Mixed Race Studies

Groundbreaking New Series – ‘Mister Brau’ – Gives Afro-Brazilians Representations to Cheer Despite Flaws

Shadow and Act: On Cinema Of The African Diaspora
2015-10-07

Kiratiana Freelon

Lázaro Ramos and Taís Araújo

Brazilian television is very white, but most Brazilians aren’t.

Brazil’s population is more than 50 percent black, but the television news and entertainment shows rarely reflect such diversity. So when a “black” television show debuts, it’s groundbreaking. And when Brazil’s top black female and male actors star in it, it’s a miracle.

Two weeks ago Globo television premiered “Mister Brau,” a weekly comedic show starring Lázaro Ramos and Taís Araújo as a successful pop music couple. They are also married in real life…

…For black Americans, the union between Ramos and Araújo appears to be a perfect match. For Afro-Brazilians, it’s a match that they rarely see. For the most part, rich and successful Afro-Brazilians do not marry black people. Soccer stars marry white women. Black Brazilian models marry white men. Militant black Brazilians always debate the reasons for this. But sociologists have concluded that rich Afro-Brazilians are usually exchanging status when they marry white. They provide the high socioeconomic status in exchange for whiteness, which has a high racial status in Brazil. (See: Race in another America: the significance of skin color in Brazil)…

Read the entire review here.

AfroLatin@s in Action: Making a Difference through Research, Education & the Arts

Arthur L. Carter Journalism Institute
20 Cooper Square, 4th Floor
New York, New York 10012
Thursday, 2015-10-15, 18:30-20:30 EDT (Local Time)

Join us for a discussion led by AfroCuban author, bibliographer, and activist Tomás Fernandez Robaína on the crucial role of books in the advancement of Black advocacy movements throughout the Americas.

Learn about the Forum’s new projects aimed at increasing AfroLatin@ visibility and representation. These initiatives include raising the AfroLatin@ count in the 2020 census; developing a national network to promote and support AfroLatin@ Studies; and preparing a retrospective exhibition on the work of photographer Tony Gleaton. Find out how you can play a role in making a positive change. Come ready to take action!

Co-Sponsored by the Center for Caribbean and Latin American Studies and the Department of Social and Cultural Analysis, both at NYU.

For more information, click here.

My First Event at the Schomburg – “Resisting Limitations: AfroLatinos and Radical Identity”

the colored boy
2015-10-01

Alexander Hardy

So, I’m doing a thing at the Schomburg Center For Research In Black Culture for Hispanic Heritage Month. But unlike the majority of the celebrations, lists of notable Latinos and mainstream media representations of people in and from Latin America, this will be a thoroughly Blackety Black affair.

Shoutout to melanin.

Here’s the what/why/who/when/how:

The history of America cannot be appropriately surveyed without considering the presence, influence, hardships, victories and contributions of people of African descent. Our bodies, our lives and our genius reflect and inspire greatness, yet textbooks, media depictions and cultural celebrations routinely minimize and erase our integral role in both society and art.

To commemorate National Hispanic Heritage Month, AfroPanamanian writer and educator Alexander Hardy of TheColoredBoy.com has invited a diverse cast of AfroLatino storytellers to share stories of struggles, tragedies and progress towards/while affirming, celebrating, exploring, representing and growing to love and accept our wonderful Black and Brown selves in a world (and media environment) that studies and exploits our cultures and essence while ignoring and minimizing our presence and influence.

Resisting Limitation: AfroLatin@s and Radical Identities will showcase transformative, hilarious, tragic and insight-filled tales from powerful voices of the diaspora expressed through prose, poetry, song and art. This event aims to center and share Black and Brown narratives in a climate where such stories aren’t prominent or valued. Join us for a night of celebration, affirmation and exploration of the many iterations of AfroLatin@ identity and pride…

For more information, click here. To purchase tickets, click here.

[PODCAST] In Konversation: Unpacking the myth of the “racial democracy” in Brazil – Part 1

briankamanzi
2015-10-04

Brian Kamanzi, Host
Cape Town, South Africa

Marcelo Rosa, Associate Professor of Sociology
University of Brasília, Brasília, Brazil

In Konversation: Unpacking the myth of the “racial democracy” in Brazil – Part 1 by Inkonversation on Mixcloud

Konversation meets with Marcelo Rosa, from the University of Brasilia.

We went on to engage on his perspectives on “race” in Brazilian society.

