Mixed Race Studies

Review: In New Biopic ‘Barry,’ The Real Obama Remains Hidden

Newsweek
2016-12-16

Tom Shone

While President Barack Obama decides on his future—a return to his roots as a community organizer? A de facto leader for the Trump resistance? More writing?—pop culture has stepped in to give him the Mount Rushmore treatment. First we had Southside With You, a sweet, inoffensive Sundance hit about his and Michelle Obama’s first date. Now we have Barry, Vikram Gandhi’s film for Netflix about Obama’s year as a transfer student at Columbia University, a period in which the future president read a lot of books, smoked a ton of cigarettes and eventually decided to become a community organizer. This is Obama: The Awakening.

Taking the lead is Australian actor Devon Terrell, who is more strapping than his subject but gets just the right mixture of Vulcan self-possession and self-doubt, giving him a slight stammer as ideas struggle for expression through multiple thought-menus. Casting a non-American actor was a smart move. The film records not just Obama’s first encounter with New York—the Big Apple of Ronald Reagan’s first term, with its beatboxes, graffiti and break-dancers—but with a kind of urban black experience he hadn’t experienced in Hawaii. Passing between worlds, he belongs wholly to neither…

Read the entire review here.

How ‘Barry’ Gets Obama Right—And Wrong

Newsweek
2016-12-21

Matthew Cooper, Political Editor

President Barack Obama during a White House news conference in Washington, December 16. A new Netflix production, “Barry,” charts his college years in New York, when “Barry,” as he was known, wrestled with his racial identity. JONATHAN ERNST/REUTERS

There’s less than a month left of Barack Obama’s presidency, but the 55-year-old remains enigmatic. His remarkable ascent—as the son of a mixed-race marriage, the child of a single mother in Hawaii—to the Oval Office is as great a Log Cabin tale as that of any of his 43 predecessors. Maybe it’s because of his swift rise or his outlier/insider duality that he remains, even in his last days in office, the object of so much dispute.

The president has already penned two deservedly acclaimed memoirs and more are planned. And he’s been the subject of two biopics, this summer’s charming Southside with You, about his first date with Michelle (nee Robinson), and now Barry, a Netflix production that charts his college years in New York, when “Barry,” as he was known, wrestled with his racial identity…

Read the entire article here.

New Book Confronts Colorism in 21st Century America

NBC News
2016-12-21

Lesley-Ann Brown

“The Masque of Blackness” (1605) is an early Jacobean era “masque” — a popular form of 16th & 17th century amateur dramatic theatre — and is quite possibly the first instance in English literature where the topic of skin color is not only discussed, but where Blackness is cast in an unfavorable light.

Project Muse writes, “In The Masque of Blackness (1605) and its plot sequel “The Masque of Beauty” (1608), Ben Jonson represents the transformation of African people to Europeans when they travel to England from Africa.” The period in which it was commissioned and produced coincides with England’s expansion of her Atlantic journey into slavery, sugar and empire and so it ought not be underscored the role literature is enlisted to play in terms of the color hierarchy it was meant to entrain. The masque, commissioned by Anne of Denmark, queen consort of King James I, was also one of the first documented cases of “blackface” a practice so novel at the time that many of the English court found it disturbing…

…In “Same Family, Different Colors: Confronting Colorism in America’s Diverse Families,” Lori Tharps, an assistant professor of journalism at Temple University and author of “Hair Story: Untangling the Roots of Black Hair in America” and “Kinky Gazpacho: Life, Love & Spain,” Tharps gives voice to a dynamic that as she notes, “…doesn’t even exist. Not officially. It autocorrects on my computer screen. It does not appear in the dictionary. So, how does one begin to unpack a societal ill that doesn’t have a name?”…

Read the entire article here.

Book Reviews: Machado de Assis: Multiracial Identity and the Brazilian Novelist [Geiger Review]

Comparative Civilizations Review
Volume 75, Number 75, Fall 2016
Article 11
pages 125-126

Pedro Geiger

G. Reginald Daniel, Machado de Assis: Multiracial Identity and the Brazilian Novelist University Park, Pennsylvania: The Pennsylvania University Press, 2012

The long and excellent book by Reginald Daniel, Machado de Assis, of 338 pages, focuses on two related issues. One deals with racial questions in the USA and in Brazil, detailing their historical development.

