Mixed Race Studies

“Chino-Chicano”: A Biblical Framework for Diversity (Part I)

Jesus for Revolutionaries: A Blog About Race, Social Justice, and Christianity
2013-01-03

Robert Chao Romero, Associate Professor of Chicana/o Studies and Asian American Studies
University of California, Los Angeles

I’m a “Chino-Chicano.” I was born in East Los Angeles and raised in the small town of Hacienda Heights. My dad is an immigrant from Chihuahua, Mexico and my mom an immigrant from Hubei in central China. The Romeros lost their family fortune during the Mexican Revolution by siding with Pancho Villa, and eventually immigrated to El Paso, Texas. They moved to East Los Angeles in the 1950’s and we’ve been here in Southern California ever since. My mom’s family immigrated to Los Angeles from China via Hong Kong and Singapore in the 1950’s. My maternal grandfather, Calvin Chao, was a famous pastor in China who launched the first Chinese branch of Intervarsity Christian Fellowship. The Chaos fled their native land because my grandfather was on a communist “hit list.” As an interesting side note, my Mom’s family traces directly back to the founding emperor of the Song Dynasty!

Growing up “mixed,” I had a lot of struggles with racial identity. I was very proud of my Mexican heritage, but at a young age got sent the message that being Chinese was a bad thing. On the first day of first grade a kid walked up to me, pretended to hold an imaginary refrigerator in his hands, and said, “Here’s a refrigerator, open it up. Here’s a coke, drink it. Me Chinese, me play joke, me do pee-pee in your Coke.” Kids are so mean.  I was so scarred by that event that I denied my Chinese heritage for the next 18 years.  Once I even remember telling a friend that my mom was our housekeeper because I was embarrassed that she came to pick me up from school…

Read the entire article here.

Eric Garcetti invokes Latino-Jewish ancestry in mayor’s race

The Los Angeles Times
2013-01-02

Michael Finnegan

Working a recent breakfast gathering of business owners in Northridge, Los Angeles mayoral contender Eric Garcetti introduced himself in Hindi when a Sikh businessman approached.

A few hours later, Garcetti donned a colorful Peruvian headpiece with ear flaps as he spoke Spanish with immigrants on the steps of City Hall, part of a show of solidarity for designating a stretch of Hollywood’s Vine Street as “Peru Village.”

After lunch, Garcetti joined rabbis at a City Hall menorah lighting. Wearing a yarmulke, the Hollywood-area councilman sang Hanukkah songs in Hebrew, English and Spanish. “Toda la familia,” Garcetti said as the group huddled for a photo.

A top contender to succeed Mayor Antonio Villaraigosa, Garcetti prides himself on his ease with the city’s diverse cultures. He sees his mixed ancestry (“I have an Italian last name, and I’m half Mexican and half Jewish,” he says) as a powerful part of his appeal in a city where voters for decades have split along racial and ethnic lines in mayoral elections…

Read the entire article here.

Changing Families

Sh’ma: A Journal of Jewish Ideas
December 2007

Caryn Aviv, Senior Instructor in Secular Jewish Society & Civilization
University of Colorado, Boulder

A Different Sexual Revolution

The Colors of Jews: Racial Politics and Radical Diasporism, by Melanie Kaye/Kantrowitz, Indiana University Press, 2007. 320 pages

The Family Flamboyant: Race Politics, Queer Families, Jewish Lives, by Marla Brettschneider, SUNY Press, 2006. 232 pages

Two new books provide food for thought about contemporary Jewish identities in the United States. The Family Flamboyant: Race Politics, Queer Families, Jewish Lives by Marla Brettschneider, and The Colors of Jews: Racial Politics and Radical Diasporism, by Melanie Kaye Kantrowitz, have much in common. Both books are informed by the authors’ deep commitment to social justice, their insights as Ashkenazi Jewish lesbians, and their experiences as coalition organizers. And both authors offer a nuanced, passionate, and sophisticated analysis of slippery Jewish identities in relationship to racial politics and inequality in the United States.

Each author inserts compelling autobiographical experiences into their political analyses. Brettschneider reveals the unsavory and overt racism and homophobia of the adoption system in the United States based on her own experiences of trying to adopt as an outspoken Jewish lesbian. Kaye/Kantrowitz draws upon her experiences of living in diverse places in the U.S., her struggles for racial and economic justice, and her memories of growing up in a secular, Yiddish-inflected family in Brooklyn. And both books provide meticulously documented empirical and theoretical evidence for the arguments they advance, offering a veritable bibliographic trove of resources for scholars and lay readers interested in these literatures…

Read the entire review here.

