Mixed Race Studies

Gugu Mbatha-Raw to Star Opposite Matthew McConaughey in Gary Ross’ ‘Free State of Jones’ (Exclusive)

The Wrap: Covering Hollywood
2014-01-06

Jeff Sneider, Film Reporter

Scott Stuber and Jon Kilik are producing the Civil War tale for Robert Simonds’ STX Entertainment

Hot off a pair of acclaimed performances in “Beyond the Lights” and “Belle,” Gugu Mbatha-Raw will star opposite Matthew McConaughey in Gary Ross’ Civil War movie “Free State of Jones,” TheWrap has learned.

Robert Simonds’ STX Entertainment is producing the $65 million movie and co-financing with foreign sales company IM Global. STX will handle domestic distribution, while IM Global will handle foreign rights. CAA brokered the domestic deal…

…Based on a true story, “Free State of Jones” will star McConaughey as Newton Knight and Mbatha-Raw as Rachel, a slave whose relationship with Knight played a central part in his life and in his armed rebellion against the Confederacy during the Civil War…

Read the entire article here.

Of Many Colors: Portraits of Multiracial Families

University of Massachusetts Press
1997-11-21
160 pages
0.5 x 8 x 10.5 inches
ISBN (paper): 978-1-55849-101-4
ISBN (cloth): 978-1-55849-100-7 (out of print)

Gigi Kaeser, Co-director
Family Diversity Projects, Inc., Amherst, Massachusetts

Peggy Gillespie, Co-director
Family Diversity Projects, Inc., Amherst, Massachusetts

Photographs by Gigi Kaeser. Interviews by Peggy Gillespie.

Based on an award-winning photo exhibit, this book documents the feelings and experiences of Americans who live in multiracial families. Of Many Colors tells the stories of thirty-nine families who have bridged the racial divide through interracial marriage or adoption. In these pages, parents and children speak candidly about their lives, their relationships, and the ways in which they have dealt with issues of race.

Although the number of mixed-race families in America is steadily rising, this trend remains controversial. For centuries, America has depended on distinct racial categories for its social, political, and economic organization. The current debate over the inclusion of a “multiracial” category on census forms illustrates the extent to which the deeply embedded construct of race continues to divide our society.

Transracial adoption has also generated fierce controversy and debate. As in the case of racial categories, the discussion of transracial adoption reflects ever-changing social standards. As recently as 1987, thirty-five states had laws prohibiting the adoption of black children by white families. In 1996, however, President Clinton signed a bill making it illegal to prohibit adoptions based on race.

The interviews in this book provide the reader with a clear understanding of how mixed-race families contradict stereotypes, challenge racism, and demonstrate that people of different races can indeed live together in harmony. Family members also have much to say about the most intimate form of integration, familial love, and this love is made visible in the superb photographs by Gigi Kaeser.

Racism And Redemption At The Tournament Of Roses Parade

Forbes
2014-12-31

Andrew Bender, Business Travel Blogger

Joan Williams holds the portrait from 1957, when she was Miss Crown City. On January 1, 2015, after 57 years, she will finally get to ride in the Tournament of Roses Parade. (Photo credit: Savannah Wood)

The theme of 2015′s Tournament of Roses Parade is “Inspiring Stories,” and the person leading it has a doozy: a tale of racism and redemption from a 57-year-old injustice involving the parade itself.

Riding on the first float in the 126th edition of this New Year’s Day tradition, before some 700,000 spectators in Pasadena, Calif. and an estimated 70 million television viewers, will be 82-year-old Joan Williams. She was first slated to ride in the parade in 1958 as Miss Crown City, but later denied the honor because she was African-American.

In 1957, Williams, her husband and two daughters had just moved to Pasadena (about 10 miles northeast of downtown Los Angeles), where she worked for the city’s Department of Water and Power. She didn’t even know there was a Miss Crown City – a Pasadena city employee who appeared at civic ceremonies and rode on the city’s Rose Parade float – until her colleagues had nominated her for the position…

Read the entire article here.

