Faces In Between: Art About Mixed-Race Identity

Posted in Arts, Audio, Canada, Media Archive, Women on 2013-02-03 07:25Z by Steven

Faces In Between: Art About Mixed-Race Identity

CBC
Here and Now Toronto
2013-02-01

Throughout history, artists have drawn upon their own experience to fuel their work. Tonight, a new exhibit explores mixed race identity from the point of view of three young women. Rema Tavares is one of the artists. She spoke about “Faces In Between.”

Listen to the episode (00:06:14) here.

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(1)NE DROP: Fact, Fiction, or Fate?

Posted in Arts, Live Events, Media Archive, United States on 2013-01-28 23:38Z by Steven

(1)NE DROP: Fact, Fiction, or Fate?

Drexel University
James E. Marks Intercultural Center (Lower Level)
Philadelphia, Pennsylvania
Monday, 2013-02-04, 17:00-19:00 EST (Local Time)

Africana Studies and the Office of Equality & Diversity present (1)NE DROP: Fact, Fiction, or Fate? featuring Dr. Yaba Blay, artistic director of the (1)NE DROP PROJECT and assistant teaching professor of Africana Studies, Drexel University. Dr. Yaba’s work with (1)NE DROP is currently being featured as part of CNN’s documentary “Who is Black in America?

This event will explore what Blackness is and what Blackness looks like. On the whole, the project seeks to raise social awareness and spark community dialogue about the complexities of Blackness as both an identity and a lived reality.

(1)NE DROP literally explores the “other” faces of Blackness—those who may not immediately be recognized, accepted or embraced as “Black” in our visually racialized society. Admission is free and open to the public. For more information about the (1)NE DROP PROJECT, please visit http://1nedrop.com/

For more information, click here.

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War Baby/Love Child: Mixed Race Asian American Art

Posted in Anthologies, Arts, Asian Diaspora, Autobiography, Books, Media Archive, United States on 2013-01-28 01:12Z by Steven

War Baby/Love Child: Mixed Race Asian American Art

University of Washington Press
January 2013
304 pages
63 illustrations, 44 in color, maps
7 x 10 in.
ISBN: 978-0-295-99225-9

Edited by

Laura Kina, Associate Professor Art, Media and Design and Director Asian American Studies
DePaul University

Wei Ming Dariotis, Associate Professor Asian American Studies
San Francisco State University


Cover art by Mequitta Ahuja

War Baby/Love Child examines hybrid Asian American identity through a collection of essays, artworks, and interviews at the intersection of critical mixed race studies and contemporary art. The book pairs artwork and interviews with nineteen emerging, mid-career, and established mixed race/mixed heritage Asian American artists, including Li-lan and Kip Fulbeck, with scholarly essays exploring such topics as Vietnamese Amerasians, Korean transracial adoptions, and multiethnic Hawai’i. As an increasingly ethnically ambiguous Asian American generation is coming of age in an era of “optional identity,” this collection brings together first-person perspectives and a wider scholarly context to shed light on changing Asian American cultures.

Visit the website here.

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Dance explores diversity in ‘Exodus Project II’ Jan. 24-25

Posted in Articles, Arts, Media Archive on 2013-01-27 02:59Z by Steven

Dance explores diversity in ‘Exodus Project II’ Jan. 24-25

Middle Tennessee State University
Murfreesboro, Tennessee
2013-01-18

Topics ranging from biracial identity to physical disabilities will be explored through movement as MTSU Theatre and Dance presents “The Exodus Project II: Understanding Diversity Through Dance” next week.
 
The performance will run two nights, at 7:30 p.m. Jan. 24-25, at Tucker Theatre inside the Boutwell Performing Arts Building on the MTSU campus.
 
The nationally recognized MTSU Dance Program has a commitment to multicultural and interdisciplinary education and sponsoring this dance concert is in line with fulfilling that mission, organizers say…

…Included will be performances by Stefanie Batten Bland of Company Stefanie Batten Bland in New York City; Amy Shelley and Angie Simmons of Evolving Doors Dance in Denver, Colo.; and seven members of the MTSU Dance Theatre.
 
