Mixed Race Studies

“When I discovered that I’m black”: How racism is so cruel, that it makes it difficult for black people to recognize themselves as such

Black Women of Brazil: The site dedicated to Brazilian women of African descent
2016-03-04

Jônatas Cordeiro da Silva

Originally “When I discovered that I’m black: “I’ll tell my story, because I also have one.”” from Hey Fala, January 11, 2016.

Today I feel the necessity of telling you how I discovered myself (and I’m still discovering) as black, which I will cover in a brief discussion of miscegenation.

When I see some cases, such as for example, (futebol star) Neymar who says that he’s not preto (black) or Caio (You Tuber Jout Jout’s boyfriend) who declares himself pardo (brown). I remember how difficult it was for me to recognize myself as black. I always knew that I wasn’t white, not only by the color of my skin, hair, and features, but also because of the places that neither I nor my ancestors occupied, however there is a big difference between not being branco (white) and being black.

It’s important to point out that in some way miscegenation in Brazil was historically simple, also one of the factors for miscegenation was the rape of black women enslaved by their colonizers, indigenous women were also violated. Black people were blamed for the backwardness of the Brazilian nation, there was a eugenicist plan, which envisaged that through the “mistura de raças” (melting pot or mixture of the races) the extinction of black people by 2012, so then Brazil would be a developed nation…

Read the entire article here.

2016 Duke Global Brazil Conference

Duke University
Ahmadieh Family Lecture Hall (FHI Garage)
C105, Bay 4, Smith Warehouse
Durham, North Carolina
2016-03-04, 09:00-17:30 EST (Local Time)

Co-sponsored by FHI Global Brazil Lab and the Duke Brazil Initiative

Invited guests include:

• Keynote: Dr. Elizabeth Hordge-Freeman (USF) – The Color of Love in Bahia
• Dr. John Collins (CUNY) – Race, Violence, and the State in Bahia
• Dr. William Pan (Duke) – Environment and Health in the Amazon
• Dr. Bryan Pitts (U.Ga) – Sound and Politics
• Guilherme Andreas (JMU) – Flute recital with piano by Gianne Ge Zhu

For more information, click here.

Photo Series Celebrates The ‘Black Girl Power’ Of Brazilian Women

The Huffington Post
2016-03-02

Zeba Blay, Voices Culture Writer

It highlights women who are Afro-Brazilian and proud.

For the past two years, Brazilian journalist Weudson Ribeiro has been documenting the beauty of Afro-Brazilian women by photographing spontaneous portraits of them in an ongoing project. The result was released this month in a photo essay called “Superafro: O poder da mulher negra” or “Superafro: BLACK GIRL POWER.”

The project, which features candid portraits of black women from Brazil, seeks to highlight women who proudly stand in their own blackness as a political statement.

Ribeiro, a 24-year-old journalist and political scientist based in Brasília, has been taking photos for nearly a decade. He is the only son of mixed-race parents, and says that for a long time he struggled with “understanding and accepting my own blackness.”

“It’s a problem that affects the vast majority of Brazilians as a result of our highly mixed ethnic backgrounds,” Ribeiro told The Huffington Post…

Read the entire article here.

That moment you look in the mirror and realize you’re black

Fusion
2016-02-28

Tim Rogers, Senior Editor

Brazil’s Black Awakening

SAO PAULO, Brazil— Jessica Moreira was 21 years old when she realized she’s black. Natalia Paiva had turned 20 before she made the discovery. And Cleyton Vilarino dos Santos is sneaking up on his 26th birthday and says he’s still not sure if he’s black, white or what.

Welcome to Brazil, one of the most racially intermixed countries in the world. Racial identity is a complex issue anywhere, but perhaps nowhere more so than here, where the difference between black and white is not so black-and-white.

Generations of interracial marriages have led to a rich tapestry of phenotypes and skin tones in every conceivable hue. But it can make racial identity an evolving or fluid situation that can change as a person gets older, learns more about the world, and their relationship to it.

As a result, it’s not uncommon for young people to spend the first 20 years of their lives looking in the mirror without fully understanding the race of the person staring back at them…

Read the entire article here.

‘Myth of racial democracy is part of the education of the Brazilian,” says Congolese anthropologist living in Brazil

Black Women of Brazil
2016-02-16

Thiago de Araújo

The absence of Black nominees at the 2016 Oscars. ‘Black face’ is just a costume. Cotistas (quota students) surpass (scores) of non-cotista students. A black sponge doll on the reality show Big Brother Brazil (BBB) ​​of this year. Recent cases, controversial cases. In all, the discussion of the same topic: racism inside and outside of Brazil.

Historical victims of prejudice, blacks in their majority are outraged with every report of the genre. However, today there are those who deny that there is racism in Brazil. For these people, there is nothing to justify affirmative action policies, such as quotas in education and social sectors. It’s necessary to appreciate equality, crying out in the loudest voice.

Discussions of racism are not surprising to Congolese anthropologist Kabengele Munanga. At 73, the Doctor of Social Sciences and professor at the Faculty of Philosophy, Letters and Human Sciences at the University of São Paulo (USP) he always stresses that Brazil has a ‘stark’ framework of discrimination. Do you think it’s an exaggeration? It’s not what the numbers show.

“The data show that, on the eve of apartheid, South Africa had more blacks with college degrees than in Brazil today,” Munanga said in a public hearing organized by the Supreme Court (STF) in 2010. The debate revolved around access to higher education policies. Opponents announced that the country was about to experience a ‘race war’. It was not what we saw.

