Mixed Race Studies

Le Mélange of Francophone Culture in William Wells Brown’s Clotel

The Undergraduate Review
Volume 7, Issue 1 (2011)
pages 8-11

Sandra Andrade
Bridgewater State University, Bridgewater, Massachusetts

In Clotel; Or, The President’s Daughter, William Wells Brown argues that for fugitive African American slaves France represented freedom. This connection between African Americans and France that is familiar to many Americans in the twentieth century was existent at the time of Brown’s own escape. The Francophone culture became a major motivator in the author’s personal life and also in his writings. This project covers many themes, including the “tragic mulatta”, American identity, American freedom and slavery, and explores readings from Anna Brickhouse’s Transamerican Literary Relations and the Nineteenth-Century Public Sphere, and Eve A. Raimon’s The Tragic Mulatta Revisited. Brown questions not only the impossibility of being accepted in the American society as a person of mixed race but argues that the French are better interpreters of the Declaration of Independence than the Americans. In France, Brown found a secure home among French elites and his positive experience with francophone culture helped shape his most well-known work of literature, the novel Clotel. In this sentimental novel, Brown creates a character whose hope for freedom is based upon the author’s experiences in France. Being the first western European nation to abolish slavery in its colonies, France provided hope to many African Americans.

Read the entire article here.

The ‘Other’ from within: Afro-Germans as Scapegoats for the post-WWII German Society

Postgraduate History Conference: Creating the ‘Other’
Department of History, University of Essex
2011-09-20

Antje Friedrich
Department of English Literature
University of Bayreuth, Bayreuth, Germany

The theme of the graduate conference this year was ‘Creating the ‘Other’’ throughout history.  We were very pleased to welcome a large and diverse group delegates and presenters from a number of institutions who made for an engaging and lively audience.  We were also very happy to welcome Dr. John Bulaitis, of Canterbury Christchurch University, to provide the keynote address to the conference.  Contributions were arranged into four panels, which explored the relevance of historical processes of ‘Othering’ to the realms of national identity, crime, gender and colonialism.  Papers presented covered a multitude of topics, periods and contexts, ranging from the construction of persons of colour as servants in late 19th and early 20th century France, Germany and the United States, to the origins of sub-cultural cannabis-use in mid-20th century London, the utilisation of humour in the construction of masculinities during the English Civil Wars, and the introduction of the Contagious Diseases Act in the governance of the colonial ‘other’ in British-controlled Hong Kong in the late-19th century.  It is intended that a selection of papers presented shall form the basis of this years’ working papers series issued by the Department of History later on in 2011.  We would like to thank the Department for their generosity in funding this event.

For a long time in the collective German national memory, Afro-Germans had only been a side note to which little attention was paid. With the emergence of autobiographical works representing the perspective of Afro-German people, their struggle in society gained a public face. This article focuses on Ika Hügel-Marshall’s work Invisible Women: Growing up Black in Germany and the representation of her social struggle in post-WWII German society. Her depiction of the impact institutions had on her life – institutions that were meant to support the child’s development, but in her case prolonged the construction of the ‘Other’ as an outsider of society – will be accentuated.

The youth welfare office responsible for her, the orphanage she was sent to and the school she attended, represented the social spirit of the post-WWII era during which the anger of having lost the war and being under the control of the Allied Powers was projected onto people like Hügel-Marshall, who in the eyes of many Germans constituted the ‘Other’. Thus, this paper aims to highlight those social processes that constituted barriers for the development of the self and the mechanisms which helped Hügel-Marshall to finally break through and lead a self-determined life in a German society that often took the outward appearance as a decisive feature for creating an “in” and “out” group.

Read the entire paper here.

