Mixed Race Studies

Collecting: My special focus on Louisiana’s Free People of Color.

Louisiana Historic and Cultural Vistas
2016-10-31

Jeremy K. Simien

It’s been said that collecting is a sickness and that a great collector will never stop collecting. I don’t know why, but I’ve always collected things. It started with fossilized rocks on the gravel playground at school, and it continued with other miscellaneous school yard obsessions, some now too embarrassing to admit. Although I will share that at the age of eleven, I was quite serious about finding rare Beanie Babies. No matter the age, I always enjoyed finding and collecting things…

…My personal desire to find and collect portraits of Free people of African descent/Creoles of color is simple. I feel that these pieces act as a crucial visual cue for a story and a message that must be told. The story of the so-called “Free People of Color” goes well beyond my personal family history and any narcissistic need for ancestral gratification. The desire to share and spread this story comes from my need to present a narrative that offers encouragement to not only people of African descent, but also other marginalized groups and persons. The narrative that I hope to present will hopefully be a message of resistance, persistence, and survival…

Read the entire article here.

The African American Museum chooses ‘Loving’ for its first film screening

The Washington Post
2016-10-25

Helena Andrews-Dyer

Joel Edgerton and Ruth Negga, stars of “Loving,” attend the premiere of the film on Thursday in Beverly Hills. (Chris Pizzello/Invision via Associated Press)

Just one month after opening its doors, the National Museum of African American History and Culture is establishing itself as a permanent stop on the Washington social circuit. There have been cocktail parties, galas, private dinners and now one of D.C.’s favorite after-work pastimes — the movie screening.

But not just any movie screening. On Monday, the museum hosted a sneak peek of “Loving” in the 350-seat Oprah Winfrey Theater–one of many for the new institution. The choice wasn’t coincidental, said Rhea L. Combs, the museum’s photography and film curator and head of its Earl W. and Amanda Stafford Center for African American Media Arts.

“Showing this film at the museum is important because the story is symbolic of the mission of the museum,” Combs said. “It demonstrates the link between people of all backgrounds and culture.”

“Loving” tells the true story of Mildred and Richard Loving, an interracial couple from Virginia who fought for nearly a decade to have their marriage recognized as legal. Their historic case went all the way to the U.S. Supreme Court, which eventually struck down laws against interracial marriage.

Almost 50 years later the movie’s stars, Ruth Negga and Joel Edgerton, walked the red carpet at the museum that houses artifacts from the couple they play on screen. Everyone involved bowed to the movie’s role as An Important Film…

Read the entire article here.

Black, Jewish And Avoiding The Synagogue On Yom Kippur

Code Switch: Race And Identity, Remixed
National Public Radio
2016-10-12

Leah Donnella

Last time I worshipped in a synagogue was Sept. 5, 2014. And I won’t be going today.

That might surprise my friends, who put up with my bragging ad nauseam about how Jewish I am.

You got a great deal on plane tickets? Reminds me of the time I took a free Birthright trip to Israel. Going skating? I haven’t been on skates since my bat mitzvah reception, held at the roller skating rink in Villanova, Pa. You say you love the musicals of George Gershwin? Ha, that sounds just like Gershenfeld, my mother’s maiden name, which is also my middle name, which means “barley field” in Yiddish, the language my ancestors spoke in Eastern Europe.

Some of this is just me being obnoxious. But it’s also a way to claim a part of my identity that’s hidden from most people. I’m a black woman. No one ever assumes I’m Jewish. When I talk about Judaism, people look at me in a way that makes me feel like I’m breaking into my own house. Especially the people inside the house.

Read the entire article here.

Behind the Scenes of Loving, the Most Beautiful Love Story Ever Told

Vogue
2016-10-17 (November 2016)

Danzy Senna
photographed by Mario Testino

Photographed by Mario Testino, Vogue, November 2016

Meet Ruth Negga and Joel Edgerton, the brilliant stars of Loving, Jeff Nichols’s sweeping portrait of an interracial couple fıghting for their right to marry in 1950s Vırginia.

We enter the story in 1958, in rural Virginia. A woman and a man stand in an open field of grass; she is telling him she is pregnant. There is a hint of worry in her luminous dark eyes, but the man assures her that they will get married and build a home together. The opening scene of Loving, Jeff Nichols’s quietly devastating new film, feels less like a beginning and more like a happily-ever-after ending. But because this is 1950s Virginia, and the woman is black and the man is white, the story does not unfold in the way of fairy tales. For Mildred Jeter and Richard Loving—a real-life couple played in the film by Ruth Negga and Joel Edgerton—the seemingly straightforward act of getting married becomes a dangerous and transgressive act.

With its lush cinematography, Loving is a visual paean to the 1950s, but it is also a fierce interrogation of the hypocrisies of that era. It traces the arc of the Lovings’ struggle to live as husband and wife at a time not so long ago when it was illegal in sixteen states to marry someone of a different race. As the Lovings are forced to leave their tight-knit, working-class community and live in Washington, D.C., around them swirls language that evokes the present debate on gay marriage. “It’s God’s law,” the sheriff tells the couple after their harrowing middle-of-the-night arrest. “A robin’s a robin, a sparrow is a sparrow.” As Edgerton says, “That’s the double beauty of the film. It’s a racial period piece, but it also echoes very loudly today.”…

Read the entire review here.

