Mixed Race Studies

Racial Discrimination and Miscegenation: The Experience in Brazil

UN Chronicle
2007 Issues: The Solidarity of Peoples

Edward E. Telles, Distinguished Professor of Sociology
University of California, Irvine

In 1888, Brazil, with a mostly black and mixed race or mulatto population, was the last country in the Western Hemisphere to abolish slavery. During more than 300 years of slavery in the Americas, it was the largest importer of African slaves, bringing in seven times as many African slaves to the country, compared to the United States.

Another important difference was the extent of miscegenation or race mixture, resulting largely from a high sex ratio among its colonial settlers. In contrast to a family-based colonization in North America, Brazil’s Portuguese settlers were primarily male. As a result, they often sought out African, indigenous and mulatto females as mates, and thus miscegenation or race mixture was common. Today, Brazilians often pride themselves on their history of miscegenation and continue to have rates of intermarriage that are far greater than those of the United States.

Miscegenation and intermarriage suggest fluid race relations and, unlike the United States or South Africa, there were no racially-specific laws or policies, such as on segregation or apartheid, throughout the twentieth century. For these reasons, Brazilians thought of their country as a “racial democracy” from as early as the 1930s until recent years. They believed that racism and racial discrimination were minimal or non-existent in Brazilian society in contrast to the other multiracial societies in the world. A relatively narrow view of discrimination previously recognized only explicit manifestations of racism or race-based laws as discriminatory, thus only countries like South Africa and the United States were seen as truly racist. Moreover, there was little formal discussion of race in Brazilian society, while other societies were thought to be obsessed with race and racial difference…

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Triumphant Miscegenation: Reflections on Beauty and Race in Brazil

Journal of Intercultural Studies
Volume 28, Issue 1 (February 2007)
pages 83-97
DOI: 10.1080/07256860601082954

Alexander Edmonds, Professor of Medical Anthropology and Sociology
University of Amsterdam

In Brazil racial mixture, mestiçagem has been a dominant theme in the political and cultural re-imagination of the nation in the twentieth century. This paper approaches the role of mixture in Brazilian social life from the angle of aesthetics, looking both at Brazilian intellectual history and the commercial and medical beauty industry. It first discusses the aesthetics of race in the works of Brazilian scholar Gilberto Freyre. Second, drawing on ethnographic fieldwork, it shows how cultural constructions of race are reflected in the clinical practice of plastic surgery. Analysing cosmetic practices illuminates central tensions in the ideal of mestiçagem, but also reveals it as a distinct logic of race and beauty that contrasts with multiculturalism. As the beauty industry expands in the developing world, such cultural logics may not be erased but rather incited.

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Multiracial versus Collective Black Categories: Examining Census Classification Debates in Brazil

Ethnicities
Volume 6, Number 1 (2006)
pages 74-101
DOI: 10.1177/1468796806061080

Stanley R. Bailey, Associate Professor of Sociology
University of California, Irvine

Edward E. Telles, Professor of Sociology
Princeton University

Current census debates in Brazil surrounding Brazilian race categories center on two contrasting proposals: the adoption of the multiracial moreno term vs. the use of the collective black classification negro. Those proposing the former base their argument on the right to self-classify according to one’s own sense of identity. Proponents of the negro category contend that it would be most efficient for redressing racial discrimination. We examine the meaning and saliency of these categories and explore the possible consequences of their adoption. Using national survey data, we demonstrate how education, age, color, sex and local racial composition structure the choices of moreno and negro over official census terms. Findings include a negative correlation between education and the choice of moreno, while the opposite is true for negro. In addition, an age effect on both categories suggests a popular shift in racial labeling away from official census terms. We note that similar issues structure current census debates in the USA.

