Mixed Race Studies

Chiefs’ Patrick Mahomes proud to be part of first Super Bowl with two Black QBs

Chief’s Wire
USA Today
2023-02-01

Ed Easton Jr., Kansas City Chiefs Beat Writer

We are just under two weeks away from Super Bowl LVII as the Kansas City Chiefs prepare to battle the Philadelphia Eagles.

The game will feature top seeds from both conferences and, for the first time in league history, two Black starting quarterbacks. Patrick Mahomes and Jalen Hurts will make history when they step onto the field in Arizona—a special moment considering the strides the position and league have taken to improve diversity…

…Speaking to Carrington Harrison on 610 Sports Radio show “The Drive” during his weekly check-in, Mahomes opened up about the cultural impact of the game and the history of the Black quarterback.

“I am proud. We came a long way,” said Mahomes. “As I’ve gotten into the NFL and learned more about the history of the Black quarterback, I’m happy that we’re going to be on this stage. It couldn’t be against a better guy than Jalen Hurts… I’m glad that we’re going to be able to represent the Black quarterback in the biggest game of them all.”…

Read the entire article here.

Chiefs’ Patrick Mahomes responds to recent, unfounded criticisms of Black QBs

Chief’s Wire
USA Today
2022-07-30

Ed Easton Jr., Kansas City Chiefs Beat Writer

The career of Kansas City Chiefs quarterback Patrick Mahomes has been progressing well since entering the league in 2017. He’s been named league MVP, he’s won a Super Bowl, and he’s secured one of the highest-paying contracts in sports history all before turning 26 years old.

Mahomes is already one of the most accomplished Black quarterbacks in NFL history. The topic of race has never been something Mahomes has shied away from in interviews or press conferences. He’s been outspoken about racial injustice and the need for change…

…Following the Chiefs’ Friday training camp practice, Mahomes was asked whether he felt Black quarterbacks are evaluated differently in the NFL. His response was about as perfect as you could expect.

 “I don’t want to go that far and say that,” said Mahomes. “I mean obviously, the Black quarterback has to have a battle to be in this position that we are, to have this many guys in the league playing. I think every day we’re proving that we should’ve been playing the whole time. We’ve got guys that think just as well as they can use their athleticism, so it always is weird when you see guys like me and Lamar (Jackson), Kyler (Murray) kind of get that on them and other guys don’t, but at the same time we’re going to go there and prove ourselves every day to show that we can be some of the best quarterbacks in the league.”…

Read the entire article here.

A Woman You Should Know — Rita Rio the Sweetheart of Swing

Medium
2018-03-12

Leslie Zemeckis

What started as a publicity stunt surprisingly led to a fulfilling career as “the outstanding orchestra leader” of a popular all-girl band.

She was born Eunice Westmoreland in Miami, Florida in 1914. She would use many names during a diverse career as a showgirl, musician, orchestra leader and actress. Both her parents were of African American heritage and she was gorgeous.

Moving to Philadelphia her father ran a restaurant where as a young girl Eunice began entertaining the customers. As a teenager she became Una Villon and danced as a chorus girl in nightclubs, including Nil’s T. Granlund’s Paradise Restaurant, one of the premier entertainment venues in Manhattan. Granlund, nicknamed N.T.G. was a friend of movie star Jean Harlow, whose career he helped advance. He would be responsible for hiring innumerable chorus girls who would dance onto fame and fortune. The Paradise would feature the likes of fan dancer Sally Rand and silent movie star Lina Basquette. N.T.G.’s partner, or benefactor, was Charlie Sherman who would later be found buried under quick lime at an abandoned barn, on property formerly owned by a mobster associated with a New York gang, the Amberg mob. Sherman had last been seen leaving the Paradise…

Read the entire article here.

The “Miscegenation” Troll

JSTOR Daily
2019-02-20

Mark Sussman, Adjunct Professor of English
Hunter College, City University of New York

The term “miscegenation” was coined in an 1864 pamphlet by an anonymous author.

In 1864, a pamphlet entitled “Miscegenation: The Theory of the Blending of the Races, Applied to the American White Man and Negro” began to circulate on the streets of New York. The title certainly would have given New Yorkers pause. No one had ever seen the word “miscegenation” before. In fact, the pamphlet’s anonymous author invented it, giving the reason that “amalgamation”—then the most common term used to describe “race mixing”—was a “poor word, since it properly refers to the union of metals with quicksilver.” The term “miscegenation”—from the Latin miscere (to mix) and genus (race)—had only one definition.

