Mixed Race Studies

Afro-Mexicans still struggle for recognition in Mexico

The Seattle Globalist
2016-06-22

Mayela Sánchez, Senior Reporter, Country Coordinator

Adriana Alcázar González, Reporter

María Gorge, Reporter

Luz María Martínez Montiel, 81, shown at home in Cuernavaca, the capital of Morelos state in central Mexico, is a specialist in African languages and culture. She works to promote the recognition of Afro-descendants in Mexico.(Photo by Mayela Sánchez for GPJ Mexico)

“It is latent racism. Nobody wants to be the descendant of black people,” Luz María Martínez Montiel says from her home in Cuernavaca, the capital of Morelos state in central Mexico.

Martínez Montiel says this was confirmed for her at an early age. When she was 9, she went to live with her paternal grandparents in Veracruz, a state on the country’s east coast. Even though there were people in her family who were dark-skinned, they didn’t identify as descendants of Africans, she says.

“‘Black’ always was the ‘other,’” says Martínez Montiel, now 80 years old.

Afro-descendants are defined as people whose ancestors were enslaved Africans who integrated into the places where they were transported, or to where they escaped, according to the Consejo Nacional para Prevenir la Discriminación (CONAPRED) the national council in charge of promoting policies for equality and inclusion…

Read the entire article here.

What do Brazilians look like?

Eye on Brazil: Observations of an Ex-Expat
2015-05-23

Sabrina Gledhill, PhD

I recently came across an article that has sparked all kinds of responses online and the time has come to add one of my own. Titled Future Humans Will All Look Brazilian, Researcher Says it naturally caught my eye! Without even reading it, my first question was, which Brazilians, from where?

While I was brunching in Paris with a fellow Brit earlier this year, two women asked to share our table and started speaking Spanish. I initially assumed they were from Spain, since we were in Europe. Also, one was “Mediterranean” looking and the other was a blue-eyed blonde, which is entirely possible in Iberia. When we eventually joined in the conversation (in English), it turned out that the “Mediterranean” woman was from Argentina and the blonde was…wait for it…from Brazil! My British companion was surprised, and said she didn’t look Brazilian. I explained that they come in all shapes and sizes…

Read the entire article here.

Future Humans Will All Look Brazilian, Researcher Says

Business Insider
2012-09-19

Natalie Wolchover

It really happened: Six generations of inbreeding spanning the years 1800 to 1960 caused an isolated population of humans living in the hills of Kentucky to become blue-skinned.

The startlingly blue people, all descendants of a French immigrant named Martin Fugate and still living near his original settlement on the banks of Troublesome Creek when hematologists studied them in the 1960s, turned out to have a rare blood condition called methemoglobinemia. A recessive gene was pairing with itself to change the molecular composition of their blood, making it brown as opposed to red, which tinted their skin blue.

The hematologists’ attempt to trace the history of the mutant gene revealed a gnarly Fugate family tree, contorted by many an intermarriage between first cousins, aunts and nephews, and the like over the generations. Dennis Stacy, whose great-great-grandfather on both his mother’s and father’s sides was the same person – Henley Fugate – offered a simple explanation for the rampant interbreeding: In the old days in eastern Kentucky, Stacy said, “There was no roads.”…

Read the entire article here.

Martyrs of Miscegenation: Racial and National Identities in Nineteenth-Century Mexico

Hispanófila
Volume 132 (2001)
pages 25-42

Lee Joan Skinner, Associate Professor of Spanish
Claremont McKenna College

The two most powerful critical paradigms for dealing with the relationship between literature and national identity in nineteenth—century Latin America have been those established by Benedict Anderson and Doris Sommer. In Anderson’s well-known formulation, “the nation [. . . ] is an imagined political community” (6). Anderson attributes the early appearance of such national imagined communities throughout nineteenth-century Latin America to the widespread popularity of the print-capitalism forms of the novel and newspaper, which created communities of readers in the later eighteenth and early nineteenth centuries and allowed for the dissemination of large-scale national imaginings. More recently, Doris Sommer has looked at the content of the novels that these potential national communities were reading in order to argue that national consolidation in nineteenth—century Latin America depended not only on the shared activity of reading but on the messages of the works that nineteenth-century readers were consuming. According to Sommer, nineteenth-century “national novels” use metaphors of romance and marriage to inscribe ideals of national reconciliation and to establish the ideology of nationalism and national identity in Latin America. In her View, the “foundational fictions” she analyzes disseminate specific messages about the constitution of national identities and play an integral role in consolidating national identities and ideologies in nineteenth-century Latin America.