The Family Flamboyant: Race Politics, Queer Families, Jewish Lives

SUNY Press
October 2006
244 pages
Hardback ISBN10: 0-7914-6893-3; ISBN13: 978-0-7914-6893-7
Paperback ISBN10: 0-7914-6894-1; ISBN13: 978-0-7914-6894-4
eBook ISBN10: 0-7914-8106-9; ISBN13: 978-0-7914-8106-6

Marla Brettschneider, Professor of Political Philosophy, Feminist Theory, Political Science & Women’s Studies
University of New Hampshire

Winner of a Bronze Medal in the Gay/Lesbian Category of the 2007 Independent Publisher Book Awards

Interrogates the normative heterosexual family from feminist, Jewish, and queer perspectives.

The Family Flamboyant is a graceful and lucid account of the many routes to family formation. Weaving together personal experience and political analysis in an examination of how race, gender, sexuality, class, and other hierarchies function in family politics, Marla Brettschneider draws on her own experience in a Jewish, multiracial, adoptive, queer family in order to theorize about the layered realities that characterize families in the United States today. Brettschneider uses critical race politics, feminist insight, class-based analysis, and queer theory to offer a distinct and distinctly Jewish contribution to both the family debates and the larger project of justice politics.

Table of Contents

• Acknowledgments
• Introduction: K-I-S-S-I-N-G
• 1. Whitens Whites, Keeps Colors Bright: Jewish Families Queering the Race Project
• 2. Jew Dykes Adopting Children: A Guide to the Perplexed
• 3. Going Natural: The Family Has No Clothes
• 4. Questing for Heart in a Heartless World: Jewish Feminist Ruminations on Monogamy and Marriage
• Epilogue: Justice and La Vida Jew . . . in Technicolor Queer
• Notes
• Bibliography
• Index

Intermarriage and Multicultural Families

My Jewish Learning
2012-12-13

Ruth Abusch-Magder, Rabbi-in-Residence
Be’chol Lashon, San Francisco, California

Like it or not, intermarriage is a fact in Jewish life.

And for the most part the Jewish community has learned to live with it. Sure, different movements deal with it differently. Sure, some congregations are more adept and accommodating. But from Renewal to Orthodox we no longer assume that a Jew by birth will marry another Jew by birth.
 
But as demographics shift in the United States, the nature of intermarriage is changing too. And the Jewish community will need to adapt if it hopes to continue to create spaces for these new Jewish families.
 
In particular, my concern is with multiracial and multicultural families. There is nothing new about Jews from all racial and ethnic backgrounds. There were Jews in Ethiopia centuries before there were Jews in Poland and Jews in India before there were Jews in Spain. Jewish institutional life in the United States, however, has largely been built on the presumption that Jews are white. And our welcome to interfaith couples has similarly assumed that intermarriages between one white Jew and one white non-Jew…

Read the entire article here.

The White Negress: Literature, Minstrelsy, and the Black-Jewish Imaginary (review)

Shofar: An Interdisciplinary Journal of Jewish Studies
Volume 31, Number 1, Fall 2012
pages 206-208
DOI: 10.1353/sho.2012.0123

Andrea Levine
George Washington University

This volume’s title signals its central critical intervention, a challenge to the masculine biases that have shaped studies of minstrelsy and of cross-racial appropriation and desire more broadly. Most conspicuously, Lori Harrison-Kahan takes on the influential paradigm established by Michael Rogin in his 1996 Blackface, White Noise. Rogin, of course, argues that early twentieth-century Jewish blackface performances worked to confirm the still-contested “whiteness” of Jewish entertainers, a “true” whiteness that presumably resided beneath the “mask” of blackface.

Harrison-Kahan, in fact, identifies Rogin’s paradigm as one of two predominant, “oppositional,” modes of reading Jewish investment in black culture; in the second paradigm, which she traces back at least to Irving Howe, Jews “empathetically identify” with black suffering (p. 4). In practice, though, she contends much more consistently with Rogin’s well-known charges of appropriation and exploitation.