Imagining Jefferson and Hemings in Paris

TransAtlantica: American Studies Journal
1 | 2011 : Senses of the South / Référendums populaires
10 pages, 20 paragraphs

Suzanne W. Jones, Professor of English
University of Richmond

In Yearning: Race, Gender, and Cultural Politics, cultural critic bell hooks argues that “no one seems to know how to tell the story” of white men romantically involved with slave women because long ago another story supplanted it: “that story, invented by white men, is about the overwhelming desperate longing black men have to sexually violate the bodies of white women.” Narratives of white exploitation and black solidarity have made it difficult to imagine consensual sex and impossible to imagine love of any kind across the color line in the plantation South. hooks predicted that the suppressed story, if told, would explain how sexuality could serve as “a force subverting and disrupting power relations, unsettling the oppressor/oppressed paradigm” (57-58). By rethinking and reimagining the relationship between Thomas Jefferson and Sally Hemings, contemporary novelists, filmmakers, and historians have exposed this “suppressed story,” the bare bones of which were first made public in 1802 by journalist James Callendar during Jefferson’s first term as U.S. President and then covered up by professional historians for almost 175 years.

As novelist Ralph Ellison pointed out, historical fiction must sometimes serve as the repository for historical truth when the collective historical memory has repressed the facts. In 1979 Barbara Chase-Riboud’s best-selling novel Sally Hemings allowed readers to enter the mind and heart of the shadowy figure that historian Fawn Brodie had brought back into the public consciousness in 1974, and in so doing enabled readers to believe that Jefferson might have had a long-term relationship with her. Chase-Riboud’s fictional portrait clearly upset Jefferson’s defenders, but the word that CBS might make the novel into a miniseries unnerved them, causing historians Virginius Dabney and Dumas Malone to intervene. Although they claimed that they were worried about historical accuracy, historian Annette Gordon-Reed believes that they were even more worried by the nature of the medium itself: “If a beautiful woman appears on screen as a capable and trustworthy person, […] all talk about impossibility [of a liaison] would be rendered meaningless” (Jefferson and Hemings, 182-83). Over fifteen years later, the film and the miniseries that eventually were produced have proved Gordon-Reed right. Today visitors to Jefferson’s Monticello routinely view, seemingly without surprise or dismay, a twenty-minute documentary that briefly mentions the liaison…

Read the entire article in HTML or PDF format.

Nharas and Morenas Horras: A Luso-African Model for the Social History of the Spanish Caribbean, c. 1570-1640

Journal of Early Modern History
Volume 14, Issue 1 (2010)
pages 119-150
DOI: 10.1163/138537810X12632734397061

David Wheat, Assistant Professor of History
Michigan State University

Drawing on little-used archival materials held in Seville’s Archive of the Indies and ecclesiastical records from the Cathedral of Havana, this article argues that free African and African-descended women participated in Spain’s colonization of the Caribbean to a degree that has not been fully recognized. Regularly described as vecinas (heads of household) and as spouses to Iberian men in key port cities, free women of color played active roles in the formation and maintenance of Spanish Caribbean society during the late sixteenth and early seventeenth centuries, not as peripheral or marginalized figures, but as non-elite insiders who pursued their own best interests and those of their families and associates.

Black Czech writer Zmeškal won EU Prize for Literature in 2011

Afro-Europe
2012-04-08

Czech writer Tomáš Zmeškal, who was born as the son of a Congolese father and a Czech mother in Prague, won the European Union Prize for Literature in 2011 for his debut novel “Love Letter in Cuneiform Script” (Milostný Dopis Klínovým Písmem) set in post-war Czechoslovakia through the collapse of communism.

He was one of 12 winners of the prize, which recognizes the best new or emerging authors in the European Union.

Zmeškal’s novel “Životopis černobílého jehněte”  (“The Biography of the Black and White Lamb”) of 2009, written long before his debut was published, is the first novel in Czech language dealing with the experience of Africans in the communist countries in Eastern Europe. It is the childhood and youth story of twins, who do not know their ethnically mixed parents and grow in their grandmother’s house. In spite of her attempts to protect them, they suffer from the racism and hostility that surrounds them. Which is all the more absurd since the society, in which they live, officially encourages internationalist attitudes and an understanding among nations…

Read the entire article here.

