Mixed Race Studies

Transforming Korea into a multicultural society: reception of multiculturalism discourse and its discursive disposition in Korea

Asian Ethnicity
Volume 13, Issue 1, 2012
pages 97-109
DOI: 10.1080/14631369.2012.625703

Ji-Hyun Ahn
University of Texas, Austin

Since 2005, multicultural-based words such as multicultural society, multicultural family, and multicultural education have grown explosively in Korean society. Due to this social trend, adoption of the term multiculturalism has become a trend within the government and press to explain current social changes in Korea. Nevertheless, there have been few efforts to tackle multiculturalism as a crucial political project or a considerable academic theme of discussion. Thus, this study aims to examine how multiculturalism discourse in Korea has been received and draws its discursive disposition. It argues how the media, especially the press, incorporate other crucial issues such as ‘diversity’, ‘human rights’, and ‘minority politics’ in terms of multiculturalism. To analyse, a total of 275 journal articles were selected and scrutinised. This study contextualises Korean multiculturalism and suggests a meta-picture of the discursive economy of multiculturalism in Korea.

Introduction

Since 2005, ‘multicultural’-based terms such as ‘multicultural society’, ‘multicultural family’ and ‘multicultural education’ have grown explosively in Korean society. The advertising copy of ‘Dynamic Korea’ and many other multi-racial models in TV commercials seem to indicate that Korea is becoming a multicultural society. Furthermore, many journals deal with multiculturalism issues through features and series.

A key symbolic event illustrating this trend was when Hines Ward, an American football hero with a Korean mother, visited Korea in 2006. The passionate response to this ‘Korean’ hero from the U.S. ignited a discussion on issues of race and multicultural society in Korea. Following these events, adoption of the term ‘multiculturalism’ has become a trend within the government and press to explain current social changes in Korea. Nevertheless, there have been few efforts to tackle multiculturalism as a crucial political project or a considerable academic theme of discussion. In this sense, discussions of multiculturalism in Korea are either too superficial or absent altogether. What I want to point out in this context is that racial projects are now proceeding in Korea using multiculturalism discourse, and this serves as a launching point that propels this study.

One significant feature of globalization is an increase of mobility. The flow of people’s mobility is getting more and more diverse and dynamic. For example, Korea, originally supposed to be a very homogeneous country, is now experiencing a great, new influx of immigrants. In a demographical sense, South Korea has a total population of about 40 million people, with a foreign population approaching one million as of 2007. This influx of foreigners started in the early 90s with migrant workers, but the numbers increased in 2000 with a growing number of international, married couples in Korea.

Due to this drastic change, the Korean government has created many policies to assimilate those immigrants and foreigners into Korean society. Media especially plays a key role in handling this issue; for example, newspapers feature the issues of migrant workers and international marriage families, and frame the issues in terms of multiculturalism discourse. What is more, this discursive formation of multicultural society rearranges the order of other competing discourses such as globalization, neo-liberalism, and racism in Korea. Thus, this study has two aims: (1) it examines how multiculturalism discourse has been received and how the term multiculturalism has been used and (2) it studies how multiculturalism discourse in Korea draws its discursive disposition and how the media, especially the press, incorporates other crucial issues such as ‘diversity’, ‘human rights’ and ‘minority politics’ in terms of multiculturalism. I believe this would provide insights about how globalisation promotes social change incorporating multiculturalism discourse in Korea.

Analysing newspaper articles from 1992 to 2007, I demonstrate the typology of discursive dispositions on multiculturalism discourse in Korea. There are three dimensions: (1) multiculturalism discourse is representing multi-race, (2) it passes through minority politics and minority movements, and (3) it detours the idea of (cultural) diversity. I will discuss how this discursive disposition of multiculturalism is now proceeding in Korean society.

Read the entire article here.

Who stole all the black women from Britain?

Black Girl Dancing at Lughnasa
2013-10-17

Emma Dabiri, Teaching Fellow
Africa Department, School of African and Oriental Studies, London
Visual Sociology Ph.D. Researcher, Goldsmiths University of London

…Here in the UK, the  visibility of black women in representations of mainstream Black British culture is such that you might be forgiven for thinking we are an endangered species. The near erasure of Black British women from this terrain which is in the main dominated by black men and white women, is rarely commented upon, despite its prominence.  What is actually going on here? Is this some manifestation of the quite frankly ridiculous Eldrige Cleaver quote above. Or is it something else?.

