Mixed Race Studies

José Maurício Nunes Garcia

Wikipedia, the free encyclopedia
Last modified: 2015-12-08

José Maurício Nunes Garcia (September 20, 1767 – April 18, 1830) was a Brazilian classical composer, one of the greatest exponents of Classicism in the Americas.

Born in Rio de Janeiro, son of mulattos, Nunes Garcia lost his father at an early age, and his mother perceived that her son had an inclination for becoming a musician and, for this reason, improved her work to allow him to continue his musical studies.

Nunes Garcia became a priest and, when prince John VI of Portugal came to Rio de Janeiro with his 15,000 people, Nunes Garcia was appointed Master of the Royal Chapel. He sang and played the harpsichord, performing his compositions as well as those of other composers such as Domenico Cimarosa and Wolfgang Amadeus Mozart. He was a very prestigious musician in the royal court of John VI.

His musical style was strongly influenced by Viennese composers of the period, such as Mozart and Haydn. Today, some 240 musical pieces written by Nunes Garcia survive, and at least 170 others are known to have been lost¹. Most of his compositions are sacred works, but he wrote also some secular pieces, including the opera Le due gemelle and the Tempest Symphony…

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New York Times Just Boarded the Post-Racial Express: A critical response to “Choose Your Own Identity”

Multiracial Asian Families
2015-12-16

Sharon H. Chang

screen shot from NY Times Magazine

This Monday, The New York Times Magazine published a very unfortunate essay about multiracial Asian children: Choose Your Own Identity, by author and mother Bonnie Tsui. In it, Tsui (who is not multiracial herself) puzzles over her children’s mixed-race identities, what they may or may not choose to be one day, while taking a brief foray back/forward in time to consider the sociohistorical context of mixed-race and America’s impending multiracial future. After mulling on the subject for about ten paragraphs, she concludes with a seeming liberatory message on behalf of her children: “…the truth is, I can’t tell my sons what to feel…I can only tell them what I think about my own identity and listen hard to what they have to tell me in turn.”

Sounds innocent enough, yes?

No…

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Bombay To Brooklyn: New York’s Indian Jews Strive To Preserve Heritage

News India Times
New York, New York
2015-12-14

Ela Dutt, Managing Editor

Siona Benjamin. Photo by Sami studio

Siona Benjamin, a greater New York City artist, hangs her “very typical” Indian Jewish Mezuzah, a prayer scroll in an engraved casing, on her door to remind her of her cultural roots. “Every time I walk through my main door, it reminds me of my Indian Jewish background,” especially so during Hanukkah, the Jewish Festival of Lights that began Dec. 6 and stretches over 8 days.

Originally from Bombay, Benjamin’s art is a blend of her background growing up in a Hindu and Muslim society, educated in Catholic and Zoroastrian schools, raised Jewish and now living in America. She is among the barely 100 or so Bene Israelis left in the Tri-state area, and the 350 or so around the U.S. according to Rabbi Romiel Daniel, rabbi and president of the Rego Park Jewish Center who since 1995, has tried to keep his flock together and raise awareness among the second and third generation Bene Israeli youth.

Some of the history of this small and unique community is captured in the exhibit “Baghdadis & the Bene Israel in Bollywood & Beyond” that opened in early November at the Center for Jewish History in New York City and will be on till April 1. Presented by the American Sephardi Federation, most of the items at the exhibit come from the Joyce and Kenneth Robbins collection, and highlight how Indian Jews, women in particular, were leaders in Bollywood and beyond at a time when custom and tradition kept many other Indian women out of Bollywood.