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The Myth of Latin American Multiracialism

Daedalus
Volume 134, Number 1 (Winter 2005)
Pages 82-87
DOI: 10.1162/0011526053124398

Melissa Nobles, Arthur and Ruth Sloan Professor of Political Science
Massachusetts Institute of Technology

Many Latin American nations have long proudly proclaimed a multiracial ideal: unlike the United States, countries like Brazil and Mexico have celebrated the mixing of races, and claimed to extend equal rights and opportunities to all citizens, regardless of race. As a result of the region’s regnant faith in racial democracy, it has long been widely assumed that Latin American societies are nondiscriminatory and that their deep economic and social disparities have no racial or ethnic component.

Yet new statistical evidence (a byproduct of democratization) suggests that most of the region’s societies have yet to surmount racial discrimination. At the very time that some in the United States have timidly embraced multiracialism as a fitting ideal for North Americans, Latin American critics have begun to argue that multiracialism, like racial democracy, functions as an ideology that masks enduring racial injustice and thus blocks substantial political, social, and economic reform.

Latin American elites have always been deeply concerned about the racial stocks ol their populations and have always prized the European antecedents of their peoples and cultures—just like their Counterparts in the United States. But at the same time, and unlike their U.S. counterparts, Latin American political and cultural leaders in the first half of the twentieth century viewed their societies as unique products of racial intermingling. Sensing that such racial mingling might help define an emergent nationalism, intellectuals and statesmen argued that extensive racial mixture had resulted in the formation of new, characteristically ‘national’ races.

For example, the Mexican philosopher José Vasconcelos (1882- 1959) famously celebrated the idea of racial mixture by arguing that all Latin Americans, and not just Mexicans, were a raza cósmica (cosmic race) comprised of both Spanish and indigenous peoples. But his conception of mixture left no doubt as to the…

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The Masters and the Slaves: Plantation Relations and Mestizaje in American Imaginaries

Palgrave Macmillan
January 2005
176 pages
Size 5 1/2 x 8 1/4
Paperback ISBN: 1-4039-6708-3
Hardcover ISBN: 1-4039-6563-3

Edited by:

Alexandra Isfahani-Hammond, Assistant Professor of Luso-Brazilian Literature
University of California, San Diego

The Masters and the Slaves theorizes the interface of plantation relations with nationalist projects throughout the Americas. In readings that cover a wide range of genres–from essays and scientific writing to poetry, memoirs and the visual arts–this work investigates the post-slavery discourses of Brazil, the United States, Cuba, Puerto Rico, Haiti and Martinique. Indebted to Orlando Patterson‘s Slavery and Social Death (1982) and Paul Gilroy‘s The Black Atlantic (1993), these essays fill a void in studies of plantation power relations for their comparative, interdisciplinary approach and their investment in reading slavery through the gaze of contemporary theory, with particularly strong ties to psychoanalytic and gender studies interrogations of desire and performativity.

Table of contents

• Introduction
• The Sugar Daddy: Gilberto Freyre and the White Man’s Love for Blacks—César Braga-Pinto
• Writing Brazilian Culture—Alexandra Isfahani-Hammond
• Authority’s Double Shadow: Thomas Jefferson and the Architecture of Illegitimacy—Helena Holgersson
• Fixing History: Race, Nation, and the Symbolics of Servitude in Haitian Noirisme —Valerie Kaussen
• Fanon as ‘Metrocolonial’ Flaneur in the Caribbean Post-Plantation/Algerian Colonial City—Nalini Natarajan
• From the Tropics: Cultural Subjectivity and Politics in Gilberto Freyre—Jossiana Arroyo
• Hybridity and Mestizaje: Syncretism or Subversive Complicity—Ramón Grosfoguel
• Giants of Three Colors: A Writer and an Artist Imagine Racial Mixture in 1940s Brazil—Luiza Franco Moreira
• Messianic Melancholic Imagination: Imagine Community with the Dead—Shreerekha Subramanian

White Negritude: Race, Writing, and Brazilian Cultural Identity

Palgrave Macmillan
December 2007
208 pages
Size 5 1/2 x 8 1/4
Hardcover ISBN: 1-4039-7595-7

Alexandra Isfahani-Hammond, Associate Professor of Luso-Brazilian Literature
University of California, San Diego

White Negritude analyzes the discourse of mestiçagem (mestizaje, métissage, or “mixing”) in Brazil. Focused on Gilberto Freyre‘s sociology of plantation relations, it interrogates the relation of power to writing and canon formation, and the emergence of an exclusionary, ethnographic discourse that situates itself as the gatekeeper of African “survivals” in decline. Taking Freyre’s master/slave paradigm as a point of departure for theorizing a particular form of racial and authorial impostery, this book analyzes the construction of race and raced writing in Brazil in relation to U.S. identity politics and Caribbean “mestizo projects.”

