Mixed Race Studies

Performance added for one-woman play at Willamette U.

The Salem Statesman-Journal
Salem, Oregon
2014-10-13

Tom Mayhall Rastrelli, Fine Arts & Culture Writer

Damaris Webb will debut her one-woman play “The Box Marked Black: Tales from a Halfrican American growing up Mulatto. With sock puppets!” at 7:30 p.m. Oct. 24 and 25 at M. Lee Pelton Theatre, Willamette University, 900 State St. According to the box office, the performance Oct. 24 is sold out, but the recently-added performance Oct. 25 has many tickets available.

Using Jenny Willis from “The Jeffersons” as a guide, Webb will narrate her experience of living in an interracial family with storytelling, dance, song and puppetry. The play asks what it means to be black, but it’s themes of abandonment, belonging, fear and acceptance, are universal.

“Hopefully, telling my story will create space for others to unpack and breathe around their own varied identities,” Webb said…

Read the entire article here.

Snap! Space presents Zun Lee

Snap! Orlando
1013 E. Colonial Drive
Orlando, Florida 32803
Saturday, October 25, 2014 14:00-16:00 EDT (Local Time)

Join us for an afternoon artist talk and book signing with photographer Zun Lee.

Zun will be joining us from Toronto and discuss his series ‘Father Figure’ and sign copies of his newly released book Father Figure – Exploring Alternate Notions of Black Fatherhood (September 19, 2014.) Zun’s book release party at the Bronx Documentary Center was so highly anticipated that crowds lined the street surrounding the building around the block to get in. This afternoon at Snap! Space is not to be missed.

Over the course of three years photographer Zun Lee has masterfully attempted to change the perception of the African American father through the lens of his camera. This collection of photographs in the new book is an immersive approach to his remarkable photo documentary project. “Scenes that can stand on their own and humanize the black experience without demanding perfection or respectability,” says Lee were filmed with so much care—vivid images of loving parental relationships that are able to engross any spectator into a family story that is tough to believe. An added revelation: the photographer himself grew up feeling a sense of loss due to his own father’s choice to abandon his family.

Lee, a Toronto-based physician and now self-described street photographer, was born in Germany to what he thought was both a Korean mother and father. As a boy he learned the truth: his black father left his mother upon learning she was pregnant. Lee’s search for compassion led him to families in urban areas of Chicago, New York City, and home to Toronto. Says Lee: “There’s been considerable backlash and confusion regarding why black fatherhood stereotypes are a problem at all, why the special focus on only black fathers, and people who simply refuse to believe that black men can be capable, affectionate loving fathers, period. I appreciate both sides of the collective commentary, because it exemplifies why these images and a broader conversation are needed.”

For more information, click here.

Albert Chong: “The Photomosaics: Works on Paper, Wood, and Stone”, on view through November 1, 2014

Counterpath
613 22nd Street
Denver, Colorado 80205
(303) 953-2692
2014-10-03 through 2014-11-01

“Angela” (2011) by Albert Chong

Opening Friday, October 3, 2014, at 7 p.m., and on view through November 1, 2014, Counterpath is excited to host an exhibit of recent work by Albert Chong, “The Photomosaics: Works on Paper, Wood, and Stone.” The work consists of image transfers onto gridded ceramic or stone tiles that combine to make up a larger image. Included are blatantly political portraits of presidents George W. Bush and Barack Obama, made from portraits of thousands of dead soldiers, to a portrait of activist and former Black Panther Party member Angela Davis, her iconic afro consisting of thousands of portraits of African American women with processed hair. Photomosaics have the mass and presence of sculpture and the transmissive abilities of photography.

For more information, click here.

Hapa changes name to Association of Multiracial People at Tufts to reflect new goals

The Tufts Daily
Medford, Massachusetts
2014-10-14

Yuki Zaninovich, Contributing Writer

For the Association of Multiracial People at Tufts (AMPT), there is a lot in a name. AMPT, formerly known as Tufts Hapa, aims to create a community for students who identify as persons of mixed heritage. Though the name change may seem subtle to some, it now better reflects the target demographic of the group, according to Co-President Zoe Uvin.

According to Uvin, a senior, “hapa” means “half” in Native Hawaiian and is often used to refer to people who identify as a mix of two races. However, this choice of terminology made it seem like the club had a limited scope of interest.

“The term ‘Hapa’ has the connotation of being half-Asian, so I think the name change definitely reflected our priorities much more,” Uvin said. “We’re an association, not a political group or movement of any kind, and we wanted any person who is multiracial, or feels that their family or community makes their identity multiracial, to feel welcomed to join us.”

The name change has been favorably received, according to treasurer Rachel Steindler, a sophomore…

Read the entire article here.