The (ahem) ‘urban’ (we know what they really mean) landscape that provides the basis of so much of Britain’s somewhat depressing representations of mainstream youth culture borrows heavily from black culture, yet sometimes seems entirely devoid of black women. The characters who populate this world are black men and white women. Access may be permitted to the occasional mixed-race girl but beyond this tokenism this is the white woman’s world!

From movies such as Kidulthood, to the presenters of the Kiss FM Takeaway show, who typify this phenomenon, the symbols of ‘Urban’ or Black British youth culture are routinely Black men and their white female partners…

Read the entire article here.

The Impact of Internet Publishing and Online Communications on Mixed-Race Discourses

The Asian American Literary Review
Special Issue on Mixed Race, Volume 4, Issue 2 (Fall 2013)
Mixed Race is an Inbox: pages 127-136

Steven F. Riley, Creator
MixedRaceStudies.org: Scholarly perspectives on the mixed race experience

Glenn C. Robinson, Creator
MixedAmericanLife.us: Mixed Culture | Mixed Heritage | Mixed Identity

Steven F. Riley, creator of MixedRaceStudies.org, and Glenn C. Robinson, creator of MixedAmericanLife.us first met (virtually) in the chat-room of the March 16, 2011 episode of Mixed Chicks Chat and have corresponded with each other ever since. They have met each other in person at the Mixed Roots Film & Literary Festival in Los Angeles in 2011 and 2012.

Riley has received many comments describing how his MixedRaceStudies.org has become an integral part of college courses. Robinson’s sites are an open forum for dialog and social sharing, and have a steady growth of followers. Here, they continue their conversations about mixed race and technology.

Purchase the issue here.

Rearticulating Black Mixed-Race in the Era of Globalization: Hines Ward and the struggle for Koreanness in contemporary South Korean media

Cultural Studies
Volume 28, Issue 3, 2014
pages 391-417
DOI: 10.1080/09502386.2013.840665

Ji-Hyun Ahn
University of Texas, Austin

Since the mid-2000s, the term multiculturalism has entered the Korean lexicon as migration has become more and more prevalent due to globalization. The cornerstone of this multicultural explosion was a 2006 visit by American football star Hines Ward, born to an African-American father and a Korean mother. As a black mixed-race sports celebrity, he suddenly became an emblematic media figure in the Korean televisual landscape, signifying a broader racial reconfiguration in Korean society. This media event – what I shall call ‘the Hines Ward moment’ – created and opened the discursive space for racial politics and multicultural issues in Korean society. Hence, this article aims to look at what this discursive explosion of multiculturalism and mixed-race means in the context of globalization. Reading the Hines Ward moment as a symbolic media text, the paper examines how the media discourse on Hines Ward articulates the issues of national identity and racial politics in contemporary Korean society. For analysis, newspaper articles, television programmes and television commercials that deal with the Hines Ward case are examined. By analyzing the modes of articulation of the Hines Ward moment, this study deconstructs the image of a ‘global, multicultural Korea’ shaped by the Korean media and examines the struggle for Koreanness in the televisual area of contemporary Korean media.

Introduction: imagining a multicultural, global Korea?

There has been a common belief that South Korea (hereafter, Korea) has always been a racially homogeneous country because of the strong myth of ‘one people one nation’ (hankyoreh hanminjok) (Shin 2006, G.-S. Han 2007). However, this common myth no longer seems as effective as it was in the past…

Read or purchase the article here.

Visualizing Race: Neoliberal Multiculturalism and the Struggle for Koreanness in Contemporary South Korean Television

University of Texas at Austin
August 2013
240 pages

Ji-Hyun Ahn

Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy

“Visualizing Race: Neoliberal Multiculturalism and the Struggle for Koreanness in Contemporary South Korean Television” investigates visual representations of multicultural subjects in both celebrity culture and the reality television genre to examine the struggle for Koreanness in contemporary Korean television. My aim is to explain the transformation from a modern monoracial Korea to a multicultural, global Korea as a national project of what I call “neoliberal multiculturalism” and to problematize the implicit tie between the two words, “neoliberal” and “multiculturalism.” Using the category of mixed-race as an analytical window onto this cultural shift, I attempt to link the recent explosion of multiculturalism discourse in Korea to the much larger cultural, institutional, and ideological implications of racial globalization. To illustrate this shift, the dissertation analyzes both black and white mixed-race celebrities as well as ordinary multicultural subjects appearing on Korean reality programs. I examine historical archives, popular press sources, policy documents, and television programs in order to analyze them as an inter-textual network that is actively negotiating national identity.