Both Anderson and Sommer present “national identity” as a relatively fixed category. Their analyses focus not on nineteenth-century Latin American national identity itself, but rather on the methods through which national identity is created and consolidated. Hence, Anderson describes the ways in which administrative and communicative structures such as the mechanisms of print-capitalism work to create and disseminate national identity, while Sommer examines the ways in which nineteenth-century Latin American romances inscribe allegories of conflict and resolution whose message is that national reconciliation can and should take place based on a unified national identity. Anderson’s and Sommer’s analyses take as their point of departure the idea that in the nineteenth century a stable, pre-established national identity is inscribed in public discourses such as newspapers and novels. But what happens when the notion of “national identity” itself is called into question? In novels produced throughout the nineteenth century in Latin America, discourses of national identity are frequently shown to be contestatory and conflictive. Rather than being a fixed category from the start, national identity in nineteenth-century Latin America might more productively be thought of as national identities. National identity is not a fixed, unchanging category that comes into being full-blown and unquestioned at the beginning of the nineteenth century; instead, national identity, like the nation itself, is a site of contestatory discourses and competing definitions throughout nineteenth-century Latin America. In this essay I address the novels of the Mexican author Eligio Ancona and argue that within his works, as within nineteenth-century Mexico his repeated attempts to come to terms with the Mexican past and the variations in the way he treats Mexican history based on his own changing position demonstrate that the category itself of national identity in nineteenth-century Latin America is continually under construction. The versions of Mexican national identity that Ancona produces in his texts respond to varying political, social, and ideological pressures and are contingent upon Ancona’s own shifting self-identifications at the regional and national level…

Read the entire article here.

Indian allies and white antagonists: toward an alternative mestizaje on Mexico’s Costa Chica

Latin American and Caribbean Ethnic Studies
Published online: 2015-10-05
DOI: 10.1080/17442222.2015.1094873

Laura A. Lewis, Professor of Latin American Anthropology
University of Southampton, Southampton, United Kingdom

San Nicolás Tolentino, Guerrero, Mexico, is a ‘mixed’ black-Indian agricultural community on the coastal belt of Mexico’s southern Pacific coast, the Costa Chica. This article examines local expressions of race in San Nicolás in relation to Mexico’s national ideology of mestizaje (race mixing), which excludes blackness but is foundational to Mexican racial identities. San Nicolás’s black-Indians are strongly nationalistic while expressing a collective or regional identity different from those of peoples they identify as Indians and as whites. Such collective expression produces an alternative model of mestizaje, here explored through local agrarian history and several village festivals. It is argued that this alternative model favors Indians and distances whites, thereby challenging dominant forms of Mexican mestizaje.

Read or purchase the article here.

States of Denial

Fordham Law News: From New York City To You
2016-06-04

When Barack Obama was first elected president in 2008, some pundits declared the United States to have finally reached a triumphal post-racial stage, an era of long-awaited racial harmony after the horrors of slavery and Jim Crow segregation. Yet, almost a decade later, race remains a source of tension and injury.

The situation is not so different in Latin America, and the similarities are of great interest to Professor Tanya Hernández. In her book Racial Subordination in Latin America: The Role of the State, Customary Law and the New Civil Rights Response (Cambridge University Press), Hernández examines the racial landscape of Latin American countries and uncovers customary laws of racial regulation that, while perhaps not as codified as Jim Crow laws, are as obstructive to genuine racial equality.

With degrees from Brown and Yale Law School, Hernández has studied comparative race relations and antidiscrimination law for over 25 years. In 2015, she was awarded a Fulbright Specialist Grant to consult on racial equality projects in France and Trinidad.

