Mixed Race Studies

Being black in Nazi Germany

BBC News
2019-05-21

Damian Zane

This photo was used in genetics lectures at Germany’s State Academy for Race and Health Library of Congress

Film director Amma Asante came across an old photograph taken in Nazi Germany of a black schoolgirl by chance.

Standing among her white classmates, who stare straight into the camera, she enigmatically glances to the side.

Curiosity about the photograph – who the girl was and what she was doing in Germany – set the award-winning film-maker off on a path that led to Where Hands Touch, a new movie starring Amandla Stenberg and George MacKay.

It is an imagined account of a mixed-race teenager’s clandestine relationship with a Hitler Youth member, but it is based on historical record…

…Racist caricatures

The derogatory term “Rhineland bastards” was coined in the 1920s to refer to the 600-800 mixed-race children who were the result of those relationships.

The 1936 headline in the Frankfurter Volksblatt says: “600 Bastards Accused, the legacy of black crimes against the Rhinelanders” Robbie Aitken

The term spoke to some people’s imagined fears of an impure race. Made-up stories and racist caricatures of sexually predatory African soldiers were circulated at the time, fuelling concern…

Read the entire article here.

Luso-Tropicalism and Its Discontents: The Making and Unmaking of Racial Exceptionalism

Berghahn Books
April 2019
346 pages
15 illus., bibliog., index
Hardback ISBN: 978-1-78920-113-0
eBook ISBN: 978-1-78920-114-7

Edited by:

Warwick Anderson, Janet Dora Hine Professor of Politics, Governance and Ethics
Department of History; Charles Perkins Centre
University of Sydney

Ricardo Roque, Research Fellow at the Institute of Social Sciences
University of Lisbon

Ricardo Ventura Santos, Senior Researcher at Fundação Oswaldo Cruz; Professor
Department of Anthropology
National Museum, Rio de Janeiro, Brazil

Modern perceptions of race across much of the Global South are indebted to the Brazilian social scientist Gilberto Freyre, who in works such as The Masters and the Slaves claimed that Portuguese colonialism produced exceptionally benign and tolerant race relations. This volume radically reinterprets Freyre’s Luso-tropicalist arguments and critically engages with the historical complexity of racial concepts and practices in the Portuguese-speaking world. Encompassing Brazil as well as Portuguese-speaking societies in Africa, Asia, and even Portugal itself, it places an interdisciplinary group of scholars in conversation to challenge the conventional understanding of twentieth-century racialization, proffering new insights into such controversial topics as human plasticity, racial amalgamation, and the tropes and proxies of whiteness.

Contents

• List of Illustrations
• Acknowledgments
• Introduction: Luso-tropicalism and Its Discontents / Warwick Anderson, Ricardo Roque and Ricardo Ventura Santos
• PART I: PICTURING AND READING FREYRE
  • Chapter 1. Gilberto Freyre’s view of miscegenation and its circulation in the Portuguese Empire (1930s-1960s) / Cláudia Castelo
  • Chapter 2. Gilberto Freyre: Racial Populism and Ethnic Nationalism / Jerry Dávila
  • Chapter 3. Anthropology and Pan-Africanism at the Margins of the Portuguese Empire: Trajectories of Kamba Simango / Lorenzo Macagno
• PART II: IMAGINING A MIXED-RACE NATION
  • Chapter 4. Eugenics, Genetics and Anthropology in Brazil: The Masters and the Slaves, Racial Miscegenation and its Discontents / Robert Wegner and Vanderlei Sebastião de Souza
  • Chapter 5. Gilberto Freyre and the UNESCO Research Project on Race Relations in Brazil / Marcos Chor Maio
  • Chapter 6. An Immense Mosaic”: Race-Mixing and the Creation of the Genetic Nation in 1960s Brazil / Rosanna Dent and Ricardo Ventura Santos
• PART III: THE COLONIAL SCIENCES OF RACE
  • Chapter 7. The Racial Science of Patriotic Primitives: Mendes Correia in ‘Portuguese Timor’ / Ricardo Roque
  • Chapter 8. Re-Assessing Portuguese Exceptionalism: Racial Concepts and Colonial Policies toward the Bushmen in Southern Angola, 1880s-1970s / Samuël Coghe
  • Chapter 9. “Anthropo-Biology”, Racial Miscegenation and Body Normality: Comparing Bio-Typological Studies in Brazil and Portugal, 1930-1940 / Ana Carolina Vimieiro Gomes
• PART IV: PORTUGUESENESS IN THE TROPICS
  • Chapter 10. Luso-Tropicalism Debunked, Again: Race, Racism, and Racialism in Three Portuguese-Speaking Societies / Cristiana Bastos
  • Chapter 11. Being (Goan) Modern in Zanzibar: Mobility, Relationality and the Stitching of Race / Pamila Gupta
• Afterword I / Nélia Dias
• Afterword II / Peter Wade