Identity Politics and the New Genetics: Re/Creating Categories of Difference and Belonging

Berghahn Books
January 2012
226 pages
tables & figs, bibliog., index
Hardback ISBN: 978-0-85745-253-5

Edited by:

Katharina Schramm, Senior Lecturer of Social Anthropology
Martin-Luther-University Halle-Wittenberg

David Skinner, Reader in Sociology
Anglia Ruskin University, United Kingdom

Richard Rottenburg, Professor Social Anthropology
Martin-Luther-University Halle-Wittenberg

Racial and ethnic categories have appeared in recent scientific work in novel ways and in relation to a variety of disciplines: medicine, forensics, population genetics and also developments in popular genealogy. Once again, biology is foregrounded in the discussion of human identity. Of particular importance is the preoccupation with origins and personal discovery and the increasing use of racial and ethnic categories in social policy. This new genetic knowledge, expressed in technology and practice, has the potential to disrupt how race and ethnicity are debated, managed and lived. As such, this volume investigates the ways in which existing social categories are both maintained and transformed at the intersection of the natural (sciences) and the cultural (politics). The contributors include medical researchers, anthropologists, historians of science and sociologists of race relations; together, they explore the new and challenging landscape where biology becomes the stuff of identity.

Contents

• List of Illustrations and Tables
• Acknowledgments
• Introduction: Ideas in Motion: Making Sense of Identity After DNA; Katharina Schramm, David Skinner, Richard Rottenburg
• Chapter 1. ‘Race’ as a Social Construction in Genetics; Andrew Smart, Richard Tutton, Paul Martin, George Ellison
• Chapter 2. Mobile Identities and Fixed Categories: Forensic DNA and the Politics of Racialised Data; David Skinner
• Chapter 3. Race, Kinship and the Ambivalence of Identity; Peter Wade
• Chapter 4. Identity, DNA, and the State in Post-Dictatorship Argentina; Noa Vaisman
• Chapter 5. ‘Do You Have Celtic, Jewish, Germanic Roots?’ – Applied Swiss History Before and After DNA; Marianne Sommer
• Chapter 6. Irish DNA: Making Connections and Making Distinctions in Y-Chromosome Surname Studies; Catherine Nash
• Chapter 7. Genomics en route: Ancestry, Heritage, and the Politics of Identity Across the Black Atlantic; Katharina Schramm
• Chapter 8. Biotechnological Cults of Affliction? Race, Rationality, and Enchantment in Personal Genomic Histories; Stephan Palmié
• Notes on Contributors
• Bibliography
• Index

Toxi

DEFA Film Library
University of Massachusetts, Amherst
1952
85 minutes, b/w (English subtitles)
West Germany

Robert A. Stemmle, Director

A five-year-old girl suddenly appears on the doorstep of a well-to-do Hamburg family. The members of the multi-generational, white household react differently to the arrival of Toxi, who is black, the daughter of an African-American G.I. and a white German woman who has died. Eventually Toxi works her way into the hearts of this German family, but then her father returns, hoping to take Toxi back to America with him.

In West Germany at the time of the film’s release, there were nearly 100,000 children of Allied paternity born since WWII; of these, fewer than 5,000 were of colored paternity. Toxi was the first feature-length film to explore the subject of “black occupation children” in postwar Germany. It premiered in 1952 as part of a plan to raise public awareness, as these children began entering German schools. Known for his unique blend of social realism and melodrama, Robert A. Stemmle—one of in West Germany’s most popular directors—brought together an exceptionally renowned group of classic German actors with very diverse experiences of the Nazi era, including Paul Bildt, Johanna Hofer and Elisabeth Flickenschildt.

Special Features

• Biographies & Filmographies
• Audio commentary, by film scholars Angelika Fenner & Tobias Nagel
• “Toxi and the Story of Race after Nazism,” by historian Heide Fehrenbach
• Trailer: Brown Babies: The Mischlingskinder Story (2011, Dir. Regina Griffin)
• Original film flyer, with English translation
• Books on the movie

Race under Reconstruction in German Cinema: Robert Stemmle’s Toxi

University of Toronto Press
June 2011
288 pages
Cloth ISBN: 9781442640085

Angelica Fenner, Associate Professor of German and Cinema Studies
University of Toronto

Race Under Reconstruction in German Cinema investigates postwar racial formations via a pivotal West German film by one of the most popular and prolific directors of the era. The release of Robert Stemmle’s Toxi (1952) coincided with the enrolment in West German schools of the first five hundred Afro-German children fathered by African-American occupation soldiers. The didactic plot traces the ideological conflicts that arise among members of a patrician family when they encounter an Afro-German child seeking adoption, herein broaching issues of integration at a time when the American civil rights movement was gaining momentum and encountering violent resistance.