In exploring the largely forgotten history of the Bene Israel of India, the exhibition showcases the careers of Pramila (Esther Victoria Abraham), (Florence Ezekiel) Nadira, Sulochana (Ruby Myers), Abraham and Rachel Sofaer, Ezra Mir, RJ Minney, and Joseph David Penkar, each of whom played multiple roles in front of and behind-the-scenes in Bollywood…

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The Rise and Rise of Misty Copeland

The Year in Style 2015
The New York Times
2015-12-18

Ruth La Ferla

This year, Misty Copeland’s fame rose from her performances in ballet, on Broadway and in commercials. Credit Bon Duke for The New York Times, taken at Steps on Broadway in New York City.

Captivating a general audience, the prima ballerina is a crossover star: from ballet to Broadway to commercial fame.

Cherry Peace stood, feet firmly planted, at the stage door of the Metropolitan Opera House at Lincoln Center in October. She was waiting for Misty Copeland, who had just wrapped up a matinee performance of Paul Taylor’s “Company B” at the American Ballet Theater, to kick off her toe shoes and exit.

There was no sign of Ms. Copeland, but Ms. Peace, 52, a writer who had traveled from Reno, Nev., expressly to see her, stayed rooted to the spot, hoping, if not for an autograph, at least for a glimpse of her idol.

“When you get older,” she said, “there are certain things you want to do. Seeing Misty Copeland was on my bucket list.”

Ms. Peace was among legions of fans — schoolgirls and seniors, New Yorkers and visitors, balletomanes and oddly assorted thrill seekers — who had thronged to Lincoln Center to see Ms. Copeland perform, in the Taylor ballet, and as Odile/Odette in “Swan Lake,” a crowning role for many dancers, and the first in the company for a black ballerina…

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Play means to help people of mixed race find sense of belonging

MPR News
Minnesota Public Radio
2015-12-15

Marianne Combs, Arts and Culture Reporter

“Purple Cloud,” written by Jessica Huang and directed by Randy Reyes, looks at three generations of hapa, or mixed race, Chinese immigrants as they search to find a place where they belong. Courtesy Keri Pickett | Mu Performing Arts

“What are you?” It’s a question that people of mixed race get all the time.

“Purple Cloud,” a new play produced by Mu Performing Arts, explores what it means to be of mixed race. It’s inspired by playwright Jessica Huang’s own experiences growing up mixed race, and it tells the story of one family’s journey of self-discovery.

“For most of my life I had been struggling with feeling outside, because I’m not white and I’m not Chinese, and I didn’t really know where I belonged,” she explained. “But there was a theater director in town … and she saw me across the room and she pointed at me and said, ‘You — you’re hapa.’

“And I had no idea what that word meant.”…

Read or listen to the story here.

Crossing the Line: Multiracial Comedians

University of Michigan
Shapiro Undergraduate Library
919 South University Avenue
Screening Room 2160
Ann Arbor, Michigan 48109-1185
2016-01-21, 16:00-17:00 CST (Local Time)

Karen E Downing, Host Contact

This full-length documentary (2007, 59 mins.) analyzes how mixed-race comedians mediate multiracial identities and humor. Crossing lines of racial, ethnic, and cultural acceptability by their very existence, multiracial comedians reveal that meanings of race vary across ethnic combination, gender, place, and time.

The film features the experiences, perspectives, and performances of American comedians of more than one racial ancestry. The timeliness of multiracial comedians’ roles as crossracial mediators is underscored as they provide insight into controversies over how comedians express race (i.e., Michael Richards’ use of the N-word, Rosie O’Donnell’s slurs), and other debated meanings of race in an increasingly diverse society. Exploring these questions exposes the very nature of where pain and laughter come from in a racially divided world.

This is one of a year-long series of events that explore what it means to be multiracial in a monoracially conceived world.

This film will be followed by discussion. For more information, click here.

Sock and Buskin’s new production combines history and mysticism

The Brown Daily Herald
Providence, Rhode Island
2015-11-16

Jennifer Shook, Staff Writer

‘The Road Weeps, The Well Runs Dry’ examines journey of Black Seminoles to Oklahoma

In Sock and Buskin’s newest production “The Road Weeps, The Well Runs Dry,” legend and history come together to present a portrait of mid-19th-century life from a segment of the American population not usually depicted: the Black Seminoles, a group of black and Native American people.

