Mixed Race Studies

Vale of Tears: Revisiting the Canudos Massacre in Northeastern Brazil, 1893-1897

University of California Press
December 1995
365 pages
Paperback ISBN: 9780520203433

Robert M. Levine (1941-2003), Professor of History and Director of Latin American Studies
University of Miami

The massacre of Canudos In 1897 is a pivotal episode in Brazilian social history. Looking at the event through the eyes of the inhabitants, Levine challenges traditional interpretations and gives weight to the fact that most of the Canudenses were of mixed-raced descent and were thus perceived as opponents to progress and civilization.

In 1897 Brazilian military forces destroyed the millenarian settlement of Canudos, murdering as many as 35,000 pious rural folk who had taken refuge in the remote northeast backlands of Brazil. Fictionalized in Mario Vargas Llosa’s acclaimed novel, War at the End of the World, Canudos is a pivotal episode in Brazilian social history. When looked at through the eyes of the inhabitants of Canudos, however, this historical incident lends itself to a bold new interpretation which challenges the traditional polemics on the subject. While the Canudos movement has been consistently viewed either as a rebellion of crazed fanatics or as a model of proletarian resistance to oppression, Levine deftly demonstrates that it was, in fact, neither.

Vale of Tears probes the reasons for the Brazilian ambivalence toward its social history, giving much weight to the fact that most of the Canudenses were of mixed-race descent. They were perceived as opponents to progress and civilization and, by inference, to Brazil’s attempts to “whiten” itself. As a result there are major insights to be found here into Brazilians’ self-image over the past century.

Review: Identity in Passing: RACE-ING and E-RACE-ING in American and African American History

The Journal of African American History
Volume 101, No. 3, Summer 2016
pages 344-355
DOI: 10.5323/jafriamerhist.101.3.0344

Thomas J. Davis, Professor of History
Arizona State University, Tempe

• Marcia Alesan Dawkins, Clearly Invisible: Racial Passing and the Color of Cultural Identity. Waco, TX: Baylor University Press, 2012. Pp. 269. Cloth $49.95.
• Baz Dreisinger, Near Black: White to Black Passing in American Culture. Amherst: University of Massachusetts Press, 2008. Pp. 196. Paper $26.95.
• Mary Frances Berry, “We Are Who We Say We Are”: A Black Family’s Search for Home Across the Atlantic World. New York: Oxford University Press, 2015. Pp. 206. Paper $19.95.

Passing is a long-standing theme in American and African American history.¹ Indeed, because identity has been an ever-present element in history, passing has been an ever-present element in history generally. Distinguishing between and among groups and categorizing individual members has again and again prompted questions about who is who, about what exactly distinguishes one from another, and about who belongs where. But passing is about more than contested and oft-disputed categories. When it reaches to lived-experience, passing is about self and society, about individual image and imagining, about self-image and self-imagining, about social image and social change. Passing is about the scope, source, substance, and control of individual identity.

Despite its centrality, identity appears in historical narratives typically as a given, or at least as taken for granted. Except for persons cast as “others,” group labels conveniently cover flawed lines of distinction. Our focus concentrates on identity only when it becomes contested, when uncertainty or ambiguity raise doubts; when identity becomes an issue of power, when such questions as “who…

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We Are Who We Say We Are: A Black Family’s Search for Home Across the Atlantic World

Oxford University Press
2014-12-01
224 Pages
32 illustrations
5-1/2 x 8-1/4 inches
Paperback ISBN: 9780199978335

Mary Frances Berry, Geraldine R. Segal Professor of American Social Thought and Professor of History
University of Pennsylvania

This colored Creole story offers a unique historical lens through which to understand the issues of migration, immigration, passing, identity, and color-forces that still shape American society today. We Are Who We Say We Are provides a detailed, nuanced account of shifting forms of racial identification within an extended familial network and constrained by law and social reality.