Tangled Roots: A Performance of Real-Life Stories Celebrating Mixed Race Families

Trinity Centre
Trinity Road
Bristol, England BS2 0NW
2014-10-19, 14:00-20:00 BST (Local Time)

Free life-writing workshop and performance with Dr Katy Massey – part of our Black History Month programme

On Sunday 19 October, Tangled Roots are staging a live workshop and performance event at The Trinity Centre. The event is in two parts: a free life-writing workshop in the afternoon led by Dr Katy Massey PhD will then be followed by a live performance staged by the Tangled Roots writers and actors.

Workshop attendees will also have the opportunity to hear their own life experiences dramatised on stage as some of the life-writing produced in the workshop will be adapted by the team becoming part of the live performance.

In addition, attendees can browse an exhibition of photographic portraits of mixed race writers, specially commissioned by Tangled Roots.

Bristol-based poet Katie Grant is a high-profile supporter of the Tangled Roots project. She is part of a mixed race family herself and, last year, presented a documentary ‘The Brown Camp’ about mixed families on Radio 4. “I am thrilled to be representing the Tangled Roots Project in the South West. The history and experiences of mixed race families has a direct relevance and resonance in my life – both as a writer and as a mother” says Grant. “The photographs commissioned by Tangled Roots really reflect the nature of this diverse new population.”

“Bristol’s history at the centre of the UK slave trade is well-known, what isn’t so well documented is the huge mixed population who call Bristol ‘home’. 16% of our city’s population^* belongs to a black or minority ethnic group, but among under 15s the figure is 28%^*. Rising numbers of people are forming relationships across different racial and ethnic groups. As a result, more families than ever before comprise of more than one race. These families – families like mine, in fact – never see their stories represented in the mainstream media. It is the experiences of mixed families in Bristol and the South West that the Tangled Roots project wants to highlight” Grant explained.

Workshop & Performance information

The writing workshop (2pm-5pm) is open to adults who wish to learn how to write about their own life experiences or anyone else’s. You do NOT have to be mixed race to attend! The workshop theme will be “Home” and you must book your place in advance.

The evening performance (7pm- 8pm) is open to young people and adults (please note the performance is not suitable for under 12s). It is free and lasts approximately one hour…

For information, click here.

Hey – Are You White?

The Austin Chronicle
Austin, Texas
2014-10-03

Wayne Alan Brenner, Arts Listings Editor

And what, if anything, do you intend to do about it?

Black may be beautiful, but here’s a somewhat paler man who’s been involved with the uglier parts of the White Power movement. His name is Wesley Connor and he’s the main character in a new drama called Am I White by Austin playwright Adrienne Dawes. And this Connor guy is based on a real, actual person: A man named Leo Felton.

Note: The real guy, Felton, is in prison (not for the first time) as of this writing, sent up for armed robbery and allegations of planning to bomb the Holocaust Museum, and will likely remain there for a couple dozen years or more.

Thing is, this White Power guy, he’s … well, he’s actually of mixed race himself. And this fact was publicized during news coverage of his indictment. And so, back in the harsh black-and-white world of the lock-up, things are now a bit more let’s say problematic for him on a day-to-day basis. Not to mention what might be going on inside the man’s own skull: How does he square all this cognitively dissonant bullshit away?…

Read the entire article here.

Indie Groundbreaking Book: (1)ne Drop

Independent Publisher
October 2014

Craig Manning
Western Michigan University

Landmark Photo Essay Book Seeks to “Shift the Lens on Race”

Has the social and political mindset on race in 2014 changed from where it was 100 years ago? What is the definition of “Blackness” in the modern age? These are just a few of the many questions posed by (1)ne Drop, a landmark new book that seeks to “shift the lens on race” in more ways than one. Written and compiled by Dr. Yaba Blay, Ph. D., a teacher and scholar in the subject of African Studies at Drexel University in Sacramento, CA [Philadelphia, PA], (1)ne Drop is an ambitious project. Part textbook, part photo essay, part academic thesis, (1)ne Drop is also this month’s indie groundbreaking book, and for more reasons than I can list.

On one hand, (1)ne Drop is groundbreaking for shedding a light on the troubling biological basis for much of the racism that has existed in the United States for more than 200 years. That basis is called the “one-drop rule,” a concept that says a person should be identified as “Black” if they have so much as a trace of Black ancestry (or so much as a single drop of Black blood) in their heritage. In the 1900s, the one-drop rule was an actual law, used throughout the southern parts of the country to promote “White racial purity” and overall White supremacy. But while the law is gone, the concept and the thought behind it still persists, and that question of racial identification permeates (1)ne Drop…

Read the entire review here.