Racial problems were established in both countries by the encounter of the European colonization with the prior Colombian population and by the colonial introducing of African slaves in the American continent. The book deals with the behavior and the perceptions of the racial issue by the different social sectors of the American and of the Brazilian societies, and with the evolution of the legal policy measures taken by both states in regard to it. Brazil has earned the reputation of being a racial democracy for the reason of not having had legalized social barriers based in race. However, discrimination among sectors of the population existed and still exists there.

The opportunity of dealing with racial questions was taken by the author to cover with accurate studies the full Brazilian history. Based on a large and good bibliography, he discusses a wide variety of themes, comparing interpretations of known Brazilian historians, like the ones made by the Marxian Caio Prado Júnior with the ones made by the Weberian Raymundo Faoro, or describing cultural traits brought by the slaves (like their religions), how they influenced Brazilian culture, and how they were treated by the government institutions.

The second theme of the book deals with the Brazilian novelist Machado de Assis (1839- 1908) an icon of Brazil’s literature and the founder of the Brazilian Academy of Letters. The linkage between the two themes treated in the book is the fact that, like Reginald Daniel, Machado de Assis had an African ancestry…

Read the entire review here.

Where Has All the Loving Gone? A Review of the New Film, ‘Loving’

African American Intellectual History Society (AAIHS)
2016-11-27

Peter Cole, Professor of History
Western Illinois University

A new film about the Southern working class couple whose love and dedication broke the back of anti-miscegenation laws across the nation arrives just in time. Released days prior to Donald Trump’s election, viewers of Loving might be shocked to discover that anti-racist, blue-collared, white men—like Richard Loving—walked Southern soil. He was brave (or ignorant) enough to think he could get away with marrying a black woman; wise enough to know she was smarter than him. His deferral to her effort to seek legal counsel ultimately overturned laws banning interracial marriage in the landmark Supreme Court decision, Loving v. Virginia (1967).

Beneath the film, the Lovings’ story also speaks to the centuries-long effort by white supremacists to create a “white race” and defend it from “race-mixing”(also called miscegenation). In 1958, Richard Loving, 23, and Mildred Jeter, 17, married in the District of Columbia. They did so because Virginia outlawed interracial marriages, one of twenty-four states with similar laws at the time. Richard was “white,” Mildred “black” though actually a mixture of African American and Rappahannock Indian.

So began their nine-year odyssey that ended with the Court unanimously ruling that states could not prevent a man and a woman from marrying, regardless of their racial identities. Written and directed by Jeff Nichols, critics at Cannes hailed the motion picture and Oscar buzz has begun. The film deserves high praise and wide viewership, anchored by incredible performances from Ruth Negga and Joel Edgerton, the two principal actors…

Read the entire review here.

Beacon Goes to the Movies: “Loving” and the History of White Supremacy

Beacon Broadside: A Project of Beacon Press
2016-12-15

Ayla Zuraw-Friedland, Editorial Assistant

When publicity assistant Perpetua Charles and senior editor Joanna Green first began planning a staff trip to see the film Loving in celebration of Beacon’s forthcoming book on the same topic five months ago, they couldn’t have known for sure what our political environment would be as they and fellow members of the Beacon Press staff walked through a rainy November night to the theater. Exactly a week after the country watched the electoral votes tally in favor of a divisive Republican presidential candidate, we came together to view a retelling of how Mildred and Richard Loving, a young interracial couple from Virginia, helped end the ban on interracial marriage in the United States.

“Biopics like this leave you with an overwhelming sense of hope, right? Making you think that as soon as the anti-miscegenation laws were overturned, every interracial couple was getting married left and right and naysayers kept their mouths shut. But that’s surely not what happened,” Perpetua said, going into the film.

From reading an early copy of Sheryll Cashin’s upcoming book, Loving: Interracial Intimacy in America and the Threat to White Supremacy, I gradually came to the understanding that the story this film set out to tell feels big because it is big. Not only is it the story of Richard and Mildred Loving—their love, their decision to formally wed, their beloved hometown of Central Point, Virginia turning against them, their exile to Washington D.C., and the ten years they spent mired in the legal battle that would culminate in the seminal Loving v. Virginia Supreme Court decision. It is also a four hundred-year-old story of people defying a deeply entrenched and fiercely protected color line to love or marry in America. It is a story that has gone on for as long as this country has existed, and as this election has confirmed, is nowhere near over…

Read the entire review here.

