Mixed Race Studies

Visible and Invisible Hapa Exhibit at Japanese American Museum San Jose

Hapa Mama: Asian Fusion Family and Food
2016-05-20

Grace Hwang Lynch

Bay Area people… there’s an exhibit about the history of hapa Japanese Americans at the Japanese American Museum in San Jose.

Titled Visible and Invisible, it’s similar to the exhibit of the same name at LA’s Japanese American National Museum, but this collection is unique and has many ties to the local area.

Curated by historical sociologist Cindy Nakashima and art professor Fred Liang, the small but significant collection shows the history of mixed-race Japanese Americans from the 1860s to the current day, when the majority of Japanese Americans are projected to be mixed-race by 2020. “The first Nisei was a hapa, for heaven’s sake!” says Nakashima, who also curated the 2013 Los Angeles exhibit with Lily Anne Yumi Welty and Duncan Ryuken Williams.

Read the entire article here.

Jane Marchant: A Century of Progress

Guernica / A Magazine of Art & Politics
2016-06-13

Jane Marchant

Uncovering the story of a grandmother’s racial passing and its effect on following generations.

It is winter here and there are no leaves in sight. I am standing in front of what was once 684 East 39th Street, once part of Chicago’s Ida B. Wells housing projects. Gray dust swirls to the sides of the roads; it also covers cars. Gray light shines through gray clouds and gray glass litters Bronzeville’s streets, in the South Side. The Chicago Housing Authority demolished my Grandma Barbara’s first home. In place of the two-bedroom apartment that housed my Grandma Barbara, her two siblings, and their mother – and generations after them, as the city’s public housing projects shifted from idyllic dream to dangerous nightmare – are three-story apartment buildings for rent or sale. Demolition of the Ida B. Wells Homes began in 2002 and construction for the Oakwood Shores replacement development is nearly complete. A manufactured park cuts the new housing development in two, Lake Michigan breaks against the shore barely a mile east, and skyscrapers rise in the distance. Barely five months ago, I did not know my Grandma Barbara grew up in Chicago’s first housing projects segregated for black residents. She kept many things hidden from me, and the outside world. Among Grandma Barbara’s secrets was that her mother was black.

I love my Grandma Barbara. I loved her as I grew up in a predominantly-white neighborhood; I loved her when I wasn’t allowed to play with her hair, when she ate peanuts and jelly beans at our dining-room table, and when I understood she and my mother were somehow different from the white mothers around us, but I did not understand why. I loved Grandma Barbara in her hospital bed, as she told the nurses she was from Spain, as she lay dying. I love her as she rests in a jar on my aunt’s mantelpiece. But Grandma Barbara told her children and grandchildren lies about who we are.

I find myself, repeatedly, asking, Why? Slavery’s dangers do not exist anymore. The segregation of Grandma Barbara’s youth does not legally exist anymore. When she was on her deathbed in 2007, she was no longer called a mulatto, my mother no longer called a quadroon; I am not called an octoroon, my children will not be named mustifees and my grandchildren will not be mustifinos. We are not in the French Southern States of the 1800s and my great-grandchildren will never be called quarterons, and their children sang-meles. Our one drop will no longer enslave us all. So what was Grandma Barbara hiding from?…

Read the entire article here.

Hybrid by Robert Wood

Mascara Literary Review
2015-10-04

Robert Wood

Robert Wood grew up in a multicultural household in Perth. He holds degrees from the Australian National University and the University of Pennsylvania, where he was a National Undergraduate Scholar and a Benjamin Franklin Fellow respectively. He has edited for Margaret River Press, Wild Dingo Press and Overland, and volunteered for the Small Press Network, Philadelphia Fringe Festival and Books through Bars. He has published work in literary journals such as Southerly, Plumwood Mountain and Counterpunch and a academic journals including Foucault Studies, JASAL and Journal of Poetics Research. He currently hosts a reading and conversation series at The School of Life and is a regular contributor to Cultural Weekly. His next book, heart-teeth, is due out from Electio Editions later this year.

What is the hybrid to do?

