Mixed Race Studies

Transnational Perspectives on Black Germany

University of Toronto
Innis Town Hall
2 Sussex Avenue
Toronto, Ontario, M5S 1J5 Canada
2018-05-23 through 2018-05-25

Sponsors: Germanic Languages & Literatures, Cinema Studies Institute, Gender & Women’s Studies Institute, Centre for Transnational & Diaspora Studies, Comparative Literature, SSHRC, Centre for the United States, TIFF, DAAD, and Heinrich Böll Stiftung

The Black German Heritage and Research Association (BGHRA) is collaborating with the Department of Germanic Languages & Literatures and the Cinema Studies Institute at the University of Toronto in hosting the 3-day SSHRC-funded conference, “Transnational Perspectives on Black Germany” in Toronto, Ontario, on May 23-25, 2018. The event will feature keynote addresses by Fatima El-Tayeb and Noah Sow, a screening of “On Second Glance” (dir. Sheri Hagen, 2012) at TIFF’s Bell Lightbox with filmmaker in attendance, and a dance-music-word tribute to Afro-German poet and activist May Ayim by guest artists Layla Zami and Oxana Chi.

REGISTRATION OPEN UNTIL 4/21/2018

For more information, click here.

Searching For A Motherland As A Black Latina

The Huffington Post
2018-03-30

Maria V. Luna, Associate Lecturer
Goldsmiths University of London

Author Maria V. Luna in the Dominican Republic on her way to celebrate carnival in 2011. Maria V. Luna

For Black Latinx in the U.S., bicultural, bilingual ― if they are lucky ― and born to immigrant parents, there is no motherland.

Though 25 percent of U.S. Latinos self-identify as Afro-Latino, we are not always made to feel at home in our own country. To be Latinx in the U.S. is to encounter xenophobic rhetoric from the top of our nation’s political leadership down to its base. To be black Latinx is to discover that xenophobia layered with anti-black rhetoric brews even among our own ethnic group.

Scholars Miriam Jiménez Román and the late Juan Flores consider W.E.B. Du Bois when describing the experience of the Afro-Latino in the U.S. as a triple consciousness — an awareness of being black, Latino and American. It is an elastic awareness, a way of moving in the world that has been woefully underexplored in America and in Spanish-language media and entertainment.

As an Afro-Latina, I often wondered: Where are my people? Where are those who crave mangú for breakfast, a Cuban sandwich for lunch and tres leches dessert? Where are those who love the “One Day at a Time” reboot with a Latin cast but winced when Lydia, played by Rita Moreno, repeats with conviction, “Cubans are white!” Didn’t abuela dance to Celia Cruz every morning as she made breakfast?

As soon as I could, I journeyed far from New Jersey to find my people. I looked for my kindred in the Dominican Republic, in Brazil, in Spain and in the maternal monolith I once imagined Africa to be.

I was looking for that mythical interstitial place where my blackness and Latinidad could peacefully coexist. This is what I found…

Read the entire article here.

Kevin Sharkey wants to become Ireland’s first black president

Extra.ie
2018-03-26

Alison O’Reilly
DMG Media Ireland

Artist and former RTÉ star Kevin Sharkey has laid out his stall for his presidential election bid as he hopes to be Ireland’s first black president.

Sharkey, 56, who in recent years fell on hard times and was homeless for a period, said he intends to speak to county councils and TDs across the country in the coming months to seek their support for his nomination.

The painter recently revealed he would like to be an independent candidate in the next general election, but he is also assembling a team to help him get nominated to run for the áras…

Read the entire article here.

Africanus Princeps? The Emperor Caracalla and the Question of His African Heritage

Journal of Black Studies
First Published 2018-03-12
DOI: 10.1177/0021934718760219

Alex Imrie
University of Edinburgh, Edinburgh, United Kingdom

This article responds to a recent publication in the Journal of Black Studies regarding the emperor Caracalla, who ruled the Roman Empire between AD 211 and 217, following the murder of his younger brother, Geta. In addition to offering an exploration of his career, the recent essay attempts to investigate the importance of Caracalla’s African heritage to the historical portrait of him that survives into modernity, claiming that both ancient sources and modern scholars have downplayed the emperor’s origin and ancestry. Unfortunately, the publication is beset by factual errors that serve to undermine its case. This article addresses these shortcomings and attempts to explain the scholarly approach to Caracalla’s ethnicity, showing that there was some recognition of Caracalla’s African roots, even in antiquity. Furthermore, this article considers the question of modern Africa’s relationship with the emperor, noting the symbolism of the Severan family within Libya under the dictator Muammar Gaddafi.

