Mixed Race Studies

Creole Renegades: Rhetoric of Betrayal and Guilt in the Caribbean Diaspora

University Press of Florida
2014-06-17
240 pages
6.125 x 9.256
Hard Cover ISBN 13: 978-0-8130-4979-3

Bénédicte Boisseron, Associate Professor in French and Francophone Studies
University of Montana

In Creole Renegades, Bénédicte Boisseron looks at exiled Caribbean authors—Edwidge Danticat, Jamaica Kincaid, V. S. Naipaul, Maryse Condé, Dany Laferriére, and more—whose works have been well received in their adopted North American countries but who are often viewed by their home islands as sell-outs, opportunists, or traitors.

These expatriate and second-generation authors refuse to be simple bearers of Caribbean culture, often dramatically distancing themselves from the postcolonial archipelago. Their writing is frequently infused with an enticing sense of cultural, sexual, or racial emancipation, but their deviance is not defiant.

Underscoring the typically ignored contentious relationship between modern diaspora authors and the Caribbean, Boisseron ultimately argues that displacement and creative autonomy are often manifest in guilt and betrayal, central themes that emerge again and again in the work of these writers.

Contents

• Acknowledgments
• Note on Translations
• Introduction: The Second-Generation Caribbean Diaspora
• 1. Anatole Broyard: Racial Betrayal and the Art of Being Creole
• 2. Maryse Condé’s Histoire de la femme cannibale: Coming Out in the French Antilles
• 3. Edwidge Danticat and Dany Laferrière: Parasitic and Remittance Diaspora
• 4. V. S. Naipaul and Jamaica Kincaid: Rhetoric of National Dis-Allegiance
• 5. Creole versus Bossale Renegade: “Turfism” in the Black Diaspora of the Americas
• Notes
• Bibliography
• Index

Haiti, the Archive, and the Historical Imagination

African American Intellectual History Society
2016-03-13

Brandon Bryd, Assistant Professor of History
Mississippi State University

John Mercer Langston Mathew Brady – Library of Congress Prints and Photographs Division. Brady-Handy Photograph Collection. http://hdl.loc.gov/loc.pnp/cwpbh.00690. CALL NUMBER: LC-BH83- 30771

In the fall of 1877, John Mercer Langston laid on his bed on board the British steamer “Andes.” He was sea-sick and could not leave his cabin. Again. The new U.S. minister and consul general to Haiti was three days into his first trip at sea and so far the voyage from New York City to Cap Haïtien had been miserable.

But the tide would turn. After passing Cape Hatteras, the admitted “novice in sea-faring life” recovered. Langston “enjoyed the trip thereafter with a zest and pleasure real and inspiriting.” He became filled with a thrilling realization: soon he would land in Haiti. In a few short days, he would “behold now for the first time . . . negro nationality in harmonious, honored activity.”

Childhood lessons about Toussaint Louverture did not prepare Langston for his arrival in Haiti. They could not. One week after leaving New York, Langston was stunned when the British captain obeyed orders from Haitian men who came on board the “Andes” to direct it into the harbor. Put simply, he “had never seen up to that time men of their complexion holding such positions and performing such duties.”…

Read the entire article here.

Pao: A Novel

Bloomsbury Publishing
2011-07-12
288 pages
5 1/2″ x 8 1/4″
Paperback ISBN: 9781608195077
EPUB eBook ISBN: 9781608196845

Kerry Young

As a young boy, Pao comes to Jamaica in the wake of the Chinese civil war and rises to become the Godfather of Kingston’s bustling Chinatown. Pao needs to take care of some dirty business, but he is no Don Corleone. The rackets he runs are small time and the protection he provides necessary, given the minority status of the Chinese in Jamaica. Pao, in fact, is a sensitive guy in a wise guy role that doesn’t quite fit. Often mystified by all that he must take care of, Pao invariably turns to Sun Tsu’s Art of War. The juxtaposition of the weighty, aphoristic words of the ancient Chinese sage, and the tricky criminal and romantic predicaments Pao must negotiate goes far toward explaining the novel’s great charm.

A tale of post-colonial Jamaica from a unique and politically potent perspective, Pao moves from the last days of British rule through periods of unrest at social and economic inequality, though tides of change that will bring Rastafarianism and the Back to Africa Movement. Jamaica is transforming: And what is the place of a Chinese man in this new order? Pao is an utterly beguiling, unforgettable novel of race, class and creed, love and ambition, and a country in the throes of tumultuous change.