Author Mary Frances Berry, a well-known expert in the field, focuses on the complexity and malleability of racial meanings within the US over generations. Colored Creoles, similar to other immigrants and refugees, passed back and forth in the Atlantic world. Color was the cause and consequence for migration and identity, splitting the community between dark and light. Color could also split families. Louis Antoine Snaer, a free man of color and an officer in the Union Army who passed back and forth across the color line, had several brothers and sisters. Some chose to “pass” and some decided to remain “colored,” even though they too, could have passed. This rich global history, beginning in Europe–with episodes in Haiti, Cuba, Louisiana, and California–emphasizes the diversity of the Atlantic World experience.

Contents

• Preface
• Chapter I: Becoming Colored Creole
• Chapter II: Becoming Americans
• Chapter III: Family Troubles
• Chapter IV: Fighting for Democracy
• Chapter V: Becoming “Negroes”
• Chapter VI: Opportunity and Tragedy in Iberia Parish
• Chapter VII: Mulattoes and Colored Creoles
• Chapter VIII: Just Americans
• Chapter IX: At Home or Away: We Are Who We Say We Are
• Epilogue: Becoming “Black”
• Notes

Jennifer Roth-Gordon on her new book, Race and the Brazilian Body

CaMP Anthropology
2017-09-04

Interview by: Ilana Gershon, Associate Professor of Anthropology
Indiana University, Bloomington

Jennifer Roth-Gordon, Race and the Brazilian Body: Blackness, Whiteness, and Everyday Language in Rio de Janeiro (Chapel Hill: University of North Carolina Press, 2016).

If you were at a wedding, and the person at your table happened to be a scholar of African-American experiences of the Jim Crow South who wanted to know a bit about your book, what would you say?

Can the person sitting next to the Jim Crow scholar at our table be someone who witnessed the white supremacist rally in Charlottesville? I think I might open by saying to them that I study race relations in Rio de Janeiro, Brazil, a context which is both very similar and very different from the ones that they are immersed in. My book is an investigation into how we can watch people draw on and perpetuate racial hierarchy in daily conversations and interactions, in a national context where noticing racial difference is (and has long been) taboo. These racial ideas – about the superiority of whiteness and the inferiority of blackness – are the same ideas that were legalized in the Jim Crow South and that white people marched to uphold just a few weeks ago, in defense of statues meant to keep nonwhite people “in their place.” I can point to very little that changes, over time or across national boundaries, in the civilized/uncivilized and upstanding/dangerous distinctions between what whiteness and nonwhiteness are thought to represent.

Brazil also suffers from incredibly high levels of structural racism that almost always exceed statistics from the present-day U.S. (from racial gaps in education levels, income, and where people live, to what scholars have called a black genocide of thousands of Afro-descended youth killed by police each year). Despite these national similarities, Brazil has long used incidents like Charlottesville (such as the Civil War, lynchings, the LA riots and Rodney King beating, Ferguson, and so on) to define themselves in contrast to the violent history and aggressive nature of race relations in the U.S. Though they are now more aware of racism than ever before, many Brazilians continue to take pride in their reputation for racial mixture and racial tolerance. While most would admit that Brazil is not (and has never been) a “racial democracy,” there is a strong belief that inequality in Brazil is socioeconomic, rather than racial.

My book seeks to explain the “comfortable racial contradiction” that surrounds Rio residents with signs of blackness and whiteness but discourages them from describing what they see in racial terms. It’s not a contradiction that is “comfortable” for all, but I argue that this contradiction is surprisingly easy to live within, even as it may be hard to unravel and explain – in the same way that we now have to contemplate what it means to live in a “colorblind” America that has people on both ends of the political spectrum loudly proclaiming that race matters. I study how racial ideology allows us to live in societies that promote themselves as tolerant and equal, even as we are daily surrounded by (and participating in) profoundly racially unequal and unjust circumstances. Laws and torches are not the only ways to maintain white supremacy, and swastika-flag bearers are not the only ones who keep systems of racial hierarchy in place…

Read the entire interview here.

