Mixed Race Studies

Black in the USSR: 3 Generations of a Russian Family

The Root
2015-12-12

Steven J. Niven

Olver Golden; Lily Golden; Yelena Khanga SOUL TO SOUL: A BLACK RUSSIAN AMERICAN FAMILY 1865-1992; BLOGSPOT.COM; WIKIMEDIA COMMONS

Escaping the oppression of a racist America, a black scientist named Oliver Golden took Soviet citizenship in the 1930’s and began a legacy for his family that endures in Russia today.

1932, the poet Langston Hughes spent Christmas in the ‘dusty, coloured, cotton-growing South’ of Uzbekistan, then one of the Soviet Union’s Asian republics. Hughes had been in Moscow, working on a film critical of American race relations, but the project was abandoned, in part because the Soviets were then seeking official diplomatic recognition and improved economic ties with the United States. After an exhausting 2000-mile journey on frozen, ramshackle Russian trains, he arrived on Christmas Eve in Yangiyul, near Tashkent, “in the middle of a mudcake oasis frosted with snow,” and visited “a neat, white painted cottage,” where “it was jolly and warm.”

His hosts were Oliver Golden, a black Mississippian, and his wife Bertha Bialek, the white New York-born daughter of Polish Jewish immigrants, who had prepared traditional American meal capped off with pumpkin pie to celebrate the season—washed down, of course, with copious amounts of local cognac and vodka. Most of his fellow guests were black men and women. As he looked out his window on Christmas morning Hughes saw some tall, brown skinned Uzbeks on horseback, padding across the snowy fields, and was reminded of images he had seen in Sunday School when he was a boy in Kansas. “In their robes these Uzbeks looked just like bible characters, and I imagined in their stable a manger and a child.”

Oliver Golden was the driving force behind the presence of a group of black scientists in Tashkent to assist in the cultivation of cotton, which had prompted Hughes visit. Born in Yazoo County in the Mississippi Delta in 1887, Golden was the son of former slaves who had prospered during Reconstruction. By the time he reached his twenties, however, his family home had been burned down twice as part of the broad, violent, and successful campaign to restore white supremacy. He was drawn to the Soviet experiment in the 1920s and 1930s by its promises of racial equality, much as his grandfather had been inspired by the promise of Reconstruction…

…Yelena Khanga was raised by her mother and grandmother, Bertha, in Moscow, where she enjoyed a relatively privileged upbringing as the child of a leading Soviet academic. Like her mother, she was a talented tennis player, and attended Moscow State. She graduated in 1984 with a degree in journalism, and worked for three years with the Moscow World News. In 1987, in the wake of Glasnost, President Mikhail Gorbachev’s liberalization of the Soviet system, Khanga was selected to take part in an exchange program between American and Soviet newspapers. She moved to Boston to work for the Christian Science Monitor.

While in the US she began to research her black and Jewish ancestry, and traveled to Yazoo, Mississippi, to visit the land once owned by her great-grandfather. She also met many of her African American relatives at a family reunion in Mississippi, and in 1992 published a memoir, Soul to Soul: The Story of a Black Russian American Family. In that book Khanga admitted that racism existed in Russia during the Soviet era and had worsened since communism’s collapse, but she was also clear that her own family had experienced more discrimination for being Jewish and American than for being black. Around this time her mother also began visiting the United States, and taught at Chicago State University in the 1990s, before returning to Moscow to help raise her daughter’s children. Lily Golden died in Russia in 2010…

Read the entire article here.

Third film festival

La Voz News: The voice of De Anza College since 1967
Cupertino, California
2015-10-22

Bojana Cvijic, Staff Writer

De Anza students saw the Lacey Schwartz’s film “Little White Lie” and had a discussion about race and identity issues during the Third Film Festival on Oct. 15 at Euphrat Museum.

Members of the Black Leadership Collective chose the film, discussion questions and overall theme for the festival.

“This is all the students work,” said Julie Lewis, Department Chair of African American Studies, advisor to the Black Leadership Collective, and coordinator for the festival.

The framework for the festival correlated with the Euphrat museum’s ongoing exhibition “Endangered” which also touches on social justice issues.

“Some of the themes that they’ll be talking about is identity, what does it mean to be of a particular identity, who makes those rules, in particular around race, which is a socially constructed concept yet has very real world and lasting implications,” Lewis said before the event….

Read the entire article here.