Understanding and Hearing the Afro-Asian Atlantic

Princeton University African American Studies
2016-03-21

Presenters: Tao Leigh Goffe, Kerry Young, Hannah Lowe, Randy Chin, and John Kuo Wei Tchen

A panel exploring the intersections of literature, reggae, and the relationships between the minority Chinese community in the Caribbean and the majority Afro-Caribbean community

This panel will be moderated by Tao Leigh Goffe (Princeton University) and John Kuo Wei Tchen (NYU)

In this dialogue, panelists Randy Chin, Kerry Young, and Hannah Lowe will discuss the African and Asian cultural heritage of the Caribbean in music and writing. Exploring the legacy of enslaved African labor and Chinese indentured labor in the Caribbean, Young and Lowe craft narratives that reconstruct and trouble colonial history. The region’s history cannot be fully understood without listening to its rich musical tradition. Chin will talk about the role of Jamaican Chinese businessmen in the production of reggae music and mobile soundsystems. He will also talk about his storied career in the reggae music industry, which began when his parents Vincent and Patricia Chin founded VP Records in Jamaica in 1979. The currents of the Black Atlantic and the overseas Chinese converge in Caribbean music but also in Young and Lowe’s novels and poetry that tackle themes such as intimacies out of wedlock, masculinities, abandonment, and criminality set in Kingston, Jamaica’s Chinatown and gambling dens in London’s East End. In these cultural texts, Jamaican patois and southern Chinese dialects are sometimes woven together to construct new narrative forms of the Afro-Asian experience in the Americas.

Together with historian John Kuo Wei Tchen and literary scholar Tao Leigh Goffe, panelists will discuss the tensions and intimacies between the minority Chinese community in the Caribbean and the majority Afro-Caribbean community. Other themes to be explored include representations of blackness and Chineseness in Caribbean diasporic literature and music.

This event is part of the Campus Conversations on Identities and is co-sponsored by the Department of African American Studies, the Program in American Studies, the Lewis Center for the Arts, the Department of Comparative Literature, the Program in Gender and Sexuality Studies, the Asian American Students’ Association, and the Princeton Caribbean Connection (PCC).

What Obama’s visit means for Cuba’s national conversation about race

The Los Angeles Times
2016-03-21

Kate Linthicum, Contact Reporter

In recent years, Afro-Cuban intellectuals have started gathering in a cramped Havana apartment to discuss a topic long considered off-limits in Cuba: race.

Fidel Castro’s communist revolution 60 years ago promised to wipe out racial divisions and level the playing field for all Cubans, regardless of color or wealth. Yet racism persists in Cuba, and many say recent economic changes here have overwhelmingly favored the light-skinned elite.

The historic visit this week of an American president who happens to be black is of special significance to Afro-Cubans, who, like many minorities around the world, view President Obama as a symbol of what is possible. It’s of particular importance for the small but growing movement of black activists on the island, who have struggled for years under government pressure, and who hope that warming U.S.-Cuba relations will push Cubans toward greater race consciousness.

“Maybe without an enemy, everyone here can begin to look more closely at things inside our own country,” said activist Manuel Cuesta Morua, who said he is one of several Cuban dissidents, most of whom are not black, invited to meet with Obama on Tuesday. “We hope it will help people see the racism here with more clarity, and see that there is diversity, and diverse ways of thinking.”…

Read the entire article here.

Cuba Says It Has Solved Racism. Obama Isn’t So Sure.

The New York Times
2016-03-23

Damien Cave, Deputy Editor for Digital

HAVANA — President Obama spoke of his Kenyan heritage. He talked about how both the United States and Cuba were built on the backs of slaves from Africa. He mentioned that not very long ago, his parents’ marriage would have been illegal in America, and he urged Cubans to respect the power of protest to bring about equality.

“We want our engagement to help lift up Cubans who are of African descent,” he said, “who have proven there’s nothing they cannot achieve when given the chance.”

Mr. Obama’s speech on Tuesday, in an ornate Spanish colonial-style hall in Havana, was not only strikingly personal. It was also an unusually direct engagement with race, a critical and unresolved issue in Cuban society that the revolution was supposed to have erased.

For many Cubans, Mr. Obama’s comments were striking for their acknowledgment of racism in both countries. His remarks served as a reminder that their particular kinship with him — as reflected in dozens of conversations and responses to his history-making three-day visit this week — involves not just policy, but also identity.

