Mixed Race Studies

Let’s talk about sex (and race, and gender, and intersectionality)

Open City
2015-03-23

Esther Wang

N’jaila Rhee is many things — a writer; a phone sex operator, web cam girl, and former exotic dancer; a nerd; and a self-described “Blasian bitch.”

A native of New Jersey and a Rutgers University alumna, she’s carved out a niche for herself as a vocal critic and commentator on issues ranging from sex workers’ rights to favorite toys to racism in the porn industry. She uses her blog, social media, and “After Dark,” the popular podcast she co-hosts on the “This Week in Blackness” network, as platforms to voice her provocative positions.

N’jaila’s mission, it seems, is to get us all to bring our private desires out from the bedroom and into the open. Do this, and “we’re all going to be a little more healthy,” she explained on a recent evening in a Brooklyn coffee shop.

We chatted about the need for more Asian American porn, her thoughts on 50 Shades of Grey, and what it’s like to, as she put it, be constantly “dancing at the intersections of race, sex, and identity.”,,,

You became a stripper in college. Why did you decide to become a dancer?

Sex is the most natural way that I can relate to other people. And it’s always something that just felt innately right. So because it was so easy for me to express myself sexually, it was something that I felt very comfortable with…

…Did being Blasian impact the kind of work you got?

Certain promoters would want to highlight that I was mixed race, and they’d want me to say that I was like, Southeast Asian, or not Black. Or one guy wanted me to not speak English. I was uncomfortable with a lot, obviously.

I was told I couldn’t have my hair natural. It’s not like I have the curliest of ‘fros. But they didn’t want me to have natural hair, so I would wear a hair weave because you couldn’t be a mixed Blasian if you didn’t have silky straight hair.

I had to buy my identity for $220 a pop…

Read the entire interview here.

Enrico Dungca’s The Amerasian Photography Project: The Forgotten Americans

Resource
2015-08-05

Marky Ramone Go

As one of the free world’s oldest allies, the United States and the Philippines have shared a storied past together. From fighting alongside each other to delay the Japanese’ war plans in World War II, to forming an armed presence in the Pacific by virtue of the United States two military bases; Clark Air Base and US Naval Base in Northern Luzon. However, hidden from these historical bonds lies a complex weave of direct blood descendants, of abandoned children sired by some members of the US Military during their service at the US bases in the Philippines, a large legion of fatherless men and women who possess multi-ethnicity looks born to single mothers, remains in search of half their roots. Often bullied in school for growing up in a broken household, these individuals harbors a secret wish of knowing their real fathers. For photographer Enrico Dungca, photographing them in order to send their message across the globe became a personal mission “The story begins with a young man I met during a trip in my birthplace, Angeles City. I was born and raised there and lived near the former Clark Air Base. I knew about the Amerasians and in fact witnessed many of them bullied and discriminated. I didn’t think much of it then for I was young and naive,” Dungca tells Resource Magazine.  More than 20 years after the last US Military Base closed down, an undeniable footprint of our Superpower ally still remains – and for some, something that needs to find closure soon…

Read the entire article here.

One Drop of Love: Fanshen Cox discusses mixed race in America

The Williams Record
Williamstown, Massachusetts
2017-05-03

Alex Medeiros, Opinions Editor

Fanshen Cox discusses her new work, ‘One Drop Love,’ while exploring history, family, class and love. Photo courtesy of Fanshen Cox

Last Thursday, the Students of Caribbean Ancestry (SOCA) coordinated a one-woman show produced and written by Jamaican-American Fanshen Cox DiGiovanni. This performance was part of “Heritage Week” celebrating SOCA heritage. Cox’s interactive show, called “One Drop of Love,” explores history, family, class, justice and love. It challenges the audience to recognize the enduring power of the “one drop rule.”

In the 18th century, when the slave trade was in full force, many of the colonists who came to the Caribbean islands raped their slaves, resulting in mixed race children. Although some of these children were lighter skinned, like Cox, the “one drop rule” pronounced that one drop of African blood meant that the child was of African descent and therefore could not benefit from being the son or daughter of a white man. In fact, many millions of people in the United States still endure the repercussions of such an arbitrary rule, centuries after it was created.

Cox’s performance, also produced by Ben Affleck and Matt Damon, aimed to address this issue of the “one drop rule.” As a half-Jamaican half-Caucasian woman, Fanshen has experienced her fair share of racial confusion…

Read the entire article here.