New documentary ‘Being Both’ explores mixed-race identity

METRO.co.uk
2019-04-29

Natalie Morris, Senior lifestyle Writer

The UK’s fastest-growing ethnic group is comprised of anyone with parents who have two of more different ethnicities – and the varieties within that group are almost endless.

The realities of being mixed-race are unique and often overlooked in mainstream narratives, but documentary maker Ryan Cooper-Brown wants to change that. His new short documentary film Being Both tackles issues that directly relate to the mixed-race experience, from displacement and family conflict to racism and fetishisation.

But the film is also brimming with hope and shines a light on the many positives that come with having mixed heritage.

The eight-minute film condenses a series of compelling stories from the mixed-race community. It is an intimate and uplifting short that captures the shared challenges, emotions and histories of mixed-race people from the UK, Denmark, Italy, Brazil, Mexico, Germany and Japan…

Read the entire article here.

Belgium has apologised for its abuse of mixed race children – it’s time for Ireland to do the same

gal-dem
2019-04-11

Charlie Brinkhurst Cuff

Image via Métis Association of Belgium / Facebook

The apology from Belgium’s prime minister, Charles Michel, for the segregation, kidnapping and trafficking of as many as 20,000 mixed-race children in the Congo, Burundi and Rwanda, is long overdue. Forcibly taken from Africa to Belgium between 1959 and 1962, métis children born in the 1940s and 50s were left stateless. If you’re not aware of the atrocities of colonialism (Belgium was responsible for the deaths of between 10 to 15 million Africans), this type of identity-destroying abuse might feel hard to comprehend – especially situated in such recent history. But in the UK, we have our own unresolved issues with the treatment of dual heritage children slightly closer to home: in Ireland.

The correlations between the cases are striking. In Belgian colonies, many métis were brought up in Catholic institutions or orphanages, away from family and sometimes removed from where they were born. “These children posed a problem. To minimise the problem they kidnapped these children starting at the age of two… The Belgian government and the missionaries believed that these children would be subjected to major problems,” Francois Milliex, the director of the Métis Association of Belgium, told RFI.

Similarly, in Ireland, it has been documented that mixed-race children were left to rot in mother and baby homes and industrial schools in the 1940s to 60s. The Catholic Church was involved – nuns and priests would often run the homes and schools. “To be Irish was to be Roman Catholic. To be Roman Catholic was to be Irish,” says Rosemary Adaser, who co-founded the Mixed Race Irish campaign and support group for victims of the homes and schools. “It wasn’t uncommon for the Roman Catholic Church to send over its priests to the Irish community in London and give them lessons in morality.”…

Read the entire article here.

Mixed Up: ‘You don’t get to tell me that I’m not really black’

METRO.co.uk
2019-03-27

Natalie Morris, Senior lifestyle Writer

Kristian has never lived in any country for more than five years. (Picture by Jerry Syder for Metro.co.uk)

Kristian Foged has never lived in one country for more than five consecutive years. With influences from Uganda, Denmark and The Seychelles, his cultural experience couldn’t be more varied.

‘“Where are you from?” has always been a complicated question for me,’ Kristian tells Metro.co.uk.

‘My mix is firstly one of ethnicity, with my mom being from The Seychelles and my dad from Denmark. But it is also a mixed heritage and cultural upbringing.

‘While my mom’s side of the family is fully Seychellois, my grandparents emigrated from The Seychelles to Uganda when they were young, which meant my mom was actually born in Uganda and has spent her whole life there.

