Mixed Race Studies

Mexico’s overlooked black communities are given a voice in this social realist drama

Afropunk
2018-08-01

Eye Candy

LA NEGRADA trailer from TIRISIA CINE on Vimeo.

A project by Mexican filmmaker Jorge Pérez Solano, “La Negrada” is a social realist drama that examines an overlooked sector of Mexico’s populace, its Black people, which include descendants of enslaved people brought to Mexico, among others. According to Variety, this is the first fictional film about Afro-Mexicans.

Works Progress Austin: Casta by Adrienne Dawes

Salvage Vanguard Theater
110 Barton Springs Road
Austin, Texas 78704
2018-07-21

Photo by Bonica Ayala. Pictured Jesus valles, Tarik Daniels, Linzy Beltran

Salvage Vanguard Theater invites you to attend a staged reading of Casta by Adrienne Dawes, presented as part of Works Progress Austin. Launched in 2006, Works Progress Austin (WPA) provides playwrights with the resources they need to bring their work to life. Works Progress Austin has featured new works by Caridad Svich, Dan Dietz, and Sibyl Kempson.

WPA: Casta by Adrienne Dawes
Aug 24 @ 7:30pm | Aug 25 @ 4 and 7:30pm
ARTIST TALK after the 4pm performance August 25th.

Casta is inspired by a series of casta paintings by Miguel Cabrera, a mixed-race painter from Oaxaca. Casta paintings were a unique form of portraiture that grew in popularity over the 18th century in Nueva España/colonial Mexico. The paintings depicted different racial mixtures arranged according to a hierarchy defined by Spanish elites…

Read the entire article here.

Caribbean Masala: Indian Identity in Guyana and Trinidad

University Press of Mississippi
2018-07-16
144 pages (approx.)
9 b&w illustrations
6 x 9 inches
Hardcover ISBN: 9781496818041

Dave Ramsaran, Professor of Sociology
Susquehanna University, Selinsgrove, Pennsylvania

Linden F. Lewis, Presidential Professor of Sociology; Associate Dean of Social Sciences
Bucknell University, Lewisburg, Pennsylvania

How Indian descendants maintained their culture and grew their influence in the Caribbean

In 1833, the abolition of slavery in the British Empire led to the import of exploited South Asian indentured workers in the Caribbean under extreme oppression. Dave Ramsaran and Linden F. Lewis concentrate on the Indian descendants’ processes of mixing, assimilating, and adapting while trying desperately to hold on to that which marks a group of people as distinct. In some ways, the lived experience of the Indian community in Guyana and Trinidad represents a cultural contradiction of belonging and non-belonging. In other parts of the Caribbean, people of Indian descent seem so absorbed by the more dominant African culture and through intermarriage that Indo-Caribbean heritage seems less central.

In this collaboration based on focus groups, in-depth interviews, and observation, sociologists Ramsaran and Lewis lay out a context within which to develop a broader view of Indians in Guyana and Trinidad, a numerical majority in both countries. They address issues of race and ethnicity but move beyond these familiar aspects to track such factors as ritual, gender, family, and daily life. Ramsaran and Lewis gauge not only an unrelenting process of assimilative creolization on these descendants of India, but also the resilience of this culture in the face of modernization and globalization.

Black Saint of the Americas: The Life and Afterlife of Martín de Porres

Cambridge University Press
2014-10-13
311 pages
16 b/w illus.
229 x 152 x 18 mm
Hardcover ISBN: 978-1107034372
Paperback ISBN: 9781108404174
Online ISBN: 9781139540599

Celia Cussen, Associate Professor of History
Universidad de Chile

In May 1962, as the struggle for civil rights heated up in the United States and leaders of the Catholic Church prepared to meet for Vatican Council II, Pope John XXIII named the first black saint of the Americas, the Peruvian Martín de Porres (1579–1639), and designated him the patron of racial justice. The son of a Spanish father and a former slavewoman from Panamá, Martín served a lifetime as the barber and nurse at the great Dominican monastery in Lima. This book draws on visual representations of Martín and the testimony of his contemporaries to produce the first biography of this pious and industrious black man from the cosmopolitan capital of the Viceroyalty of Peru. The book vividly chronicles the evolving interpretations of his legend and his miracles, and traces the centuries-long campaign to formally proclaim Martín de Porres a hero of universal Catholicism.

• The first full-length work dedicated to Martín de Porres from a scholarly viewpoint
• An analysis of witness testimonies and images that portrayed the virtues and miracles of Martín
• A readable discussion of how the cult of the first black saint of the Americas evolved along with the needs and attitudes of Catholics in Peru and elsewhere

Table of Contents

• Introduction
• Part I. The Life:
  • 1. Race and family
  • 2. The convent and the colonial world
  • 3. Healing and faith
  • 4. Death and the heavenly transit
• Part II. The Afterlife:
  • 5. Creating a Vida from a life
  • 6. The miracles
  • 7. Images in black and white
  • 8. Sainthood
• Conclusion
• Appendixes
• Bibliography
• Endnotes

Is Neymar Black? Brazil and the Painful Relativity of Race

The New York Times
2018-06-30

Cleuci de Oliveira, Brasília-based reporter

Neymar da Silva Santos Júnior, center, celebrating a goal with his teammates during Brazil’s World Cup match against Serbia on Wednesday. Michael Steele/Getty Images

Ever since his “It’s not like I’m black, you know?” comment, Neymar has served as a focal point in the country’s cultural reckoning with racism, whitening, identity and public policy.