Besides introducing a new word into the English language, the pamphleteer was also responsible for what appeared to be one of the most fearless documents in the archive of nineteenth century abolitionist writing. Among many other claims and political recommendations, the pamphlet notes that, “the miscegenetic or mixed races are much superior, mentally, physically, and morally, to those pure or unmixed;” that “a continuance of progress can only be obtained through a judicious crossing of diverse elements;” that “the Caucasian, or white race… has never yet developed a religious faith on its own;” that “the true ideal man can only be reached by blending the type man and woman of all the races of the earth;” that “the most beautiful girl in form, feature, and every attribute of feminine loveliness [the pamphleteer] ever saw, was a mulatto.” Most provocatively, the writer claimed that “the Southern beauty… proclaims by every massive ornament in her shining hair, and by every yellow shade in the wavy folds of her dress, ‘I love the black man.’”…

Read the entire article here.

Master Slave Husband Wife: An Epic Journey from Slavery to Freedom

Simon & Schuster
2023-01-17
416 pages
Hardcover ISBN 13: 9781501191053

Ilyon Woo

The remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as “his” slave.

In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North.

Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day—among them Frederick Douglass and William Wells Brown.

But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again—this time from the United States, their lives and thousands more on the line and the stakes never higher.

With three epic journeys compressed into one monumental bid for freedom, Master Slave Husband Wife is an American love story—one that would challenge the nation’s core precepts of life, liberty, and justice for all—one that challenges us even now.

This Other Eden, A Novel

W. W. Norton & Company
2023-01-24
224 pages
6.3 x 9.4 in
Hardcover ISBN: 978-1-324-03629-6

Paul Harding, Director of the MFA in Creative Writing & Literature
State University of New York at Stony Brook

From the Pulitzer Prize–winning author of Tinkers, a novel inspired by the true story of Malaga Island, an isolated island off the coast of Maine that became one of the first racially integrated towns in the Northeast.

In 1792, formerly enslaved Benjamin Honey and his Irish wife, Patience, discover an island where they can make a life together. Over a century later, the Honeys’ descendants and a diverse group of neighbors are desperately poor, isolated, and often hungry, but nevertheless protected from the hostility awaiting them on the mainland.

During the tumultuous summer of 1912, Matthew Diamond, a retired, idealistic but prejudiced schoolteacher-turned-missionary, disrupts the community’s fragile balance through his efforts to educate its children. His presence attracts the attention of authorities on the mainland who, under the influence of the eugenics-thinking popular among progressives of the day, decide to forcibly evacuate the island, institutionalize its residents, and develop the island as a vacation destination. Beginning with a hurricane flood reminiscent of the story of Noah’s Ark, the novel ends with yet another Ark.

In prose of breathtaking beauty and power, Paul Harding brings to life an unforgettable cast of characters: Iris and Violet McDermott, sisters raising three orphaned Penobscot children; Theophilus and Candace Larks and their brood of vagabond children; the prophetic Zachary Hand to God Proverbs, a Civil War veteran who lives in a hollow tree; and more. A spellbinding story of resistance and survival, This Other Eden is an enduring testament to the struggle to preserve human dignity in the face of intolerance and injustice.

What Passes as Love: A Novel (Review)

Washington Independent Review of Books
2021-08-31

Gisèle Lewis

Thomas, Trisha R., What Passes as Love: A Novel (Seattle: Lake Union Publishing, 2021)

An escaped slave navigates the white world in a suspenseful bid for freedom.

Trisha R. Thomas, best known for her successful Nappily Ever After series, offers now an historical novel about a Black woman passing as white in 1850s Virginia. In What Passes as Love, Dahlia is the light-skinned daughter of Lewis Holt, a wealthy white plantation owner. She is also his slave, one of nearly a dozen he has fathered with his Black laborers.

Thanks to her beauty, Dahlia is brought by Holt into the mansion to live and serve as a ladies’ maid for her spoiled white half-sisters. Caught between guilt over the preferential treatment she receives and petty jealousy from her masters, Dahlia yearns for a better existence. Suddenly, the chance for one appears.

During an outing to town on her 16th birthday, she is mistaken for white by a young man. When he abruptly proposes marriage that very afternoon, she embraces the opportunity to escape slavery without questioning his motives. But once installed as lady of the manor — under the name Lily Dove — at her new husband’s plantation, maintaining the lie about her parentage becomes a matter of life and death. Dahlia’s new mother-in-law analyzes her every move, her rogue brother-in-law wants her for himself, and the slaves who suspect her runaway status use her secret as blackmail…

Read the entire review here.

Seeking Participants for High School Senior Project on Experiences of Mixed-Race Individuals

Valasone O’Neal, GSWLA Student
Tallwood High School, Virginia Beach, Virginia

2023-01-25

My name is Valasone O’Neal and I am a senior in the Global Studies and World Language Academy at Tallwood High School in Virginia Beach, Virginia.

As a requirement for graduation, I have to complete a senior project consisting of a research paper and action. For this project, I intend to collect the experiences of mixed-race people in order to highlight societal treatment and attitudes towards multiracial people in America. I want to conduct a series of interviews and create a short film that will be shown to Virginia Beach City Public Schools administration and students. If you or someone you know is interested, over the age of eighteen, not associated with Virginia Beach Public Schools, and identify as mixed-race, please contact me as at your earliest convenience at madelynevaloneal@gmail.com.