Listen to the interview (00:34:21) here.

Garifuna: The Young Black Latino Exodus You’ve Never Heard About

Fusion
2014-06-04

Jasmine Garsd

Honduran migrants passing through Mexico often carry only the bare essentials: cash, some clothes and a cell phone, if they can afford one.

Gustavo Morales stands out among the migrant population here in Tequixquiac, a hot, dusty little town right outside Mexico City. The 21-year-old is traveling with an African drum that he plays during his downtime along the journey.

The drum isn’t the only reason he stands out. He’s a black migrant in a country where few people are of African descent…

…As Hondurans are being forced to flee their country, Garifuna, who have historically been shunned by society, are increasingly being uprooted from their homes on the Caribbean coast.

Garifuna (“Garinagu” in the Garifuna language) are the descendants of slaves brought from Central Africa and indigenous Caribbean people, including Arawaks and Island Caribs. They speak a distinct language that mixes all three influences…

Read the entire article here.

To Be Black And Boricua

La Respuesta
2015-09-17

At this year’s Afro-Latino Festival of New York, La Respuesta teamed up with Project Bronx, the community-focused web series, for an exciting video collaboration. We spoke with festival attendees, artists, and vendors about a theme central to the festival’s focus.

For the past 3 years, the Afro-Latino Festival “celebrates the contributions that people of African descent from Latin America and the Caribbean have made to our city and the global culture as a whole.” The festival this year featured more than a dozen artists and groups, among them the New York-based Bombazo Dance Company, and the Puerto Rico-based Cultura Profética.

As official media partners of the Afro-Latino Festival, we at La Respuesta joined with Project Bronx to document views on Afro Boricua identity. As a Boricua publication, one of our key commitments is to highlight and honor the depth and legacy of our connection to African culture. We asked Puerto Ricans attending the event how our African/Black roots are celebrated. We also asked why many downplay or even deny their own African/Black ancestry. Here’s what they had to say…

Guadalupe and the Castas: The Power of a Singular Colonial Mexican Painting

Mexican Studies/Estudios Mexicanos
Volume 31, Number 2
pages 218-247
DOI: 10.1525/mex.2015.31.2.218

Sarah Cline, Research Professor of History
University of California, Santa Barbara

A mid-eighteenth-century casta painting by Luis de Mena uniquely unites the image of the Virgin of Guadalupe and casta (mixed-race) groupings, along with scenes of everyday life in Mexico, and the natural abundance of New Spain. Reproduced multiple times, the painting has not been systematically analyzed. This article explores individual elements in their colonial context and the potential meanings of the painting in the modern era.

Una pintura de Luis de Mena sobre las castas, de mediados del siglo xviii, reúne de manera singular la imagen de la Virgen de Guadalupe, los agrupamientos de castas y escenas de la vida cotidiana en México, junto con la abundancia natural de Nueva España. Aunque reproducida en múltiples ocasiones, la pintura no ha sido analizada sistemáticamente. Este artículo explora sus elementos individuales en el contexto colonial y los significados potenciales de la pintura en la época moderna.

Read or purchase the article here.

Race: An Introduction

Cambridge University Press
August 2015
272 pages
13 b/w illus. 4 tables
245 x 190 x 12 mm
Hardback ISBN: 9781107034112
Paperback ISBN: 9781107652286

Peter Wade, Professor of Social Anthropology
University of Manchester

Taking a comparative approach, this textbook is a concise introduction to race. Illustrated with detailed examples from around the world, it is organised into two parts. Part One explores the historical changes in ideas about race from the ancient world to the present day, in different corners of the globe. Part Two outlines ways in which racial difference and inequality are perceived and enacted in selected regions of the world. Examining how humans have used ideas of physical appearance, heredity and behaviour as criteria for categorising others, the text guides students through provocative questions such as: what is race? Does studying race reinforce racism? Does a colour-blind approach dismantle, or merely mask, racism? How does biology feed into concepts of race? Numerous case studies, photos, figures and tables help students to appreciate the different meanings of race in varied contexts, and end-of-chapter research tasks provide further support for student learning.

