & GIFTS. The context that mixed ancestry individuals are born into is complex. Euro-Canadian designs on Native lands and resources resulted in policies that had, and continue to have, a devastating effect on Native people. Legal manipulations of Native identity, in particular, have resulted in the emergence of hierarchies of belonging. Such hierarchies are maintained by enduring stereotypes of “Indianness” and “Whiteness”. For some mixed ancestry individuals, negotiating the polarized hierarchies of Native and Canadian societies can result in feelings of being split, and the need to harmonize aspects of the self, with varying social environments. Various strategies are used to deal with such issues, internally and externally. Ultimately, through choices, strategies and transformations, it is possible to transcend the challenges of mixed ancestry, and to lead more fulfilling lives. My hope is that this thesis will be of assistance to people of mixed ancestry and to those trying to understand the complexities of Native- Canadian relations, at least to the point of inspiring more discussions and research.

Read the entire thesis here.

Theatrical Medicine: Aboriginal performance, ritual and commemoration

The Medicine Project
2008-03-25

Michelle La Flamme

Dr. Michelle La Flamme is an Afro-NDN performer, activist and educator who completed a Ph.D. at UBC [University of British Columbia] in English literature (May 2006). In her other life, she is an avid performer and has worked in film and video production. She tries her best to bridge the world of academia and her creative life and she is often asked to speak or perform at Canadian conferences addressing representations of race in contemporary Canadian art and literature. She was born and raised here on the “best Coast” and has had the good fortune of taking her ideas abroad as a guest lecturer in Germany, Spain and The Netherlands. These days she is particularly interested in Native/Black issues as her bloodlines encompass both sides of the 49th and include Métis, Creek and African-American strains. Currently, she teaches Canadian literature, Academic Writing, Introduction to Fiction and Introduction to Poetry at UBC. She makes the time to write, perform and be involved in community activism when she has the energy.

There are many different definitions of Medicine. As a woman of mixed heritage (Métis, African-Canadian and Creek) I have been exposed to many Aboriginal teachings and ceremonies. My own definition of medicine is based on the teachings of traditional elders who have shared their cultural insight with me regarding the power and meaning of medicine. There are Medicine Wheel ceremonies that involve respect for the four directions and the balance between the physical, mental, spiritual and emotional aspects of an individual. Medicine can be understood in a psychological or philosophical way whereby individuals go through a form of catharsis when they are guided by the teachings. There is medicine involved in seeking advice from elders by way of offering them tobacco. There is participatory medicine involved in being a witness or participant in talking circles, and there is medicine that is physical in the form of tobacco, sweet grass, sage and cedar. There is medicine in ceremony whether these be sweat lodge ceremonies, moon lodge ceremonies, naming ceremonies or longhouse ceremonies. There is medicine in the practice of creating art whether that be carving, weaving or painting. Some traditional languages do not have a word for theatrical performance, so they use the closest word, which is ceremony. These cultural beliefs about medicine and practices which are referred to as medicinal reflect a belief in the power of performance and the possibility of the performance being medicinal for any and all of these cultural associations with medicine. The performances and plays that I examine in this essay can be understood as medicine in that they bring balance to the witnesses through honouring the deceased by way of naming rituals, they bring balance to communities by showing the humanity of Aboriginal women and they provide a cathartic ritual or ceremony for the release of trauma…

Read the entire article here.

Living, writing and staging racial hybridity

University of British Columbia
January 2006
380 pages
37 photographs/illustrations

Lisa Michelle La Flamme

A thesis submitted in partial fulfillment of the requirements of the degree of Doctor of Philosophy in the Faculty of Graduate Studies.

Contemporary Canadian literature and drama that features racial hybridity represents the racially hybrid soma text as a unique form of embodiment and pays particular attention to the power of the racialized gaze. The soma text is the central concept I have developed in order to identify, address, and interrogate the signifying qualities of the racially hybrid body. Throughout my dissertation, I use the concept of the body as a text in order to draw attention to the different visual “readings” that are stimulated by this form of embodiment. In each chapter, I identify the centrality of racially hybrid embodiment and investigate the power of the racialized gaze involved in the interpellation of these racially hybrid bodies.

I have chosen to divide my study into discrete chapters and to use specific texts to illuminate my central concepts and to identify the strategies that can be used to express agency over the process of interpellation. In Chapter One I explain my methodology, define the terminology and outline the theories that are central to my analysis. In Chapter Two, I consider the experiences of mixed race people expressing agency by self-defining in the genre of autobiography. In Chapter Three, I explore the notion of racial drag as represented in fiction. In Chapter Four, I consider the ways in which the performative aspects of racial hybridity are represented by theatrical means and through performance.

My analysis of the soma text and racialized gaze in these three genres offers critical terms that can be used to analyze representations of racial hybridity. By framing my analysis by way of the construction of the autobiographical voice I suggest that insight into the narrative uses of racial hybridity can be deepened and informed by a thorough analysis of the representation of the lived experience of racial hybridity in a given context. My crossgeneric and crossracial methodology implicitly asserts the importance of the inclusion of different types of racial hybridity in order to understand the power of the racially hybrid body as a signifier in contemporary Canadian literature and drama.

Read the entire dissertation here.

Interrogating Identities: Exploring Racism, Community and Belonging Among Mixed Race Youth in Canada

Centre for Culture, Identity and Education
University of British Columbia
2008-04-02
Video Length: 00:27:20

Leanne Taylor
York University

Youth Research Symposium – Video-stream. (April 2, 2008). These video streams feature speakers from the Day-Long Youth Research Symposium and showcase the role of interdisciplinary research in rethinking conceptualizations of ‘marginalized’ youth identity’, debates on youth subcultures versus post-subcultures, issues of gender, sexuality and social exclusion, and the history of policing and surveillance of young bodies over time and across national spaces.

Download the video here. [Warning: Due to extremely large file size (257 MB) right-click the link and download the video to your computer.]