Table of Contents

• Vanishing Primitives: An Introduction
• Poetry and the Plantation: Jorge de Lima‘s White Authorship in a Caribbean Perspective
• White Man in the Tropics: Authorship and Atmospheric Blackness in Gilberto Freyre
• Joaquim Nabuco: Abolitionism and Erasure in the Americas
• From the Plantation Manor to the Sociologist’s Study: Democracy, Lusotropicalism, and the Scene of Writing

Uma Mulata, Sim!: Araci Cortes, ‘the mulatta’ of the Teatro de Revista

Women & Performance: a journal of feminist theory
Volume 16, Issue 1 (March 2006)
pages 7-26
DOI: 10.1080/07407700500514996

Judith Michelle Williams, Professor of African and African-American Studies
University of Kansas

Araci Cortes, a mulata assumida, rose to be one of the most successful performers in Rio de Janeiro‘s teatro de revista (revue theatre) during the 1920s and 1930s. In this essay I place her career in the context of the Afro-Brazilian artists of her generation and evaluate how her embodiment of the Brazilian mulata on and off the stage interacted with the emerging discourse of Brazil as a mulatto nation. Lauded for her distinct Brazilianness and criticized for her petulant and uncompromising personality, Cortes excelled as a singer, dancer and comic actress, most often portraying the mulatta roles that before her fame were enacted by white actresses. Cortes is a complicated figure who was able to exploit the narratives and stereotypes that surrounded her mixed-race body and gain, fame, fortune and success. Although rather than leave behind her Afro-Brazilian connections she maintained relationships with even the most militant of Brazilian blacks she spoke about race only in the vague terms of her era. Yet through her emblematic performances she reconfigured ideas of gender and race in Brazil. She provides an example of how Afro-Brazilians have used performance to create an alternative discourse of race in Brazil.

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The Idea of Race in Latin America, 1870-1940

University of Texas Press
1990
143 pages
10 b&w illus.
6 x 9 in.
ISBN: 978-0-292-73857-7

Edited by

Richard Graham, Emeritus Frances Higginbotham Nalle Centennial Professor of History
University of Texas, Austin

With chapters by Thomas E. Skidmore, Aline Helg, and Alan Knight

From the mid-nineteenth century until the 1930s, many Latin American leaders faced a difficult dilemma regarding the idea of race. On the one hand, they aspired to an ever-closer connection to Europe and North America, where, during much of this period, “scientific” thought condemned nonwhite races to an inferior category. Yet, with the heterogeneous racial makeup of their societies clearly before them and a growing sense of national identity impelling consideration of national futures, Latin American leaders hesitated. What to do? Whom to believe?

Latin American political and intellectual leaders’ sometimes anguished responses to these dilemmas form the subject of The Idea of Race in Latin America. Thomas Skidmore, Aline Helg, and Alan Knight have each contributed chapters that succinctly explore various aspects of the story in Brazil, Argentina, Cuba, and Mexico. While keenly alert to the social and economic differences that distinguish one Latin American society from another, each author has also addressed common issues that Richard Graham ably draws together in a brief introduction. Written in a style that will make it accessible to the undergraduate, this book will appeal as well to the sophisticated scholar.

