Mixed Race Studies

Chinese Cubans: A Transnational History by Kathleen López (review)

Journal of Latin American Geography
Volume 12, Number 3, 2013
pages 234-236
DOI: 10.1353/lag.2013.0049

Joseph L. Scarpaci, Professor Emeritus of Geography
Virginia Polytechnic Institute and State University

Kathleen López, Chinese Cubans: A Transnational History (Chapel Hill: University of North Carolina Press, 2013)

The new millennium cast into the academic and general public’s dialect the word ‘globalization’ as well as the call that everyone should ‘think globally and act locally.’ That may be all well and good, but this adage often falls flat when scholars aim to connect the local with global (glocal). Like the words ‘impact,’ ‘effect,’ and ‘affect,’ the terms at once say everything but communicate little. As the graduate coordinator of my doctoral program was fond of harping in front of frightened graduate students many decades back, “perfectly general, perfectly true, but absolutely meaningless.” Clichés, alas, often substitute for deep, critical thinking and analysis.

For these reasons, when one sees a subtitle that includes the ambitiously stated ‘transnational history,’ a little skepticism inevitably comes to mind. Geographers are no doubt even more skeptical because, after all, scale and spatial analysis situate both human and physical geographies in the broader context of social and natural sciences, respectively.

Enter Kathleen López: Assistant Professor of History and Latino and Hispanic Caribbean Studies (a title that might also give one pause) at Rutgers, The State University of New Jersey. Whereas many Latinamericanist geographers struggle to speak any semblance of Spanish and conduct fieldwork with the assistance of Latin American and Caribbean scholars, Dr. López approaches the study of transnational migration to the island of Cuba armed with fluent Spanish and Chinese. Armed with extensive field work in Cuba, China, and the United States, Dr. López assembles a tour d’force that brings archival, ethnographic, and historic analyses to bear on a story that traces the history of Chinese migrants to Cuba in the nineteenth century, through the alliance with Cuban forces to overturn the colonial yoke imposed by Madrid, to the twentieth century events that include strong xenophobia, the Japanese-China war, WW II, and the Cuban Revolution. Copiously referenced and gracefully written, Chinese Cubans tells the tale of a truly global transnational migration pattern that documents how the Chinese in Cuba used investment, remittances, and return visits to bridge these migrants’ search for the best of Cuba and their homeland. The tale begins with the importation of more than 100,000 Chinese workers – indentured servants often treated as slaves because of Great Britain’s objection to the African slave trade—who build rail lines and work in sugar plantations in ways similar to how Chinese ‘coolie’ workers did in the United States. Chinese Cubans were fiercely loyal to the Cuban independence movement of the nineteenth century, and great accolades were given to them by the fiercest and most venerable of revolutionary fighters. Unlike conditions in Peru, Jamaica, and the especially harsh anti-Chinese movement in Mexico in the 1930s, we learn that Cuba was relatively welcoming (overall) in receiving the Chinese diaspora. They added to the miscegenation (mestizaje) stew (ajiaco) that Cuban anthropologist Fernando Ortíz highly praised. However, to López’s credit, she calls into question the much-venerated Ortíz’s description of this marginal contribution to Cuban culture (which Ortíz postulated that, numerically at least, was a European and African fusion). The so-called ‘third founder’ of Cuba (after Columbus and Alexander von Humboldt), Ortíz derided Chinese immigrants for their certain tolerance of homosexuality, their (limited) use of opium. That is why he classified them phenotypically (i.e., “yellow mongoloids”….”and essential otherness” (p. 210).

Readers will find that similar prejudices hurled upon immigrants elsewhere were also cast upon Chinese Cubans. They were often characterized as ‘inassimilable’ just as Jews were in Europe in the twentieth century and much the way Mexicans are portrayed in the current U.S. immigration debacle. When hard economic times fell upon Cuba, anti-nationalism was whipped up against Cubans of Chinese descent, who were often portrayed as perennial strike breakers and ‘scabs.’