“There were no riots, racial lynchings anywhere. No Brazilian ‘Ku Klux Klan’ appeared,” said the anthropologist. “What is sought by the policy of quotas for black and the indigenous is not to be entitled to the crumbs, but rather to gain access to the top in all sectors of responsibility and of command in national life where these two segments are not adequately represented, as the true democracy mandates.”

But what about the well-known ‘racial democracy’ born at the hands of Gilberto Freyre?…

Read the entire interview here.

TEDx USF with Elizabeth Hordge-Freeman

TEDx USF
University of South Florida
Tampa, Florida
2016-02-08

From November 2015, Assistant Professor of Sociology Elizabeth Hordge-Freeman discusses her new book, The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families.

A call for end of the “Globeleza Mulata”: A Manifesto

Black Women of Brazil: The site dedicated to Brazilian women of African descent
2016-02-08

Stephanie Ribeiro and Djamila Ribeiro

Originally, “A Mulata Globeleza: Um Manifesto” from Agora é que são elas (2016-01-29).

The Globeleza Mulata is not a natural cultural event, but a performance that invades the imaginary and the Brazilian televisions during Carnival. A spectacular created by art director Hans Donner to be the symbol of the popular party, which exhibited for 13 years his companion Valéria Valenssa in the super-expositional function of “mulata”. We’re talking about a character that appeared in the nineties and still strictly follows the same script: it is always a black woman that dances the samba as a passista (Carnaval dancer), naked with her body painted with glitter, to the sound of the vignette displayed throughout the daily programming of Rede Globo (TV).

To start the debate on this character, we need to identify the problem contained in the term “mulata”. Besides being a word naturalized by Brazilian society, it is a captive presence in the vocabulary of the hosts, journalists and reporters from the Globo broadcasting. The word of is of Spanish origin comes from “mula” or “mulo” (the masculine and feminine of ‘mule’): that that is a hybrid originating from a cross between species. Mules are animals born crossing donkeys with mares or horses with donkeys. In another sense, they are the result of the mating of the animal considered noble (equus caballus) with the animal deemed second class (donkey). Therefore, it is a derogatory word indicating mestiçagem (racial mixture or crossbreeding), impurity; an improper mixing that should not exist.

Employed since the colonial period, the term was used to designate lighter skinned blacks, fruits of the rape of slaves by masters. Such a nomenclature has sexist and racist nature and was transferred to the Globeleza character, naturalized. The adjective “mulata” is a sad memory of the 354 years (1534-1888) of escravidão negra (black slavery) in Brazil…

Read the entire article here.

The Brazilian carnival queen deemed ‘too black’ – video

The Guardian
2016-02-09

Barney Lankester-Owen, Bruce Douglas, Charlie Phillips and Juliet Riddell

Nayara Justino thought her dreams had come true when she was selected as the Globeleza carnival queen in 2013 after a public vote on one of Brazil’s biggest TV shows. But some regarded her complexion to be too dark to be an acceptable queen. Nayara and her family wonder what this says about racial roles in modern Brazil

The enduring function of caste: colonial and modern Haiti, Jamaica, and Brazil The economy of race, the social organization of caste, and the formulation of racial societies

Comparative American Studies
Volume 2, Issue 1 (01 March 2004)
pages 61-73
DOI: 10.1177/1477570004041288

Tekla Ali Johnson, Professional Public Historian
Southern Preservation Center in Charlotte, North Carolina

Modern day social hierarchies in Jamaica, Brazil and, to a degree, Haiti find their roots in the colonial context, where planters stratified laborers in order to maximize control. During slavery planters found artificial ways of influencing African identity, dividing enslaved Africans by their occupations and by skin color. These distinctions created divisions among workers and color proved a singularly powerful and enduring symbol of social and economic mobility. The American propensity for creating racial classifications for Africans and further divisions for ‘mixed-race’ offspring traditionally served economic interests. Their perpetuation into the present may signal the continued utility of dividing Africans into subgroups as a means of maintaining control of racial politics in the Americas.

Read or purchase the article here.

Women Warriors of the Afro-Latina Diaspora

Arte Público Press
2012-04-30
248 pages
Paperback ISBN: 978-1-55885-746-9

Edited by: Marta Moreno Vega, Alba Marinieves and Yvette Modestin

Afro-Latina women relate their personal stories and advocacy for racial equality

“My housewife mother turned into a raging warrior woman when the principal of my elementary school questioned whether her daughter and the children of my public school had the intelligence to pass a citywide test,” Marta Moreno Vega writes in her essay. She knew then she was loved and valued, and she learned that to be an Afro-Puerto Rican woman meant activism was her birth right.

Hers is one of eleven essays and four poems included in this volume in which Latina women of African descent share their stories. The authors included are from all over Latin America—Brazil, the Dominican Republic, Haiti, Panama, Puerto Rico and Venezuela—and they write about the African diaspora and issues such as colonialism, oppression and disenfranchisement. Diva Moreira, a black Brazilian, writes that she experienced racism and humiliation at a very young age. The worst experience, she remembers, was when her mother’s bosses told her she didn’t need to go to school after the fourth grade, “because blacks don’t need to study more than that.”

The contributors span a range of professions, from artists to grass-roots activists, scholars and elected officials. Each is deeply engaged in her community, and they all use their positions to advocate for justice, racial equality and cultural equity. In their introduction, the editors write that these stories provide insight into the conditions that have led Afro-Latinas to challenge systems of inequality, including the machismo that is still prominent in Spanish-speaking cultures.

A fascinating look at the legacy of more than 400 years of African enslavement in the Americas, this collection of personal stories is a must-read for anyone interested in the African diaspora and issues of inequality and racism.