The White Negress demonstrates that once we begin to look at women’s engagement with “cross-cultural exchange” (p. 15), these transactions appear far more nuanced than such binary approaches allow. Harrison-Kahan reads a number of early twentieth-century Jewish American women’s texts and performances as invested less in claiming “whiteness” than in destabilizing it, in part through assertions—if frequently ambivalent ones—of Jewish identity. Her analysis places considerable weight on the resistance to sanctioned gender and sexual roles on the part of such Jewish American female performers and writers as Sophie Tucker and Fannie Hurst. The author also revises “unidirectional” narratives of Jewish American cultural appropriations of “blackness,” suggesting that scholars should acknowledge the more “reciprocal” transactions that obtain among African American and Jewish American cultural producers and historical actors. So, for instance, she reads Zora Neale Hurston’s 1939 novel, Moses, Man of the Mountain, as a send-up, rather than a reinscription, of minstrel conventions, one that explores both the power dynamics and the mutual “cross-identifications” that attended Black-Jewish coalitions in the early years of the civil rights movement.

In another acute challenge to prevailing scholarship, Harrison-Kahan argues that the racial politics of Edna Ferber’s Showboat look quite different when one reads the novel that served as the basis for the Broadway musical, much-maligned for its traffic in sentimental and demeaning representations of African American characters. Harrison-Kahan emphasizes the novel’s “pluralistic” rendering of Jewishness and its emphasis on racial “mixing.” Similarly, she re-reads Hurst’s 1933 novel, Imitation of Life, which provided the basis for both the 1934 and 1959 film versions, texts far more familiar to most scholars than Hurst’s original novel. Harrison-Kahan argues that Hurst’s novel interrogates and exposes the commodification of “blackness” on which its protagonist’s business rests—and that these challenges to racial stereotypes work in conjunction with the challenges that Bea Pullman, as a “working woman,” poses to normative scripts of white femininity and maternity. As in the chapter on Ferber, the author makes a persuasive case for the under-examination of Hurst as a Jewish American author, in part because her biography deviated from that of the largely New York-based Eastern European Jewish immigrants whose work dominates the Jewish American “canon,” and in part—as with so many women writers—because her work was consistently marginalized by critics for its commercial success. One might, however, suggest that even given the historical frame of Harrison-Kahan’s project, her own privileging of “working” white femininity as a disruptive version of femininity is rather a circumscribed choice, leaving heterosexuality, among other indices of normative femininity, largely intact.

Harrison-Kahan’s readings are subtle and deft, and to her credit, she does not over-state the radicalism of either her own approach or the texts she reconsiders. A characteristic passage reads, “Hurst’s novel thus negotiates a fine line between being an additional inculcation of the mammy myth and a commentary on it” (p. 124). Harrison-Kahan works cogently and intelligently in the ambivalent space she charts, writing in the conclusion that whiteness can be “produced and destabilized through cross-racial performances and encounters” (p. 179).

This volume makes an important contribution to a scholarly…

Almighty God Created the Races: Christianity, Interracial Marriage, and American Law (Davis review)

Journal of the History of Sexuality
Volume 22, Number 1, January 2013
pages 163-165
DOI: 10.1353/sex.2013.0012

Rebecca L. Davis, Associate Professor of History
University of Delaware

Campaigns to extend marriage rights to same-sex couples have inspired activists, journalists, scholars, and others to look to the history of interracial marriage for comparisons. Fay Botham’s new book appears as one consequence of these interests. Frustrated by the Roman Catholic hierarchy’s refusal to countenance marriage for same-sex partners in the early twenty-first century, Botham details the Roman Catholic Church’s relatively progressive attitude toward interracial marriage in the late nineteenth and the twentieth centuries. She notes as well the pernicious influence of southern Protestant beliefs about racial differences to the history of interracial marriage in the United States. Historians need works that probe these intersections among religion, race, sexuality, and American culture. Unfortunately, this book’s flaws limit its usefulness.

Almighty God Created the Races tries to answer two related but distinct questions: First, how did religious ideas and arguments shape antimiscegenation laws in the United States? Second, what role did American ideals of religious freedom play in the campaign to end restrictions on interracial marriage? Botham argues that religion was determinative in both cases. Southern Protestant ideas about racial separateness undergirded the defense of slavery and subsequent rationales for banning interracial sex and marriage. “The attorneys and judges who argued for antimiscegenation laws,” she contends, “employed Protestant theologies of marriage and separate races to bolster their legal arguments” (131). Given the overwhelming predominance of Protestants on the bench, that claim hardly seems surprising, but Botham’s contribution is to tease out how deeply certain Protestant theological interpretations penetrated American jurisprudence on marriage. Botham argues that, by contrast, Roman Catholic doctrines of racial equality and marital freedom proved crucial to a court case that laid the groundwork for the eventual dismantling of state bans on interracial marriage. These arguments give too much causative weight to theology at the expense of social, cultural, and political history, but they nevertheless result in some insights.