Race and the Brazilian Body: Blackness, Whiteness, and Everyday Language in Rio de Janeiro

University of North Carolina Press
December 2016
248 pages
Hardcover ISBN: 9780520293793
Paperback ISBN: 9780520293809
Adobe PDF E-Book ISBN: 9780520967151
ePUB Format ISBN: 9780520967151

Jennifer Roth-Gordon, Associate Professor of Anthropology
University of Arizona

Based on spontaneous conversations of shantytown youth hanging out on the streets of their neighborhoods and interviews from the comfortable living rooms of the middle class, Jennifer Roth-Gordon shows how racial ideas permeate the daily lives of Rio de Janeiro’s residents across race and class lines. Race and the Brazilian Body weaves together the experiences of these two groups to explore what the author calls Brazil’s “comfortable racial contradiction,” where embedded structural racism that privileges whiteness exists alongside a deeply held pride in the country’s history of racial mixture and lack of overt racial conflict. This linguistic and ethnographic account describes how cariocas (people who live in Rio de Janeiro) “read” the body for racial signs. The amount of whiteness or blackness a body displays is determined not only through observations of phenotypical features—including skin color, hair texture, and facial features—but also through careful attention paid to cultural and linguistic practices, including the use of nonstandard speech commonly described as gíria (slang).

Vivid scenes from daily interactions illustrate how implicit social and racial imperatives encourage individuals to invest in and display whiteness (by demonstrating a “good appearance”), avoid blackness (a preference challenged by rappers and hip-hop fans), and “be cordial” (by not noticing racial differences). Roth-Gordon suggests that it is through this unspoken racial etiquette that Rio residents determine who belongs on the world famous beaches of Copacabana, Ipanema, and Leblon; who deserves to shop in privatized, carefully guarded, air conditioned shopping malls; and who merits the rights of citizenship.

Contents

• ACKNOWLEDGMENTS
• 1. BRAZIL’S “COMFORTABLE RACIAL CONTRADICTION”
• 2. “GOOD” APPEARANCES: RACE, LANGUAGE, AND CITIZENSHIP
• 3. INVESTING IN WHITENESS: MIDDLE-CLASS PRACTICES OF LINGUISTIC DISCIPLINE
• 4. FEARS OF RACIAL CONTACT: CRIME, VIOLENCE, AND THE STRUGGLE OVER URBAN SPACE
• 5. AVOIDING BLACKNESS: THE FLIP SIDE OF BOA APARENCIA
• 6. MAKING THE MANO: THE UNCOMFORTABLE VISIBILITY OF BLACKNESS IN POLITICALLY CONSCIOUS BRAZILIAN HIP-HOP
• CONCLUSION: “SEEING” RACE
• NOTES
• REFERENCES
• INDEX

On the Color of Desire, Disrespect, and Sexual Exploitation in Brazil

For Harriet
2015-07-23

Veronica Maria Brown-Comegys

The day I arrived in Rio de Janeiro a muscle-bound German stranger followed me from the reception desk into the hotel elevator. After the door closed, he began shouting in halting English, “You are American. I want to be with you tonight, why not?” “Why not?” I side-stepped to the elevator panel and wildly pounded the buttons. The door opened and I raced to my room.

White Brazilian and European male visitors gravitate to the eroticism of the woman of African descent. Yet they do not express their admiration in romantic sonnets and songs. Instead, white Brazilian men say in Portuguese, “As negras tem fogo no rabo.” The translation is, “Black women have fire in their ass,” according to my white friend, Carlos Marques, a fifty-six-year-old activist and historian. The activist, of Porto Alegre, in Rio Grande do Sul, said, “Rabo is a VERY bad expression, extremely graphic. It is machismo and racism.” Cesar Renato, 19, a black aspiring rapper, in Natal, Rio Grande do Norte, added, “They say worse things than that.”

Carlos Santos, 30, of Goias, a black decorator and house painter said, “It is true that the white man says the black woman has an appetite for sex, and is hotter than the white woman. I agree that black women are hotter. This is obvious. But, oh no, to say they have fire under their skirt, this is too much. This is hyper-sexualization of the black woman.”