Not surprisingly, there are indirect parallels to be drawn between the relationship of mainland (communist) China and Taiwan, on the one hand, and Cuba and the United States, on the other hand. The 1949 Chinese communist takeover of mainland China and the exodus of Chiang Kai-shek to Formosa (Taiwan) generates yet another out-migration of Chinese to Cuba. And in 1959, many Chinese…

Art Review: In the New World, Trappings of a New Social Order

The New York Times
2013-09-19

Karen Rosenberg

‘Behind Closed Doors’ Regards Spanish Colonial Art

“Behind Closed Doors: Art in the Spanish American Home, 1492-1898,” at the Brooklyn Museum, leaves us in the strange position of marveling at the opulence of domestic life in the Spanish colonies while pondering some of the ugliest aspects of colonialism. This is awkward, to be sure, but also enlightening.

As its voyeuristic title suggests, the show follows the layout of a typical house belonging to an elite member of New World society. Drawn largely from the museum’s sizable collection of Spanish colonial art, it fashions a gorgeous set of temporary period rooms out of the fourth-floor special-exhibition galleries. They overflow with sumptuous textiles, family portraits bearing coats of arms, fine silver and porcelain and gilded everything — arranged in the more-is-more manner of the Spanish American upper crust, with cabinets stacked in pyramids and luxury goods laid out on carpeted platforms….

…Also on view are “casta” paintings that employ a rigid racial-classification system; one is called “From Spanish and Indian, Mestizo,” and shows a Spanish man and his indigenous wife with their mestizo, or mixed-race, baby. Here too are works that are not quite casta paintings but seem closely related, such as the group portrait “Free Women of Color With Their Children and Servants in a Landscape” by Agostino Brunias (an Italian working in the British colonies). The painting is not as progressive as it sounds; it reinforces colonial hierarchies of race and class by surrounding its fashionable young heroine — one of the “free women” of the title — with darker-skinned attendants who may well be her slaves…

Read the entire article here.

Chinese Mixed Race in Transnational Comparison (Sawyer Seminar IV)

University of Southern California
Dana and David Dornsife College of Letters, Arts and Sciences
Center for Japanese Religions and Culture
University Park Campus
Doheny Memorial Library (DML), Room: 110C
2013-09-27, 13:00-17:00 PDT (Local Time)

USC Conference Convenors:

Duncan Williams, Associate Professor of Religion
University of Southern California

Brian C. Bernards, Assistant Professor of East Asian Languages and Cultures
University of Southern California

Velina Hasu Houston, Associate Dean for Faculty Recognition and Development, Director of Dramatic Writing and Professor
University of Southern California

PRESENTERS:

“At the Fringes of the Color Line: Re-Examining the One-Drop Rule Through the Transpacific Crossings of Chinese-White Biracials, 1912-1942”

Emma J. Teng, T.T. and Wei Fong Chao Professor of Asian Civilizations and Associate Professor of Chinese Studies
Massachusetts Institute of Technology

“Crossing Boundaries, Claiming a Homeland: Chinese Mexicans’ Transpacific Journeys and the Quest to Belong”

Julia María Schiavone-Camacho, Assistant Professor of History
University of Texas, El Paso

“Sino-Tibetan Hybridity and Ethnic Identity Perception in China”

Patricia Schiaffini, Assistant Professor of Chinese
Southwestern University, Georgetown, Texas

Presented by the Center for Japanese Religions and Culture’s “Critical Mixed-Race Studies: A Transpacific Approach” Andrew W. Mellon Foundation John E. Sawyer Seminars Series at the University of Southern California.

For more information, click here.

Purchasing Whiteness in Colonial Latin America

Not Even Past: “The past is never dead. It’s not even past.” —William Faulkner
Department of History
University of Texas at Austin
2013-09-18

Ann Twinam, Professor of History
University of Texas, Austin

The castas, or mixed race populations, suffered numerous forms of discrimination in colonial Latin America, but in practice pardos and mulatos could still achieve some social mobility.  A rare few, by the mid eighteenth century, were able to petition the Spanish crown through a process known as the gracias al sacar, to purchase whiteness…

Read the entire article here.

