Mixed Race Studies

First Baptist unveils historic marker

The Tennesseean
Nashville, Tennessee
2015-12-09

Jennifer Easton

If people of faith go to First Baptist Church on East Winchester Street looking for a sign, they’ll find it.

Sumner County’s oldest known African-American church celebrated another milestone Dec. 6 with the dedication of a historic marker commemorating the 150-year-old church’s early beginnings and role in the community.

Sunday’s event closed out a year of special events marking the church’s sesquicentennial celebration that kicked off last January.

Founded in 1865 by the Rev. Robert Belote, an 80-year-old ex-slave from Castalian Springs, services were first held in a log cabin on the church’s present-day site.

“Its first members were freed slaves. They had no jobs, no education, no organizations to help them, no schools and nowhere to go,” said the Rev. Derrick Jackson, pastor of First Baptist since 2001…

…Expansion and Education

The church experienced tremendous growth and expansion under the leadership of the Rev. Peter Vertrees, who served as pastor from 1874-1926.

Vertrees was a prominent local leader who established numerous churches and schools. He founded East Fork Missionary Baptist Association, made up of 28 churches in Sumner, Davidson, Trousdale, Robertson, Macon and Wilson counties. He is considered one of the most influential figures in Sumner County and Middle Tennessee history.

Born in Kentucky in 1840 to a white mother and mulatto father, he served in the Civil War as a black Confederate soldier, and afterward he moved to Gallatin.

Under Vertrees’ leadership, First Baptist expanded its congregation and built a framed church, according to Brinkley. A violent windstorm destroyed the framed building around 1905, and a new building was erected from bricks Vertrees purchased cheaply from an old penitentiary. He served as principal of South Gallatin School, adjacent to First Baptist Church…

Read the entire article here.

Black in the USSR: 3 Generations of a Russian Family

The Root
2015-12-12

Steven J. Niven

Olver Golden; Lily Golden; Yelena Khanga SOUL TO SOUL: A BLACK RUSSIAN AMERICAN FAMILY 1865-1992; BLOGSPOT.COM; WIKIMEDIA COMMONS

Escaping the oppression of a racist America, a black scientist named Oliver Golden took Soviet citizenship in the 1930’s and began a legacy for his family that endures in Russia today.

1932, the poet Langston Hughes spent Christmas in the ‘dusty, coloured, cotton-growing South’ of Uzbekistan, then one of the Soviet Union’s Asian republics. Hughes had been in Moscow, working on a film critical of American race relations, but the project was abandoned, in part because the Soviets were then seeking official diplomatic recognition and improved economic ties with the United States. After an exhausting 2000-mile journey on frozen, ramshackle Russian trains, he arrived on Christmas Eve in Yangiyul, near Tashkent, “in the middle of a mudcake oasis frosted with snow,” and visited “a neat, white painted cottage,” where “it was jolly and warm.”

His hosts were Oliver Golden, a black Mississippian, and his wife Bertha Bialek, the white New York-born daughter of Polish Jewish immigrants, who had prepared traditional American meal capped off with pumpkin pie to celebrate the season—washed down, of course, with copious amounts of local cognac and vodka. Most of his fellow guests were black men and women. As he looked out his window on Christmas morning Hughes saw some tall, brown skinned Uzbeks on horseback, padding across the snowy fields, and was reminded of images he had seen in Sunday School when he was a boy in Kansas. “In their robes these Uzbeks looked just like bible characters, and I imagined in their stable a manger and a child.”

Oliver Golden was the driving force behind the presence of a group of black scientists in Tashkent to assist in the cultivation of cotton, which had prompted Hughes visit. Born in Yazoo County in the Mississippi Delta in 1887, Golden was the son of former slaves who had prospered during Reconstruction. By the time he reached his twenties, however, his family home had been burned down twice as part of the broad, violent, and successful campaign to restore white supremacy. He was drawn to the Soviet experiment in the 1920s and 1930s by its promises of racial equality, much as his grandfather had been inspired by the promise of Reconstruction…

…Yelena Khanga was raised by her mother and grandmother, Bertha, in Moscow, where she enjoyed a relatively privileged upbringing as the child of a leading Soviet academic. Like her mother, she was a talented tennis player, and attended Moscow State. She graduated in 1984 with a degree in journalism, and worked for three years with the Moscow World News. In 1987, in the wake of Glasnost, President Mikhail Gorbachev’s liberalization of the Soviet system, Khanga was selected to take part in an exchange program between American and Soviet newspapers. She moved to Boston to work for the Christian Science Monitor.

