Mixed Race Studies

The Awesome Unordinary: Meet Marawa, The Celebrity Hula-Hooper

Chic Rebellion
2015-09-22

Jazzi Johnson

As children, we’re told to go after our dreams and not to let anyone deter us from whatever it may be… Well, can you imagine being 18 years old and telling your parents that you dream of hula-hooping for a living? That’s precisely what Marawa Ibrahim did.

Ibrahim, better known as Marawa the Amazing, is a record-breaking hula-hooper! She currently holds the Guinness world record for 160 hoops at once, and is known for roller-skating and hooping in high heels as part of her act. A natural born nomad, she was born to a Somalian father and an Australian mother. Inspired by the art of gymnasium, she took to Olga Korbut, Josephine Baker, and Delores Van Cartier to name a few.

Destined to live a world of her own making, Marawa enrolled in NICA- the National Institute of Circus Arts Australia– and earned her Bachelor of Circus Arts. Although she specialized in swinging trapeze, she always knew that hula-hoops was where her future lie…

Read the entire article here.

Korla

Appleberry Pictures
San Rafael, California
April 2005

A Film by John Turner & Eric Christensen

Korla Pandit was a spiritual seeker, a television pioneer and the godfather of exotica music. Known for his hypnotic gaze, Korla captured the hearts of countless Los Angeles housewives in the 50s with his live television program that featured a blend of popular tunes and East Indian compositions, theatrically performed on a Hammond B3 organ. In the 90s he resurfaced as a cult figure with the tiki/lounge music aficionados, filling clubs, skating rinks and bars with retro hipsters. Often pegged as a “man of mystery,” Korla lived up to that billing when he took an amazing secret with him to his grave in 1998 – one that is revealed in Korla.

Color film was built for white people. Here’s what it did to dark skin

Vox
2015-09-18

Estelle Caswell

The biased film was fixed in the 1990s, so why do so many photos still distort darker skin?

For decades, the color film available to consumers was built for white people. The chemicals coating the film simply weren’t adequate to capture a diversity of darker skin tones. And the photo labs established in the 1940s and 50s even used an image of a white woman, called a Shirley card, to calibrate the colors for printing:

Concordia University professor Lorna Roth has researched the evolution of skin tone imaging. She explained in a 2009 paper how the older technology distorted the appearance of black subjects:

Problems for the African-American community, for example, have included reproduction of facial images without details, lighting challenges, and ashen-looking facial skin colours contrasted strikingly with the whites of eyes and teeth.

How this would affect non-white people seemingly didn’t occur to those who designed and operated the photo systems. In an essay for Buzzfeed, writer and photographer Syreeta McFadden described growing up with film that couldn’t record her actual appearance:

The inconsistencies were so glaring that for a while, I thought it was impossible to get a decent picture of me that captured my likeness. I began to retreat from situations involving group photos. And sure, many of us are fickle about what makes a good portrait. But it seemed the technology was stacked against me. I only knew, though I didn’t understand why, that the lighter you were, the more likely it was that the camera — the film — got your likeness right.

Many of the technological biases have since been corrected (though, not all of them, as explained in the video above). Still, we often see controversies about the misrepresentation of non-white subjects in magazines and advertisements. What are we to make of the fact that these images routinely lighten the skin of women of color?…

Read the entire article here.

A Company of Authors: Allyson Hobbs

Stanford University
2015-09-18

Stanford historian Allyson Hobbs discusses the inspiration for her award-winning book, “A Chosen Exile: A History of Racial Passing in American Life.” She spoke at the 12th Annual “A Company of Authors” event held at the Stanford Humanities Center on April 25, 2015.

First black and minority ethnic orchestra to make debut

BBC News
2015-09-11

Lizo Mzimba

Europe’s first professional orchestra consisting entirely of black and minority ethnic musicians will make its debut this weekend at the Southbank Centre in London.

The Chineke orchestra has been created to promote diversity in a musical world that is predominantly white.