Botham begins with an intriguing premise: that we owe the ultimate dismantling of antimiscegenation laws in the United States to Roman Catholic theologies of marriage and race. In 1947 a county clerk in Los Angeles denied Sylvester Davis Jr. and Andrea Perez a marriage license because Davis was identified as African American and Perez, whose family was of Mexican ancestry, was considered white. Davis and Perez, who were Catholic, hired Daniel Marshall, a lawyer who was both Catholic and liberal, to take their case to the California Supreme Court. Marshall argued that California’s antimiscegenation law denied the religious freedoms of interracial Catholic couples who wanted to participate in what Catholic theology defined as the holy sacrament of marriage. Chief Justice Roger Traynor, who wrote the majority opinion in Perez v. Sharp (which Botham identifies by its less common name, Perez v. Lippold), largely ignored Marshall’s first amendment argument; Botham concedes that “religious freedom . . . did not even make a ‘blip’ on Traynor’s ‘radar screen’ in terms of having any real importance to the case” (42). Botham is intrigued, however, by a concurring opinion, in which one justice agreed with Marshall that the first amendment protected the rights of interracial Catholic couples to marry. Botham argues that because the concurring opinion tipped the court to a 4–3 majority, the case “pivot[ed] on the axis of religious liberty” (49).

More plausible is the argument that Peggy Pascoe made in What Comes Naturally: Miscegenation Law and the Making of Race in America: that Marshall prevailed in Perez in spite of his religious liberty arguments. Marshall instead piqued the court’s interest when he pointed out that most of the cases that the state of California cited as precedence for its antimiscegenation law were steeped in the increasingly discredited logic of race science. As Botham notes, Marshall pressed this point with comparisons to the race science employed in Nazi Germany; the lawyer for the state strained to explain why interracial marriages produced offspring…

The Chalk Circle: Intercultural Prizewinning Essays

Wyatt-MacKenzie Publishing
2012-05-15
220 pages
5 x 8
Paperback ISBN: 978-1-936214-71-6

Tara L. Masih, Writer & Editor

Award-winning editor Tara L. Masih put out a call in 2007 for Intercultural Essays dealing with the subjects of “culture, race, and a sense of place.” The prizewinners are gathered for the first time in a ground-breaking anthology that explores many facets of culture not previously found under one cover. The powerful, honest, thoughtful voices—Native American, African American, Asian, European, Jewish, White—speak daringly on topics not often discussed in the open, on subjects such as racism, anti-Semitism, war, self-identity, gender, societal expectations. Their words will entertain, illuminate, take you to distant lands, and spark important discussions about our humanity, our culture, and our place within society and the natural world.

• Winner of a 2012 Skipping Stones Honor Award
• A Featured NewPages.com New & Noteworthy Book, February 2012
• An Amazon Hot New Release, debuting at #2 on the essay bestseller list

Table of Contents

• Foreword by Tara L. Masih
• Introduction by David Mura
• THE CHALK CIRCLE: IDENTITY, HOME, AND BORDERLANDS
  • If Grandmother Had Married a Peasant Li Miao Lovett
  • Fragments: Finding Center Sarah J. Stoner
  • Giiwe: go home Christine Stark
• AS I AM: LETTERS OF IDENTITY
  • Bufferhood: An Autoethnography Emma Sartwell
  • Valentine and This Difficult World Tilia Klebenov Jacobs
• THE TONGUE OF WAR: A CLASH OF CULTURES
  • Reflecting on Dragons and Angels Shanti Elke Bannwart
  • Tongue-Tied Kelly Hayes-Raitt
  • Tightrope Across the Abyss Shanti Elke Bannwart
• THE TRAGEDY OF THE COLOR LINE
  • A Dash of Pepper in the Snow Samuel Autman
  • “Miss Otis Regrets” Mary Elizabeth Parker
  • Signatures Lyzette Wanzer
• EYEWITNESS: AS SEEN BY ANOTHER
  • Winter Seagull Toshi Washizu
  • Itam Jeff Fearnside
  • High Tech in Gaborone M. Garrett Bauman
  • Triptych: Paradise Gretchen Brown Wright
• THE OTHER
  • Assailing Otherness Katrina Grigg-Saito
  • Fried Locusts Kamela Jordan
  • Israel: Devour the Darling Plagues Bonnie J. Morris
• THE CULTURE OF SELF AND SPIRIT
  • Connections Betty Jo Goddard
  • Palo del Muerte Simmons B. Buntin
• QUESTIONS FOR DISCUSSION
  • Intercultural Considerations
  • Intercultural Connections
  • Quotation Exploration
• About the Editor, Tara L. Masih
• Acknowledgments
• About the Introduction Author, David Mura
• Index of Contributors