Woman rides in Rose Bowl parade almost 60 years after being snubbed because of her race

The Washington Post
2015-01-01

Diana Reese
Overland Park, Kansas

Racism “was a fact of life,” Joan Williams says about 1958, the year she was supposed to ride on a city-sponsored float in the Rose Parade of Pasadena. The 27-year-old account clerk had been named “Miss Crown City,” with all the attendant duties of ribbon-cuttings and appearances at official functions. The city even paid for Williams’ portrait to be painted while she was wearing a tiara, gown and corsage.

“It wasn’t anything I sought,” Williams told me Wednesday. “My name was submitted unbeknownst to me by someone I worked with.”

She was chosen by the judges to represent the city employees. For someone who’d grown up watching the world-famous parade, it was “a joyous occasion.” But she was so light-skinned no one suspected her African-American heritage until a reporter met her dark-skinned husband and children. That was a game-changer in the late 1950s.

As Jet magazine reported, “Mrs. Williams did not ride on a float, because the City of Pasadena neglected to include one in its own parade. Too many others were already entered, explained an official.”

“Once they learned I was African American, I wasn’t the person they wanted representing the city,” Williams said. “I sure didn’t dwell on it because I had a life to live. That was their problem, not my problem.”…

Read the entire article here.

Joan Williams in Rose Parade after nearly 60 years, but some wonder why she wasn’t in broadcast

Pasadena Star-News
Pasadena, California
2015-01-01

Christina Gullickson, Reporter

Joan Williams, 82, right, rides the theme banner float Inspiring Stories, along Colorado Blvd. during the Rose Parade in Pasadena, California on January 1, 2015. (Photo by Leo Jarzomb/ Pasadena Star-News)

Joan Williams, the 82-year-old Pasadena, Calif., woman who was named “Miss Crown City” in 1957 and didn’t get to ride in the 1958 Rose Parade after word spread of her African-American ancestry, finally had her chance and was on the lead float in the Rose Parade on Thursday, Jan. 1, 2015. Some viewers were left wondering why Williams didn’t make it onto their TVs…

Read the entire article here.

Pasadena, Calif., Negro Queen Snubbed At Rose Bowl Festivities

Jet
1959-01-15
pages 50-51

Mayor J. Miller gifted Mrs. Williams at August ceremonies

For 26-year-old Mrs. Joan R. Williams, first Negro ever crowned queen in the Tournament of Roses’ 12-year history, Pasadena, California’s biggest event was anything but a bowl of roses. Although picked last August from a field of 15 to reign over Pasadena and ride on the city’s official float New Year’s Day, the petite mother of two was in fact a queen without a domain.

For when word spread that light-complexioned Mrs. Williams was a Negro, fellow employees in the municipal office where she works as an accountant-clerk suddenly stopped speaking to her. Mayor Jeth Miller, who crowned her at the city employees annual picnic, neither participated with her in later civic events nor rode with her in the Tournament of Roses parade.

And Mrs. Williams did not ride on a float, because the City of Pasadena neglected to include one in its own parade. Too many others were already entered, explained an official. She did not extend the city’s traditional welcome to the visiting Rose Bowl Queen because officials failed to introduce her. She did not occupy a special place of honor at the Rose Bowl football game, because there was none.

In fact, the only recognition Mrs. Williams received as queen were six free tickets—two for the reviewing stands along the parade route, two for the Coronation Ball and two for the game, where she and hubby, Robert, sat in the end zone as anonymously as other fans. Queenship had been an embarrassing affair both for her and her family, lamented Mrs. Williams. Said she at week’s end: “If I had to do it all over again, I would refuse the title.”

Pretty Mother Of 2 Is Pasadena Queen

Jet
1958-09-18
page 62

Association president Jack Barnes presents Mrs. Williams’ trophy.

In conservative, dignified Pasadena, Calif.,—a city whose traditional reserve is normally broken only once annually by the famed New Year’s Day “Tournament Of Roses“—a tawny-complexioned mother of two broke the tranquility ahead of schedule.