While in the US she began to research her black and Jewish ancestry, and traveled to Yazoo, Mississippi, to visit the land once owned by her great-grandfather. She also met many of her African American relatives at a family reunion in Mississippi, and in 1992 published a memoir, Soul to Soul: The Story of a Black Russian American Family. In that book Khanga admitted that racism existed in Russia during the Soviet era and had worsened since communism’s collapse, but she was also clear that her own family had experienced more discrimination for being Jewish and American than for being black. Around this time her mother also began visiting the United States, and taught at Chicago State University in the 1990s, before returning to Moscow to help raise her daughter’s children. Lily Golden died in Russia in 2010…

Read the entire article here.

Third film festival

La Voz News: The voice of De Anza College since 1967
Cupertino, California
2015-10-22

Bojana Cvijic, Staff Writer

De Anza students saw the Lacey Schwartz’s film “Little White Lie” and had a discussion about race and identity issues during the Third Film Festival on Oct. 15 at Euphrat Museum.

Members of the Black Leadership Collective chose the film, discussion questions and overall theme for the festival.

“This is all the students work,” said Julie Lewis, Department Chair of African American Studies, advisor to the Black Leadership Collective, and coordinator for the festival.

The framework for the festival correlated with the Euphrat museum’s ongoing exhibition “Endangered” which also touches on social justice issues.

“Some of the themes that they’ll be talking about is identity, what does it mean to be of a particular identity, who makes those rules, in particular around race, which is a socially constructed concept yet has very real world and lasting implications,” Lewis said before the event….

Read the entire article here.

Meet April Baskin, the Multiracial Face of Reform Judaism

Forward
2015-11-28

Allison Kaplan Sommer (Haaretz)

Image: Haaretz

See also: “Black and Jewish: New Reform Leader Works to Bring Marginalized Groups Into the Tribe” on 2015-11-25 from Haaretz.

To meet April Baskin is to see the change in American Jewry personified. A tall, confident, 32-year-old with an impressive mane of curly hair and a wide smile, the self-described “multiracial Jewish woman of color” is the newest executive in the Reform Jewry movement.

Her offbeat job title—vice president for audacious hospitality—incorporates the catchphrase that the Union for Reform Judaism has embraced as its central mission. It is meant both to include aggressively welcoming newcomers into its institutions, along with widening its tent by inviting groups that have traditionally felt marginalized from mainstream Jewish institutional life – this includes interfaith couples and families, as well as adults who grew up in interfaith homes, LGBT Jews, Jews with disabilities, unaffiliated Jews and multiracial Jews like herself. “The Jewish community has been by and large marginalizing these groups and put them on the back burner if they have even been on the stove at all,” she says.

Her job is to put these groups front and center. Baskin sums up the philosophy with which she is approaching her admittedly “enormous portfolio”: “It is the belief that we will be a stronger Jewish community when we welcome and incorporate the diversity that is the reality and future of Jewish life.” Since unaffiliated Generation X and millennials are another important target for her outreach work, her young age is an advantage, rather than an obstacle.

…It is language, however, that Baskin’s family hasn’t really been able to avoid. She was raised in a Jewish home by her Ashkenazi mother and African-American father. Early on, they regularly received questions about “what” she was, and thus sought out the expertise of a psychology professor, who recommended they tell Baskin she was “multiracial and Jewish.” The couple raised April and her brother in Sacramento, California “enmeshed in Jewish life” complete with a close-knit Reform congregation and Reform Jewish summer camp…

Read the entire article here.

Nobody Discussed It: Lacey Schwartz and “Little White Lie”

Radio Curious
Public Radio Exchange (PRX)
2015-05-11

Barry Vogel, Producer
Ukiah, California

The secret revealed in the life of Lacey Schwartz, born in 1987 to a white Jewish family in rural upstate New York, where she grew up, is that her biological father was black. The few who knew her truth remained silent until after her first year of college when she asked her mother why she looked the way she did. Lacey Schwartz is the producer and director of the film “Little White Lie,” with a website at http://www.littlewhiteliethefilm.com.

