Mixed Race Studies

Court declares one must “look like an African descendant in the eyes of the average man” to qualify for affirmative action, rejecting another case of a white student “passing” for black

Black Women of Brazil
2018-11-12

Marques Travae, Creator and Editor

One of numerous examples of fraud, Vinícius Loures defined himself as black to attain access to a Medicine course at the Universidade Federal de Minas Gerais.

Court declares one must “look like an African descendant in the eyes of the average man” to qualify for affirmative action, rejecting another case of a white student “passing” for black

In a recent decision that will have huge repercussions on persons who attempt to obtain access to certain jobs and vacancies in universities, a panel upheld a policy that defined that for anyone wishing to qualify through affirmative action, it is not enough that said person be of African descent, but rather must look like an African descendant in the eyes of the average man. This was an argument I made several months ago. A little background here.

Due to the lack of diversity on Brazil’s college and university campuses, the nation began to experiment with affirmative action policies nearly 20 years ago. The discussion on the policies generated debates on race in the public sphere that had never happened to such a degree in Brazil. Sure, the topic of race in Brazil had been studied in academia for decades, but never had the general public had such public debates on the topic. Since the first half of the 20th century, the belief system in Brazil had been that Brazil was a “racial democracy” in which any person, regardless of their racial appearance had an equal opportunity to attain a middle class lifestyle. In fact, because of widespread miscegenation, it was even difficult to determine what race the average Brazilian was anyway…

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Belize’s thriving Afro-Caribbean community

BBC News
2018-11-19

Heide Brandes

When West Africans on their way to the New World’s slave markets escaped in 1635, they intermarried with Caribbean islanders to create a new and distinct culture.

The boats came at dawn along the shores of the town of Dangriga on the coast of Belize.

Onboard, vibrantly dressed men, women and children carried homemade flags and waved bright green fronds of coconut palm branches as they approached the shore. On land, a crowd waited, ready to cheer as feet stepped out of the boats to touch sand.

On a similar morning in 1832, the Garifuna people – descendants of Carib, Arawak and West African people – made the same journey from St Vincent Island in the Caribbean, finally able to call Belize home after being turned away by the British government three times. Every year on 19 November, the Garifuna celebrate Garifuna Settlement Day, marking their arrival in Belize (which was then a British colony) and their many contributions to the Belizean landscape.

With this re-enactment of the boat landing, as well as oral history intoned by village elders and music, dancing and food, the national holiday attracts visitors from throughout Belize and the world. It immerses them in why the culture is so unique – and why its people are fighting to keep their heritage alive in an increasingly modern world…

Read the entire article here.

Becoming Creole: Nature and Race in Belize

Rutgers University Press
2018-11-01
226 pages
24 b&w images
6 x 9
Paperback ISBN: 978-0-8135-9698-3
Cloth ISBN: 978-0-8135-9699-0
EPUB ISBN: 978-0-8135-9700-3
MobiPocket ISBN: 978-0-8135-9701-0
PDF ISBN: 978-0-8135-9702-7

Melissa A. Johnson, Professor of Anthropology
Southwestern University, Georgetown, Texas

Becoming Creole explores how people become who they are through their relationships with the natural world, and it shows how those relationships are also always embedded in processes of racialization that create blackness, brownness, and whiteness. Taking the reader into the lived experience of Afro-Caribbean people who call the watery lowlands of Belize home, Melissa A. Johnson traces Belizean Creole peoples’ relationships with the plants, animals, water, and soils around them, and analyzes how these relationships intersect with transnational racial assemblages. She provides a sustained analysis of how processes of racialization are always present in the entanglements between people and the non-human worlds in which they live.