The crude expression is directed at all black women. Yet it is the black woman who has tan, gold, caramel and light-to-nearly medium colored skin, who is preferred. Marques said, “Light-colored girls are a species of sexual fantasy for many men, Brazilian and foreign. They are something like a sexual fetish.”.

Dr. Norma Cavalcanti, a white psychologist, said “In Brazil a woman has only two rights; the right to be a mother, and the right to be a ‘boneca gloriosa’ (glorious doll).” Willing or not, I had all the necessary attributes to play this role: light brown skin, heavy-lidded, big brown eyes, full lips, and most importantly a five foot seven-inch body, which was far from thin and shapeless. Far from being a brown Playboy centerfold, but not to be ignored…

…During the 2014 World Cup Season male and female journalists were distained “international gringos who come to Brazil with the wrong idea.” Carol Apaloo, an African-American school teacher, whose family relocated from Los Angeles in the late 1970s said, “The Germans are the worst.” She discussed the lewd way they were dancing with the black Brazilian girls at Carnival. One journalist said that the foreigners are only part of the problem. Their behavior matched customary treatment black women receive from white Brazilian men.

Marly Ferreira, 57, a black Brazilian writer and Professor of Biology said, “The image still exists of the black woman as sexy, good in bed, to be used as an object. This image is a benefit to tourism. There are many schemes to make the color black agreeable, to be used by everybody.” More than two decades ago, white historian, sociologist and anthropologist Gilberto Freyre said, “The mulata is treated like a product. Our mulata is not different from other women, but she is being exploited as a sex symbol, and the majority are being turned into prostitutes.”…

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‘The Inscrutable Alexander Fitten’

The Atlanta Journal Constitution
2017-11-03

Marc Fitten

An excerpt from ‘We Wear the Mask: 15 True Stories of Passing in America.’ By Marc Fitten

My full legal name is Marc Jeffrie Fitten, but I have always disliked it. It’s like the skin tag hanging from my neck that I keep promising myself I will do something about.

Since I was 6, I have never been comfortable with hearing it spoken or saying it out loud. I have never identified with it. Ever since I was a child, everything in my DNA rejected this name. Probably because I instinctively knew it was a fake.

My real name is lost to my family and me. Lost for many reasons, but especially because along the way an ancestor realized his name gave away an ethnicity that was more trouble than it was worth. So he changed it. Twice. A shoemaker and a migrant who traveled around the Caribbean taking odd jobs, my half-Chinese great grandfather managed to hide his identity from the people around him and from his descendants for 100 years…

Marc Fitten looks at a recently discovered photo of his great grandfather, who Marc learned was part Chinese after his 2-year-old nephew was diagnosed with Kawasaki disease, an illness prone to Asians. HYOSUB SHIN / HSHIN@AJC.COM

…The twist is intriguing as well. While mixed-race African-Americans were passing as white in the United States, in the Caribbean, a Chinese Jamaican wanted to hide his name and ethnicity and for his children to pass as colored.

My great-grandfather — forever after known as Mr. Fitten — even had the good sense to die early, and so he took his secrets with him…

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Black, white or multicultural: constructing race in two countries

The University of Utah News
2017-09-18

New study compares how people in U.S. and Brazil determine someone’s race

A new study demonstrates the strong influence ancestry plays in Americans’ interpretation of whether someone is black, white or multiracial, highlighting differences in the way race is socially constructed in the U.S. compared to other parts of the world.

The three-phase study, led by Jacqueline M. Chen of the University of Utah and published in Social Psychological and Personality Science, compared how Brazilians and Americans assessed the race of another person. Brazilians were more likely to decide what race a person was based on his or her appearance, while Americans relied most heavily on parentage to make that determination.

“Our results speak to completely different definitions of what race is and whether ancestry or family background is even relevant to race,” said Chen, an assistant professor in the Department of Psychology at the University of Utah. “It is ingrained in Americans to think about race in terms of heritage. In the U.S., people ask about where your family is from as a way to ascertain your race. But in Brazil, people don’t focus on family history when determining someone’s race.”