Table of Contents

• Preface
• 1. Introduction (Richard Graham)
• 2. Racial Ideas and Social Policy in Brazil, 1870-1940 (Thomas E. Skidmore)
• 3. Race in Argentina and Cuba, 1880-1930: Theory, Policies, and Popular Reaction (Aline Helg)
• 4. Racism, Revolution, and Indigenismo: Mexico, 1910-1940 (Alan Knight)
• Bibliography
• Index

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The Sorcery of Color: Identity, Race, and Gender in Brazil

Temple University Press
November 2006
336 pages
6×9
6 tables
Paper EAN: 978-1-59213-351-2; ISBN: 1-59213-351-7
Cloth EAN: 978-1-59213-350-5; ISBN: 1-59213-350-9
Electronic Book EAN: 978-1-59213-352-9

Elisa Larkin Nascimento, Director
IPEAFRO Afro-Brazilian Studies and Research Institute, Rio de Janeiro, Brazil

Originally published in 2003 in Portuguese, The Sorcery of Color argues that there are longstanding and deeply-rooted relationships between racial and gender inequalities in Brazil. In this pioneering book, Elisa Larkin Nascimento examines the social and cultural movements that have attempted, since the early twentieth century, to challenge and eradicate these conjoined inequalities.

The book’s title describes the social sleight-of-hand that disguises the realities of Brazilian racial inequity. According to Nascimento, anyone who speaks of racism—or merely refers to another person as black—traditionally is seen as racist. The only acceptably non-racist attitude is silence. At the same time, Afro-Brazilian culture and history have been so overshadowed by the idea of a general “Brazilian identity” that to call attention to them is also to risk being labeled racist.

Incorporating leading international scholarship on Pan Africanism and Afrocentric philosophy with the writing of Brazilian scholars, Nascimento presents a compelling feminist argument against the prevailing policy that denies the importance of race in favor of a purposefully vague concept of ethnicity confused with color.

Table of Contents

• Acknowledgments
• List of Tables
• List of Abbreviations
• Introduction to the English Edition
• Preface – Kabengele Munanga
• Introduction
• 1. Identity, Race, and Gender
• 2. Brazil and the Making of “Virtual Whiteness”
• 3. Constructing and Desconstructing the “Crazy Creole”
• 4. Another History: Afro-Brazilian Agency (São Paulo and Rio de Janeiro, 1914-1960)
• 5. The Black Experimental Theater: Plots, Texts, and Actors
• Glossary of Brazilian Words
• Bibliographical References

…The second obstacle to the discussion of race in Brazil is resistance to the idea that African populations in different parts of the world share a common experience. The presumption is that blacks in Brazil are in a unique situation determined solely by the circumstances of their society and have little or nothing in common with black populations in other parts of the world. Critics have frequently accused the black social movement in Brazil of attempting to import foreign standards and raising a problem that has never existed before. On the other hand, the concerns of the black movement often revolve around issues specific to Brazil rather than racism as a world phenomenon.

But racist domination is worldwide in scope. It derives from the historical imposition of Western hegemony over non-Western peoples and its essence is expressed in the ideology of white supremacy. The standard of whiteness affects the identity constructs of all dominated peoples, making the issue of identity crucial, but oftentimes, it is expressed in specific local terms. In Brazil, the sorcery of color transforms mixed-race identity into a permanent search for the simulation of whiteness…

Kilombismo, Virtual Whiteness, and the Sorcery of Color

Journal of Black Studies
Volume 34, Number 6 (2004)
pages 861-880
DOI: 10.1177/0021934704264009

Elisa Larkin Nascimento
Afro-Brazilian Studies and Research Institute

This article explores the legacy and current presence of racism in Brazil, particularly their unique expression in the juxtaposition of the miscegenation ideology of nonracism with the living legacy of Lombrosian criminology. The author proposes the Sorcery of Color as a metaphor for the Brazilian standard of race relations, which transforms a perverse system of racial domination into a pretense of antiracist ideals and establishes what the author describes as the category of virtual whiteness, a fulcrum of identity intrinsically intermeshed with issues of gender and patriarchy. The groundings of Afrocentric thought can be found in the writings and actions of African Brazilian intellectuals of the 20th century, and its most articulated expression is the thesis of Kilombismo, developed by Abdias do Nascimento in the context of his work in Pan-African affairs in the 1970s and 1980s.

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