Mixed Race Studies

Zwarte Piet is a product of the Netherlands’ long involvement in the slave trade

Media Diversified
2016-05-05

Karen Williams

The first time that I saw a photograph of the Zwarte Piet celebrations in the Netherlands, the door to questions of slavery in my own life swung wide open. There – right there – looking back at me was the representation of my personal history, and the long history of Dutch slavery that incorporates South Africa and the rest of the world.

Yes, there was the sambo figure in blackface with the signature gold hoop earrings signifying an enslaved African person, but Zwarte Piet was more: an invisible thread to my own history given human form and also contradicting the myth that I have descended from people who were born from benign white and black sexual relationships. Picking up the thread has led me here, astonished at the long silenced history of slavery not only in South Africa, but also across Asia.

Zwarte Piet is not a metaphor combining Dutch Christmas myth with American racial idiomatic expression: the figure comes out of a very real, documented history of slavery perpetrated by the Netherlands. At the same time, focusing on Zwarte Piet solely as a troubling racist figure will ultimately erase and silence discussions on the history that birthed him and maintained his place as a cultural necessity in the Netherlands…

Read the entire article here.

Stranger In The Village – A Visual Essay

Phoebe Boswell, Visual Artist
2015-12-15

Artist’s Talk at Bla Stallet Konsthallen,
Angered, Gothenburg, Sweden
September 2015

The term ‘residency’ is an interesting one to me – it offers a sense of belonging, of being present, resident, which is artificial of course since you are more often than not placed somewhere you have no connection with, no ties to, no friends in, and no reason for being there, except of course to make work. Belonging is something I think a lot about in my work. A tutor at the Slade once said to me that you make work to ‘fill a hole’, and the difficulty lies in determining within us what that hole is. Mine, I realise, is ‘home’, or a lack of it, and I’m fascinated by how, as human beings, we each individually negotiate our personal sense of belonging.

To give a little history, I’m from Kenya. My father’s family settled there from Britain three generations before him, bought land and farmed it, and he grew up bearing the guilt of a colonial system within his home, much to his dismay.

My mother’s family are Kikuyu, and of course it was the Kikuyu who set up the Mau Mau who fought for Kenya’s independence from the British, and won it in 1963…

Read the entire article here.

Artist Turns Racist Flirtations on Tinder Into Compelling Look at Race and Sex

The Root
2016-05-13

Demetria Lucas D’Oyley

Phoebe Boswell Source: phoebeboswell.com

She Matters: Inspired by James Baldwin’s “Stranger in a Village,” Phoebe Boswell was interested in exploring the perceptions of black women in predominantly white spaces.

Over the weekend I swung by the 156 Art Fair, an annual exhibition of African art at Pioneer Works in Brooklyn, N.Y. Among the many strong presentations on display, Phoebe Boswell’s Stranger in the Village stood out.

In April 2015 Boswell, a biracial Kenyan woman currently living in London, was temporarily situated in Gothenburg, Sweden, in a predominantly white area. Boswell set out to explore perceptions of race and sex during her stay by turning to dating app Tinder.

“I thought I might want to explore what my body might feel like living in a space that might not be very welcoming,” Boswell says.

Any black woman who has ever ventured online to look for love—a particularly painful place for black women—should be able to predict the worst of what happened to Boswell next. Reactions to Boswell ranged from microaggressions to flat-out racism. But Boswell turned her lemons into artistic lemonade. For her installation, she sketched portraits of her online suitors with a mechanical pencil and included quotes from her exchanges.

“In the space of day, I go back through microaggressions for a month,” Boswell explained. “It’s like, ‘Oh, my God!’ I’m frightened from the things that I see.” Here, she talks about the experiences on Tinder that inspired the project…

Read the entire interview here.

Italy Must Confront Its Past to Stave Off the Far-Right

Diplomatic Courier: A Global Affairs Media Network
2016-04-13

Fasil Amdetsion, Senior Policy and International Legal Adviser
Ministry of Foreign Affairs of Ethiopia

This year’s seasonal springtime rise in temperatures is expected to deepen Europe’s refugee crisis by bringing about a significant rise in the number of harried migrants approaching its shores. Italy, with its long and porous coastline, remains among the most severely affected countries; 15,000 people have sought refuge in the country in the past three months— a year-upon-year increase of 43%.