Co-authors of the study are Maria Clara P. de Paula Cuoto of the Ayrton Senna Institute in São Paulo, Brazil (her involvement in the study is not related to her work at the institute); Airi M. Sacco of the Federal University of Pelotas, Pelatos, Brazil; and Yarrow Dunham of Yale University.

The researchers conducted three different experiments in the U.S. and Brazil to assess cultural differences in how participants determined race. Both countries have a history of European settlement, Native American displacement and African slavery, but have adopted different strategies and practices to address racial diversity, the researchers said.

The U.S. historically attempted to maintain racial hierarchy through formal rules that denied rights and resources to African Americans. Brazil encouraged interracial marriage as a way for individuals to move up the social hierarchy and to reduce the number of people who strongly self-identified as black…

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To Be or Not to Be (Black or Multiracial or White): Cultural Variation in Racial Boundaries

Social Psychological and Personality Science
First Published 2017-08-28
DOI: 10.1177/1948550617725149

Jacqueline M. Chen, Assistant Professor, Social Psychology
University of Utah

Maria Clara P. de Paula Couto
Ayrton Senna Institute, São Paulo, Brazil

Airi M. Sacco
Department of Psychology
Federal University of Pelotas, Pelatos, Brazil

Yarrow Dunham, Assistant Professor of Psychology
Yale University

Culture shapes the meaning of race and, consequently, who is placed into which racial categories. Three experiments conducted in the United States and Brazil illustrated the cultural nature of racial categorization. In Experiment 1, a target’s racial ancestry influenced Americans’ categorizations but had no impact on Brazilians’ categorizations. Experiment 2 showed cultural differences in the reliance on two phenotypic cues to race; Brazilians’ categorizations were more strongly determined by skin tone than were Americans’ categorizations, and Americans’ categorizations were more strongly determined by other facial features compared to Brazilians’ categorizations. Experiment 3 demonstrated cultural differences in the motivated use of racial categories. When the racial hierarchy was threatened, only Americans more strictly enforced the Black–White racial boundary. Cultural forces shape the conceptual, perceptual, and ideological construal of racial categories.

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Becoming Sui Sin Far: Early Fiction, Journalism, and Travel Writing by Edith Maude Eaton

McGill-Queen’s University Press
July 2016
352 pages
6 x 9
ISBN: 9780773547223

Edited by:

Mary Chapman, Professor of English
University of British Columbia, Vancouver, British Columbia, Canada

Newly discovered works by one of the earliest Asian North American writers.

When her 1912 story collection, Mrs. Spring Fragrance, was rescued from obscurity in the 1990s, scholars were quick to celebrate Sui Sin Far as a pioneering chronicler of Asian American Chinatowns. Newly discovered works, however, reveal that Edith Eaton (1865-1914) published on a wide variety of subjects—and under numerous pseudonyms—in Canada and Jamaica for a decade before she began writing Chinatown fiction signed “Sui Sin Far” for US magazines. Born in England to a Chinese mother and a British father, and raised in Montreal, Edith Eaton is a complex transnational writer whose expanded oeuvre demands reconsideration.

Becoming Sui Sin Far collects and contextualizes seventy of Eaton’s early works, most of which have not been republished since they first appeared in turn-of-the-century periodicals. These works of fiction and journalism, in diverse styles and from a variety of perspectives, document Eaton’s early career as a short story writer, “stunt-girl” journalist, ethnographer, political commentator, and travel writer. Showcasing her playful humour, savage wit, and deep sympathy, the texts included in this volume assert a significant place for Eaton in North American literary history. Mary Chapman’s introduction provides an insightful and readable overview of Eaton’s transnational career. The volume also includes an expanded bibliography that lists over two hundred and sixty works attributed to Eaton, a detailed biographical timeline, and a newly discovered interview with Eaton from the year in which she first adopted the orientalist pseudonym for which she is best known.

Becoming Sui Sin Far significantly expands our understanding of the themes and topics that defined Eaton’s oeuvre and will interest scholars and students of Canadian, American, Asian North American, and ethnic literatures and history.