Perceptions of ‘Blackness’ in Toxi demonstrate continuities with those prevailing in Wilhelmine Germany, but also signal the influence of American social science discourse and tropes originating in icons of American popular culture, such as Uncle Tom’s Cabin, Birth of a Nation, and several Shirley Temple films. By applying a Cultural Studies approach to individual film sequences, publicity photos, and press reviews, Angelica Fenner relates West German discourses around race and integration to emerging economic and political anxieties, class antagonism, and the reinstatement of conventional gender roles.

Black German Cultural Society of New Jersey 2012 Annual Convention: Call for Papers

Black German Cultural Society of New Jersey
2012-01-31

Building on the success of the inaugural 2011 conference, the second annual convention of the Black German Cultural Society of New Jersey (BGCSNJ) will be held at Barnard College in New York City on August 10-11, 2012.  This year’s convention will focus on the theme of “What Is the Black German Experience?” The conference will feature a keynote address by Yara Colette Lemke Muniz de Faria, screenings of the films “Hope in My Heart: The May Ayim Story” and “Audre Lorde – The Berlin Years 1984-1992,” and readings by Black German poet-performers Olumide Popoola and Philipp Khabo Köpsell.

The BGCSNJ Review Committee invites proposals for papers that engage the multiplicity and diversity of the experiences of Blacks of German heritage and on Blackness in Germany. We welcome submissions for twenty-minute presentations on three academic panels and two sessions devoted to life writing, oral history and memoir. To participate please send a one-page abstract and a CV or short biographical statement to: bgcsinc@gmail.com. Deadline for proposals: March 15, 2012

For more information, click here.

Berlin marks Black History Month but the struggle goes on

Deutsche Welle
2012-02-16

Anne Thomas

Berlin has become more diverse and the situation for Afro-Germans has improved, but it’s still hard to get a job or an apartment. Black History Month highlights the challenges faced by over 2 percent of the population.

A black Portuguese friend of mine once dated an African-American guy she had met in her favorite bar. “We were so surprised to see another black person, we instantly gravitated towards each other,” they told me, laughing. They were able to joke, but for many Afro-Germans, it has been a lonely struggle.

Although I live in Neukölln—reportedly Berlin’s most diverse district with inhabitants from 160 countries—I am always struck by how white the city seems compared to other European capitals. I have never seen a black doctor, civil servant, yoga teacher, ticket collector, bus driver, pharmacist, plumber, policewoman, librarian… Most of the black people I know are from the US, UK, Nigeria, Senegal, Brazil or Portugal.
 
As a white foreigner in Germany, I sometimes find it difficult here and am very aware of my differences. However, I cannot really imagine what it must be like to constantly be considered exotic, just because of a different skin color.

Remembering May Ayim

So this year’s Black History Month in Berlin has been especially fascinating. The Initiative of Black People in Germany (ISD) introduced this annual event in 1990, the year of German reunification, which Afro-German poet and activist May Ayim described as a celebration “without immigrants, refugees, Jewish or black people.”

To date, many in Germany maintain the country has a very insignificant colonial history and racism is not an issue. Ayim (1960 – 1996), whose father was Ghanaian and mother German, suffered from this ignorance and co-founded the ISD to change attitudes and work towards a non-racist Germany…

…Introducing Afro-Germans

Micosse-Aikins also praised the fact that Berlin had changed for the better as a result of the work of May Ayim and her fellow panelist, the historian and activist Katharina Oguntoye, who was born in Zwickau to a white German mother and a black Nigerian father.

When Caribbean-American writer, poet and activist Audre Lorde arrived in Berlin in 1984, she looked for other black women and found mainly isolated individuals, including Ayim and Oguntuye. She encouraged them to write a book.

“She said we should introduce ourselves to each other and to the world,” recalled Oguntoye, adding that this was an extremely daunting task for two women in their early 20s, but one they felt equipped to perform.

The result was “Showing Our Colors: Afro-German Women Speak Out,” a groundbreaking combination of historical analysis, interviews, personal testimonies and poetry that explored racism in Germany and was published in German in 1986…

Read the entire article here.