Mixed Race Studies

Showing Our Colors: Afro-German Women Speak Out

Orlanda Frauenverlag (German)
1986
University of Massachusetts Press (English)
1992
ISBN: 0-87023-759-4
Likely out of print.

Edited by

May Opitz [Ayim]
Katharina Oguntoye
Dagmar Schultz

Translated by Anne V. Adams

Foreword by Audre Lorde

May Ayim: A Woman in the Margin of German Society

The Florida State University College of Arts and Scienes
Spring Semester, 2005
76 pages

Margaret MacCarroll, Professor of Modern Languages: German Division
Florida State University

A thesis submitted to the Department of Modern Languages and Linguistics in partial fulfillment of the requirements for the degree of Master of Arts

This work explores the life of the Afro-German writer May Ayim by analyzing her writings as well as by discussing the social circumstances in which she lived. Chapter 1 provides a look at the Ayim’s life, with special emphasis on major factors influencing her childhood. The effects of the personal as well as social pressures that Ayim dealt with as a child and young adult are also discussed. Chapter 2 focuses on the history of Afro-German children born shortly after World War II. Chapter 3 includes an explanation of Minor Literature and an examination of May Ayim as an author of such literature. Her importance as such is established. Due to Ayim’s position outside the mainstream of German society, social factors that greatly affected her life as a result of this situation are discussed in Chapter 4. These factors are: identity, culture, and ethnicity. In Chapter 5 Ayim’s attempts to incorporate both the white and black aspects of herself despite the deeply rooted history of racism in Germany are also discussed. Chapter 6 includes an examination of the toll that Ayim’s familial and social experiences played on her feelings of romantic love, especially toward another Afro-German. Chapter 7 examines the exhaustion that Ayim felt toward the end of her life.

Table of Contents

ABSTRACT
INTRODUCTION

1. GROWING UP BLACK IN GERMANY
    Ayim’s Struggle with “Otherness“
    Childhood Pressure
    The White World and Ayim’s Black Father
    Grasping her Africanness
    Desire for Whiteness even in Africa

2. HISTORY OF RACISM IN GERMANY
    Recent History of Racism and Mischlingskinder after World War II

3. MAY AYIM, AUTHOR OF MINOR LITERATURE
    The Afro-German Minority Represented in Ayim’s Poetry

4. THE IDENTITY, CULTURE AND ETHNICITY OF PEOPLE ON THE FRINGES

5. MINOR RACE IN MAJORITY CULTURE
    Racism on the Global Scale
    Incorporating Her White and Black Self

6. MAY AYIM’S LOVE LIFE

7. AYIM’S EXHAUSTION ON THE FRINGE OF SOCIETY

CONCLUSION
NOTES
BIBLIOGRAPHY
BIOGRAPHICAL SKETCH

Read the entire thesis here.

‘Fühlst du dich als Deutsche oder als Afrikanerin?’: May Ayim’s Search for an Afro-German Identity in her Poetry and Essays

German Life and Letters
Volume 59 Issue 4 (October 2006)
Pages 500-514
DOI: 10.1111/j.1468-0483.2006.00364.x

Jennifer Michaels, Professor of German; Samuel R. and Marie-Louise Rosenthal Professor of Humanities
Grinnell College, Iowa

Until her suicide in 1996, May Ayim was one of the leading voices among Afro-German women and the group’s most prominent poet. In her poetry and essays, she addresses such topics as marginalisation, multiculturalism and identity formation and describes her struggle to live in a society where she encountered racial prejudice and stereotypes. Her texts map the stages in her development from rejecting being black and wishing to be white to affirming her biracial identity, which she came to view as a source of her creativity. In her poetry she not only depicts aspects of the Afro-German experience but also powerfully evokes feelings of abandonment, loneliness, love and death. In this article I will set Ayim’s work into the context of the Afro-German experience and highlight issues that were of particular concern to her.

Read or purchase the article here.

ENGL S-88 Study Abroad in Venice, Italy: Interracial Literature (32137)

Harvard Summer Program in Venice, Italy: Liberal arts studies in Italy’s city of canals
2010-06-03 through 2010-07-30
Mondays, Wednesdays, 10:00-12:30 CEST (Local Time)
(4 credits: UN, GR) Limited enrollment

Werner Sollors, Henry B. and Anne M. Cabot Professor of English and African-American Studies
Harvard University

This course examines a wide variety of literary texts on black-white couples, interracial families, and biracial identity, from classical antiquity to the present. Works studied include romances, novellas, plays, novels, short stories, poems, and nonfiction, as well as some films and examples from the visual arts. Topics for discussion range from interracial genealogies to racial “passing,” from representations of racial difference to alternative plot resolutions, and from religious and political to legal and scientific contexts for the changing understanding of race. Focus is on the European tradition and the Harlem Renaissance.

Prerequisites: none.

For more information, click here.

Blood, Race, and National Identity: Scientific and Popular Discourses

Journal of Medical Humanities
Volume 23, Numbers 3-4 (December, 2002)
Pages 171-186
Print ISSN: 1041-3545; Online ISSN: 1573-3645
DOI: 10.1023/A:1016890117447

Allyson Polsky McCabe, Lecturer in English
Yale University

This essay examines the symbolic significance of blood in the twentieth century and its role in determining the composition of a national community along racial lines. By drawing parallels between Nazi notions of blood and racial purity and historically contemporaneous U.S. policies regarding blood and blood products, Polsky reveals a disturbing proximity in discourse and policy. While the Nazis attempted to locate Jewish racial essence and inferiority in blood and instituted eugenic measures and laws forbidding racial admixture, similar policies existed in the U.S. based on the so-called one drop rule that systematically discriminated against African Americans.