As is the case throughout Europe, increased migration has spurred a resurgence of anti-migrant and racist sentiment. In northern Italy, militant right-wingers have torched Muslim prayer rooms in refugee camps and frequently agitate against foreigners…

…Despite their best efforts, amorous liaisons between Ethiopians and Italians did not cease. By some estimates, between 1936 and 1940, 10,000 mixed children were born in Italian East Africa. This befuddled Fascist lawmakers who were unclear about how to treat such “illegitimate” offspring— were they to be considered locals or Italians? The solution to the legal limbo in which mixed race children found themselves was found towards the end of the Italian occupation. A law passed in 1940 definitively categorized mixed race children as “black.”…

Read the entire article here.

‘Ladivine,’ by Marie NDiaye

Book Review
The New York Times
2016-05-05

Patrick McGrath

LADIVINE
By Marie NDiaye
Translated by Jordan Stump
276 pp. Alfred A. Knopf. $26.95.

Marie NDiaye is the author of more than a dozen plays and works of fiction. Currently living in Berlin, having left France in 2009, by her own account in disgust at Nicolas Sarkozy’s election to the presidency, she is the daughter of a French mother and a Senegalese father. As yet, she is little known in this country, although at least four of her previous books — including “Three Strong Women,” which won France’s prestigious Prix Goncourt, and “Rosie Carpe,” winner of the Prix Femina — have been translated into English.

NDiaye’s new novel, “Ladivine,” has been elegantly translated by Jordan Stump. It is a work of immense power and mystery, an account of four generations of women, the first of whom, Ladivine Sylla, immigrates from a tropical third-world country to France, where she works as a house cleaner. Her daughter, Malinka, is ashamed of her. As a teenager, Malinka heightens the natural pallor of her face with makeup in order to pass for white, and later she reinvents herself as Clarisse, finding a French husband and taking his name, becoming Clarisse Rivière. She visits her mother in secret, allowing no contact with either her husband or her daughter. This ambivalent relationship is one she both sustains and repudiates…

Read the entire review here.

The Man Who Stole Himself: The Slave Odyssey of Hans Jonathan

University of Chicago Press
2016
264 pages
8 color plates, 49 halftones
6 x 9

Gísli Pálsson, Professor of Anthropology
University of Iceland

The island nation of Iceland is known for many things—majestic landscapes, volcanic eruptions, distinctive seafood—but racial diversity is not one of them. So the little-known story of Hans Jonathan, a free black man who lived and raised a family in early nineteenth-century Iceland, is improbable and compelling, the stuff of novels.

In The Man Who Stole Himself, Gisli Palsson lays out Jonathan’s story in stunning detail. Born into slavery in St. Croix in 1784, Jonathan was brought as a slave to Denmark, where he eventually enlisted in the navy and fought on behalf of the country in the 1801 Battle of Copenhagen. After the war, he declared himself a free man, believing that not only was he due freedom because of his patriotic service, but because while slavery remained legal in the colonies, it was outlawed in Denmark itself. Jonathan was the subject of one of the most notorious slavery cases in European history, which he lost. Then, he ran away—never to be heard from in Denmark again, his fate unknown for more than two hundred years. It’s now known that Jonathan fled to Iceland, where he became a merchant and peasant farmer, married, and raised two children. Today, he has become something of an Icelandic icon, claimed as a proud and daring ancestor both there and among his descendants in America.

The Man Who Stole Himself brilliantly intertwines Jonathan’s adventurous travels with a portrait of the Danish slave trade, legal arguments over slavery, and the state of nineteenth-century race relations in the Northern Atlantic world. Throughout the book, Palsson traces themes of imperial dreams, colonialism, human rights, and globalization, which all come together in the life of a single, remarkable man. Jonathan literally led a life like no other. His is the story of a man who had the temerity—the courage—to steal himself.

Contents

• Prologue: A Man of Many Worlds
• I. The Island of St. Croix
  • “A House Negro”
  • “The Mulatto Hans Jonathan”
  • “Said to Be the Secretary”
  • Among the Sugar Barons
• II. Copenhagen
  • A Child near the Royal Palace
  • “He Wanted to Go to War”
  • The General’s Widow v. the Mulatto
  • The Verdict
• III. Iceland
  • A Free Man
  • Mountain Guide
  • Factor, Farmer, Father
  • Farewell
• IV. Descendants
  • The Jonathan Family
  • The Eirikssons of New England
  • Who Stole Whom?
  • The Lessons of History
• Epilogue: Biographies
• Timeline
• Acknowledgments
• Photo Catalog
• Notes
• Bibliography
• Index

Made Black

Jersey City Theater Center
Merseles Studios
339 Newark Avenue, 2nd Floor
Jersey City, New Jersey
Saturday, 2016-05-07 20:00-23:00 EDT (Local Time)

JCTC New Play Reading presents Schwarz Gemacht (Made Black) a cutting-edge, controversial play exploring race and identity through one of the most overlooked subcultures of the 20th century – mixed-race black German citizens during the 1930’s. This uniquely provocative work by Alexander Thomas, is on research and true stories of the people caught between two worlds in one of the most racially conflicted eras in history. Schwarz Gemacht (Made Black) premiered in Berlin at the English Theater of Berlin last year, then at the 2015 New Black Fest at The Lark, receiving a rave Playbill review by Olivia Clement: “Set in 1938 in Berlin, the play is centered on an Afro-German actor and his encounter with an African-American musician and activist that leads to questions about identity and the treatment of people of color both in Germany and in the United States.”