The Prism of Race: W. E. B. Du Bois, Langston Hughes, Paul Robeson, and the Colored World of Cedric Dover [Silkey Review]

Journal of American History
Volume 103, Issue 3, December 2016
pages 822-823
DOI: 10.1093/jahist/jaw452

Sarah L. Silkey, Associate Professor of History
Lycoming College, Williamsport, Pennsylvania

The Prism of Race: W. E. B. Du Bois, Langston Hughes, Paul Robeson, and the Colored World of Cedric Dover By Nico Slate. (New York: Palgrave Macmillan, 2014. xviii, 246 pp. $90.00.)

Nico Slate explores the evolution of twentieth-century “colored cosmopolitanism,” an intellectual movement to unify the “colored world” around shared experiences of exploitation and oppression, through the lens of Cedric Dover’s transnational intellectual and artistic circles (pp. 17, 19). Observing how African Americans represented “a racial minority within the United States but a racial majority within the colored world,” Dover (1904–1961), a scholar and Indian nationalist of mixed-race ancestry from Calcutta, advocated “colored solidarity” as a tool for antiracist, anti-imperialist activism to achieve social justice on a global scale (p. 141). Seeking inspiration and friendship from African American intellectuals, Dover taught at Fisk…

Read or purchase the review here.

That the Blood Stay Pure: African Americans, Native Americans, and the Predicament of Race and Identity in Virginia [Smithers Review]

Journal of American History
Volume 103, Issue 3, December 2016
pages 742-743
DOI: 10.1093/jahist/jaw364

That the Blood Stay Pure: African Americans, Native Americans, and the Predicament of Race and Identity in Virginia By Arica L. Coleman. (Bloomington: Indiana University Press, 2013. xxiv, 300 pp. $45.00.)

Gregory D. Smithers, Associate Professor of History
Virginia Commonwealth University

Few Virginians have negatively affected the Old Dominion more than Walter Ashby Plecker. In his role as registrar of Virginia’s Bureau of Vital Statistics, a position he held from 1912 to 1946, Plecker oversaw a campaign to preserve the racial “purity” of Virginia’s white population and divide African Americans, Native Americans, and Caucasians along a black-white binary. To that end, Plecker was not only evangelical in his calls for the separation of the races but was also one of the founding members of the Anglo-Saxon Clubs of America and, with John Powell and Earnest Sevier Cox, played a pivotal role…

Read or purchase the review here.

When Labels Don’t Matter: George Herriman and Krazy Kat

The Beat
2016-12-14

Heidi MacDonald, Editor-In-Chief

We’ve been writing a bit about Michael Tisserand’s comprehensive new biography of George Herriman, Krazy: A Life in Black and White, but last night I got to hear him talk about it at one of the stops on his mini tour. Tisserand presented a slideshow on the book for the first time, and it will be presented again on Thursday at Princeton’s Labyrinth Books with Patrick “Mutts” McDonnell along for the ride – an event I highly recommend if you are into Herriman, Krazy Kat or comic strip history. Or really, just history…

…Tissarand has done a ton of research on the book, but the key element is defining Herriman’s own heritage as a Creole man from New Orleans whose family moved to Los Angeles when he was only 10 so that they could pass for white in a world of Jim Crow laws and blatant racism. Tisserand suggests that Krazy Kat’s gender fluid subtext was his own commentary on race, and in the talk he quoted several strips that allude to Krazy’s never pinned down gender and color swapping – “inferiority complexion” Krazy says in one strip…

Read the entire article here.

‘Whatever Happened to Interracial Love?’: Fiction by an Author Who Died Young

Book Review
The New York Times
2016-12-09

Morgan Jerkins

WHATEVER HAPPENED TO INTERRACIAL LOVE?
Stories
By Kathleen Collins
175 pp. Ecco/HarperCollins Publishers. Paper, $15.99.

Kathleen Collins
Credit Douglas Collins

Kathleen Collins’s short story collection, “Whatever Happened to Interracial Love?” opens with a monologue. An unnamed director is giving instructions to someone — a stagehand? a cinematographer? — on how to light a room in which two lovers are suffering the demise of their relationship. The last line is this: “Leave her in the shadow while she looks for the feelings that lit up the room.” This three-page section, titled “Exteriors,” can hardly be considered a story; it is more like a voyeuristic passage through which the reader can oscillate between being emotionally invested in and distant from matters of love. Collins toys with human beings as shadows, who fade in and out of one another’s lives, and she carefully depicts how abandonment and attachment can be two sides of the same experience…

Read the entire review here.