Mexico, From Mestizo to Multicultural

Vanderbilt University Press
2007-06-29
254 pages
7in x 10in
60 Illustrations
Paperback ISBN: 9780826515391
Hardback ISBN: 9780826515384

Carrie C. Chorba, Associate Professor of Spanish
Claremont McKenna College, Claremont, California

In Mexico, the confluence of the 1992 Quincentennial commemoration of Columbus’s voyages and the neo-liberal sexenio, or presidency, of Carlos Salinas de Gortari spurred artistic creations that capture the decade like no other source does. In the 1990s, Mexican artists produced an inordinate number of works that revise and rewrite the events of the sixteenth-century conquest and colonization. These works and their relationship to, indeed their mirroring of, the intellectual and cultural atmosphere in Mexico during the Salinas presidency are of paramount importance if we are to understand the subtle but deep shifts within Mexico’s national identity that took place at the end of the last century.

Throughout the twentieth century, the post-revolutionary Mexican State had used mestizaje as a symbol of national unity and social integration. By the end of the millennium, however, Mexico had gone from a PRI-dominated, economically protectionist nation to a more democratic, economically globalizing one. More importantly, the homogenizing, mestizophile national identity that pervaded Mexico throughout the past century had given way to official admission of Mexico’s ethnic and linguistic diversity–or ‘pluriculture’ according to President Salinas’s 1992 constitutional revision.

This book is the first interdisciplinary study of literary, cinematic, and graphic images of Mexican national identity in the 1980s and ’90s. Discussing, in depth, writings, films, and cartoons from a vast array of contemporary sources, Carrie C. Chorba creates a social history of this important shift.

Not Just Color: Whiteness, nation, and status in Latin America

Hispanic American Historical Review
Volume 93, Number 3 (August 2013)
pages 411-449
DOI: 10.1215/00182168-2210858

Edward Telles, Professor of Sociology
Princeton University

René Flores
Princeton University

In this study we use statistical analysis of nationally representative surveys from the 2010 AmericasBarometer to examine how color, nationality, and several individual characteristics are related to white identification in 17 Latin American countries. Unlike the common treatment of racial identification as a fixed and self-evident determinant of social status or behavior, we treat it as a flexible social outcome. We find that though white identification is largely shaped by skin color, it is also shaped by national context, social status, and age.

We discover that white identification is more common among persons of a brown skin color in Argentina, Uruguay, Chile, and Costa Rica than in the rest of Latin America, where such persons would generally identify as mestizo. This suggests that the whitening ideologies of these four countries have made whiteness a more capacious category. We find that younger Latin Americans are less likely to identify as white compared to their older conationals, suggesting a changing valorization of whiteness. Furthermore, college-educated persons are less likely to identify as white than their lower-educated counterparts, challenging ideas that “money whitens.” Findings for age and education may reflect a recent shift to multiculturalism. In addition, we find that white identification is predicted to change in response to the survey interviewer’s color, suggesting that choices about racial identification are relational.

The work of historians has been critical to understanding our findings for the contemporary period, and we suggest ways that sociological work like ours might inform historical work on race and ethnicity.

Read or purchase the article here. Read the entire original paper here.

“Japanese in the Samba”: Japanese Brazilian Musical Citizenship, Racial Consciousness, and Transnational Migration

University of Pittsburgh
2008
213 pages

Shanna Lorenz, Assistant Professor of Music
Occidental College, Los Angeles, California

Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy

his doctoral dissertation is an ethnographic study of musical culture among Japanese Brazilians in São Paulo, Brazil. Specifically, the study explores how the musical culture of this community has changed in recent years as a result of the dekasegui movement, the migration of hundreds of thousands of Japanese Brazilians who have traveled to Japan since 1990 in search of work. In order to explore these questions, I conducted fieldwork between May and November of 2003 on three musical groups, Zhen Brasil, Ton Ton Mi, and Wadaiko Sho, each of which have found different ways to invoke, contest, and reinvent their Brazilian and Japanese musical heritages. By exploring these groups’ musical practices, texts, dance, costumes, and discourses of self-definition, this study offers insight into shifts in the ethnic self-definition and racial consciousness of the Japanese Brazilian community that have taken place as the result of face-to-face contact between Japanese Brazilians and Japanese under the conditions of contiguous globalization. This study contributes to our current understandings of the impact of circular forms of migration on the musical culture and ethnic identity of diasporic communities in the contemporary world.