#RedefineAtoZ: Blasian Narratives, a ‘Vulnerable’ Exploration Into Racial, Cultural Identities

NBC News
2017-05-01

Blasian Narratives is a “multi-media docu-theatre project that takes an intimate look into the lives of Black and Asian individuals to explore the constructs of racial and cultural identities, and to explore difference and marginalization in the United States and beyond.” Paulo Chun / NBC News

NAME: Jivan Atman (creator, director); active cast: Julian Booker, Marlon Booker, Cenisa Gavin, Shiranthi Goonathilaka, Janei Maynard, Chris Sanders

(Past and recent contributors: Jessica Lam, Malcolm Lizzappi, Audrey Williams, Fredrick Cloyd, Paula Reyna Williams, Whitney Francis, Charon Cummings, Sabrina Im)

AGES: Early and late 20’s, a 40-something and 60-something

HOMETOWNS: Phnom Pehn, Cambodia; Anchorage, Alaska; Honolulu, Hawaii; Atlanta, Georgia; Oakland, California; San Francisco, California; San Diego, California; Long Beach, California; London, UK; St. Paul, Minnesota; Westminster, California; Houston, Texas; Aurora, Colorado; Sarasota, Florida

TWITTER: @blasianproject / INSTAGRAM: @blasianproject / FACEBOOK: Blasian Narratives…

Read the entire article here.

Art Presentation and Discussion on Creative Practices

University of Maine Museum of Art
40 Harlow Street
Bangor, Maine 04401
Wednesday, 2017-04-26 @13:00-14:00 EDT (Local Time)

On Wednesday, April 26 at 1 p.m., University of Maine Intermedia MFA students Alicia Champlin and Eleanor Kipping will present their work and discuss creative practices at University of Maine Museum of Art.

Admission is free. Audiences are welcome to bring their own lunch.

Alicia Champlin will discuss her recent performance installation, “MOTIVE,” in the context of a research-based experimental practice. The performance, which took place in December 2016, was intended to spark questions about the relationships between media and maker, between language and listener, and between truth and metaphor. Instead, like many experiments, the work led to some unexpected outcomes, but rather than discounting the effort as a failure, Alicia will share some of the resulting insights that continue to move her practice forward into the unknown.

Eleanor Kipping is a second year MFA student. Her work explores the contemporary black female experience as ‘other’ in America in light of identity, hair politics, colorism and racial passing. She draws heavily on popular culture, and personal, historical and political narratives to drive her investigations. In her talk Coming of Race, Eleanor will share her experiences as a mixed-race female growing up in the predominantly Caucasian state of Maine. While sharing how she has come to terms with her own identity as a black and white woman, she will discuss how her creative practice and use of photography, video, performance, and installation is used as a way to continue her own explorations as well as educate and facilitate discussion surrounding topics of identity…

The Intermedia MFA program is a creative studio-centered degree on the hybrid nature of contemporary art. The MFA focuses on the intersection of creative practice arts with other disciplines and areas of interest, technology, and social praxis to model a new direction and approach to teaching and learning in the creative fields. For more information, visit www.intermediamfa.org.

For more information, click here.

‘The Bling Ring’ Actress Katie Chang Finds Drive In Activism and Identity

NBC News
2017-04-20

Tiffany Hu

Katie Chang, is currently a senior at Northwestern. Her second movie is scheduled to debut on April 14. Mia Zanzucchi / Courtesy of Katie Chang

Katie Chang isn’t taking her last year of college easy.

The 21-year-old actress is spending her last semester at Northwestern University taking classes on making her own web series and curating film festivals. She’s also writing and producing a number of plays on campus. During her breaks, she auditions and films.

But while she plays one of the eponymous “outcasts,” Chang is quick to say her character isn’t a stereotype.

“I was up for a different role originally,” she told NBC News. “The girl they had playing the role that I ended up playing was white, tall, and blonde — so it was more of which actor fit best with which role.”…

…A multiracial actress, Chang has considered changing her last name in an attempt to land more roles. But when her first film, “The Bling Ring” directed by Sofia Coppola, came out in 2013, she decided against it. While she noted that some casting directors aren’t looking to cast “Katie Chang as a lead actress” in teen-focused romantic comedies, she said her decision not to use a stage name has pushed her to work harder…

Read the entire article here.

But Still, Like Air, I’ll Rise

The Lark
New York, New York
2017-04-18

Velina Hasu Houston

This piece is part of a blog salon, curated by Caridad Svich, called “Stages of Resistance.” The series welcomes reflections on themes related to making work for live performance in political and aesthetic resistance to forms and systems that oppress human rights and censor or severely limit freedom of expression. We are in increasingly hostile, volatile times around the world, and this salon hopes to serve as a space for considered, thoughtful, polemical articulations of practice and theory on the subject of resistance, the multiple meanings of political art, and the ways in which progressive, wholistic cultural change may be instigated through artworks. Stay tuned for more articles and reflections in this series throughout March and April 2017!

Don’t write about people of color.

Don’t blend Eastern and Western theater aesthetics.

These were things that were said to me when I began making art for the stage.

The inspirations for the art I wanted to make often included immigrants, people of color, and globally blended theater aesthetics. Did that mean I needed to learn to be an excellent secretary, like many of my white teachers in Junction City, Kansas, told me? No.