Written by Marcus Gardley, assistant professor in playwriting, and directed by Kym Moore, associate professor of theatre arts and performance studies, “The Road Weeps, The Well Runs Dry” follows a community of Black Seminoles forced to relocate from Florida to Oklahoma on the Trail of Tears. There, they create a new community and culture that is entirely their own while struggling with their racial and cultural histories. The Black Seminoles also face continued rivalries both within their community and with the neighboring Creek tribe. While the play depicts the plight of the diverse Seminole community, it also incorporates a mystical undercurrent that allows for a more metaphorical interpretation of its larger themes…

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Third film festival

La Voz News: The voice of De Anza College since 1967
Cupertino, California
2015-10-22

Bojana Cvijic, Staff Writer

De Anza students saw the Lacey Schwartz’s film “Little White Lie” and had a discussion about race and identity issues during the Third Film Festival on Oct. 15 at Euphrat Museum.

Members of the Black Leadership Collective chose the film, discussion questions and overall theme for the festival.

“This is all the students work,” said Julie Lewis, Department Chair of African American Studies, advisor to the Black Leadership Collective, and coordinator for the festival.

The framework for the festival correlated with the Euphrat museum’s ongoing exhibition “Endangered” which also touches on social justice issues.

“Some of the themes that they’ll be talking about is identity, what does it mean to be of a particular identity, who makes those rules, in particular around race, which is a socially constructed concept yet has very real world and lasting implications,” Lewis said before the event….

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Maya Rudolph: ‘I’m not a woman in comedy. I’m a comedian’

The Guardian
2015-12-05

Tom Lamont

She’s been a Saturday Night Live regular for years, with her hilarious celebrity send-ups, and she hit the global bigtime as the bride in Bridesmaids. So why is Maya Rudolph now playing nasty?

Inside a hot studio, on a hot day in Los Angeles, Maya Rudolph is being photographed in a dress that’s luxurious and snazzy but doesn’t breathe so well. She manages her discomfort by changing voices and pulling faces – by slipping in and out of other people’s skins. Now she’s a 40s movie star, slurring vowels and giving sidelong glances. Now she’s Jamaican: “My hair is turning electric, mun.” For a while she’s Maya Rudolph – 43-year-old actor, comedian, Californian – and then she’s Texan, brassy… Beyoncé! “I need some more booty room in this dress.” As the shoot winds down, Rudolph lies on a sofa and silently channels Burt Reynolds. She says she has a particular image of Burt in mind, one from the 70s in which he posed nude for Cosmopolitan on a bearskin rug. Watching on from a corner of the studio, I call up the picture on my phone, for comparison. Nailed it…

…Rudolph had an uncommon upbringing. Her mother was the African American singer Minnie Riperton. In 1975, three years after Rudolph was born, Riperton had a worldwide hit with a ballad called Lovin’ You (“Is easy cause you’re beautiful”). Her father played guitar for his wife on the road, and the Rudolph-Ripertons would tour the country together. Some of Rudolph’s earliest memories are of watching her mother from the wings of shows, or of sleeping in creepy hotels. One year, she lost a tooth, when the family were gigging through casino territory, and she woke up to find a poker chip under her pillow…

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National Affairs: Who Would Be King

Time
1923-10-08

Word came to the U. S. that William Henry Ellis, who preferred to style himself Guillermo Enrique Eliseo, died in Mexico City. Mr. Ellis was one of the most remarkable men who ever acted as agent for the State Department. He was known chiefly for the famous incident in which he delivered a commercial Treaty from this country to King Menelik of Abyssinia. But his unusual history began much earlier.

He was born in Victoria, Tex., in 1864 and claimed to be of Cuban parentage, on account of which he used the Spanish form of…

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