Read the entire dissertation here.

Cuban Color Classification and Identity Negotiation: Old Terms in a New World

University of Pittsburgh
2004
246 pages

Shawn Alfonso Wells

Submitted to the Graduate Faculty of The University of Pittsburgh in partial fulfillment of the requirements for the degree of Doctor of Philosophy

This thesis analyzes how the Cuban Revolution’s transnational discourse on blackness positively affected social attitudes, allowing color identity to be negotiated using color classification terms previously devalued.

In the Caribbean and Latin America, most systems of social stratification based on color privilege “whiteness” both socially and culturally; therefore, individuals negotiate their identities with whiteness as the core element to be expressed. This dissertation examines how this paradigm has been overturned in Cuba so that “blackness” is now the featured aspect of identity. This is due in part to the popular response to the government’s rhetoric which engages in an international political discourse of national identity designed to situate Cuba contextually in opposition to the United States in the global politics of color. This shift has occurred in a dialectic environment of continued negative essentialized images of Blacks although blackness itself is now en vogue. The dialogue that exists between state and popular forms of racial categorization serves to recontextualize the meanings of “blackness” and the values attached to it so that color classification terms which indicate blackness are assumed with facility in identity negotiation.

In the past, the concepts of whitening and mestizaje (race mixture) were employed by the state with the goal of whitening the Cuban population so that Cuba would be perceived as a majority white country. Since the 1959 Revolution, however, the state has publicly claimed that Cuba is an Afro-Latin nation. This pronouncement has resulted in brown/mestizo/mulatto and not white as being the national ideal. The symbolic use of mestizaje in Cuban society and the fluidity inherent in the color classification system leaves space for manipulation from both ends of the color spectrum and permits Cubans from disparate groups to come together under a shared sense of identity. The ideology of the state and the popular perceptions of the symbolism that the mulatto represents were mediated by a color continuum, which in turn was used both by the state and the populace to construct, negotiate, maintain, and manipulate color identities. This study demonstrates that although color classification was not targeted by the government as an agent to convey blackness, it nevertheless does, and the shift in how identity is negotiated using racial categories can be viewed as the response of the populace to the state’s otherwise silent dialogue on “race” and identity.

TABLE OF CONTENTS

• Introduction: Mulatas del Caribe
• Chapter One: The problem of race
  • Problematizing Race
  • Field Setting
  • Conducting Fieldwork in Cuba
  • Methodology
• Chapter Two: Historical Context of Color Classification in Latin America and the Caribbean
  • History of racial/color categorization in Cuba
  • The Era of Conquest and Colonization
  • The Plantation Era
    • Color classes
    • Pigmentocracy/Whitening
  • The Era of Capitalism
  • The Era of Socialism and Castro
• Chapter Three: Terms of Classification
  • Settings
    • The Census
    • The Carnet
    • The Medical Establishment
  • Cognitive Categories of Color Classification
  • Features of Classification
  • Constructing Identity
    • Blancos
    • Mestizos, Mulatos and Mestizaje
    • Negros
    • Chinos
• Chapter Four: The social significance of classification
  • Contested classifications
  • Stereotypes and Social Status
  • Shifts in meaning and preference of terms
• Chapter Five: Mulatizaje and Cubanidad
  • Mestizaje, Mulattoization and Cubanidad
    • The typical Cuban
  • Claiming Identity and Negotiating Mulatizaje
    • Extended Case Study #1
    • Case study #2
    • Case study #3
    • Case study #4
    • Case study #5
    • Case study #6
    • Case study #7
    • Case study #8
    • Case study #9
    • Case study #10
    • Case study #11
• Conclusions
• Appendices
  • Appendix A: Glosses of Color Terms.
  • Appendix B: Census Enumeration of Writs of Freedom
  • Appendix C: Racial Categories of 1827 and 1841 Censuses
  • Appendix D: Census with Conflicting Terminology
• Bibliography