Table of Contents

• Contents
• List of Illustrations
• Acknowledgements
• 1. Introduction: Becoming Creole
• 2. Hewers of Wood: Histories of Nature, Race and Becoming
• 3. Bush: Racing the More than Human
• 4. Living in a Powerful World
• 5. Entangling the More than Human: Becoming Creole
• 6. Wildlife Conservation, Nature Tourism and Creole Becomings
• 7. Transnational Becomings: From Deer Sausage to Tilapia
• 8. Conclusion: Livity and (Human) Being
• Appendix/Glossary: Belizean Kriol Words and the More than Human??
• Bibliography
• Index
• About the Author

Comparative Racial Politics in Latin America (First Edition)

Routledge
2018-09-04
358 pages
31 B/W Illus.
Paperback: 9781138485303
Hardback: 9781138727021
eBook (VitalSource): 9781315191065

Edited by:

Kwame Dixon, Associate Professor of Political Science
Howard University, Washington, D.C.

Ollie A. Johnson III, Associate Professor of African American Studies
Wayne State University, Detroit, Michigan

Latin America has a rich and complex social history marked by slavery, colonialism, dictatorships, rebellions, social movements and revolutions. Comparative Racial Politics in Latin America explores the dynamic interplay between racial politics and hegemonic power in the region. It investigates the fluid intersection of social power and racial politics and their impact on the region’s histories, politics, identities and cultures.

Organized thematically with in-depth country case studies and a historical overview of Afro-Latin politics, the volume provides a range of perspectives on Black politics and cutting-edge analyses of Afro-descendant peoples in the region. Regional coverage includes Argentina, Brazil, Colombia, Cuba, the Dominican Republic, Ecuador, Haiti and more. Topics discussed include Afro-Civil Society; antidiscrimination criminal law; legal sanctions; racial identity; racial inequality and labor markets; recent Black electoral participation; Black feminism thought and praxis; comparative Afro-women social movements; the intersection of gender, race and class, immigration and migration; and citizenship and the struggle for human rights. Recognized experts in different disciplinary fields address the depth and complexity of these issues.

Comparative Racial Politics in Latin America contributes to and builds on the study of Black politics in Latin America.

Table of Contents

• Introduction: Comparative Racial Politics in Latin America – Black Politics Matter [Kwame Dixon and Ollie A. Johnson III]
• Part 1: History
  • 1. Beyond Representation: Rethinking Rights, Alliances and Migrations: Three Historical Themes in Afro-Latin American Political Engagement [Darién J. Davis]
  • 2. Recognition, Reparations, and Political Autonomy of Black and Native Communities in the Americas [Bernd Reiter]
  • 3. Pan-Africanism and Latin America [Elisa Larkin Nascimento]
• Part 2: The Caribbean
  • 4. Black Activism and the State in Cuba [Danielle Pilar Clealand]
  • 5. Correcting Intellectual Malpractice: Haiti and Latin America [Jean-Germain Gros]
  • 6. Black Feminist Formations in the Dominican Republic since La Sentencia [April J. Mayes]
• Part 3: South America
  • 7. Afro-Ecuadorian Politics [Carlos de la Torre and Jhon Antón Sánchez]
  • 8. In The Branch of Paradise: Geographies of Privilege and Black Social Suffering in Cali, Colombia [Jaime Amparo Alves and Aurora Vergara-Figueroa]
  • 9. The Impossible Black Argentine Political Subject [Judith M. Anderson]
  • 10. Current Representations of “Black” Citizens: Contentious Visibility within the Multicultural Nation [Laura de la Rosa Solano]
• Part 4: Comparative Perspectives
  • 11. The Contours and Contexts of Afro-Latin American Women’s Activism [Kia Lilly Caldwell]
  • 12. Race and the Law in Latin America [Tanya Katerí Hernández]
  • 13. The Labyrinth of Ethnic-Racial Inequality: a Picture of Latin America according to the recent Census Rounds [Marcelo Paixão and Irene Rossetto]
  • 14. The Millennium/Sustainable Development Goals and Afro-descendants in the Americas: An (Un)intended Trap [Paula Lezama]
• Conclusion [Kwame Dixon and Ollie A. Johnson III]

Shifting Racial Subjectivities and Ideologies in Brazil

Socius: Sociological Research for a Dynamic World
First Published 2018-09-20
12 pages
DOI: 10.1177/2378023118797550

Stanley R. Bailey, Professor of Sociology
University of California, Irvine

Fabrício M. Fialho, Postdoctoral Research Fellow
Centre de Recherches Internationales, Sciences Po Paris, France