In this excerpt of her book, Hernández introduces a legal critique of race regulations in Latin America and the role of the Latin American states in erecting and sustaining racial hierarchies…

There are approximately 150 million people of African descent in Latin America, representing about one-third of the total population. Yet, these are considered conservative demographic figures given the histories of undercounting the number of persons of African descent on Latin American national censuses and often completely omitting a racial/ethnic origin census question. At the same time, persons of African descent make up more than 40 percent of the poor in Latin America and have been consistently marginalized and denigrated as undesirable elements of the society since the abolition of slavery across the Americas. Yet, the view that “racism does not exist” is pervasive in Latin America despite the advent of social justice movements and social science researchers demonstrating the contrary. When the BBC surveyed Latin Americans in 2005 regarding the existence of racism, a significant number of respondents emphatically denied the existence of racism. Many, for instance, made statements such as “Latin Americans are not racist,” and “Latin-America is not a racist region, for the simple fact that the majority of the population is either indigenous, creole, or mixed.”

Thus the denial of racism is rooted in what many scholars have critiqued as the “myth of racial democracy”—the notion that the racial mixture (mestizaje/mestiçagem) in a population is emblematic of racial harmony and insulated from racial discord and inequality. Academic scholarship has in the last twenty years critiqued Latin American “mestizaje” theories of racial mixture as emblematic of racial harmony. Yet, Latin Americans still very much adhere to the notion that racial mixture and the absence of Jim Crow racial segregation are such a marked contrast to the United States racial history that the region views itself as what I term “racially innocent.”…

Read the rest of the excerpt here.

No Telephone to Heaven

Plume
March 1996 (Originally published in 1987)
224 Pages
Paperback ISBN: 9780452275690

Michelle Cliff (1946-2016)

A brilliant Jamaican-American writer takes on the themes of colonialism, race, myth, and political awakening through the experiences of a light-skinned woman named Clare Savage. The story is one of discovery as Clare moves through a variety of settings – Jamaica, England, America – and encounters people who affect her search for place and self.

The structure of No Telephone to Heaven combines naturalism and lyricism, and traverses space and time, dream and reality, myth and history, reflecting the fragmentation of the protagonist, who nonetheless seeks wholeness and connection. In this deeply poetic novel there exist several levels: the world Clare encounters, and a world of which she only gradually becomes aware – a world of extreme poverty, the real Jamaica, not the Jamaica of the middle class, not the Jamaica of the tourist. And Jamaica – almost a character in the book – is described in terms of extraordinary beauty, coexisting with deep human tragedy.

The violence that rises out of extreme oppression, the divided loyalties of a colonized person, sexual dividedness, and the dividedness of a person neither white nor black – all of these are truths that Clare must face. Overarching all the themes in this exceptionally fine novel is the need to become whole, and the decisions and the courage demanded to achieve that wholeness.

Journey into Speech-A Writer between Two Worlds: An Interview with Michelle Cliff

African American Review
Volume 28, Number 2, Black Women’s Culture Issue (Summer, 1994)
pages 273-281
DOI: 10.2307/3041999

Opal Palmer Adisa, Professor of Creative Writing
California College of the Arts

Among the subjects Jamaican born writer Michelle Cliff explores in her writings are ancestry, the impact of colonization on the Caribbean, the relationships among and interconnection of African people in the diaspora, racism, and the often erroneous way in which the history of black people is recorded. In her latest novel, Free Enterprise (1993), Cliff attempt: to rewrite the story of Mary Ellen Pleasant, the African American woman who supplied money with which John Brown bought arms for the raid at Harper’s Ferry. Her other two novels, No Telephone to Heaven (1987) and Abeng (1984), are semi-autobiographical and explore the life of Clare Savage, fair-skinned girl raised between Jamaica and North America, who must reconcile her mixed heritage in a changing society. Other works by Cliff include Bodies of Water (1990), The Land of Look Behind (1985), and Claiming an Identity They Taught Me to Despise (1980).

The following text is based on two separate interviews: one done in person in Albany, California, in December 1989, and the other conducted over the telephone in September 1993.

Adlsa: When did you find your voice, when did you decide that you wanted to be a writer?