Lizo Mzimba reports from one of its final rehearsals.

Watch the story here.

One woman’s quest to uncover her heritage

The Today Show
2007-11-12

Bliss Broyard writes about her journey to discover her hidden black roots

Bliss Broyard grew up a “Wasp” in Connecticut with her mother, father and brother. For 23 years she was white, but it wasn’t until her father was on his deathbed that she found out he was “part-black.” After her father died, Broyard began a quest to learn more about her hidden heritage and adopt it in her life. She wrote about it in “One Drop: My Father’s Hidden Life.” Here’s an excerpt:..

Read the excerpt here.

Writer Jesmyn Ward reflects on survival since Katrina

PBS NewsHour
2015-08-24

Gwen Ifill, Co-Anchor & Managing Editor

Jesmyn Ward, Associate Professor of English
Tulane University, New Orleans, Louisiana

After writer and Tulane University professor Jesmyn Ward survived Hurricane Katrina while staying at her grandmother’s house, she wrote “Salvage the Bones,” an award-winning novel about a Mississippi family in the days leading up to the devastating storm. She joins Gwen Ifill to discuss how the storm affected the rural poor who could not escape, and now, who may not be able to return.

Read the transcript here.

Exhibition: Zun Lee, Father Figure: Exploring Alternate Notions of Black Fatherhood

The Jefferson School African American Heritage Center
Contemporary Gallery
233 4th Street, NW
Charlottesville, Virginia 22903
2015-06-09 through 2015-08-29

Gallery Hours: Tuesday–Friday, 12:00-18:00; Saturday, 10:00-15:00

Through intimate black-and-white frames, the viewer gains access to often-overlooked moments in the lives of African American men whom Lee has worked with since 2011. Lee brings into focus what pervasive father absence stereotypes have distorted – black men who define parental presence on their own terms and whose masculinity is humanized, not viewed with suspicion. Using his struggle with father absence as inspiration, Lee examines a complex subject matter with profound vulnerability, resulting in a richly woven narrative that is deceptively simple yet multidimensional.

For Father Figure, Zun Lee used his personal journey of discovery and identity formation to examine manifestations of black fatherhood largely ignored by mainstream media. The book has been shortlisted for the Aperture Foundation PhotoBook Awards and named a winner in the Photo Books category of the 2015 PDN Photo Annual competition.

Zun Lee is an award-winning photographer from Toronto, Canada who was named onto PDN’s 30 List in 2014. His visual storytelling has been widely featured in The New York Times and other publications..

Zun Lee, Father Figure: Exploring Alternate Notions of Black Fatherhood is presented in partnership with the LOOK3 Festival of the Photograph and is made possible through the generous support of the Blue Moon Fund, and Hampton Inn and Suites.

For more information, click here.

My Response to Critics Regarding My For Harriet Article about Mixed Race Identity

I’m Not Mixed Up, I’m Fully Mixed
2015-08-15

Shannon Luders-Manuel

On Wednesday, For Harriet published my article “What it Means to be Mixed Race During the Fight for Black Lives.” It quickly took off and has received over 23,000 Facebook shares/likes by the time of this blog post. I’m extremely humbled and honored to be sharing the experiences and viewpoints of so many mixed race people. Today I took the time to read what some of the critics had to say about my article. Here is a general response to the ones that seemed the most common…

Read the entire article here.

Jamaican British | Raymond Antrobus | Spoken Word

Chill Pill Shorts
2015-08-18

Raymond Antrobus, Poet, Lead Educator
Spoken Word Education MA Programme; Co-founder of @ChillPillUK & @KHPoets

A poem by Raymond Antrobus about the many contradictions of a mixed race identity

Some people would deny that I’m Jamaican British.
Angelo nose. Hair straight. No way I can be Jamaican British.

They think I say I’m black when I say Jamaican British
but the English boys at school made me choose Jamaican, British?…