In a new play, Adrienne Dawes delves into racial identity

Austin American-Statesman
Austin, Texas
2014-10-01

Jeanne Claire van Ryzin, Reporter/Arts Critic

Before the dialogue begins, before the first stage direction is explained, the complexities of race and racial identity percolate up from the script of “Am I White,” a new play by Austin writer Adrienne Dawes.

Take the cast list: “Wesley Connor, biracial (passes as white), member of the White Order of Thule,” “Ryan Cahill, white, member of the Aryan Brotherhood” and “Justine Ramos, biracial (could pass as black).”

Ricocheting back and forth in time, seguing into nightmarish scenes played out as a disturbing minstrel show, “Am I White” tells the story of an imprisoned neo-Nazi convicted of plotting terrorist acts who must confront his own mixed-race heritage.

Directed by Jenny Larson, “Am I White” opened Wednesday for a three-week run at Salvage Vanguard Theater.

“Am I White” is based on the true story of Leo Felton, a white supremacist who hid his own mixed-race identity as the child of a short-lived idealistic Civil Rights-era marriage between a black architect and a white former nun…

Read the entire review here.

Preview: Fanshen Cox DiGiovanni questions race and identity in “One Drop of Love”

ArtsATL: Atlanta’s source for arts news and reviews
2014-09-21

Kelundra Smith

Fanshen Cox DiGiovanni

As an MFA candidate in the Television, Film and Theatre program at California State University, Los Angeles, Fanshen Cox DiGiovanni originally set out to make a documentary about identity and race, using her Jamaican and white ancestry as the core of the story, as her thesis project. But since her concentration was on performance, a professor advised her to do a theater piece to showcase her acting chops. So she took her footage and research and transformed the documentary into a multimedia one-woman show called One Drop of Love. She is performing that show in the Fox Theatre’s Egyptian Ballroom tonight at 7 p.m.

The title derives from the U.S. Census “one drop rule,” which states that a person who has at least one parent of African descent is automatically considered black. The daughter of a Jamaican father (Winston Barrington Cox) and white mother (Trudy Cox), DiGiovanni spent her early years in Washington, D.C., until her parents divorced and she moved to Cambridge with her mom and brother Winston. She spent much of her life questioning and aligning herself with a strong black identity, but falling in love with a European man caused her to ponder that choice more intensely.

The blue-eyed, blonde-haired actor, writer and producer married her husband, Diego, in July 2006, and her father did not attend the wedding. His absence from her nuptials caused them not to speak for seven years. But One Drop of Love needed an ending, just as her relationship with her father needed reconciliation. Here DiGiovanni talks about her ethnic identity, the role race has played in her family and a chance encounter with one of the show’s producers, actor Ben Affleck.

ArtsATL: How do you ethnically identify?

Fanshen Cox DiGiovanni: I am a culturally mixed woman searching for racial answers. That’s the best I can say, and I explore this in the show. I talk about how my ethnic identity has changed over the years, based on geography and relationships with my family. It is constantly changing. However, I got to the point politically where I had to educate myself about the way black people are treated in this country. As someone who may not look black or identify as black, I have a lot of privileges that people who don’t look like me — who aren’t light-skinned or have blue eyes — can’t take advantage of. Sometimes I think that calling myself black and aligning myself with that struggle does a disservice to people who are actively living that struggle, because they don’t have the same privileges…

…ArtsATL: In identifying as black, did that affect your relationship with your white mother?

DiGiovanni: Momma Trudy is a free spirit who loves everybody and cares deeply about justice and equality, and she was all for it. She encouraged my brother and me to attend historically black colleges. She encouraged us to identify as black. She was never hurt by my identity choices. She encouraged us to know her family, but she also shared stories about how her mother disinherited her after she married my father. She did us a great service, because she shared it all with us, including her understanding of justice and equality, especially knowing that my brother was going to move through life as an identifiable black man…

Read the entire interview here.

Hapa-palooza 2014 celebrates three giants of mixed-heritage

Vancouver Observer
Vancouver, British Columbia, Canada
2014-09-28

Jordan Yerman

An artist, a scientist, and a poet: Hapa-palooza honours Kip Fulbeck, Ann Makosinski, and Fred Wah.

“What am I? I’m what’s on your spoon when you pull it out of the melting pot!!” So writes a subject in California-based artist Kip Fulbeck’s photo series “part asian, 100% Hapa“.

“The Hapa Project” just opened at the Nikkei National Museum, which also hosted Hapa-palooza’s inaugural Hip Hapa Hooray awards. The evening honoured three key figures in North America’s mixed-heritage community, who come from different generations and exceed in different disciplines.

Hapa-palooza co-founders Zarah Martz, Anna Ling Kaye, and Jeff Chiba Stearns presented awards to Fulbeck, inventor Ann Makosinski and poet Fred Wah…

Read the entire article here.