For more information, click here.

New Generation Thinkers: The Moor of Florence – A Medici Mystery

Free Thinking
BBC Radio 3
2015-11-09

2015 Festival, The Free Thinking Essay

For over 400 years it’s been claimed that the first Medici Duke of Florence was mixed race, his mother a slave of African descent. Catherine Fletcher of Swansea University asks if this extraordinary story about the 16th-century Italian political dynasty could be true. Or do the tales of Alessandro de’ Medici tell us more about the history of racism and anti-racism than about the man himself?

The New Generation Thinkers are the winners of an annual scheme run by the BBC and the Arts and Humanities Research Council to find academics at the start of their careers who can turn their research into fascinating broadcasts.

The Essay was recorded in front of an audience at the Free Thinking Festival at Sage Gateshead. If you want to hear Catherine Fletcher discussing her research you can download the Essay and conversation as an Arts and Ideas podcast.

Producer: Jacqueline Smith.

Listen to the lecture (00:14:40) here.

Perception and the Mulatto Body in Inquisitorial Spain: A Neurohistory*

Past and Present
First published online: 2016-04-16
DOI: 10.1093/pastj/gtw001

Cristian Berco, Associate Professor of History
Bishop’s University, Quebec

On 1 July 1625, their hands issuing from Dominican cloaks as black as night, inquisitors in Madrid voted to arrest Luisa Nuñez on suspicion of practising love magic and divination using a stolen altar stone. It fell to the inquisitorial secretary Gaspar Isidro de Argüello to lead the arrest. Since witnesses had provided no physical description of the suspect, all Argüello had to go by was a name and address. Despite this lack of information, on Luisa’s opening the door Argüello rapidly assessed her and labelled her with a racializing term plucked out of the air: ‘mulatta’. However, this categorization was problematic. Luisa would never refer to herself in this way, either in testimony or in the formal life narrative she would recount before the inquisitors. According to her, she was the American-born daughter of a Spanish notary and a Mexican Indian woman, and was now a citizen of Madrid and wife to a Galician courier.

While the label ‘mulatta’ embodied ambiguous meanings typical of the era (it could refer to either skin colour or category of being), its application was important. Not only did the word conjure up a negative stereotype particularly detrimental to a suspected sorceress, but the label continued to define Luisa as a racialized being long after her death. Even the modern catalogue containing her trial specifically uses the term in its one-line summary. In a way, the increasing tendency of early modern Europeans to connect the phenotype of colonized and enslaved peoples with inherent negative characteristics not only victimized Luisa but also reflected the long-term emergence of race as an ontological category. However, because such identity categories define our world-view today, to the point where we deploy them automatically, we tend to think of the cognitive process behind racialization as…

Read or purchase the article here.

Toward building a conceptual framework on intermarriage

Ethnicities
Volume 16, Number 4, August 2016
pages 497-520
DOI: 10.1177/1468796816638402

Sayaka Osanami Törngren
Malmö University, Sweden; Sophia University, Japan

Nahikari Irastorza, Marie Curie Research Fellow
Malmö Institute for Studies of Migration, Diversity, and Welfare
Malmö University, Sweden

Miri Song, Professor of Sociology
University of Kent, Canterbury, Kent, United Kingdom

Increasing migration worldwide and the cultural diversity generated as a consequence of international migration has facilitated the unions of people from different countries, religions, races, and ethnicities. Such unions are often celebrated as a sign of integration; however, at the same time as they challenge people’s idea of us and them, intermarriages in fact still remain controversial, and even to some extent, taboo in many societies. Research and theorizing on intermarriage is conducted predominantly in the English-speaking North American and British contexts. This special issue includes empirical studies from not only the English-speaking countries such as the U.S., Canada, and the UK, but also from Japan, Sweden, Belgium, France, and Spain and demonstrate the increasingly diverse directions taken in the study of intermarriage in regards to the patterns, experiences, and social implications of intermarriages. Moreover, the articles address the assumed link between intermarriage and “integration.”

Read or purchase the article here.