Rose Hill: An Intermarriage before Its Time

Heyday Books
March 2012
192 pages
5.5 x 8.5
Paperback ISBN: 978-1-59714-188-8

Carlos Cortés, Professor Emeritus of History
University of California, Riverside

A riveting memoir of cultural crossfire

“Dad was a Mexican Catholic. Mom was a Kansas City–born Jew with Eastern European immigrant parents. They fell in love in Berkeley, California, and got married in Kansas City, Missouri.

That alone would not have been a big deal. But it happened in 1933, when such marriages were rare. And my parents spent most of their lives in Kansas City, a place both racially segregated and religiously divided.

Mom and Dad chose to be way ahead of their time; I didn’t. But because of them, I had to be. My mixed background meant that, however unwillingly, I had to learn to live as an outsider.”

The son of a Mexican Catholic father with aristocratic roots and a mother of Eastern European Jewish descent, Carlos Cortés grew up wedged between cultures, living a childhood in “constant crossfire-straddling borders, balancing loves and loyalties, and trying to fit into a world that wasn’t quite ready.” In some ways, even his family wasn’t quite ready (for him). His request for a bar mitzvah sent his proud father into a cursing rage. He was terrified to bring home the Catholic girl he was dating, for fear of wounding his mother and grandparents. When he tried to join a high school fraternity, Christians wouldn’t take him because he was Jewish, and Jews looked sideways at him because his father was Mexican.

In his new memoir, Rose Hill: An Intermarriage before Its Time, Cortés lovingly chronicles his family’s tumultuous, decades-long spars over religion, class, and culture, from his early years in legally segregated Kansas City during the 1940s to his return to Berkeley (where his parents met) in the 1950s, and to his parents’ separation, reconciliation, deaths, and eventual burials at the Rose Hill Cemetery. Cortés elevates the theme of intermarriage to a new level of complexity in this closely observed and emotionally fraught memoir adapted from his nationally successful one-man play, A Conversation with Alana: One Boy’s Multicultural Rite of Passage.

Black Faces, White Deeds: The Miracles of Ancient Ethiopian Saints in the Early Modern Catholic Atlantic

127th Annual Meeting of the American Historical Association
New Orleans, Louisiana
2013-01-03 through 2013-01-06

Thursday, 2013-01-03: 16:10 CST (Local Time)
Preservation Hall, Studio 3 (New Orleans Marriott)

From Session AHA Session 31: Saintly Translations: Stories about Saints across Time and Space, 2013-01-03: 15:30-17:30 CST (Local Time)

Erin Kathleen Rowe, Assistant Professor of History
Johns Hopkins University

In the mid-seventeenth century, a woman stood before the Inquisitiorial tribunal in Mexico City, accused of Judaizing practices and speaking disrespectfully of the saints.  One witness claimed that the defendant had harsh words for one saint in particular, Benedict of Palermo: “How can a black man be a saint?” This striking question reveals the spiritual, cultural, and racial anxieties that could be provoked by black sanctity in the early modern Catholic world.  While the Catholic Church actively promoted the cults of several saints purportedly of sub-Saharan African origin or descent in the sixteenth through the eighteenth centuries, their reception and veneration created a kind of spiritual ambiguity during a period of history when rapid globalization of Catholicism paralleled rapid intensification of racialization.  My paper looks at the circulation of black saints throughout the early modern Catholic Atlantic; focusing on two case studies, the Ethiopian saints Ifigenia and Elesban, I examine the movement of devotion, miracles, and images throughout the larger Catholic world.  Miracles attributed to these saints were very likely to be associated with a holy image, since there were no extant relics.  Thus, the visible representation of their blackness stood as an ever-present aspect of their cults.  Ifigenia and Elesban stood as patron saints of confraternities for black and mulatto populations throughout Latin America, while back in Europe their images appeared in Carmelite churches throughout Spain and Portugal for predominantly white audiences.  Through close study of miracle stories, we can arrive at a fuller understanding of devotion to the saints throughout the Catholic world and the significance of their ethnicity and sanctity as they shifted locations and audiences, context and meaning.