Bland will perform a piece called “Weight,” which examines her biracial identity. “What is the weight of your cultural identity?” [Kim Neal] Nofsinger said of Bland’s dance. “How does that hold you back or keep you down, or does that keep you grounded?…

Read the entire article here.

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Faces In Between

Posted in Arts, Canada, Media Archive, Women on 2013-01-16 23:58Z by Steven

Faces In Between

Daniels Spectrum
585 Dundas Street East
Toronto, Ontario
Friday, 2013-02-01, 19:00-21:00 EST (Local Time)

A 3MW Collective art Exhibit at Regent Park Arts and Cultural Centre during Black History Month exploring mixed race identity through painting and photography.

Join us to celebrate our first show as a collective!

Cash bar and amazing art!

We are three mixed-race women artists using portraiture in both painting and photography to address ideas of mixed-race identity. The subjects in our work are people who have parents, grandparents, and ancestors from different cultural backgrounds. The faces of our “models” do not conform to society’s outdated notions of human classification. These faces are loaded with issues of colonialism, racism, shadeism, as well as questions of history and identity.

In Canada, although we have a policy of multiculturalism, people are generally not comfortable talking about race. Our work aims to highlight the experiences of mixed people. These are the people whose “race” is not clear and who are often faced with questions such as, “What are you?” or “What is your ethnic background?” These persistent questions clearly reflect our society’s discomfort with an inability to classify people by racialized norms.

For more information, click here.

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Afro-Mexicans and Winston-Salem Photo Gallery

Posted in Arts, Media Archive, United States on 2013-01-13 18:33Z by Steven

Afro-Mexicans and Winston-Salem Photo Gallery

Winston-Salem Journal
Winston-Salem, North Carolina
November 2007

Ted Richardson, Photographer

Irma Gonzales Alvarado prays before a shrine to the Virgin of Guadalupe at her Winston-Salem home. She invited several neighbors to her home on the last night of La Cuarentena, a 40-night observance of the Virgin leading up to Dec. 12th, the day an apparition of the Virgin of Guadalupe appeared to Juan Diego.

View all of the photographs here.

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Midnight at the Barrelhouse: The Johnny Otis Story

Posted in Arts, Biography, Books, Media Archive, Monographs, United States on 2013-01-07 19:48Z by Steven

Midnight at the Barrelhouse: The Johnny Otis Story

University of Minnesota Press
2010
272 pages
23 b&w plates, 6 x 9
cloth ISBN: 978-0-8166-6678-2

George Lipsitz, Professor of Black Studies and Sociology
University of California, Santa Barbara

Considered by many to be the godfather of R&B, Johnny Otis—musician, producer, artist, entrepreneur, pastor, disc jockey, writer, and tireless fighter for racial equality—has had a remarkable life by any measure. In this first biography of Otis, George Lipsitz tells the largely unknown story of a towering figure in the history of African American music and culture who was, by his own description, “black by persuasion.”

Born to Greek immigrant parents in Vallejo, California, in 1921, Otis grew up in an integrated neighborhood and identified deeply with black music and culture from an early age. He moved to Los Angeles as a young man and submerged himself in the city’s vibrant African American cultural life, centered on Central Avenue and its thriving music scene. Otis began his six-decade career in music playing drums in territory swing bands in the 1930s. He went on to lead his own band in the 1940s and open the Barrelhouse nightclub in Watts. His R&B band had seventeen Top 40 hits between 1950 and 1969, including “Willie and the Hand Jive.” As a producer and A&R man, Otis discovered such legends as Etta James, Jackie Wilson, and Big Mama Thornton.

Otis also wrote a column for the Sentinel, one of L.A.’s leading black newspapers, became pastor of his own interracial church, hosted popular radio and television shows that introduced millions to music by African American artists, and was lauded as businessman of the year in a 1951 cover story in Negro Achievements magazine. Throughout his career Otis’s driving passion has been his fearless and unyielding opposition to racial injustice, whether protesting on the front lines, exposing racism and championing the accomplishments of black Americans, or promoting African American musicians.