Read or purchase entire article here.

Interrogating the African Roman Emperor Caracalla: Claiming and Reclaiming an African Leader

Journal of Black Studies
Volume 47, Issue 1, January 2016
pages 41–52
DOI: 10.1177/0021934715611376

Molefi Kete Asante, Professor of African American Studies
Temple University, Philadelphia, Pennsylvania

Shaza Ismail
Helwan University, Cairo, Egypt

This essay provides an interrogation into the historical and personal contradictions in the character of the Roman Emperor Caracalla. As an emperor of African origin who once ruled the world, the nature of his rule, in its political and social dimension, has not been adequately studied. In fact, the scholarly sources that focused on Caracalla as a powerful ruler hardly mention his African origin and in some cases outright deny the fact that he was African. On the other hand, many European writers who do understand his political significance refer to his military achievements ignoring his origin. This work seeks to place Caracalla in the historical setting that befits his adventure as emperor during the time of Rome’s incessant leadership crises. While we know that Caracalla’s life was a series of bold and cruel actions as well as creative achievements, this work discusses his life in the context of his humanity more than to itemize his imperial achievements. The idea is to reveal through the literature and history as much as we can of his complex character in amid the challenging circumstances that surrounded his life and career.

Read the entire article here.

First Encounters: Chi-Chi Nwanoku and Keith Pascoe

The Irish Times
2017-05-03

Frances O’Rourke

Chi-Chi Nwanoku

‘Ireland brought us back together’

Chi-Chi Nwanoku is a double bassist and a founder member of the Orchestra of the Age of Enlightenment. The eldest of five children of a Nigerian father and an Irish mother, she pursued a career in music after injury ended a promising athletics career. She grew up in Kent and Berkshire and now lives in London

The first time I saw Keith was when we were college students in our early 20s. He seemed incredibly composed, confident, like a good fun guy – he had a mischievous twinkle in his eye which I liked. We weren’t in each other’s social circles but I registered Keith as a kindred spirit.

I’d only started playing the double bass when I was 18, after an athletics injury. When I came out of hospital, my A Levels music teacher said, you have music coursing through your veins – now that your sprinting career is over, if you pick an unpopular orchestral instrument, you could just possibly have a career. I’d played piano since I was seven but I’d never played in an orchestra before. A few years later I got into the Royal Academy of Music…

…I had been in Ireland just once before when I’d taken my mother there in 1986. She hadn’t been back to Ireland in 36 years, didn’t know how she’d be received: she was born in Cappamore in Limerick, grew up in Thurles, but was kind of abandoned by her family after she met and married my father, an Igbo from east Nigeria, in London. We grew up with lots of wonderful stories and memories that she gave us but she had a very very tough time. In London in the 1950s, it was “no blacks, no Irish, no dogs” – it was as much as my parents could do to find a roof over their heads…

Read the entire article here.

National Identity, Citizenship, and Belonging: Afro-descendants in Spain and Catalonia – Agnes

The Afropean: Adventures in Afro Europe
2017-10-27

Abena Wariebi

The second excerpt from interviews taken from a Master’s thesis carried out by Abena Wariebi at the Universitat Pompeu Fabra in Barcelona, Spain.

Entitled “National Identity, Citizenship, and Belonging: Afro-descendants in Spain and Catalonia”, the thesis is an investigation of black identities in Barcelona, specifically exploring what it means to be black and Spanish, or black and Catalan.

These interviews represent a small part of the black community in Barcelona. This thesis is in no way conclusive or overall encompassing. It does not represent the views or opinions of all Afro-descendants in Barcelona or Spain. Nevertheless, these accounts are powerful, enriching, and demonstrate the unquestionable solidarity that exists within the diaspora.

Name: Agnes
Age: 20
Profession: Teacher and Photographer

Agnes, teacher and photographer

“I think my mum is the only person in the world who thinks I’m Spanish. Because when I go out on the street, when like a policeman comes and they see my passport or whatever they keep asking ‘oh but where are you from? This says Spain; this says you were born in Barcelona but where are you from? Where is your dad from? Where is your mum from? So, I feel like, I don’t want to be Spanish.

I really feel like I’m Cameroonian. And in a way my dad always tried to raise me to feel like I’m not Spanish, I’m Cameroonian.”…

Read the entire article here.

Being Black: Still a multi-front struggle

DW
2017-04-07

Theodor Wonja Michael

A particular excerpt of the DW documentary “Afro.Germany” went viral: the touching testimony of one of the oldest Afro-Germans born in Berlin. Here’s what can be learned from social media users’ hundreds of reactions.