For someone who is Japanese, African American, Native American Indian, and Cuban, life is always political. Even amid this complexity, people of color come from mono-ethnic perspectives and do not understand a multiethnic perspective such as mine. To exist in almost any space creates challenges, but the making of art that resists those challenges allows me to liberate myself from the categorical cages into which many feel they must place me. Art, therefore, is an avenue to freedom…

Read the entire article here.

‘Get Out’ Is Now The Highest Grossing Film Domestically By A Black Director (But Not For Long)

Shadow And Act: On Film, Television and Web Content of Africa and Its Diaspora
2017-04-11

Sergio Mims

Jordan Peel – Get Out

It’s official! Jordan Peele’s “Get Out” is now the highest domestic grossing film directed a black filmmaker. With $163.3 million so far domestically ($177 million total worldwide), the film beats the previous highest grossing film by a black director domestically, F. Gary Gray’s “Straight Outta Compton”, which grossed $162.8 million, and another $40.4 million overseas at the end of its theatrical run. But “Get Out” is far from done, as it has yet to open in some of the biggest foreign markets, including European territories like France, Spain and Scandinavia, as well as across South America, so it could eventually do very well and match or even top “Compton’s” overseas numbers…

Read the entire article here.

‘We’re the geeks, the prostitutes’: Asian American actors on Hollywood’s barriers

The Guardian
2017-04-11

Sam Levin

Clockwise from top left: Scarlett Johansson in Ghost in the Shell; Pun Bandhu; Matt Damon in Great Wall; Atsuko Okatsuka. Composite: Alamy / Universal Pictures / Courtesy of Pun Bandhu / Courtesy of Atsuko Okatsuka

Films like Ghost in the Shell have fueled debate over whitewashing, while roles are few for Asian Americans – and when they are wanted, it’s often to play offensive stereotypes

Pun Bandhu’s training at the prestigious Yale School of Drama didn’t help much with the skill he needed for so many auditions after graduation – the “Asian accent”.

The Thai American actor – who has appeared in a wide range of TV shows and films over the last 15 years – said he was once told that an accent he used for a Thai character, modeled after his parents, was not working for an “American ear”. Instead, the director went with a Chinese accent.

While much of the recent debate around Asian representation in Hollywood has centered on whitewashing – when white actors are cast to tell Asian stories – working actors said a lack of opportunity was only one part of the problem. Asian American actors said they rarely, if ever, got auditions for leading roles, and when they did get parts, they were frequently secondary to the plot or portrayed offensive tropes…

…“We’re so desperate for opportunities,” said Kanoa Goo, a mixed-race actor who is Chinese, Hawaiian and white. “Often it’s pretty one-dimensional. It’s the tech computer analyst who doesn’t have much to say. His role is really just in service of the leads.”…

Read the entire article here.

Doctor Who’s Pearl Mackie: ‘When I was little there weren’t many people like me on TV’

The Guardian
2017-04-09

Sarah Hughes

Pearl Mackie: ‘This is by far the biggest thing I have ever done, which is amazing.’ Pearl wears top £26 urbanoutfitters.com. Make-up by Linda Johansson at One Represents using YSL Beauty. Hair by Bianca Simone Scott using Mizani. Fashion assistant Bemi Shaw. Photograph: Andrew Woffinden for the Observer

Meet Doctor Who’s new companion, Pearl Mackie. She tells Sarah Hughes why it’s so important to have diverse actors on TV, and how her friends are making sure her feet stay on the ground

The moment when Pearl Mackie understood just how big her new role as Doctor Who’s latest companion was came early in filming. “There was a scene in episode three that was so awesome – in the sense that I was awestruck by the scale of the set – that it was really humbling. I stood there looking at it, thinking, ‘Oh. Wow. This is a very big show.’ When you see it from the inside, that’s when you realise how massive it is.”

She’s not wrong — Doctor Who is, as 29-year-old Mackie puts it, “properly, globally huge”. The most successful science fiction series in television history, this tale of a history-haunted time lord and his adventures across the universe with various sidekicks has progressed far beyond its days as children’s tea-time entertainment. In 2013 the 50th anniversary special broke viewing records around the world after being aired in 94 countries simultaneously while the current Doctor, Peter Capaldi, began his stint by undertaking a rock star-style world tour with then companion Jenna Coleman, taking in Cardiff, London, Seoul, Sydney, New York, Mexico City and Rio de Janeiro. At each stop they were greeted by queues of fans, many of them in costume. There were Weeping Angels and Daleks, Cybermen and companions, and a whole host of Doctors, from every stage of this very British institution’s lengthy career…

…She spent much of her own childhood searching for a similar jolt of recognition. “When Alicia Keys came out that was a big thing for me because she was mixed race as well,” she says. “There were a lot of people I liked on screen, like Judi Dench, she’s wicked, but that’s very different to having someone where you think, ‘She looks like me, maybe I could do that.’”…

Read the entire article here.