I have passed as a white man for most of my life. I have a name – Robert Wood – that is invisible in the hegemonic Anglo society of suburban Australia. I have a body that if a little tanned, a little hook nosed, a little ‘Latin’ or ‘Mediterranean’, is nevertheless unthreateningly, benignly unnoticeable. I present in dress and language, in what Pierre Bourdieu called habitus, as white. But I am also a person of colour. My mother is brown. She is Malayalee from Kerala in South India. Although there are degrees of complexity and complexion in the vales and folds of family history, through her I participate in a network of colouredness. Colouredness means both the aesthetic reality of the body itself, how we look, and the political meaning of bodies, how we are represented. In other words my mother’s skin is literally not ‘white’ (or for that matter ‘pink’, ‘yellow’ or ‘black’) and we have a shared history of colonial oppression that is racially based, which involves the British, the Portugese and northern India…

Read the entire article here.

“White Enough to Pass”: Uncovering the story of John Wesley Gibson

underbelly: From the Deepest Corners of the Maryland Historical Society Library
2016-01-21

Excerpt from William Still’s 1872 book, The Underground Railroad: A Record of Facts, Authentic Narratives, Letters, & c., Narrating the Hardships Hair-breadth Escapes and Death Struggles of the Slaves in their Efforts for Freedom, as Related by Themselves and Others, or Witnessed by the Author; Together with Sketches of Some of the Largest Stockholders, and Most Liberal Aiders and Advisors, of the Road, E450 .S85, MdHS. (reference photo)

“John Wesley Gibson represented himself to be not only the slave, but also the son of William Y. Day, of Taylor’s Mount, Maryland…” This is the opening statement of a slave narrative that tells the story of a man who chose freedom in a place and time that allowed slavery — Maryland in the 1850s. The short narrative offers details of his appearance (looks like his father); job description (farm foreman); his age (28); how he escaped (passed as a white man) and how he detested bondage (severe restrictions). Little else is known of John Wesley Gibson other than one paragraph of information in a 780-page history of the Underground Railroad published in 1872. After Gibson escaped, where did he go? What was his life like at Taylor’s Mount? Is there a way to verify the information in the narrative? His mother Harriet and sister Frances were mentioned in the story. What happened to them? How do we find out more info? Or are they lost to history?…

Read the entire article here.

Book Launch: A Chosen Exile: A History of Racial Passing in American Life by Allyson Hobbs

The Powerhouse Arena
37 Main Street
Brooklyn, New York 11201
Telephone: 718.666.3049
Wednesday 2016-06-15, 19:00-21:00 EDT (Local Time)

Focusing on individuals and their experiences, Allyson Hobbs examines how racial passing became both a strategy for survival and an avenue to loss.

About A Chosen Exile:

Racial passing is an exile, sometimes chosen, sometimes not. Between the late-eighteenth and midtwentieth centuries, countless African Americans passed as white, leaving behind families, friends, and communities, without any available avenue for return. Lives were lost only to be remembered in family stories. In A Chosen Exile: A History of Racial Passing in American Life, Allyson Hobbs helps us to understand how racial ambiguity can be a cross to bear as well as a blessing for those of indeterminate color.

Much of the existing literature on passing is dominated by a focus on what its practitioners gained socially, culturally, economically or politically through assuming a white identity; Hobbs departs from this interpretation by suggesting that passing also resulted in loss, most significantly the loss of family and community ties. To pass as white was to make the decision to turn one’s back on a black racial identity and to claim to belong to a group to which one was not legally assigned.

When one decided to pass as white, a sense of embeddedness in a community or a collectivity was lost. Passing reveals that the essence of identity is not in an individual’s qualities, but rather in the ways that one recognizes himself or herself and is recognized as kindred. These forms of recognition may begin with superficial markers such as skin color, speech, and dress, but these are only indicators of relations to powers, ways of being in the world, and an imagined sharing of a common origin and iconic experiences. Passing, then, works as a prism: it refracts different aspects of what we commonly think of as race and reveals what is left once an ascribed status is stripped away.