‘On the other side of the world, my dad was born in Denmark, and became an engineer because he wanted a job he could do anywhere. Eventually, he ended up in Uganda and met my mom.

‘Since my first four or five years in Uganda, I have moved back and forth between Uganda, Denmark and Greenland, before finally moving to study at university in England in 2010.

‘My moving around as a kid has actually meant I have never lived in any country for more than five years in a row. In fact, if I make it past this summer, London will be my new record!’

Being mixed-race is important to Kristian. The transiency of his upbringing made fitting in a constant battle, but it also generated a strong desire to form a solid sense of identity. No matter where in the world he moved, that sense of self could come with him…

Read the entire article here.

Belgium apology for mixed-race kidnappings in colonial era

BBC News
2019-04-04

Many mixed-race people were in parliament to watch Mr Michel apologise

Belgian Prime Minister Charles Michel has apologised for the kidnapping of thousands of children born to mixed-race couples during colonial rule in Burundi, DR Congo and Rwanda.

The “métis” children born to Belgian settlers and local women were forcibly taken to Belgium and fostered by Catholic orders and other institutions.

About 20,000 children are believed to have been affected.

Most fathers refused to acknowledge the paternity of their children.

The children were born in the 1940s and 1950s and taken to Belgium from 1959 until the independence of each of the three colonies.

Some of the children never received Belgian nationality and remained stateless.

Speaking in the Belgian parliament, Mr Michel said the country had breached the children’s basic human rights, seeing them as a threat to the colonial system.

It had, he said, stripped them of their identity, stigmatised them and split up siblings…

Read the entire article here.

Taxing Blackness: Free Afromexican Tribute in Bourbon New Spain

University of Alabama Press
February 2019
312 pages
9 B&W figures / 3 maps / 23 tables
Trade Cloth ISBN: 978-0-8173-2007-2
eBook ISBN: 978-0-8173-9220-8

Norah L. A. Gharala, Colonial Latin Americanist and Assistant Professor of World History
Georgian Court University, Lakewood, New Jersey

A definitive analysis of the most successful tribute system in the Americas as applied to Afromexicans

During the eighteenth century, hundreds of thousands of free descendants of Africans in Mexico faced a highly specific obligation to the Spanish crown, a tax based on their genealogy and status. This royal tribute symbolized imperial loyalties and social hierarchies. As the number of free people of color soared, this tax became a reliable source of revenue for the crown as well as a signal that colonial officials and ordinary people referenced to define and debate the nature of blackness.

Taxing Blackness:Free Afromexican Tribute in Bourbon New Spain examines the experiences of Afromexicans and this tribute to explore the meanings of race, political loyalty, and legal privileges within the Spanish colonial regime. Norah L. A. Gharala focuses on both the mechanisms officials used to define the status of free people of African descent and the responses of free Afromexicans to these categories and strategies. This study spans the eighteenth century and focuses on a single institution to offer readers a closer look at the place of Afromexican individuals in Bourbon New Spain, which was the most profitable and populous colony of the Spanish Atlantic.

As taxable subjects, many Afromexicans were deeply connected to the colonial regime and ongoing debates about how taxpayers should be defined, whether in terms of reputation or physical appearance. Gharala shows the profound ambivalence, and often hostility, that free people of African descent faced as they navigated a regime that simultaneously labeled them sources of tax revenue and dangerous vagabonds. Some free Afromexicans paid tribute to affirm their belonging and community ties. Others contested what they saw as a shameful imposition that could harm their families for generations. The microhistory includes numerous anecdotes from specific cases and people, bringing their history alive, resulting in a wealth of rural and urban, gender, and family insight.

That was the Worst Day of My Life: Recrafting Family through Memory, Race, and Rejection in Post-WWII Germany

Genealogy
Volume 1, Issue 2 (2017)
25 pages
DOI: 10.3390/genealogy1020011

Tracey Owens Patton, Professor
Department of Communication & Journalism
University of Wyoming

Figure 1. Ebony October 1948 (on left); “Brown Babies Adopted by African American Families, Jet Magazine, 8 November 1951 (on right) (Jet Magazine 1951).