Thank you for your consideration of my request.

Doublings and Dissociation in Nella Larsen’s Passing and Helen Oyeyemi’s Boy, Snow, Bird

Angelaki: Journal of the Theoretical Humanities
Volume 27, 2022 – Issue 3-4: after modernism: women, gender, race. issue editor: pelagia goulimari
Pages 182-198
DOI: 10.1080/0969725X.2022.2093974

Jean Wyatt, Professor of English; Emerita
Occidental College, Los Angeles, California

In this paper I explore the representations of alter ego figures in a Black Modernist work, Passing, by Nella Larsen (1929) and in a contemporary black British novel by Helen Oyeyemi, Boy, Snow, Bird (2014). Oyeyemi claims Larsen’s novel as an influential forbear. When the protagonist of Larsen’s Passing, Irene, is in the presence of her friend Clare, she acts, speaks, and expresses her feelings in a far different mode from her usual rigid conformity to ladylike propriety. She seems, indeed, to be a different person. Although critics have long seen Clare as an alter ego for Irene, I argue instead that it is Clare’s presence that brings out in Irene an alter ego, a new personality structure. Using as a theoretical framework Philip Bromberg’s model of subjectivity as a series of alternating self-states – each distinct and discontinuous with the others – I argue that Larsen is giving the nineteenth-century alter ego of literary tradition a new depth by dramatizing the way a subject changes personality to a different self as a result of a close relationship with a particular other. Irene’s subjectivity is further complicated by her enactment of upper-class “lady” in her every gesture, tone, and word. The performed identity of (white) “lady” is at odds with the everyday reality of Irene’s social position as middle-class black wife and mother. Attention to the multiplicity of Irene’s competing self-states, and her growing loss of control over them, can help us to understand the ambiguous final scene in which Irene (apparently) pushes Clare out of a sixth-floor window to her death. In Boy, Snow, Bird alter egos proliferate. To manage the relentless physical and mental abuse that the character narrator Boy endures from her father, Boy finds escape in colloquies with her mirror image. The mirror image is separate from Boy (she does not recognize it as her own reflection) and has its own agenda, sometimes replacing Boy’s subjectivity with its own. Later in the novel, we learn that Frances, Boy’s mother, after suffering a violent rape, saw in her mirror a male figure and transformed herself into that male identity. [The novel seems to ask readers to think of both instances of wounded identity and the adoption of alter egos in relationship to each other.] This is not Bromberg’s “normal” dissociation as an alternation of self-states, but a lasting and severe dissociation as a last defense against trauma. Boy and Frances are using the mirror double as an escape from unbearable reality. When, to her surprise, Boy gives birth to an African American baby, the intense anxiety about her child’s future in the racist United States causes a different kind of splitting: she feels herself transforming into the wicked stepmother of the fairy tale “Snow White.” She indeed becomes cruel, unfeeling, and damaging to her innocent stepdaughter Snow. In both novels, the complex depiction of alter egos reflects the psychic complications of subjects trying to survive in the racist social order of the United States.

Read or purchase the article here.

Plum Bum: A Novel Without a Moral

Beacon Press
2022-03-08 (originally published in 1929)
328 pages
5.5 x 8.5 Inches (US)
Paperback ISBN: 978-080700660-3

Author: Jessie Redmon Fauset
Foreword by: Morgan Jerkins
Afterword: Deborah McDowell

For readers of The Vanishing Half, a hidden gem from the Harlem Renaissance about a young Black woman’s journey toward self-acceptance while passing as white in 1920s New York City.

Originally published in 1929 at the height of the Harlem Renaissance, Plum Bun is the story of Angela Murray, a young Black woman of mixed heritage who uses the advantages of her lighter skin to escaper her own life. Beginning with a childhood in her Black middle class Philadelphia neighborhood, Angela dreams of being a renowned painter. She believes she will only achieve this through whiteness and being a part of white society. Bestowed with the light skin of her mother, while her sister Virginia’s darker complexion resembles that of their father’s, Angela refuses to accept a life dictated by the limitations that come with her race and gender.

Leaving behind her family and identity, Angela escapes to a roaring New York City where she befriends the art elites and presents herself as a white woman. Thrust into a world of seduction, betrayal, love, lust, and heartbreak, Angela soon discovers that to find true fulfillment within herself, she must accept and embrace her own identity—both her race and gender. Written with meticulous care and appreciation for the complicated nature of her characters, while also highlighting the beauty of every day Black life, Jessie Redmon Fauset’s Plum Bun raises important questions to inspire new readers.

Table of Contents

• Foreword by Morgan Jerkins
• Home
• Market
• Plum Bun
• Home Again
• Market Is Done
• Afterword by Deborah McDowell
• Notes
• Suggestions for Further Reading