Meet April Baskin, the Multiracial Face of Reform Judaism

Forward
2015-11-28

Allison Kaplan Sommer (Haaretz)

Image: Haaretz

See also: “Black and Jewish: New Reform Leader Works to Bring Marginalized Groups Into the Tribe” on 2015-11-25 from Haaretz.

To meet April Baskin is to see the change in American Jewry personified. A tall, confident, 32-year-old with an impressive mane of curly hair and a wide smile, the self-described “multiracial Jewish woman of color” is the newest executive in the Reform Jewry movement.

Her offbeat job title—vice president for audacious hospitality—incorporates the catchphrase that the Union for Reform Judaism has embraced as its central mission. It is meant both to include aggressively welcoming newcomers into its institutions, along with widening its tent by inviting groups that have traditionally felt marginalized from mainstream Jewish institutional life – this includes interfaith couples and families, as well as adults who grew up in interfaith homes, LGBT Jews, Jews with disabilities, unaffiliated Jews and multiracial Jews like herself. “The Jewish community has been by and large marginalizing these groups and put them on the back burner if they have even been on the stove at all,” she says.

Her job is to put these groups front and center. Baskin sums up the philosophy with which she is approaching her admittedly “enormous portfolio”: “It is the belief that we will be a stronger Jewish community when we welcome and incorporate the diversity that is the reality and future of Jewish life.” Since unaffiliated Generation X and millennials are another important target for her outreach work, her young age is an advantage, rather than an obstacle.

…It is language, however, that Baskin’s family hasn’t really been able to avoid. She was raised in a Jewish home by her Ashkenazi mother and African-American father. Early on, they regularly received questions about “what” she was, and thus sought out the expertise of a psychology professor, who recommended they tell Baskin she was “multiracial and Jewish.” The couple raised April and her brother in Sacramento, California “enmeshed in Jewish life” complete with a close-knit Reform congregation and Reform Jewish summer camp…

Read the entire article here.

Nobody Discussed It: Lacey Schwartz and “Little White Lie”

Radio Curious
Public Radio Exchange (PRX)
2015-05-11

Barry Vogel, Producer
Ukiah, California

The secret revealed in the life of Lacey Schwartz, born in 1987 to a white Jewish family in rural upstate New York, where she grew up, is that her biological father was black. The few who knew her truth remained silent until after her first year of college when she asked her mother why she looked the way she did. Lacey Schwartz is the producer and director of the film “Little White Lie,” with a website at http://www.littlewhiteliethefilm.com.

“Little White Lie” will be shown at the Mendocino Film Festival on May 29, 2015, in the village of Mendocino, California.

Lacey Schwartz and I visited by phone from her home near New York City, on May 11, 2015. First we hear a clip of Lacey’s voice taken from the introduction of the film “Little White Lie,” and later intersperse our conversation with clips from the film.

The book Lacey Schwartz recommends is “How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement,” by Ruth Feldstein.

Listen to the story (00:29:01) here.

Raising my biracial Jewish child

Ethical Jam
The Times of Israel
Jerusalem, Israel
2015-11-12

Ethical Jam presents contemporary ethical dilemmas and the responses of Jewish thinkers from across the world Jewish community. Ethical Jam is a project of the Center for Global Judaism (CGJ) at Hebrew College in Newton Centre, Massachusetts and of the Times of Israel, and was created by CGJ’s director Rabbi Or Rose and Hebrew College president Rabbi Daniel Lehmann. It is edited by Rabbi Sue Fendrick, Editor at CGJ.

My husband and I are both white; we have a six-year-old adopted daughter who is biracial. We are socially progressive and it is important to us to be self-aware parents of a brown-skinned child, staying updated on issues that matter to us especially as a multi-racial family, and becoming aware of and working on our own unconscious racism. We don’t live in a very diverse area, and our Jewish community is almost exclusively white; it is important to us to have more brown-skinned people in our daughter’s life, yet it feels problematic to us to target people for friendship just because they are African-American, and surely would feel problematic to them as well! Moving into a more racially diverse neighborhood would, in our city, remove us from the hub of Jewish activity which has been very important to our family. How can we find ways to make sure that Sarah’s world has people in it who look like her and with whom she may share some heritage and experience, without turning people into objects or tokens, or sacrificing the quality of our (and her) Jewish life?