Cliff: I always wanted to write. Actually there was a terrible incident. I don’t know if I should tell you, but I will. When I was at Saint Andrews I was keeping a diary. I had been very influenced by The Diary of Anne Frank, and as a result of seeing the movie and reading her diary, I got a diary of my own. I wasn’t living with my mother and father at this time; I was living with my aunt in Kingston [Jamaica] and going to Saint Andrews. This aunt also had a house in Saint Ann, where we used to stay on the weekends. Anyway, my parents broke into my bedroom in Kingston when we were not at the house. They went into my room, broke open my drawer, took out and broke the lock on my diary, and read it. Then they arrived at the other house. My father and mother had my diary in their hands and sat down and read it out loud in front of me, my aunt, and everybody else. My sister was there. There were very intimate details; there were a lot of things about leaving school and not going to class and playing hookey, but there was also the experience of the first time I menstruated, and I remember just being shattered. My father read it, and my mother was in total collaboration. (Pause.) Anyway I remember just crying and being sad and whatnot. I spoke to my sister about it once, and she remembered, even though she was seven at the time. And she said, “Don’t you remember screaming and saying, ‘Don’t I have any rights?'”…

Confounding Anti-racism: Mixture, Racial Democracy, and Post-racial Politics in Brazil

Critical Sociology
July 2016, Volume 42, Numbers 4-5
pages 495-513
DOI: 10.1177/0896920513508663

Alexandre Emboaba Da Costa, Assistant Professor, Theoretical, Cultural and International Studies in Education
University of Alberta, Canada

In this article, I analyze the particularity of post-racial ideology in Brazil. I examine recent deployments of mixture and racial democracy as re-articulations of historically hegemonic versions of these ideologies that minimize the problem of racism, deny its systemic nature, and deem ethno-racial policies as threats to achieving nonracial belonging and citizenship. Drawing on scholarship on race and racism from the United States, Brazil, and elsewhere in Latin America, I delineate a relational framework for analyzing the post-racial and apply this framework to three examples of post-racial ideology. Through these examples, I illustrate the problematic logics shaping aggressive investments in the post-racial as future promise to the detriment of addressing the unequal effects racial difference presents for inclusion/exclusion today. The article asserts the necessity of mounting transnational and interdisciplinary theoretical, epistemological, and practical strategies to challenge the ways post-racial ideologies rearticulate racial hierarchies, maintain racial subordination, and delimit social change.

Read or purchase the article here.

Michelle Cliff, Who Wrote of Colonialism and Racism, Dies at 69

The New York Times
2016-06-18

William Grimes

Michelle Cliff sometime in the 1980s. In 1975, she met the poet Adrienne Rich, who became her partner and died in 2012.

Michelle Cliff, a Jamaican-American writer whose novels, stories and nonfiction essays drew on her multicultural identity to probe the psychic disruptions and historical distortions wrought by colonialism and racism, died on June 12 at her home in Santa Cruz, Calif. She was 69.

The cause was liver failure, according to the Adrienne Rich Literary Trust. Ms. Cliff and Ms. Rich, the poet, were longtime partners.

Ms. Cliff’s entire creative life was a quest to give voice to suppressed histories, starting with her own. Her first essay, “Notes on Speechlessness,” written for a women’s writing group in 1978, can be read as the keynote for her subsequent work, which navigated the complexities of her life situation — she was a light-skinned black lesbian raised partly in Jamaica and partly in New York, and educated in Britain — against the broader background of the Caribbean experience…

…In her first novel, “Abeng” (1984), she introduced Clare Savage, a light-skinned 12-year-old Jamaican girl who befriends the dark-skinned Zoe, whose family squats on Clare’s grandmother’s farm. It is an idyllic relationship that cannot survive the harsh realities of race and class.

“Emotionally, the book is an autobiography,” Ms. Cliff told the reference work Contemporary Authors in 1986. “I was a girl similar to Clare and have spent most of my life and most of my work exploring my identity as a light-skinned Jamaican, the privilege and the damage that comes from that identity.”

Clare returns to Jamaica as an adult in the novel “No Telephone to Heaven” (1987), which, in a series of flashbacks, tells of her life in New York and London and her struggles to come to terms with who she is…

Read the entire obituary here.