Mixed Race Studies

Multiracial Identity

Bullfrog Films
2010
77 minutes/56 minutes
DVD ISBN: 1-59458-913-5
Directed by Brian Chinhema
Produced by Abacus Production
Narrated by Dieter Weber
Director of Photography: Jay Cornelius
Editor: Jay Cornelius
Music: Ed Beceril, Elizabeth Nicholson

Explores the social, political and religious impact of the multiracial movement.

Note: There are two versions of this program on the same DVD: 77-minutes and 56-minutes.

Multiracial people are the fastest growing demographic in America, yet there is no official political recognition for mixed-race people. MULTIRACIAL IDENTITY explores the social, political, and religious impact of the multiracial movement and the lived experience of being multiracial.

Different racial and cultural groups see multiracialism differently. For some Whites multiracialism represents the pollution of the White race. For some Blacks it represents an attempt to escape Blackness. And for some Asians, Latinos, and Arabs, multiracialism can be seen as ill equipped to perpetuate cultural traditions and therefore represents the dilution of the culture.

Also features commentary from noted scholars, Rainier Spencer, Naomi Zack, Aliya Saperstein, Aaron Gullickson, Susan J. Hayflick and Pastor Randall Sanford.

Redefining Race and Ethnicity in the US

Voice of America
2011-03-14

Todd Grosshans

The number of young Americans with mixed race and ethnicity is rising real fast in the United States. Many are going to college helping to bridge racial and ethnic divides on campuses nationwide. VOA’s Todd Grosshans takes a closer look on the campus of the University of Maryland just outside Washington DC.

BBC Two explores what it means to be mixed-race in Britain

British Broadcasting Corporaton
2010-03-10

Mixed-Race Britain is put under the spotlight this autumn on BBC Two in a collection of revealing and compelling new programmes.

Britain in 2011 has proportionately the largest mixed population in the Western world, but 100 years ago people of mixed race lived on the fringes of British society, an invisible community unacknowledged by the wider world.

With an exciting mix of drama and documentaries, the programmes provide a window into the varied and surprising lives of mixed-race people in the UK and help us understand what the increasing rise in mixed-race people means for the way we live now in Britain.

…Leading the programming is Shirley Bassey—A Very British Diva (working title), an intimate and revealing drama that tells the extraordinary life story of Dame Shirley Bassey—one of Britain’s national treasures and one of the world’s most enduring and successful divas. But her rise from poverty to international stardom is no ordinary rags-to-riches story…

In a three-part series, journalist and TV presenter George Alagiah leads viewers through the remarkable and untold story of how Britain’s mixed-race community has become part of everyone’s lives today. With previously unseen footage and unheard testimony, Mixed Britannia (working title) uncovers a tale of illicit love, marriage, children, tragedy and triumph.

Charting events from the turn of the 20th century to the present day, George explores the social factors that have influenced the shape of the mixed-race Britain we see today.

He’ll find out about the flourishing love between merchant seamen and liberated female workers during the First World War; how the British eugenics movement physically examined mixed-race children in the name of science; how pioneering white couples—including English aristocrats—adopted mixed-race babies; and how Britain’s mixed-race population exploded with the arrival of people from all over the globe—making them the fastest-growing ethnic group in the UK.

Mixed—Sex, Race And Empire is a one-off documentary exploring the social, sexual, economic and political issues that led to the race mixing of people across the world. From India to West Africa via South America and the USA, this programme reflects upon the stories and consequences of racial mixing across the world…

Read the entire press release here.

Notes from Steven F. Riley.

For some early 20th century background material on the topics covered in Mixed Britannia, see:

• Jacqueline Nassy Brown. Dropping Anchor, Setting Sail: Geographies of Race in Black Liverpool. (Princeton: Princeton University Press, 2005, 312 pp., ISBN: 978-1-4008-2641-4).
• Mark Christian. “The Fletcher Report 1930: A Historical Case Study of Contested Black Mixed Heritage Britishness,” Journal of Historical Sociology, Volume 21, Issue 2-3 (2008): 213-241.
• Lucy Bland. “White Women and Men of Colour: Miscegenation Fears in Britain after the Great War,” Gender & History, Volume 17, Issue 1 (2005): 29-61.
• Rachel M. Fleming.“Human hybrids in various parts of the world,” Eugenics Review, Volume 21, Number 4 (1930): 257-263.
• Carina E. Ray. “‘The White Wife Problem’: Sex, Race and the Contested Politics of Repatriation to Interwar British West Africa,” Gender & History, Volume 21, Number 3 (2009): 628-646.
• Daniel R. McNeil. Sex and Race in the Black Atlantic: Mulatto Devils and Multiracial Messiahs. (London: Routledge, 2009, 204 pp., ISBN: 978-0-415-87226-3).
• Alison Blunt. “Geographies of diaspora and mixed descent: Anglo-Indians in India and Britain,” International Journal of Population Geography (Special Issue: Geographies of Diaspora) Volume 9, Issue 4 (2003): 281-294.
• Sydney F. Collins. “The Social Position of White and “Half-Caste” Women in Colored Groupings in Britain,” American Sociological Review, Volume 16, Number 6 (1951): 796-802.