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A Knock Out: A film by Tessa Boerman and Samuel Reiziger

Women Make Movies
Netherlands, 2004
53 minutes
Color, VHS/DVD
Subtitled
Order No. W05882

Boxing champion Michele Aboro grew up in South London, where life for a girl was never easy, let alone for a mixed-race lesbian girl. Thanks to her tenacious spirit and an uncanny talent for combat sports, she put her difficult past behind her and managed to sign a contract with the biggest boxing promoter in Europe. She won all 21 fights, 18 of them with a knockout – an exceptional achievement in women’s boxing. But despite her spectacular record in the ring, her career came to a sudden halt when her promoter broke her contract under the belief that she was not “promotable.”

Refusing to vamp up her image and pose naked in magazines, this undefeated world champion was abandoned by an industry more interested in selling sex than sport. A Knock Out interweaves Aboro’s personal story with interviews with boxers whose wild success strikes a painful contrast with Aboro’s struggles. Searching for logic behind Aboro’s case, this poignant documentary captures a universal story of fighting for one’s identity and offers a probing look at the intersection of gender, ethnicity, sexuality and the increased commercialization of women’s sports.

Prejudice inspires filmmaker to discover Afro-German roots

Indiana Daily Student
Indiana University
2010-01-24

Abby Liebenthal, Staff Reporter

“It all started with a public threat on my life.”

Within the first few minutes of Mo Asumang’s documentary “Roots Germania,” students, faculty and Bloomington residents became part of a search for the director’s identity…

…Asumang said the journey to find her identity was driven by a desire to understand where racism toward Afro-Germans originated.

“It’s like a job to search for identity,” Asumang said. “It starts when you’re born in Germany – it’s not so easy to be part of that country.”

The film was triggered by a song, written by a Neo-Nazi band the “White Aryan Rebels,” that calls for Asumang’s murder. Lyrics in the song include “This bullet is for you, Mo Asumang.”…

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Mixed-Race Issues in the American and French Melodrama: An Analysis of the Imitation of Life Films (Stahl, USA, 1934; Sirk, USA, 1959) and Métisse (Kassovitz, France, 1993) In: Martin McLoone & Kevin Rockett, eds. Irish Films, Global Cinema, Studies in Irish Film 4.

Four Courts Press
2007
176 pages
Hardback ISBN: 978-1-84682-081-6

Zélie Asava
University College Dublin

The chapter analyses the positionalities of the mixed-race female protagonists of each film and the visualisation of their mixed-race identity.  It considers aspects of their struggle for self-definition against the director’s visual clues about their ‘true’ racial space.  It also explores the possibility in these films for a representation of mixed identity that surpasses the stereotypes of the ‘tragic mulatto’ torn between black and white worlds (as represented by mothers in the American films and lovers/parents in the French film).  Finally the article – as with my thesis – considers the limitations of American cinema in transcending binaried representations of race and the alternatives which French cinema offers, in order to consider the possibility for a mixed-race representative model which would visualise the multiplicity and ‘Third Space’, as Homi K. Bhabha put it, of mixed-race identity.

Mulattoes and métis. Attitudes toward miscegenation in the United States and France since the seventeenth century

International Social Science Journal
Volume 57, Issue 183
Pages 103 – 112
DOI: 10.1111/j.0020-8701.2005.00534.x

George M. Fredrickson, Edgar E. Robinson Professor of United States History, Emeritus
Stanford University

This essay surveys and compares American and French attitudes toward miscegenation or métissage since the extensive contacts with non-European peoples that began in the Atlantic world of the seventeenth century. It develops a typology of possible responses to such race mixture and argues that the English colonies that became the United States quickly developed a highly restrictive attitude toward racial intermarriage, especially between blacks and whites, that has persisted through most of American history and is still influential today. The French in the eighteenth, nineteenth and early-to-mid twentieth century often adhered to concepts of race as innate or biologically determined, but their attitudes toward interracial marriage or concubinage tended to be more pragmatic. In some situations French theorists of race and empire defended and even advocated certain forms of métissage. The difference can be summed up as follows: white Americans have historically pursued the ideal of racial purity with much more intensity and consistency than the French. The difference is best explained with reference to the unique status of African-Americans as a colour-coded pariah group with no real equivalent in metropolitan France.

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‘Whose colour was no black nor white nor grey, But an extraneous mixture, which no pen Can trace, although perhaps the pencil may’: Aspasie and Delacroix’s “Massacres of Chios”

Art History
Volume 22, Issue 5 (December 1999)
Pages 676-704
DOI: 10.1111/1467-8365.00182

Darcy Grimaldo Grigsby, Professor of Art History
The University of California, Berkeley

While painting Massacres of Chios in 1824, Eugène Delacroix wrote in his journal that ‘The mulatto will do very well.’  This paper asks why a ‘mixed-blood’ would figure in a picture painted on behalf of the Greek War of Independence and argues that Chios must be understood as material evidence of the history of France’s imperial aspirations, as a vestige of its confusions as well as its experiments. To broaden the geopolitical horizon of interpretation of Chios is to appreciate the extent to which global politics were performed and remembered in the studio space of an ambitious, insecure and sexually preoccupied young French male painter.

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