Census ethnoracial categories often reflect national ideologies and attendant subjectivities. Nonetheless, Brazilians frequently prefer the non-census terms moreno (brown) and negro (black), and both are core to antithetical ideologies: racial ambiguity versus racial affirmation. Their use may be in flux as Brazil recently adopted unprecedented race-targeted public policy. We examine propensities to self-classify as moreno and negro before and after the policy shift. Using regression modeling on national survey data from 1995 and 2008 that captured self-classification in open and closed formats, we find moreno is highly salient but increasingly constricted, while negro is restricted in use, though increasingly popular. Negro’s growth is mostly confined to the darker pole of Brazil’s color continuum. Education correlates in opposing directions: negative with moreno and positive with negro. Our findings proxy broad ideological shift from racial ambiguity to negro racial affirmation. They suggest race-targeted policy is transforming racial subjectivities and ideologies in Brazil.

Read the entire article here.

Mandarin Brazil: Race, Representation, and Memory

Stanford University Press
September 2018
256 pages
Cloth ISBN: 9781503605046
Paper ISBN: 9781503606012

Ana Paulina Lee, Assistant Professor of Luso-Brazilian Studies
Columbia University, New York, New York

In Mandarin Brazil, Ana Paulina Lee explores the centrality of Chinese exclusion to the Brazilian nation-building project, tracing the role of cultural representation in producing racialized national categories. Lee considers depictions of Chineseness in Brazilian popular music, literature, and visual culture, as well as archival documents and Brazilian and Qing dynasty diplomatic correspondence about opening trade and immigration routes between Brazil and China. In so doing, she reveals how Asian racialization helped to shape Brazil’s image as a racial democracy.

Mandarin Brazil begins during the second half of the nineteenth century, during the transitional period when enslaved labor became unfree labor—an era when black slavery shifted to “yellow labor” and racial anxieties surged. Lee asks how colonial paradigms of racial labor became a part of Brazil’s nation-building project, which prioritized “whitening,” a fundamentally white supremacist ideology that intertwined the colonial racial caste system with new immigration labor schemes. By considering why Chinese laborers were excluded from Brazilian nation-building efforts while Japanese migrants were welcomed, Lee interrogates how Chinese and Japanese imperial ambitions and Asian ethnic supremacy reinforced Brazil’s whitening project. Mandarin Brazil contributes to a new conversation in Latin American and Asian American cultural studies, one that considers Asian diasporic histories and racial formation across the Americas.

A Dark Inheritance: Blood, Race, and Sex in Colonial Jamaica

Yale University Press
2018-08-28
352 pages
6 1/8 x 9 1/4
25 b/w illus.
Hardcover ISBN: 9780300225556

Brooke N. Newman, Associate Professor of History; Associate Director of the Humanities Research Center
Virginia Commonwealth University, Richmond, Virginia

Focusing on Jamaica, Britain’s most valuable colony in the Americas by the mid-eighteenth century, Brooke Newman explores the relationship between racial classifications and the inherited rights and privileges associated with British subject status. Weaving together a diverse range of sources, she shows how colonial racial ideologies rooted in fictions of blood ancestry at once justified permanent, hereditary slavery for Africans and barred members of certain marginalized groups from laying claim to British liberties on the basis of hereditary status.

Alien Citizen: An Earth Odyssey, the Movie

HapaLis Productions
2017

Written by: Elizabeth Liang
Directed by: Sofie Calderon

Winner: 2018 Calcutta International Cult Film Festival

Who are you when you’re from everywhere and nowhere?

ALIEN CITIZEN: An Earth Odyssey is a funny and poignant one-woman show about growing up as a dual citizen of mixed heritage in Central America, North Africa, the Middle East, and New England. Elizabeth Liang is a Global Nomad or Third Culture Kid (TCK). Third Culture Kids are the children of educators, international business people, diplomats, missionaries, the military–anyone whose family has relocated overseas, usually because of a job placement.