Utilizing the concept of neoliberal multiculturalism as an overarching framework, the dissertation explicates how concepts such as nationality, race, gender, class, and the television genre are intricately articulated; it also critically deconstructs the hegemonic notion of a multicultural, global Korea presented by the Korean media. I argue that Korean television deploys racial representations as a way to suture national anxiety over an increasing number of racial others and projects a multicultural fantasy towards Koreans. This interdisciplinary project contributes to several fields of study by explicating the changed cultural meaning of mixed-race in the age of globalization, defining the organic relation between the medium of television and racial representation, broadening our understanding of Asian multiculturalism and the racial politics in the region, and examining the particulars of ethnic nationalism appearing in the Korean media and popular culture.

Read the entire dissertation here.

Transcending blackness: from the new millennium mulatta to the exceptional multiracial [Aspinall Review]

Ethnic and Racial Studies
Volume 37, Issue 5, 2014
pages 850-851
DOI: 10.1080/01419870.2013.831934

Peter J. Aspinall, Emeritus Reader in Population Health
University of Kent, UK

Transcending blackness: from the new millennium mulatta to the exceptional multiracial, by Ralina L. Joseph. Durham and London. Duke University Press. 2013.
xx+ 226 pp., (paperback). ISBN 978-0-8223-5292-1

This book is concerned with representations of mixed-race African American women, notably, the two categories into which fall the mainstream images of mixed-race blackness: the new millennium mulatta. exceedingly tragic, always divided, alone, and uncomfortable, and the exceptional multiracial, unifying, strikingly successful post-racial ideal. The analysed texts which form the main body of the book belong to the 1998-2008 era (following the debates about capture of the multiracial population in the 2000 US Census), a period during which representations crystallized into this two-sided stereotype. Both are rooted in a condemnation of blackness which is either implicit as where blackness is stigmatized through the presentation of tragic mulatta inevitability or explicit, where discarding the burden of blackness means arriving at a safely post-racial state. Both representations take place in the context of gendered and sexualized as well as racialized performances.

An in-depth approach is adopted in which four representative works are examined with regard to the textual nuances that construct the two stereotypes. Part 1 explores the new millennium mulatlas: the bad race girl’ in Jennifer Beals’s portrayal of Bette Porter on the cable television drama The L Word (2004-2008), in which Bette is mired in the tragic misfortune and destiny of the mulatta: and the ‘sad race girl’ in Danzy Senna’s novel ‘Caucasia‘ (1998), which investigates how Senna reinterprets the tragic mulatta heroine in her production of a new millennium mulatta representation. Race and gender arc the drivers that torture the protagonists who are unable to achieve the states of post-race and post-feminism. In part II, ‘The Exceptional Multiracial’. Joseph interrogates representations that develop the character of the racial-transforming mixed-race title character in Alison Swan’s independent film ‘Mixing Nia‘ (1998) and the racial-switching mixed-race contestant in an episode of Tyra Banks’s reality television show ‘America’s Next Top Model‘ (2005). These representations portray blackness as an irrelevant entity for the multiracial, something that can and should be transcended through racialized performances. Blackness, the cause of sadness and pain for the multiracial African American, must be erased or surpassed in order to reach a state of health or success.

These particular works were chosen by Joseph as they were ‘representations of this particular time period and particular subgenre of multiracial African American representations’ and are not isolated representations of mixed-race African Americans but representative texts. Indeed, she contends that contemporary black-white representations do not go beyond this binary, the idea that blackness is a deficit that black and multiracial people must overcome…

Read or purchase the review here.

When Ethnic Ambiguity Becomes a Privilege

SunDryed Affairs
2011-06-08

Wendell Hassan Marsh

Taking a look at recent box office results, it is the ethnically ambiguous star and ambiguously ethnic films that appear to be making bank.