Years before he became the most expensive player in the world; before his Olympic gold medal; before the Eiffel Tower lit up with his name to greet his professional move from Barcelona to Paris, Neymar da Silva Santos Júnior, the Brazilian forward known to the world simply as Neymar, faced his first public relations controversy.

The year was 2010, and Neymar, then 18, had shot to fame in Brazil after a sensational breakout season. During an interview for the newspaper O Estado de S. Paulo, in between a conversation about Disneyland and sports cars, he was asked if he had ever experienced racism. “Never. Not in the field, nor outside of it,” he replied.

“It’s not like I’m black, you know?”

His answer was heard like a record-scratch across the country. Was this young man in denial about his racial identity? Particularly when in the same interview he outlined his meticulous hair care regime, which involved getting his locks chemically straightened every few weeks, then bleached blonde.

Or was there a less alarming explanation behind his comment? Could Neymar merely be pointing out that, as the son of a black father and a white mother, his lighter skin tone shielded him from the racist abuse directed at other players? Had he, at least in his context, reached whiteness? Whatever the interpretation, Neymar’s words revealed the tricky, often contradictory ways that many Brazilians talk, and fail to talk, about race in a country with the largest population of black descendants outside of Africa…

Read the entire article here.

What Race-Mixture in Colonial Latin American Literature Can Teach Us About Mixed-Race Identity in the United States and the Fantasy of White Supremacy

Critical Ethnic Studies
Published by University of Minnesota Press
2018-06-29

Monica Styles

There is a tendency in the United States to believe mixed-race experiences are exceptional or out of the ordinary because we live in a society that historically silences racial mixture. A recent exhibit at Monticello that highlights the denial of Jefferson’s affair with Sally Hemings is just one high profile example. Contrasting colonial Latin American racial discourses with our own provides a blueprint for understanding erasure of multiracial experiences and white racial anxiety.

Mixture produces people who inhabit what Zadie Smith defines as the “Dream City [or] a place of many voices, where the unified singular self is an illusion. Naturally, Obama was born there. So was I. When your personal multiplicity is printed on your face, in an almost too obviously thematic manner, in your DNA, in your hair and in the neither this nor that beige of your skin -well, anyone can see you come from Dream City.” As a Black biracial woman, I am confronted with frustration from people who struggle with my mixed identity…

Read the entire article here.

Seeking Multiracial Americans or Brazilian Residing in the United States for Research Study

Ariane Y. Kreidl, Student ETS Academic Advisor; USC TRiO; Educational Talent Search
Business Administration 19’
USC Marshall School of Business
University of Southern California

My name is Ariane Kreidl and I am research scholar at the University of Southern California (USC). I am seeking participants for a research study about race. This research aims to understand racial norms through a comparative analysis of biracial/multiracial Americans and Brazilians individuals living in the United States.

Eligibility criteria. Participants must be one of the following:

• Biracial/multiracial Americans (i.e., individuals who have mixed ancestry of two-or-more races)
• Brazilians living in the United States for at least three (3) years.

There are two (2) ways to participate:

1. Online Survey (Qualtrics)^a: Closed-ended questions related to the research topic. The estimated response time is approximately 20 minutes. Participants will have the opportunity to enter a drawing to win a $50 Amazon/Visa Gift Card.
2. Interview in-person or via Skype^b: Open-ended questions related to the research topic. Interview will last between 30-75 minutes. Participants will have the opportunity to enter a drawing to win a $100 Amazon/Visa Gift Card! (This interview block is limited to only 20 participants).

Participation is completely anonymous.

Thank you for considering this research invitation.

^aIf you are interested, please click on the link for the survey: Qualitrics.Survey.Akreidl.
^bIf you are interested, please click on the following link to select a date and time: Research.Interview.Appt.Slots.

The Existence of the Mixed Race Damnés: Decolonialism, Class, Gender, Race

Rowman & Littlefield
June 2018
160 pages
Trim: 6 x 9
Hardback ISBN: 978-1-78660-615-0
eBook ISBN: 978-1-78660-616-7

Daphne V. Taylor-Garcia, Assistant Professor of Ethnic Studies
University of California, San Diego

The Existence of the Mixed Race Damnés is an interdisciplinary and intersectional study of the mixed-race subject in the Americas and the rise of oppositional consciousness with a consideration of not only race, but also colonialism. Daphne V. Taylor-Garcia examines the construction of race, gender, and class in coming to an oppositional consciousness as a Spanish colonial subject in the Americas. Spanning the early foundations of knowledge production about colonial/racial subjects and connecting to contemporary debates on Latinxs and racialization, the book takes up the terms through which first-person perceptions of precarity and class, mixed-race existence, and gendered power relations are constructed. The Existence of the Mixed Race Damnés ends with a response to the current scepticism towards organizing as people of color through a decolonial redefinition of the damnés that centers a critique of anti-black racism and colonial relations.