“It’s a revolution,” said Alberto González, 44, a baker who was one of the few Afro-Cubans to attend a discussion with the president about entrepreneurship on Monday. “It’s a revolution for everyone with a background descended from Africa.”…

…Socialized medicine and education also helped create a society more deeply shaped by interracial interactions and marriages than the United States.

And yet, Cuba is no more postracial than anywhere else. Many Afro-Cubans in Cuba and abroad have been quick to point out that the presence of Mr. Obama, the first black president of the United States, only highlights that the Cuban government does not reflect the demographics of their country.

On an island that is around two-thirds black and mixed race, according to a 2007 study by the Cuban economist Esteban Morales Domínguez, the civil and public leadership is about 70 percent white. He also found that most scientists, technicians and university professors, up to 80 percent in some fields, were white…

…Some Afro-Cubans, like the hip-hop artist known as Soandry, linked the president to “what can be achieved in a capitalist system.”

Other Cubans brought up race more directly, without prompting, arguing that because Mr. Obama is African-American, he understands their country.

Mr. González, whose bakery counter is adorned with photographs of the Rev. Dr. Martin Luther King Jr. and Malcolm X, said it was not just the president whom people admire. “Look at that family,” he said, smiling broadly. “Can you imagine? Have you ever seen a more beautiful family?”…

Read the entire article here.

Antiracism and the Cuban Revolution: An Interview with Devyn Spence Benson

African American Intellectual History Society
2016-03-08

Reena Goldthree, Assistant Professor of African and African American Studies
Dartmouth College, Hanover, New Hampshire

Devyn Spence Benson

This month, I interviewed historian Devyn Spence Benson about her forthcoming book, Antiracism in Cuba: The Unfinished Revolution (University of North Carolina Press, April 2016). Based on extensive archival research in Cuba and the United States as well as interviews with Afro-Cuban activists, Antiracism in Cuba explores public debates about race and racism in Cuba following the 1959 revolution. Benson reveals how the state’s ambitious campaign to eliminate racial discrimination was ultimately undermined by racist caricatures of Afro-Cubans in the media, the dismantling of independent black and mulato institutions, the underrepresentation of Afro-Cubans in highest ranks of the government, and the pervasive ideology of raceless nationalism.

Dr. Devyn Spence Benson is Assistant Professor of History and African and African American Studies at Louisiana State University (LSU). She received her Ph.D. in Latin American History from the University of North Carolina at Chapel Hill. Her work examines the history of Modern Latin America and the Caribbean with a particular focus on black activism in Cuba. She has received fellowships from the Schomburg Center for Research in Black Culture, the Oakley Center for the Humanities and Social Sciences at Williams College, and the Hutchins Center for African & African American Research at Harvard University. Benson’s recent publications have appeared in the Hispanic American Historical Review, the Journal of Transnational American Studies, and PALARA: Publication of the Afro-Latin/American Research Association. She currently serves as the faculty director for LSU’s Honors College study abroad program in Cuba…

Read the entire interview here.

Rihanna: Barbados World Gurl in Global Popular Culture

University of the West Indies Press
2015
220 pages
6 x 9
Paper ISBN: 978-976-640-502-1

Edited by:

Hilary McD. Beckles, Principal and Pro-Vice Chancellor
University of the West Indies, Cave Hill, Barbados

Heather D. Russell, Associate Professor of English
Florida International University, Miami, Florida

Rihanna is arguably the most commercially successful Caribbean artist in history. She is Barbadian and has been unwavering in publicly articulating her national and regional belonging. Still, there have been varied responses to Rihanna’s ascendancy, among both Barbadians and the wider Caribbean community. The responses reveal as much about our own national and regional anxieties as they do about the artist herself. The boundary-transgressing, cultural icon Rihanna is subject to anxieties about her body language and latitude from her global audiences as well; however, the essays in this collection purposely seek to de-centre the dominance of the Euro-American gaze, focusing instead on considerations of the Caribbean artist and her oeuvre from a Caribbean postcolonial corpus of academic inquiry.

This collection brings together US- and Caribbean-based scholars to discuss issues of class, gender, sexuality, race, culture and economy. Using the concept of diasporic citizenship as a theoretical frame, the authors intervene in current questions of national and transnational circuits of exchange as they pertain to the commoditization and movement of culture, knowledge, values and identity. The contributors approach the subjects of Rihanna, globalization, gender and sexuality, commerce, transnationalism, Caribbean regionalism, and Barbadian national identity and development from different disciplinary and at times radically divergent perspectives. At the same time, they collectively work through the limitations, possibilities and promise of our best Caribbean imaginings.