Ambiguity reaches around and hugs the color line while supporting the weight of overlapping identities. It’s not a question of black or white, but black and white, and Asian, and Latino, and Muslim, and gay ad infinitum.

Take Fast Five for example. The entire Fast and Furious franchise has been celebrated as a celebration of today’s multicultural pluralism. This iteration in particular with its romps in Brazilian favelas practically makes ethnic ambiguity a theme.

The two leading forces at odds in the film are Vin Diesel and Dwayne Johnson, two of the most ethnically ambiguous figures in Hollywood most can think of. Even though the ethnically ambiguous man on the run (Diesel) dukes it out with the ethnically ambiguous G-man (Johnson) in some incredible fight scenes, they eventually put their differences aside long enough to stick it to the unambiguously corrupt (kind of) white power structure in Brazil.

But to make it happen, they have to assemble, you guessed it, an ethnically ambigious team who “can fit in everywhere” as one sequence says showing a tanned Asian guy (Sung Kang) with long, California boy hair. There’s also the sexy former Mossad (Israeli intelligence) agent who he falls in love with while flying down the German Autobahn on the way to Tokyo. Then of course you have the two brothers (of both the blood and the black variety), but they are speaking Spanish! Throw in a few more race-bending Latinos and a couple of old-school American Negro types and you have quite the ethnically ambiguous party!…

Read the entire article here.

Afternoon Talk: Dr. Zélie Asava (Free Event)

Irish Film Institute
6 Eustace Street
Temple Bar
Dublin, Ireland

2013-10-11, 16:30 IST (Local Time)

Zélie Asava, Lecturer and Programme Director of Video and Film
Dundalk Institute of Technology, Louth, Ireland

In our Afternoon Talk on October 11th (16.30), Dr. Zélie Asava, Programme Director of Video and Film at Dundalk Institute of Technology will discuss aspects of the research in her recently published book The Black Irish Onscreen: Representing Black and Mixed-Race Irish Identities on Film and TV (Peter Lang, 2013) which is available at the IFI Film Shop.

For more information, click here.

Mexico, From Mestizo to Multicultural

Vanderbilt University Press
2007-06-29
254 pages
7in x 10in
60 Illustrations
Paperback ISBN: 9780826515391
Hardback ISBN: 9780826515384

Carrie C. Chorba, Associate Professor of Spanish
Claremont McKenna College, Claremont, California

In Mexico, the confluence of the 1992 Quincentennial commemoration of Columbus’s voyages and the neo-liberal sexenio, or presidency, of Carlos Salinas de Gortari spurred artistic creations that capture the decade like no other source does. In the 1990s, Mexican artists produced an inordinate number of works that revise and rewrite the events of the sixteenth-century conquest and colonization. These works and their relationship to, indeed their mirroring of, the intellectual and cultural atmosphere in Mexico during the Salinas presidency are of paramount importance if we are to understand the subtle but deep shifts within Mexico’s national identity that took place at the end of the last century.

Throughout the twentieth century, the post-revolutionary Mexican State had used mestizaje as a symbol of national unity and social integration. By the end of the millennium, however, Mexico had gone from a PRI-dominated, economically protectionist nation to a more democratic, economically globalizing one. More importantly, the homogenizing, mestizophile national identity that pervaded Mexico throughout the past century had given way to official admission of Mexico’s ethnic and linguistic diversity–or ‘pluriculture’ according to President Salinas’s 1992 constitutional revision.

This book is the first interdisciplinary study of literary, cinematic, and graphic images of Mexican national identity in the 1980s and ’90s. Discussing, in depth, writings, films, and cartoons from a vast array of contemporary sources, Carrie C. Chorba creates a social history of this important shift.

Creative Media lecturer publishes new book

Dundalk Institute of Technology
Dundalk, County Louth, Ireland
2013-09-02

Sarah Mc Cann

Zélie Asava, a lecturer on the BA & BA (Hons) in Video & Film Production has recently had her book—The Black Irish Onscreen: Representing Black and Mixed-Race Identities on Irish Film and Television—published by the Peter Lang Publishing Group. 

The book is also the winner of the 2011 Peter Lang Young Scholars Competition in Irish Studies.

The book examines the position of black and mixed-race characters in Irish film culture. By exploring key film and television productions from the 1990s to the present day, the author uncovers and interrogates concepts of Irish identity, history and nation…

Read the entire article here.