Table of Contents

• Introduction
• 1. The Spatiality of the Damnés
• 2. Visible Race and the Legacy of the Sistema de Castas
• 3. The Semiotics of Gender in Colonial/Renaissance Knowledge Production
• 4. Taking Action as the Damnés
• Conclusion
• Bibliography
• Index

Afro-Latin American Studies: An Introduction

Cambridge University Press
April 2018
400 pages
233 x 165 x 43 mm
Hardback ISBN: 9781107177628
Paperback ISBN: 9781316630662
eBook ISBN: 9781316835890

Editors:

Alejandro de la Fuente, Robert Woods Bliss Professor of Latin American History and Economics; Professor of African and African American Studies
Harvard University, Boston, Massachusetts

George Reid Andrews, Distinguished Professor of History
University of Pittsburgh

Alejandro de la Fuente and George Reid Andrews offer the first systematic, book-length survey of humanities and social science scholarship on the exciting field of Afro-Latin American studies. Organized by topic, these essays synthesize and present the current state of knowledge on a broad variety of topics, including Afro-Latin American music, religions, literature, art history, political thought, social movements, legal history, environmental history, and ideologies of racial inclusion. This volume connects the region’s long history of slavery to the major political, social, cultural, and economic developments of the last two centuries. Written by leading scholars in each of those topics, the volume provides an introduction to the field of Afro-Latin American studies that is not available from any other source and reflects the disciplinary and thematic richness of this emerging field.

• Presents systematic and synthetic overviews of recent scholarship on topics of major importance in the field of Afro-Latin American studies, for example Afro-Latin American religions, Afro-Latin American political movements, and Afro-Latin American music
• Covers a broad range of topics, embracing most of the humanities and social sciences
• Serves as the authoritative introduction for Afro-Latin American history, covering the period from 1500 to the present

Table of Contents

• 1. Afro-Latin American studies: an introduction Alejandro de la Fuente and George Reid Andrews
• Part I. Inequalities:
  • 2. The slave trade to Latin America: a historiographical assessment Roquinaldo Ferreira and Tatiana Seijas
  • 3. Inequality: race, class, gender George Reid Andrews
  • 4. Afro-indigenous interactions, relations, and comparisons Peter Wade
  • 5. Law, silence, and racialized inequalities in the history of Afro-Brazil Brodwyn Fischer, Keila Grinberg and Hebe Mattos
• Part II. Politics:
  • 6. Currents in Afro-Latin American political and social thought Frank Guridy and Juliet Hooker
  • 7. Rethinking black mobilization in Latin America Tianna Paschel
  • 8. ‘Racial democracy’ and racial inclusion: hemispheric histories Paulina Alberto and Jesse Hoffnung-Garskof
• Part III. Culture:
  • 9. Literary liberties: the authority of Afrodescendant authors Doris Sommer
  • 10. Afro-Latin American art Alejandro de la Fuente
  • 11. A century and a half of scholarship on Afro-Latin American music Robin Moore
  • 12. Afro-Latin American religions Stephan Palmié and Paul Christopher Johnson
  • 13. Environment, space and place: cultural geographies of colonial Afro-Latin America Karl Offen
• Part IV. Transnational Spaces:
  • 14. Transnational frames of Afro-Latin experience: evolving spaces and means of connection, 1600–2000 Lara Putnam
  • 15. Afro-Latinos: speaking through silences and rethinking the geographies of blackness Jennifer A. Jones

Mexico’s Color Line and the Cultural Imperialism of Light-Skin Preference

Truthout
2018-05-26

Roberto Rodriguez, Associate Professor in Mexican American Studies
University of Arizona

A busy street in Mexico City. (Photo: Getty Images)

The color of the people of Mexico is one of the things that had a most profound effect on my psyche when I first visited the place of my birth in 1976 at the age of 22. The people came in all colors, though primarily different shades of red-brown, owing to the nation’s Indigenous roots.

Having grown up in a white-dominant society, it was an affirmation of my own brown skin color, in sharp contrast with the artificial color of official Mexico. I was used to seeing government bureaucrats and those that graced the nation’s television screens with light skin, bleached blond hair and artificial blue or green eyes.

The truth is, more than 40 years later, the nation’s color line has seemingly not changed much at all. When I first noticed this preference for light skin in Mexico, it was present at every turn and every corner. It wasn’t just a case of difference, but also disdain. Apparently, all things that were light were “good” and all things dark were “bad.” This was especially true of television. White or light skin was preferred for virtually every role, except the ones for the subservient, demeaning and outlaw roles…

Read the entire article here.