Hobbs explores how race-making goes beyond skin color to one’s connection to family, culture, and community as well as to the popular perception of race in the larger society. Focusing on individuals and their experiences, A Chosen Exile examines how passing became both a strategy for survival and an avenue to loss.

About the Author:

Allyson Hobbs is Assistant Professor in the Department of History at Stanford University. You can find more information on her website: http://allysonhobbs.com/.

For more information, click here.

A Genetic Fallacy: Monstrous Allegories of Mixed-Race in Gothic and Contemporary Literature

University of Lethbridge, Alberta, Canada
2016
119 pages

Rylan Spenrath

A Thesis Submitted to the School of Graduate Studies of the University of Lethbridge in Partial Fulfilment of the Requirements for the Degree Master of Arts

My thesis examines the similar intersections of hybridity that are embodied in both representations of monstrosity and the politics surrounding people of mixed-race. Drawing from Robert J.C. Young’s text Colonial Desire, I argue that monstrosity and mixed-race present diachronically parallel embodiments of hybridity. Jeffrey Jerome Cohen views monsters as “disturbing hybrids whose externally incoherent bodies resist attempts to include them in any systematic structuration” (loc 226); however, monsters and multiracial people do not inherently disturb category. Gothic representation of monstrosity in Mary Shelley’s Frankenstein, Bram Stoker’s Dracula, and Robert Louis Stevenson’s Dr. Jekyll and Mr. Hyde confirms that hybridity can be exploited in order to strengthen colonial categories of Self and Other. Postmodern monstrosity in Philip K. Dick’s Do Androids Dream of Electric Sheep, and Octavia Butler’s Imago, complicate ostensibly rigid categories of identity only for the Gothic binary to resurface beneath the masks of superheroes and supervillains.

Table of Contents

• Abstract
• Acknowledgements
• List of Figures
• Introduction: The Intersection of Hybridity, Multiculturalism, and Monstrosity
• Chapter One: Hybridity Unsettled: Gothic Monstrosity and the Uncanny Valley
• Chapter Two: Distinctly Ambivalent: Category Crisis and the Postmodern Monster
• Chapter Three: Monster Masks: Monstrosity in the Superhuman Genre
• Conclusion
• References

Read the entire thesis here.

The Myth of Race: The Troubling and Persistence of an Unscientific Idea by Robert Wald Sussman (review)

Journal of Social History
Volume 49, Number 3, Spring 2016
pages 740-741

Robert J. Cottrol, Harold Paul Green Research Professor of Law and Professor of History and Sociology
George Washington University

The Myth of Race: The Troubling and Persistence of an Unscientific Idea. By Robert Wald Sussman (Cambridge: Harvard University Press, 2014. 374 pp. $35.00).

With The Myth of Race, Robert Sussman gives us a comprehensive history of the idea of race and particularly the rise and not total fall of scientific racism Drawing on the intellectual history of his own discipline, physical anthropology, Sussman takes the reader on a journey from the role of race in the religious persecutions of the fifteenth century Spanish inquisition to an examination of the development of the eugenics movement, that movement’s link to Nazi ideology and practice, and the role of Franz Boaz and his disciples in combating scientific racism and establishing the dominance of culturally based explanations for racial and ethnic differences. The Myth of Race takes us to our uneasy present. The scientific racists of the nineteenth and early twentieth centuries have been vanquished in the minds of the scientific communities and educated public more generally, but there are still holdouts, in some places influential holdouts, asserting the validity of earlier views positing that racial differences are real, inherited and largely immutable.