Midnight at the Barrelhouse is a chronicle of a life rich in both incident and inspiration, as well as an exploration of the complicated nature of race relations in twentieth-century America. Otis’s total commitment to black culture and transcendence of racial boundaries, Lipsitz shows, teach important lessons about identity, race, and power while encapsulating the contradictions of racism in American society.

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Pete Souza’s Portrait of a Presidency

Posted in Articles, Arts, Barack Obama, Media Archive, Politics/Public Policy on 2012-12-20 04:26Z by Steven

Pete Souza’s Portrait of a Presidency

Time LightBox
Time Magazine
2012-10-08

Phil Bicker, Senior Photo Editor


Pete Souza/The White House

The long view of history tends to be the judge of a presidency. As President Obama embarks on a second term in the Oval Office, it may still be too early to draw conclusions about his legacy as Commander in Chief. What we do know is that Obama’s first term has been a historic one: the first African American to hold the county’s highest office, Obama and his Administration have battled a recession, passed health care reform and legislation to end the military’s “Don’t ask, don’t tell” policy, formally ended the war in Iraq and brought Osama bin Laden to justice.

Through adversity and triumph, public victories and private setbacks, chief official White House photographer Pete Souza and his team of photographers have relentlessly documented the actions of the President, the First Lady and the Vice President since Obama took office in early 2009.

As the President runs for a second term, LightBox asked Souza to reflect on his time photographing Obama and share an edit of his favorite images that he and his staff made during the President’s first term; the photographs offer a fascinatingly candid insight into the life of the President while painting a portrait of Barack Obama the man, husband and father…

Read the entire article and view the 125 photographs here.

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Evoking the Mulatto: Exploring Black Mixed Identity in the 21st Century

Posted in Arts, Forthcoming Media, Identity Development/Psychology, United States on 2012-12-19 05:36Z by Steven

Evoking the Mulatto: Exploring Black Mixed Identity in the 21st Century

2012

Lindsay C. Harris, Creator, Director, Artist & Lead Curator

Tida Tippapart, Producer and Co-Curator

Chelsea Rae Klein, Web Designer and Co-Curator

Evoking the Mulatto is a multiplatform narrative and visual art project examining black mixed identity in the 21st century, through the lens of the history of racial classification in the United States.

Featuring filmed interviews with young artists and activists, photography, animation, and historical mappings, this video art project seeks to address a relevant contemporary issue by glimpsing at its chronicle. In an alleged post-race society, under governance of the first black (and mixed) president, the United States still criminalizes and demarcates black bodies, as made evident in the public realm by the recent death of Trayvon Martin and the extreme racial disproportionality in the criminal justice system (black men are over six times more likely to be incarcerated than white men). Even our current struggle over marriage equality is far too reminiscent of the fight to eradicate all miscegenation laws, which up until 1967, banned interracial marriage…

For more information, click here.

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Jackie Kay and Sebastian Barry: Identity and struggle

Posted in Articles, Arts, Audio, Media Archive, United Kingdom on 2012-12-09 03:12Z by Steven

Jackie Kay and Sebastian Barry: Identity and struggle

The Guardian
2011-08-15

Sarah Crown

In our inaugural podcast from the Edinburgh International Book Festival, Sebastian Barry and Jackie Kay talk to us about the themes that power their work

In our first podcast from the 2011 Edinburgh International Book Festival, we explore questions of identity and struggle as played out in the 20th-century…

…The poet and novelist Jackie Kay turned memoirist last year with her book Red Dust Road, an account of her search for her birth parents: a white Scottish woman, and a Nigerian man. Her writing reflects her grappling with the thorny issue of her own identity, and she reveals how this podcast has reconnected her with her family…

[Jackie Kay reads “Burying My African Father.”]

Read the entire article here.  Listen to the audio here. Download the audio here.

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