Daughter from Danang

2002
U.S.A.
81 Minutes

Directed by:

Gail Dolgin

Vicente Franco

A heartbreaking documentary that upsets your expectations of happily-ever-afters, Daughter from Danang is a riveting emotional drama of longing, identity, and the personal legacy of war. To all outward appearances, Heidi [Bub] is the proverbial “all-American girl”, hailing from small town Pulaski, Tenn. But her birth name was Mai Thi Hiep. Born in Danang, Vietnam in 1968, she’s the mixed-race daughter of an American serviceman and a Vietnamese woman. Fearing for her daughter’s safety at the war’s end, Hiep’s mother sent her to the U.S. on “Operation Babylift”, a Ford administration plan to relocate orphans and mixed-race children to the U.S. for adoption before they fell victim to a frighteningly uncertain future in Vietnam after the Americans pulled out. Mother and daughter would know nothing about each other for 22 years.

Now, as if by a miracle, they are reunited in Danang. But what seems like the cue for a happy ending is anything but. Heidi and her Vietnamese relatives find themselves caught in a confusing clash of cultures and at the mercy of conflicting emotions that will change their lives forever. Through intimate and sometimes excruciating moments, Daughter from Danang profoundly shows how wide the chasms of cultural difference and how deep the wounds of war can run—even within one family.

Under the Moon’s Light

Directory of World Cinema
2011

English Title: Under the Moon’s Light
Original Title: Sous la clarté de la lune
Country of Origin: Burkina Faso, France
Studio: Les Films de la plaine, NDK productions
Director: Apolline Traoré
Producer(s): Idrissa Ouédraogo
Screenplay: Apolline Traoré
Cinematographer: Daniel Barrau
Editor: Lucie Thierry
Runtime: 90 minutes
Genre: Drama
Language: Moore (Moré), French
Starring/Cast: Rasmané Ouédraogo, Sylvain Lecann, Abdoulaye Koné, Tania Azar, Silvie Homawoo
Year: 2004
Volume: African / Nigerian

Reviewed by: Zélie Asava

Synopsis:

Sous la clarté de la lune interrogates African women’s personal and cultural histories and identities by foregrounding the experiences of mixed-race women and their families, thus exploring the history of interracial relationships in Africa and its diaspora.

Its central story begins before the narrative starts, about 10 years earlier in a small village in Burkina Faso.  Patrick (Sylvain Lecann), a young white Frenchman steals his mixed-race daughter moments after her young Burkinabé mother has given birth.  As the film opens we see the child, who has been raised in France, return to her mother’s village with her father for what is supposed to be a brief encounter with her other home and family.  Her mother Kaya (Silvie Homawoo) has been mute since the incident.  The mixed-race daughter Martine (Tania Azar) hates the village and its inhabitants, thinking they are all inferior.  She believes her mother to be dead.   Her father Patrick treats the villagers as his servants.  The villagers have been waiting two years for an engineer and Patrick is in town to fix their water pump, as well as to discuss the past with Kaya.  While the locals may reject this white man because of the brutal history he left behind, they need his expertise and money.  The story thus has immediate resonances with Franco-African colonialism and neo-colonialism.

The film follows the three lead characters as they negotiate their differences to form a family.  A fourth key figure, Habib (Abdoulaye Koné), emerges as a young man in love with Kaya and through him spectators are introduced to village life, local systems of power and love, and come to realise that the story may also be read as a series of metaphors on issues of identity…

Read the entire review here.

Author and scholar Adele Logan Alexander appears at the 2010 National Book Festival

2010 National Book Festival
Library of Congress
Washington, D.C.
2010-09-25
Running Time: 00:32:45

Adele Logan Alexander, Professor of History
George Washington University

Speaker Biography: Adele Logan Alexander’s research and teaching incorporate the black Atlantic world, African-American history, family history, gender issues and military and social history. Her first book examined the lives and significance of nonenslaved women of color in the rural antebellum South. Her second explored the Americanization and evolving citizenship of an African- (and Anglo-) American family in the 19th and 20th centuries. In 2003 the African American Historical and Genealogical Society recognized her contributions to the study of family history with an award for Outstanding Lifetime Contribution. She is an adjunct professor of history at George Washington University. Her books include “Homelands and Waterways: The American Journey of the Bond Family, 1846-1926” and “Ambiguous Lives: Free Women of Color in Rural Georgia.” Her latest book is “Parallel Worlds: The Remarkable Gibbs-Hunts and the Enduring (In)Significance of Race” (University of Virginia Press).

Read the Questions and Answers transcript here.