Liang weaves humorous stories about growing up as an Alien Citizen abroad with American commercial jingles providing her soundtrack through language confusion, first love, “racial ambiguity,” culture shock, Clark Gable, bullying, and sandstorms. Our protagonist deals with the decisions every global nomad has to make repeatedly: to adapt or to simply cope; to build a bridge or to just tolerate. From being a Guatemalan-American teen in North Africa to attending a women’s college in the USA, Alien Citizen reflects her experience that neither one was necessarily easier than the other. Where is the line between respecting others and betraying yourself? Humor is a great survival mechanism – and friends make all the difference.

Mulata Nation: Visualizing Race and Gender in Cuba

University Press of Mississippi
2018-08-15
248 pages (approx.)
58 color illustrations
6 x 9 inches
Hardcover ISBN: 9781496814432

Alison Fraunhar, Associate Professor of Art and Design
Saint Xavier University, Chicago, Illinois

A vivid exploration of the key role played by multi-racial women in visualizing and performing Cuban identity

Repeatedly and powerfully throughout Cuban history, the mulata, a woman of mixed racial identity, features prominently in Cuban visual and performative culture. Tracing the figure, Alison Fraunhar looks at the representation and performance in both elite and popular culture. She also tracks how characteristics associated with these women have accrued across the Atlantic world. Widely understood to embody the bridge between European subject and African other, the mulata contains the sensuality attributed to Africans in a body more closely resembling the European ideal of beauty.

This symbol bears far-reaching implications, with shifting, contradictory cultural meanings in Cuba. Fraunhar explores these complex paradigms, how, why, and for whom the image was useful, and how it was both subverted and asserted from the colonial period to the present. From the early seventeenth century through Cuban independence in 1899 up to the late revolutionary era, Fraunhar illustrates the ambiguous figure’s role in nationhood, citizenship, and commercialism. She analyzes images including key examples of nineteenth-century graphic arts, avant-garde painting and magazine covers of the Republican era, cabaret and film performance, and contemporary iterations of gender.

Fraunhar’s study stands out for attending to the phenomenon of mulataje not only in elite production such as painting, but also in popular forms: popular theater, print culture, later films, and other media where stereotypes take hold. Indeed, in contemporary Cuba, mulataje remains a popular theme with Cubans as well as foreigners in drag shows, reflecting queerness in visual culture.

Albums of Inclusion: The Photographic Poetics of Caribbean Chinese Visual Kinship

Small Axe: A Caribbean Journal of Criticism
Volume 22, Number 2 (56)
2018-07-01
pages 35-56
DOI: 10.1215/07990537-6985666

Tao Leigh Goffe, Assistant Professor of Africana Studies and Feminist, Gender, & Sexuality Studies
Cornell University, Ithaca, New York

This essay focuses on artwork that centers family photographs and home movies as a point of departure to trouble the conventional family album in order to narrate a story about Caribbean Chinese kinship. In the art examined, personal visual archives are used to respond to the lacuna of Caribbean Chinese familial intimacies from the colonial archive. Engaging shared themes of migration and racialized ideas of reproduction, three contemporary diasporic visual artists—Albert Chong, Richard Fung, and Tomie Arai—mine oral histories and family archives to blend aural and visual narratives. These artists rupture the surface of family images to trouble the bourgeois, heteronormative, and colorist scripts that often police the formation of family. The family album is rearranged and marked up; thus it becomes rendered as flesh inscribed with silent narratives. Through different forms of remixing, they engage with the affect and entanglements of family photography to form a visual vocabulary of diasporic kinship. In doing so, the artwork—collages, documentaries, installations—interrogates the afterlife of the nineteenth-century European colonial experiment of Chinese indenture, designed to install a discreet “buffer race” between the white minority and the black majority in the Caribbean after abolition. The experiment, which depended on the capacity for the Chinese to develop bourgeois domesticity in the Caribbean after abolition, failed because of sexual intimacies between people of African descent and people of Asian descent, beyond the imperial order’s imagining. Another future of familial intimacies in the diaspora is present in the artists’ aesthetic of fragmentation and collage.

Read or purchase the article here.