LIST OF TABLES

• Table 1: Chronological Table of Data Collection Techniques
• Table 2: Census Terms.
• Table 3: Formal Labels on Documents
• Table 4: Descriptive Color Terms
• Table 5: Cognitive Map of Terminology
• Table 6: Labels of Pilesorting Groups.
• Table 7: Percentages of Informants Employing Particular Classification Terms
• Table 8: Johnson’s Hierarchial Clustering.
• Table 9: Color Continuum.
• Table 10: Informal Descriptors
• Table 11: Common Descriptors for Hair Texture
• Table 12: Common Descriptors for Facial Features.
• Table 13: Common Modifying Descriptors
• Table 14: Common Compound Terms
• Table 15: Descriptive Labels

Read the entire dissertation here.

Book Review: Land of the Cosmic Race: Race Mixture, Racism and Blackness in Mexico

LSE Review of Books
London School of Economics
2013-08-30

Zalfa Feghali, Editorial Assistant
Journal of American Studies

Land of the Cosmic Race is a richly-detailed ethnographic account of the powerful role that race and colour play in organizing the lives and thoughts of ordinary Mexicans. It presents a previously untold story of how individuals in contemporary urban Mexico construct their identities, attitudes, and practices in the context of a dominant national belief system. Carefully presented and self-consciously written, this is an excellent book for anyone with an interest in how Mexican racial politics can be seen to operate on the ground, finds Zalfa Feghali.

Land of the Cosmic Race: Race Mixture, Racism, and Blackness in Mexico. Christina A. Sue. Oxford University Press. March 2013.

One prevailing fact of studying race in the Americas is that the discussion almost always turns to the US as a reference point. Studies of racial dynamics in the Americas are—obviously—rich, necessary, and often sidelined in favour of these more popular ways of thinking about race. Christina A. Sue’s Land of the Cosmic Race: Race Mixture, Racism and Blackness in Mexico attempts to redress this imbalance by complicating and problematising the dynamics of racial mixture in Mexico. Primarily an ethnographic study, this book offers new ways of thinking about race studies in the Mexican context.

The book’s title, which Sue discusses but doesn’t fully unpack, is taken from a provocative work by Jose Vasconcelos, The Cosmic Race, published in 1925. Vasconcelos’ views on mestizaje­—racial mixture—are key to understanding the dominant ideological logic behind Mexico’s national(ist) relationship with race. In The Cosmic Race, Vasconcelos sees the vast potential of (specifically) Mexicans as mestizos, and lauds them for their mestizo/a (mixed race, specifically Spanish and Indigenous) character. Significantly, he also casts the mestizos as the first stage in the creation of a new, cosmic race that will eventually take on characteristics and subsume the genetic streams of “all the races.” According to his logic, this cosmic race would take on the best or most desirable traits from each respective race and eventually lines between the “original” races will blur to the point that any one individual’s “racial heritage” would be completely indistinguishable from another’s, thus becoming the ultimate mestizo/a (something akin what some might now call a post-ethnic or post-racial world)…

Read the entire review here.

Making the Chinese Mexican: Global Migration, Localism, and Exclusion in the U.S.-Mexico Borderlands [DeLeón Review]

Journal of American History
Volume 99, Issue 4 (March 2013)
page 1284
DOI: 10.1093/jahist/jas678

Arnoldo DeLeón, Professor of History
Angelo State University, San Angelo Texas

Making the Chinese Mexican: Global Migration, Localism, and Exclusion in the U.S.-Mexico Borderlands. By Grace Peña Delgado. (Stanford: Stanford University Press, 2012. xvi, 304 pp.

Several theses drive this book’s narrative, among them are three that the author develops scrupulously. First, international and national influences shaped the histories of the borderlands of Arizona and Sonora. Migration—created in the nineteenth century by civil war in China and global demands for labor—brought the Chinese to the United States and Mexico. Chinese communities sprouted in both countries by the late nineteenth and early twentieth centuries, though they were more successful in Mexico where the Chinese established themselves as merchants. Commerce among these businessmen involved crossing borders and…

Read or purchase the review here.