Audience question: In your significant study of African-American families and I guess particularly mixed families, how often did you come across the use of skin products–skin lighteners or whiteners or even darkeners; or was that something that you were able to research or was that something that was talked about at all or written about?

Adele Alexander: Certainly I don’t write about it because I never found it in any of the people that I happen to write about. However, I’ve done a lot of work with a woman you may know about whose name is A’lelia Bundles whose great grandmother was Madame C.J. Walker who developed hair straightening–she called them hair health products, skin health products that also served to create a more–a whiter appearance. But I guess that one of the things is that it almost seems remarkable to me not that so many people did these things, but that so many did not. Because in our culture there was so much of a premium that has been placed on whiteness–day to day inconveniences, legal restrictions and everything else. It’s easy for me to understand why a number of black people wanted to be part of the majority in this country because they were so discriminated against and any steps in that direction I think were understandable.

Seven Hours To Burn

Women Make Movies
USA/Canada, 1999
9 minutes
Color/BW, VHS/16mm
Order No. W01699

Shanti Thakur

“A visually expressive personal documentary that explores a family’s history. Filmmaker Thakur mixes richly abstract filmmaking with disturbing archival war footage to narrate the story of her Danish mother’s and Indian father’s experiences. Her mother survives Nazi-occupied Denmark while her father experiences the devastating civil war in India between Hindus and Muslims. Both émigrés to Canada, they meet and marry, linking two parallel wars. Their daughter lyrically turns these two separate histories into a visually rich poem linking past and present in a new singular identity.” Doubletake Documentary Film Festival Catalogue

View the trailer here.

Dr. Rainier Spencer to be Guest on MSNBC NewsNation with Tamron Hall

NewsNation
MSNBC TV
Wednesday, 2011-02-02, 19:00-20:00Z (14:00-15:00 EST, 11:00-12:00 PST) (Recheduled due to a White House news conference on the situation in Egypt from 2011-01-31.)

Tamron Hall, Host

Rainier Spencer, Director and Professor of Afro-American Studies; Professor of Interdisciplinary Studies
University of Nevada, Las Vegas

Dr. Spencer is the author of the new book, Reproducing Race: The Paradox of Generation Mix (2011) in where he argues cogently, and forcefully, that the deconstruction of race promised by the American Multiracial Identity Movement will remain an illusion of wishful thinking unless we truly address the racist baggage that serves tenaciously to conserve the present racial order.

View the video here.

Selected bibliography:

• “Mixed-Race Chic,” The Chronicle Review, May 19, 2009.
• Challenging Multiracial ldentity. Boulder, CO: Lynne Rienner, 2006.
• Spurious Issues: Race and Multiracial Identity Politics in the United States, Boulder, CO: Westview Press, 1999.

Long Way Home: The Loving Story

Augusta Films
2010

Director and Producer: Nancy Buirski
Producer and Editor: Elisabeth Haviland James

Richard and Mildred Loving, Circa 1967

This documentary feature film, currently in production, tells the dramatic story of Mildred and Richard Loving, a black and Cherokee woman married to a white man (against the law in 1958-Virginia) and of their famous anti-miscegenation case argued in the Supreme Court in 1967. Thrown into rat-infested jails and exiled from their hometown for 25 years, the Lovings fought back and changed history. Using rare archival footage, home movies, photographs, interviews with witnesses, friends and family, and poetic visual and narrative sequences, the documentary will build a complex portrait of the couple at the heart of marriage equality in this country. It will also do something rare in storytelling—look at the story itself as it has mutated over the years, with the understanding that history is only as reliable as those who tell it.

Both of the attorneys, Bernie Cohen and Philip Hirschkop, who represented Mildred and Richard Loving in the 1967 Supreme Court case Loving v. Virginia have agreed to participate in the project as consultants and as on-camera interviews.  In addition, Peggy Loving Fortune and Sidney Jeter Loving, the surviving children of Mildred and Richard have agreed to be on-camera participants. This is notable because, like their mother, they have guarded their privacy and avoided media attention for most of their lives.

For more information, click here. To donate to the project, click here.

Journeys in Multiracial America

C-SPAN
Elliot Bay Book Company
Seattle, Washington
2007-01-27

Elliott Lewis

Journalist Elliott Lewis discusses his life as a biracial American at Elliott Bay Book Company in Seattle. In his memior Fade: My Journeys in Multiracial America, the author explains that while he was raised with two parents of mixed racial heritage who identified themselves as black, he eventually evolved into a biracial self-identity. The book also examines transracial adoption, interracial dating and immigration through the eyes of several multiracial people.

Elliott Lewis is a freelance television news reporter in Washington, DC. He has worked for CNN Headline News, BET, Associated Press Television, WJLA-TV, and the Washington bureaus of Tribune Broadcasting and Hearst-Argyle Television. Mr. Lewis is a member of the National Association of Black Journalists and currently serves on their Board of Directors.