Too Black for Mexico — Cécile Smetana Photographs the Afro-Mexicans Stigmatized for the Color of Their Skin

FotoRoom
2016-10-10

Photos by Cécile Smetana Baudier

31 year-old French-Danish photographer Cécile Smetana Baudier discusses Diaspora: Costa Chica, a subjective reportage from a coastal area of Mexico where Cécile lived with a minority ethnic group: the Mexicans of African descent. Her beautiful portraits and landscape photographs introduce us to this community living at the margins of their society, and sometimes victim of racist stereotypes.

Hello Cécile, thank you for this interview. What inspired your new series Diaspora: Costa Chica?

I was living in Oaxaca city in Mexico and was researching on a different project; however when I started working on it I never got a connection with the girls I was photographing. I was not in a very positive state of mind.

One day I was sitting at the dentist’s office. A lot of his clients where other photographers and therefore he had all these photography books on the table. I started looking through them and I stumbled across one about the Afro-Mexican community in Costa Chica, an area that expands from the state of Oaxaca to the coast of Guerrero. I didn’t know that there were any communities of people of African descent in Mexico and I started researching on the subject. I found the photos of Tony Gleaton, an American photographer who dedicated his life to portray Afro communities and I was very much inspired by him, which becomes very clear when comparing my own images to his…

Read the entire interview and view the gallery here.

Dear Mister Shakespeare – inspired by Othello

British Council
2016-10-07

Multimedia visual artist Phoebe Boswell has written an original piece, ‘Dear Mister Shakespeare’, in which she questions Shakespeare on the inherent racial tensions within his writing of Othello in the 1600s, and how these tensions continue to resonate today.

The film, directed by Shola Amoo, is a collage of modern black British experience, and follows Othello’s (Ashley Thomas aka Bashy) journey as a ‘man through time’.

‘I had to sneak around trying not to be seen’ – What growing up in Ireland was like for three mixed race Irish people

The Irish Post
2016-10-15

Erica Doyle Higgins, Digital Reporter

(Pictures: Tracey Anderson/Getty)

FOR the first time during Black History Month, an exhibition celebrating mixed race Irish has gone on display in the London Irish Centre.

The #IAmIrish Project celebrates diversity, while opening the dialogue on being mixed race and Irish.

As part of the Project and Black History Month, three people told The Irish Post their experiences of growing up mixed race in Ireland…

Read the entire article here.

One Drop of Love is Headed to Broadway!

Theater Row
410 West 42nd Street (between 9th and 10th Avenues)
New York, New York 10036
Thursday, 2016-10-13, 19:30 EDT (Local Time) Sold Out!
Sunday, 2016-10-16, 14:00 EDT (Local Time)

How does our belief in ‘race’ affect our most intimate relationships? One Drop of Love travels near and far, in the past and present to explore family, race, love and pain – and a path towards reconciliation. It is produced by Fanshen Cox DiGiovanni, Ben Affleck and Matt Damon.

One Drop of Love is headed to Broadway as part of the 7th Annual United Solo Theatre Festival on Thursday, October 16th. Show starts promptly at 2:00 pm. No late seating. General admission $23.25.

When purchasing tickets from the Telecharge website, be certain you’ve chosen Sunday, October 16th at 2:00PM. See you there – bring friends!

Ticketholders are invited to a celebration and discussion with Fanshen at nearby Chez Josephine following the performance.

Purchase tickets here.

VIFF honours B.C. filmmakers Ann Marie Fleming, Kevan Funk, Julia Hutchings, Jessica Parsons, and Jennifer Chiu

The Georgia Straight
Vancouver, British Columbia, Canada
2016-10-11

Charlie Smith

Ann Marie Fleming’s Window Horses won the prize for Best Canadian Film as well as the B.C. Film Award at this year’s Vancouver International Film Festival.

The Vancouver International Film Festival continues until Friday (October 14), but it has already handed out some major awards to Canadian filmmakers.

One of the big winners at a weekend gala was B.C. director Ann Marie Fleming for Window Horses. She took home the B.C. Film Award, which came with a $10,000 bursary from the Harold Greenburg Fund and a $15,000 credit in postproduction services from Encore.

Fleming was also honoured for Best Canadian Film, which was accompanied by a $10,000 award. It was presented by the Directors Guild of Canada…

Read the entire article here.

Black History Month: Lorraine Maher

Camden Review: Camden’s take on the London arts scene
2016-10-13

Angela Cobbinah

Lorraine Maher

WHEN she was growing up in County Tipperary in the 1960s, Lorraine Maher (pictured) met no other black people and on the few occasions they came into her midst she would avoid them.

“I didn’t want to draw attention to myself in any way,” she says.

“I grew up in a beautiful town full of beautiful people but there was racism all around me. This was the age of the golliwog and the ‘Black Baby Box’ to collect money for starving African babies.

“I knew I was different but my blackness was never spoken about and I spent my childhood just wanting to hide away and not be noticed.”…

…It is this often painful journey to self-realisation that laid the seeds of the #iamirish exhibition she has curated for the London Irish Centre, tellingly its first ever contribution to Black History Month. Opened last week by Ruaidri Dowling on behalf of the Irish Embassy, it is a display of stunning portraits by photographer Tracey Anderson that aims to question the concept of what it looks like to be Irish…

Read the entire article here.