• Combines a broad historical overview (from the ancient world to the present day) with wide geographical and comparative coverage to show that race means different things in different contexts
• Detailed historical and ethnographic material in textboxes, figures, photos and tables demonstrates the operation of race in everyday life
• Offers an up-to-date, critical overview of a fast-changing field

Contents

• List of figures
• List of tables
• Preface
• Acknowledgements
• 1 Knowing ‘race’
  • 1.1 Chronology of race
  • 1.2 Is race defined by appearance, biology and nature?
  • 1.3 Culture, appearance and biology revisited
  • 1.4 Race, comparatively and historically
  • 1.5 Comparisons
  • 1.6 Race in the history of Western modernity
  • Conclusion: so what is race?
  • Further research
• Part I race in time
  • 2 Early approaches to understanding human variation
    • 2.1 Nature and culture
    • 2.2 Ancient Greece and Rome
    • 2.3 Medieval and early modern Europe
    • 2.4 New World colonisation
    • Conclusion
    • Further research
  • 3 From Enlightenment to eugenics
    • 3.1 Transitions
    • 3.2 Changing racial theories
    • 3.3 The spread of racial theory: nation, class, gender and religion
    • 3.4 Nature, culture and race
    • 3.5 Black reaction
    • Conclusion
    • Further research
  • 4 Biology, culture and genomics
    • 4.1 Darwin (again), genetics and the concept of population
    • 4.2 Boas and the separation of biology and culture
    • 4.3 Nazism, World War II and decolonisation
    • 4.4 UNESCO and after
    • 4.5 The persistence of race in science
    • 4.6 Race and IQ
    • 4.7 Race and sport
    • 4.8 Race, genomics and medicine: does race have a genetic basis?
    • 4.9 Race, genomics and medicine: racialising populations
    • Conclusion
    • Further activities
  • 5 Race in the era of cultural racism: politics and the everyday
    • 5.1 Introduction
    • 5.2 The institutional presence of race
    • 5.3 Race, nature and biology in the everyday world of culture
    • Conclusion
    • Further research
• Part II Race in practice
  • 6 Latin America: mixture and racism
    • 6.1 Introduction
    • 6.2 Latin America and mestizaje
    • 6.3 Colombia: racial discrimination and social movements
    • 6.4 Structural disadvantage, region and mestizaje: lessons from Colombia
    • 6.5 Brazil: variations on a theme
    • 6.6 Guatemala: racial ambivalence
    • 6.7 Performing and embodying race in the Andes
    • Conclusion
    • Further research
  • 7 The United States and South Africa: segregation and desegregation
    • 7.1 Changing US demographics
    • 7.2 Caste and class in segregated Southern towns
    • 7.3 Black reaction and ‘desegregation’
    • 7.4 Segregation in practice: ‘the ghetto’
    • 7.5 Latinos and brownness
    • 7.6 South Africa
    • Conclusion
    • Further activities
  • 8 Race in Europe: immigration and nation
    • 8.1 European histories of race
    • 8.2 Issues in post-colonial migration in Europe
    • 8.3 White Britons in Leicestershire
    • 8.4 Asian Leicester
    • 8.5 The Asian gang in London
    • 8.6 Geographies of race in black Liverpool
    • 8.7 Algerians in France
    • Conclusion
    • Further activities
  • 9 Conclusion
    • 9.1 Theorising race
    • 9.2 Globalising race
    • 9.3 The future of race
  • References
  • Index

In Memoriam: Tony Gleaton

The afrolatin@ forum
2015-09-01

Tony Gleaton, among the first photographers to document Latin Americans of African descent, passed away last week. He leaves behind an impressive body of work which undoubtedly contributed to the growing Black consciousness movement throughout the Americas.

Tony began his Latin American photographic journey in the southern Pacific coast of Mexico in 1986; by the time his project was completed he had traveled through most of Central and South America in his search for “Black folk.” …

Read the entire article here.

Mixed Emotions About My Mixed Heritage

Just Analise
2015-09-02

Analise Kandasammy

When you truly love yourself you are released from the chains of trying to be someone you are not.

How many times have we heard – if you can’t love yourself, you can’t truly love anyone else? How many times have we heard we need to have self worth and be confident? How many of us feel true self love? Everyday? Well certainly not me.

I am ashamed to admit I was ridden with self hatred for years. Hated the colour of my skin, hated my hair, hated my body, hated my personality – man I couldn’t say one good thing about myself. I was constantly in a place of not meeting expectations and having to constantly keep up appearances for people in my life.

“For as long as I’ve known myself I’ve wrestled with identifying with a race. I am from 4 generations of inter racial unions and needless to say very mixed.”

I have always identified with black women since I was a child. Hell, I even thought I was black, you know especially since one drop of black means you are black too…

Read the entire article here.