“Little White Lie” will be shown at the Mendocino Film Festival on May 29, 2015, in the village of Mendocino, California.

Lacey Schwartz and I visited by phone from her home near New York City, on May 11, 2015. First we hear a clip of Lacey’s voice taken from the introduction of the film “Little White Lie,” and later intersperse our conversation with clips from the film.

The book Lacey Schwartz recommends is “How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement,” by Ruth Feldstein.

Listen to the story (00:29:01) here.

Raising my biracial Jewish child

Ethical Jam
The Times of Israel
Jerusalem, Israel
2015-11-12

Ethical Jam presents contemporary ethical dilemmas and the responses of Jewish thinkers from across the world Jewish community. Ethical Jam is a project of the Center for Global Judaism (CGJ) at Hebrew College in Newton Centre, Massachusetts and of the Times of Israel, and was created by CGJ’s director Rabbi Or Rose and Hebrew College president Rabbi Daniel Lehmann. It is edited by Rabbi Sue Fendrick, Editor at CGJ.

My husband and I are both white; we have a six-year-old adopted daughter who is biracial. We are socially progressive and it is important to us to be self-aware parents of a brown-skinned child, staying updated on issues that matter to us especially as a multi-racial family, and becoming aware of and working on our own unconscious racism. We don’t live in a very diverse area, and our Jewish community is almost exclusively white; it is important to us to have more brown-skinned people in our daughter’s life, yet it feels problematic to us to target people for friendship just because they are African-American, and surely would feel problematic to them as well! Moving into a more racially diverse neighborhood would, in our city, remove us from the hub of Jewish activity which has been very important to our family. How can we find ways to make sure that Sarah’s world has people in it who look like her and with whom she may share some heritage and experience, without turning people into objects or tokens, or sacrificing the quality of our (and her) Jewish life?

Jenny Sartori says…

You’re right that, as a transracial adoptee, Sarah needs to grow up with people of color in her life. You’re also right that targeting people for friendship just because they are African-American is problematic. Instead, try putting yourselves in situations in which you are likely to meet a diverse group of people who share your own interests: join a book club, attend cultural events, join the Y or enroll your daughter in an activity in a racially diverse area. And introduce yourself to people, not because they are African-American but because they seem to be nice people with whom you share something in common. Just because you may have made a deliberate choice to put yourself in these situations doesn’t mean the efforts and the friendships are not genuine…

…Yavilah McCoy says…

…José Portuondo-Dember says…

Read the entire article here.

European Others: Queering Ethnicity in Postnational Europe

University of Minnesota Press
2011
304 pages
6 b&w photos
5 1/2 x 8 1/2
Paper ISBN 978-0-8166-7016-1
Cloth ISBN 978-0-8166-7015-4

Fatima El-Tayeb, Professor of African-American Literature and Culture
University of California, San Diego

European Others offers an interrogation into the position of racialized communities in the European Union, arguing that the tension between a growing nonwhite, non-Christian population and insistent essentialist definitions of Europeanness produces new forms of identity and activism. Moving beyond disciplinary and national limits, Fatima El-Tayeb explores structures of resistance, tracing a Europeanization from below in which migrant and minority communities challenge the ideology of racelessness that places them firmly outside the community of citizens.

Using a notable variety of sources, from drag performances to feminist Muslim activism and Euro hip-hop, El-Tayeb draws on the largely ignored archive of vernacular culture central to resistance by minority youths to the exclusionary nationalism that casts them as threatening outcasts. At the same time, she reveals the continued effect of Europe’s suppressed colonial history on the representation of Muslim minorities as the illiberal Other of progressive Europe.

Presenting a sharp analysis of the challenges facing a united Europe seen by many as a model for twenty-first-century postnational societies, El-Tayeb combines theoretical influences from both sides of the Atlantic to lay bare how Europeans of color are integral to the continent’s past, present, and, inevitably, its future.