Jenny Sartori says…

You’re right that, as a transracial adoptee, Sarah needs to grow up with people of color in her life. You’re also right that targeting people for friendship just because they are African-American is problematic. Instead, try putting yourselves in situations in which you are likely to meet a diverse group of people who share your own interests: join a book club, attend cultural events, join the Y or enroll your daughter in an activity in a racially diverse area. And introduce yourself to people, not because they are African-American but because they seem to be nice people with whom you share something in common. Just because you may have made a deliberate choice to put yourself in these situations doesn’t mean the efforts and the friendships are not genuine…

…Yavilah McCoy says…

…José Portuondo-Dember says…

Read the entire article here.

Race & Religions Series with Lacey Schwartz in conversation with Allyson Hobbs

Stanford Jewish Studies
2015-11-05

“Little White Lie: A Film about Dual Identity and Family Secrets” with Lacey Schwartz

“Between Race and Religion: Contemporary American Jewish Life” series with the Center for Comparative Studies in Race and Ethnicity.

Lacey Schwartz, an American filmmaker, in conversation with Allyson Hobbs, Assistant Professor of American History at Stanford University

Little White Lie tells Lacey Schwartz’s story of growing up in a typical middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity — that is until she discovers that her biological father is actually a black man with whom her mother had an affair. Lacey discovers that answering those questions means understanding her parents’ stories as well as her own.

What defines our identity, our family of origin or the family that raises us? How do we come to terms with the sins and mistakes of our parents? Lacey discovers that answering those questions means understanding her parents’ own stories as well as her own. She pieces together her family history and the story of her dual identity using home videos, archival footage, interviews, and episodes from her own life. Little White Lie is a personal documentary about the legacy of family secrets, denial, and redemption.

Mixed, Passing For White

Youth Radio
2015-10-12

Maya Cueva

What’s it like to be a mixed race person who passes as white? Complicated, according to Youth Radio’s Maya Cueva. She often finds herself struggling to represent the part of her racial identity that people can’t see.

My whole life, I’ve always been the girl who’s white face didn’t quite match my last name — “Cueva”.

In my family we always celebrated our identity: My mom’s Jewish and my dad’s Peruvian.

Sometimes my dad tries to say things in Yiddish. Words like schmatta, except for with his Spanish accent. My mom calls that meshugganismo — combining the Yiddish word meshugganah, meaning crazy, with the Spanish ismo…meaning ism. Quirks like this always come up in my family all the time.

Ever since I can remember, my mom has always searched for things that connect our Jewish and Latino identities. But out in the world, I often face identity policing. Because I pass as white, people ask if I’m actually a person of color or not. So I’m constantly having to prove my Peruvian heritage. Like having to tell my dad’s immigration story soon after I meet people. I call it “coming out as mixed.”…

Read the entire story here. Listen to the story here. Download the story here.

Is There an Identity Beyond Race? Four Case Studies

Michigan Quarterly Review
Volume XLI, Issue 3, Summer 2002

Paula Marantz Cohen, Distinguished Professor of English
Drexel University, Philadelphia, Pennsylvania

Love on Trial: An American Scandal in Black and White. By Earl Lewis and Heidi Ardizzone. New York: W.W. Norton, 2001. Pp. 301. $26.95.

Black, White and Jewish: Autobiography of a Shifting Self. By Rebecca Walker. New York: Riverhead Books, 2001. Pp. 336. $14.

Pearl’s Secret: A Black Man’s Search for his White Family. By Neil Henry. Berkeley: University of California Press, 2001. Pp. 321. $24.95.

The Color of Water: A Black Man’s Tribute to His White Mother. By James McBride. New York: Riverhead Books, 1996. Pp. 228. $23.95 (hb), $14 (pb).

All four books under review here are concerned with telling dramatic tales about singular, real lives. But they are also books about race. They are driven by the larger goal of making the individual story stand for more than itself.

To write something that is true to the distinctiveness of human experience while also being socially and politically illuminating is hard to achieve. Earl Lewis and Heidi Ardizzone’s Love on Trial: An American Scandal in Black and White seems the most successful, perhaps because it is the only book in the group that is not a memoir. Lewis explains in an Afterword that he first stumbled on the subject while working on his dissertation seventeen years earlier, then returned to it when, as a professor at the University of Michigan, he began directing Ardizzone’s doctoral research on interracial identity in the first half of the twentieth century. They eventually decided to collaborate. The long period of gestation as well as the collaborative approach help to account for the book’s judicious tone in telling a story at once private and public, full of subjective elements yet illuminating of its social moment.

Love on Trial takes as its point of departure a sensational news story from the 1920s. Pursuing the story through careful research into court transcripts and newspaper archives, the authors piece together a fascinating narrative in which the personal intersects the social with tragic consequences.