Mrs. Joan Roberta Williams, the first Negro chosen “Miss Crown City” in the 12-year history of the contest, will be the reigning beauty at official city ceremonies and will perform her first duty in November when she opens the Pasadena branch of Sears. Come New Year’s Day, she’ll grace the city’s float in the “Tournament of Roses” parade.

Bolstered by the faith of her sales representative husband, Bob, and armed with the double weapons of good looks and an engaging personality, Mrs. Williams overcame what she considered great odds—15 other pretty nominees—to capture the title.

“My husband was confident all the time, and because of him, I really wanted to win. He was so elated, he bought me a new wardrobe,” she smiled. A city-employed accountant-clerk, college-trained Mrs. Williams is one of a handful of Negro white collar workers employed by the city. Nominated by fellow employes, she was crowned at the annual Pasadena municipal picnic.

A Mestiza in the Borderlands: Margarita Cota-Cárdenas Puppet

Atlantis: Journal of the Spanish Association for Anglo-American Studies
Volume 34, Number 1 (June 2012)
pages 47-62

Ana María Manzanas Calvo
Department of American Literature and Culture
Universidad de Salamanca, Spain

The article explores the formal and conceptual complexities of a novella that has so far escaped wide critical attention even though it tackles similar issues to Anzaldúa’s Borderlands. Like Anzaldúa’s mestiza, Cota-Cárdenas’ narrator finds herself floundering in uncertain territory, for she has also discovered that she cannot hold concepts or ideas within rigid boundaries. That state of dissolution of traditional formations is what Cota-Cárdenas situates at the center of the narrative. Mestizaje in Puppet does not appear as a comfortable and privileged locus, but as a painful ideological repositioning, a third space or element that works against totalizing narratives. The article illustrates how Cota-Cárdenas foregrounds the powerful identitary revision Anzaldúa would carry out in Borderlands, and contributes to the understanding of the self, of culture and the nation from the point of view of borderland subjectivities.

Read the entire article here.

Why mixed-race comic was ‘born a crime’

Cable News Network (CNN)
2014-12-04

Jessica Ellis

Teo Kermeliotis

London (CNN) — When it comes to getting ready for a show, fast-rising South African comedian Trevor Noah has it all figured out.

“My ideal setting is I walk from the streets, backstage and straight onto the stage,” says Noah, who last year became the first African comedian to perform on Jay Leno’s The Tonight Show in the United States.

“Two minutes and I am on the stage. That way in my head I have gone from my world and then into a social setting with my friends. I want my audience to be my friends — that is when they will get the best comedy. If they see me as a performer, they won’t get the best show.”

At just 28 years old, Noah is already a big name in his country’s fledgling standup scene, as well as a cover star for Rolling Stone South Africa. But despite treating the audience as friends, he’s not afraid of provocative subject matter, with his latest show called “The Racist.”

he son of a black South African woman and a white Swiss man who met when interracial relationships were illegal in South Africa, Noah jokes that he was “born a crime.” On stage, he draws upon his particular life experiences to tackle thorny issues with his funny, and sometimes trenchant, punchlines…

Read the entire article here.

Ophelia DeVore-Mitchell (Born 1921): Teaching America that black was beautiful.

The Lives They Lived
The New York Times Magazine
2014-12-25

Touré

DeVore-Mitchell during her modeling days. Photograph by Rupert Callender from the DeVore family archive

One day in 1946, a black woman showed up at the Vogue School of Modeling in New York, seeking to learn the trade. Her arrival caused a stir. The nascent modeling industry was as deeply segregated as America was then, and she was turned away. At the time, the Vogue School of Modeling did not accept black women. Or so it thought.

Unknown to the school, one was already enrolled: Ophelia DeVore-Mitchell. And she had no idea that Vogue was unaware. “I thought they knew what I was,” DeVore-Mitchell would tell Ebony magazine years later. She had not lied to get in; she was so light-skinned that no one thought to ask. She passed inadvertently…

Read the entire article here.