“I am an African – I didn’t even know Cameroon and Togo were German colonies,” said one social media user, reacting to an online video clip about the life and times of Theodor Wonja Michael, one of Germany’s oldest contemporary witnesses.

The clip is an excerpt from “Afro.Germany,” a documentary project by Deutsche Welle, which aims to chronicle the diversity of Black experiences in Germany and challenge the historical amnesia surrounding Germany’s colonial past.

The video narrates Michael’s extraordinary experiences as a Black person in Germany.

Born in Berlin in 1925, Michael was forced to act in “human zoos” during his childhood. He survived the Nazi era and later became an actor and author…

…A further challenge: fluid identities

However, subsequent analysis by researchers such as E. P. Johnson, has drawn attention to the more troubling implications of Black identity politics.

Black pride can inadvertently promote the problematic notion of Black authenticity – that is to say, it can construct an image of the the “real Blacks” and the “real” Black experience, to which the individuals must conform and relate. This line of thinking can hinder efforts geared towards separating identity from race.

For example, one commentator insisted on referring to Michael as “mixed-race” and denounced the acceptance of “trans-racial crap.”

Race does not define us, but it does influence our experience of the world. Needless to say, “Black” includes a spectrum of peoples whose experience of race varies depending on the interaction of other factors, such as class, culture, gender, nationality, etc. For many people, race is not a black and white issue, but a multi-front struggle for inclusion in their “own” communities.

“My mother was French, my father was American […] Being light skinned, I fought blacks because I wasn’t dark enough. I fought whites because I was colored. Fought Spanish, Puerto Ricans because they said I was a ‘wanna be’ and fake,” said one commentator…

Read the entire article here.

Eve Rosenhaft and Robbie Aitken

The New Book Network
2017-02-04

Black Germany: The Making and Unmaking of a Diaspora Community, 1884-1960 (Cambridge University Press 2015)

“There were black Germans?”

My students are always surprised to learn that there were and are a community of African immigrants and Afro-Germans that dates back to the nineteenth century (and sometimes earlier), and that this community has at times had an influence on German culture, society, and racial thinking that belied its small size.

Germany’s role in colonizing Africa has received increased attention lately, with an exhibit on German colonialism appearing at the Deutsches Historisches Museum in October and recent headway on a deal for Germany to pay reparations to the descendants of Herero and Nama genocide victims in Namibia. In Black Germany: The Making and Unmaking of a Disapora Community, 1884-1960 (Cambridge University Press, 2015), Eve Rosenhaft and Robbie Aitken supply a part of the colonial story that gets even less attention than that of Germans in Africa: what about Africans in Germany? Focusing primarily on a community of West-African-born black Germans and their families, Rosenhaft and Aitken trace the groups evolution in the nineteenth century through its persecutions by the Nazi state and postwar existence.

Download the interview (00:25:27) here.

Emma: On Whether Irish Black People Are Woke, and on Changing “Foreign” Names

Dublin Inquirer
2017-10-25

Emma Dabiri

Illustration by Rob Mirolo

Do you think Irish black people are woke? What’s being woke? Is there any civil-rights movement? You’re mixed race, so are you black? Africa: would someone like yourself get the culture? What did you get culture-wise from your father’s side? Irish people come across as just trying to look for one person they can say… Yes, here is our black successful person, as opposed to uplift black Irish people in general […] In Dublin, Pavee Point has a centre. The LGBT community has Outhouse. Why do you think ethnic minorities don’t have such a place?

Cheeky! This is like 10 questions but I like ‘em, so let’s go. Let’s start with explaining “woke”. “Staying woke” refers to questioning the dominant paradigm, and occupying a state of awareness about structural oppressions.

The phrase “staying woke” has some early references in the 1960s, it was then further popularised in the 2008 song “Master Teacher” by Erykah Badu, but really caught on following the wave of protest after the 2014 shooting of Michael Brown in Ferguson and the subsequent rise of Black Lives Matter. In 2016, “woke” entered into the Oxford Dictionary…

…Am I black? Gosh you aren’t shying away from the big questions, now are ye? But yes, I identify as black. The thing is, despite being told I was black (and often not so politely) my whole damn life, and often being reminded that I wasn’t “really Irish”, my claiming of my blackness still elicits occasional cries of “But what about your ma?” or “You’re erasing your Irishness!” Blah blah di blah blah blah.

I think what we really need to look at is why a person with a white parent can identify as black, but why a person with a black parent can rarely, if ever, identify as white. We have to stop acting as though racial constructions are rational or ordered. They are not. I always say that you cannot be “half white”. You are either white or you’re not. And I’m not…

Read the entire article here.