Contents

• Selected Discography and Awards
• INTRODUCTION “Baadest-Bajan, Wickedest World-Gurl” HILARY McD. BECKLES AND HEATHER D. RUSSELL
• CHAPTER 1 Westbury Writes Back: Rihanna Reclaimed HILARY McD. BECKLES
• CHAPTER 2 Rihanna as Global Icon and Caribbean Threshold Figure DON D. MARSHALL
• CHAPTER 3 International Identity: Rihanna and the Barbados Music Industry MIKE ALLEYNE
• CHAPTER 4 “What’s My Name?” Reading Rihanna’s Autobiographical Acts ESTHER L. JONES
• CHAPTER 5 She Dances on the Holodeck CURWEN BEST
• CHAPTER 6 From “F Love” to “He Is the One”? Rihanna, Chris Brown and the Danger of Traumatic Bonding DONNA AZA WEIR-SOLEY
• CHAPTER 7 Rihanna and Bajan Respectability AARON KAMUGISHA
• CHAPTER 8 Rihanna: Diaspora Citizen, Bajan Daughter, Global Superstar HEATHER D. RUSSELL
• Contributors
• Acknowledgements

Ever wondered why Montserrat have a day off for St Patrick’s Day too?

TheJournal.ie
Dublin, Ireland
2016-03-17

Laura McAtackney, Associate Professor in Sustainable Heritage Management (Archaeology)
Arhus University, Aarhus, Denmark

Krysta Ryzewski, Assistant Professor of Anthropology
Wayne State University, Detroit, Michigan

This edited article, written by Laura McAtackney and Krysta Ryzewski, is part of a chapter ‘Historic and contemporary Irish identity on Montserrat, the ‘Emerald Isle of the Caribbean’ in Alison Donnell, Maria McGarrity & Evelyn O’Callaghan ‘s book: Caribbean Irish Connections for University of West Indies Press.

CONTEMPORARY MONTSERRAT IS marketed globally as the “Emerald Isle of the Caribbean”. This tagline inspires tourists and scholars to visualise a verdant, fertile paradise bolstered by genuine and lasting historic links to Ireland.

The island’s Irish connections have long been a source of interest for local residents and tourists alike, and over the past two decades government agencies, the tourism industry and local communities have made concerted efforts to bolster its Irish legacy and build upon perceived connections between present-day Montserrat and historic Irish communities.

Its most prominent example of these efforts is St Patrick’s Day, a national holiday that simultaneously commemorates the island’s Irish heritage and a failed uprising by Afro-Caribbean slaves and members of the island’s free black community on the same day in 1768.

The St Patrick’s holiday has grown into a week-long festival that attracts international tourists and acts as a major homecoming event for Montserrat’s diaspora community.

Today, Montserrat’s connection to an ‘Irish’ identity is strong but this has not always been the case…

Read the entire article here.

“Whitening” and Whitewashing: Postcolonial Brazil is not an Egalitarian “Rainbow Nation”

The Postcolonialist
2014-03-04

Sarah Lempp

To commemorate the 500th anniversary of its “discovery” by Portuguese sailor Alvares de Cabral in 2000, Brazil officially presented itself as a “rainbow nation” without discrimination or racism; a place where people from various ethnicities live peacefully together. That the “discovery” caused slavery and death for millions of Indigenes and Africans was overlooked. The Portuguese colonization was seen as a “non-imperial act, an exercise of fraternity and intercultural and interethnic democracy”, says Portuguese sociologist Boaventura de Sousa Santos.[1]

The German author Stefan Zweig, who fled to Brazil from Nazi Germany, already considered Brazil a paradise characterized by hybridity and said in 1941 that Brazil “has taken the racial problem, that unsettles our European world ad absurdum in the simplest manner: in plainly ignoring its validity.” (translation S.L.)[2] According to Zweig, “for hundreds of years the Brazilian nation relies on the sole principle of free and unrestrained mixing, perfect equality of black and white, brown and yellow. (…) There are no limits to colours, no boundaries, no supercilious hierarchies…”[3]

Hence the image of Brazil as a tolerant, peaceful, “mestiço” nation is not at all new. But it ignores then and still today the multifaceted forms of discrimination and specifically Brazilian shapes of racism…

Read the entire article here.