Contents

• Acknowledgments
• Introduction: Theorizing Urban Minority Communities in Postnational Europe
• 1. “Stranger in My Own Country”: European Identities, Migration, and Diasporic Soundscapes
• 2. Dimensions of Diaspora: Women of Color Feminism, Black Europe, and Queer Memory Discourses
• 3. Secular Submissions: Muslim Europeans, Female Bodies, and Performative Politics
• 4. “Because It Is Our Stepfatherland”: Queering European Public Spaces
• Conclusion: “An Infinite and Undefinable Movement”
• Notes
• Bibliography
• Index

Cachita’s Streets: The Virgin of Charity, Race, and Revolution in Cuba

Duke University Press
2015
376 pages
27 illustrations
Cloth ISBN: 978-0-8223-5918-0
Paperback ISBN: 978-0-8223-5937-1

Jalane D. Schmidt, Associate Professor of Religious Studies
University of Virginia

Cuba’s patron saint, the Virgin of Charity of El Cobre, also called Cachita, is a potent symbol of Cuban national identity. Jalane D. Schmidt shows how groups as diverse as Indians and African slaves, Spanish colonial officials, Cuban independence soldiers, Catholic authorities and laypeople, intellectuals, journalists and artists, practitioners of spiritism and Santería, activists, politicians, and revolutionaries each have constructed and disputed the meanings of the Virgin. Schmidt examines the occasions from 1936 to 2012 when the Virgin’s beloved, original brown-skinned effigy was removed from her national shrine in the majority black- and mixed-race mountaintop village of El Cobre and brought into Cuba’s cities. There, devotees venerated and followed Cachita’s image through urban streets, amassing at large-scale public ceremonies in her honor that promoted competing claims about Cuban religion, race, and political ideology. Schmidt compares these religious rituals to other contemporaneous Cuban street events, including carnival, protests, and revolutionary rallies, where organizers stage performances of contested definitions of Cubanness. Schmidt provides a comprehensive treatment of Cuban religions, history, and culture, interpreted through the prism of Cachita.

Race & Religions Series with Lacey Schwartz in conversation with Allyson Hobbs

Stanford Jewish Studies
2015-11-05

“Little White Lie: A Film about Dual Identity and Family Secrets” with Lacey Schwartz

“Between Race and Religion: Contemporary American Jewish Life” series with the Center for Comparative Studies in Race and Ethnicity.

Lacey Schwartz, an American filmmaker, in conversation with Allyson Hobbs, Assistant Professor of American History at Stanford University

Little White Lie tells Lacey Schwartz’s story of growing up in a typical middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity — that is until she discovers that her biological father is actually a black man with whom her mother had an affair. Lacey discovers that answering those questions means understanding her parents’ stories as well as her own.

What defines our identity, our family of origin or the family that raises us? How do we come to terms with the sins and mistakes of our parents? Lacey discovers that answering those questions means understanding her parents’ own stories as well as her own. She pieces together her family history and the story of her dual identity using home videos, archival footage, interviews, and episodes from her own life. Little White Lie is a personal documentary about the legacy of family secrets, denial, and redemption.

Mixed, Passing For White

Youth Radio
2015-10-12

Maya Cueva

What’s it like to be a mixed race person who passes as white? Complicated, according to Youth Radio’s Maya Cueva. She often finds herself struggling to represent the part of her racial identity that people can’t see.

My whole life, I’ve always been the girl who’s white face didn’t quite match my last name — “Cueva”.

In my family we always celebrated our identity: My mom’s Jewish and my dad’s Peruvian.

Sometimes my dad tries to say things in Yiddish. Words like schmatta, except for with his Spanish accent. My mom calls that meshugganismo — combining the Yiddish word meshugganah, meaning crazy, with the Spanish ismo…meaning ism. Quirks like this always come up in my family all the time.

Ever since I can remember, my mom has always searched for things that connect our Jewish and Latino identities. But out in the world, I often face identity policing. Because I pass as white, people ask if I’m actually a person of color or not. So I’m constantly having to prove my Peruvian heritage. Like having to tell my dad’s immigration story soon after I meet people. I call it “coming out as mixed.”…

Read the entire story here. Listen to the story here. Download the story here.