The story centers on the marriage of Alice Jones, a nanny from Westchester, to Leonard “Kip” Rhinelander, a young scion of one of New York’s oldest and richest society families. It seems that the couple met, courted, and married without apparent difficulty until their relationship became publicized by the New York press, probably through the instigation of Leonard’s disapproving father. A scandal erupted when it was alleged that Alice Jones was black—a fact that Leonard subsequently claimed he did not know and which he made the basis for an annulment suit against his wife…

Read the reviews here.

“Little White Lie: A Film about Dual Identity and Family Secrets” with Lacey Schwartz

Taube Center for Jewish Studies
Stanford University
Center For Educational Research (Room 101)
520 Galvez Mall
Stanford, California
2015-10-28, 19:00 PDT (Local Time)

“Between Race and Religion: Contemporary American Jewish Life” series with the Center for Comparative Studies in Race and Ethnicity.

Lacey Schwartz, an American filmmaker, in conversation with Allyson Hobbs, Assistant Professor of American History at Stanford University

Little White Lie tells Lacey Schwartz’s story of growing up in a typical middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity — that is until she discovers that her biological father is actually a black man with whom her mother had an affair. What defines our identity, our family of origin or the family that raises us? Lacey discovers that answering those questions means understanding her parents’ stories as well as her own.

What defines our identity, our family of origin or the family that raises us? How do we come to terms with the sins and mistakes of our parents? Lacey discovers that answering those questions means understanding her parents’ own stories as well as her own. She pieces together her family history and the story of her dual identity using home videos, archival footage, interviews, and episodes from her own life. Little White Lie is a personal documentary about the legacy of family secrets, denial, and redemption.

For more information, click here or here.

Hold Fast to Blackness

Medium
2015-07-29

Chanda Prescod-Weinstein, Assistant Professor of Physics and Astronomy; Core Faculty Member in Women’s Studies
University of New Hampshire

Het Nieuwe Instituut, Rotterdam, Nederland

This is not another essay about how hard it is to be light skinned in a dark man’s world. Why? Because the suggestion that this is a dark man’s world is ridiculous. Unless you’ve had your head up your butt, we quite clearly do not live in a version of the universe where overall it is better to be dark. The reality is that 2Pac was speaking in opposition to mainstream logic when he rapped, “the darker the berry, the sweeter the juice. I say the darker the flesh, the deeper the roots.”

I’m sure there are many light skinned people including those with bi- and multiracial/ethnic families who would complain that 2Pac spoke words of erasure. But to make this complaint is to not acknowledge, plainly, that in fact he is speaking against erasure. To be light skinned, in reality, is to have a choice about what role we play in this process, for or against, constructive or destructive.

I have a Black Caribbean momma and a white Jewish father. My mom’s family hails from Barbados, vaguely of “West African Origin.” We don’t really know where or if maybe we come from somewhere else because identity and language are one of the many things European slave traders and slave owners stole from kidnapped Africans and their descendents. My dad’s family was chased out of the Ukraine and Russia by anti-Jewish pogroms and were Yiddish speaking until it became clear that looking like them and being English speaking was better.

When I was born, my parents were scared to introduce me to my dad’s maternal grandfather. It wasn’t clear whether he would accept a “nigger baby.” This is the first story I know of that clearly delineates the difference between my white father and me. My white father lives in the tent of whiteness: he is accepted as white and is treated as such on the street, in airports, by the police, by shop clerks, by everyone who speaks to and everyone who sees him. My dad lives in a version of the world where who he is is the default and where no one ever had to ask whether he would be excluded by members of his family simply because of his skin color.

It is true that my father has a different experience with the tent of whiteness than his father did in his early years. Born in 1917 in Yiddish-speaking Brooklyn, my Grandpa Norman would have been a dirty Jew to many white non-Jews. But when he died in 1988 Los Angeles, my Grandpa was white with the rest of them. The tent of whiteness expands as people sufficiently European-looking become broadly accepted as, “not-Black, not heading toward Black or any of the other darker kinds.” This expansion is predicated somewhat on the fundamental belief that the darker people are, the more dangerous, deficient and less human they are.

I am dark enough to not live within the tent of whiteness, but I am light enough that many people experience significant confusion when trying to class what level of “not-white, maybe heading toward-Black, deficient” I am. Depending on the year and location, I am a “dirty Arab/Muslim,” a fellow Latina, a Mulatto, a Mizrahi Jew, a half-white person who suspiciously may not be down with Black folks…

Read the entire article here.