This research project is a historical and narrative study of cross-racial, international couplings between Black U.S. servicemen and White German women during WWII and the children who resulted from these relationships. Once pejoratively referred to as “Brown Babies,” or worse, often both the U.S. and German governments collaborated in the destruction of families through forbidding interracial coupling and encouraging White German women to either abort mixed raced babies or give up these children for international adoption in an effort to keep Germany White. Using my own family’s history to show that mixed race children are the dross that needed to be removed from Germany, I employed memory and post-memory as my theoretical framing, coupled with authoethnography, family interviews, and narratives as my methodological tools. Of primary concern is what place Black German children and their mothers were allowed to occupy in the German national imagination and to what extent their individual rights and interests were superseded by the assertion of state interest in managing the German citizenry. Ultimately, it is argued that different tactics of constituting Germanness as homogenously White comes at the expense German women’s rights over their bodies and the exclusion of mixed race Black German children.

Read the entire article HTML or PDF format.

Theaster Gates on how his new show was inspired by the eviction of 45 people from an island in Maine

The Art Newspaper
2019-02-01

Anna Swansom

Theaster Gates ©Theaster Gates; Photo: Julian Salinas

The Chicago-based artist’s exhibition in Paris examines the forced removal in 1911 of the inhabitants of Malaga Island

The US artist Theaster Gates has taken the eviction of a mixed-race community from a small island in Maine as the starting point for his first solo exhibition in France, opening this month at the Palais de Tokyo. In 1912, 45 people from Malaga Island were evicted by the state authorities and eight of them were committed to the Maine School for the Feeble-Minded following the state’s purchase of the island in 1911. The island, a poor fishing village of black, white and mixed-race people, was ridiculed in a Maine newspaper as a “strange community” of “peculiar people”; its eviction has recently been described by a US documentary as having been motivated by economics, racism, eugenics and political retribution.

Through new works including sculptures, a film and a video, the Chicago-based artist has developed the wide-ranging project and exhibition, Amalgam, which explores the complexity of interraciality and migratory histories. The show has been organised by Katell Jaffrès and has received support from Regen Projects, Richard Gray Gallery and White Cube.

The Art Newspaper: How did you become interested in the history of Malaga Island and how did this lead to Amalgam?

Theaster Gates: I had started a residency in 2017 at Colby College in Maine and was visiting a friend who said there was this important, not well-known history about this island that used to have black and mixed-race people that were evicted. We were in a boat and he suggested having lobsters on the adjacent island before checking it out. So I learned of it quite leisurely and then started to do research.

The idea of interracial mixing led to the creation of a sculptural form, “amalgam”: a by-product of what happens when one artistic form from history meets another one to create a new kind of work. I wanted to create a bridge that would make people more curious about this island and for people who are of mixed race and from backgrounds where their parents are of different religions, I wanted Malaga to be a place where all mixes felt that they had a home. The beauty of mixing is one of the cornerstones of the exhibition…

Read the interview article here.

Enemies in Love: A German POW, a Black Nurse, and an Unlikely Romance

The New Press
May 2018
288 pages
5½ x 8¼
Hardcover ISBN: 978-1-62097-186-4

Alexis Clark, Adjunct Faculty
Columbia Journalism School, New York, New York

A true and deeply moving narrative of forbidden love during World War II and a shocking, hidden history of race on the home front

This is a love story like no other: Elinor Powell was an African American nurse in the U.S. military during World War II; Frederick Albert was a soldier in Hitler’s army, captured by the Allies and shipped to a prisoner-of-war camp in the Arizona desert. Like most other black nurses, Elinor pulled a second-class assignment, in a dusty, sun-baked—and segregated—Western town. The army figured that the risk of fraternization between black nurses and white German POWs was almost nil.

Brought together by unlikely circumstances in a racist world, Elinor and Frederick should have been bitter enemies; but instead, at the height of World War II, they fell in love. Their dramatic story was unearthed by journalist Alexis Clark, who through years of interviews and historical research has pieced together an astounding narrative of race and true love in the cauldron of war.

Based on a New York Times story by Clark that drew national attention, Enemies in Love paints a tableau of dreams deferred and of love struggling to survive, twenty-five years before the Supreme Court’s Loving decision legalizing mixed-race marriage—revealing the surprising possibilities for human connection during one of history’s most violent conflicts.