The introduction provides something of a primer on race from the point of view of physical anthropology for the uninitiated. From the biological perspective, Sussman informs us, even using the term race to discuss the variations in the human species is suspect. But Sussman’s purpose is not to provide a thumbnail sketch of the biology of race, but to explore race as an intellectual construct along with a history of its uses and misuses. Race’s development as a concept was prompted by large scale European contact with new and different peoples in Africa and the Americas, a by-product of European expansion. The Church, however imperfectly, stressed the unity of humanity, the product of a single act of creation. But others, repelled by difference, or attracted by the possibility that those who were different and more vulnerable could be readily exploited, fashioned explanations to both account for differences and to insure the dominance of Europeans. Some theories accounted for difference by attributing human variation to separate creations with Africans and the indigenous populations of the Western Hemisphere being something other and something less than children of the Biblical Adam and Eve. Others were willing to stipulate to the unity of human origins, but nonetheless asserted that those strange people who were not white, not European and not Christian were the products of a degeneration that also highlighted their inferiority and the need for them to be brought under the control of their betters. Sussman is particularly strong in presenting this history and in reminding readers that moral and political philosophers like Locke and Kant more generally thought of as advocates of political liberty and just governance played a significant role in implanting notions of racial hierarchy in European thought.

But it is in his discussion of the origins and career of eugenics as a concept where Sussman makes his strongest contribution. Sussman links the origins of eugenics to concepts of scarcity and need first articulated by Malthus. These concepts when coupled with the extension of Darwinian thought beyond basic biology would provide a basis for a school of human science that reached its logical conclusions with Nazi racial science. The Myth of Race provides a chilling look at the popularity and power of the American eugenics movement. Sussman’s discussion of the influence that American eugenicist Madison Grant’s Passing of the Great Race had on Nazi racial policies is particularly instructive.

We all, to some extent, know how the story comes out, at least to date. In the inter-war years, anthropologist Franz Boaz through his meticulous research and the influence of his disciples helped defeat the scientific racists who dominated the debate before the First World War. Boaz’s research played a pivotal role in persuading educated people that culture and not biology accounted for group differences. The horrors of the Nazi holocaust played a significant role in discrediting scientific and not so scientific racism among the public at large after the Second World War…

Karin Tanabe: THE GILDED YEARS

Busboys and Poets
Langston Room
2021 14th Street, NW (14 & V Street, NW)
Washington, D.C. 20009
Tuesday, 2016-06-14, 18:30-20:30 EDT (Local Time)

Politics & Prose at Busboys and Poets 14th & V welcomes Karin Tanabe to present the new book “The Gilded Years.”

A Politico journalist turned novelist, Tanabe has reported on politics and society for Entertainment Tonight, CNN, and Inside Edition, experience she drew on for the Washington insider fiction of The List and The Price of Inheritance. Her third novel looks at class, race, and ambition in the Gilded Age, following smart and talented Anita Hemmings—daughter of a janitor—as she realizes her dream of attending Vassar. But Anita is also the descendent of slaves, and though her pale skin allows her to “pass” for white, as she moves among the wealthy elite of 1897 high society, she walks an increasingly tense line concerning her identity.

Tanabe will be in conversation with LaFleur Paysour, communications director for the National Museum of African American History and Culture.

For more information, click here.

“What are you?”: Mixed race responses to the racial gaze

Ethnicities
Published online before print 2015-12-16
DOI: 10.1177/1468796815621938

Jillian Paragg
Department of Sociology
University of Alberta, Edmonton, Canada

Mixed race scholarship considers the deployment of the term “mixed race” as an identification and theorizes that the operation of the external racial gaze is signaled through the “what are you?” question that mixed race people face in their everyday lives. In interviews conducted with mixed race, young adults in a Western Canadian urban context, it was evident that the “what are you?” question is the verbal form of the external racial gaze’s production of ambivalence on mixed race bodies. However, this study also found that mixed race people have “ready” identity narratives in response to the “what are you?” question. This paper shows the importance of these narratives (the very existence of the “ready” narratives, as well as the content of the “ready” narrative) for fleshing out the operation of the external racial gaze in the Canadian context. Respondents draw on two closely related modes of narrating origin when responding to the “what are you?” question: they respond through a kinship narrative that is heteronormative and they narrate that they inherit “national origin” “through blood.” I argue that these responses point to how the gaze produces the multiracialized body through the desire to imagine and “know” its originary point of racial mixing. Yet, the “ready” narratives are also agential: while at times they narrate to the expectations of the gaze, they also “play on” the gaze.

Read or purchase the article here.

Whiteness is provisional and cannibalistic. The imposition of whiteness is based on falsehoods and conflation. White supremacy is a conglomerate forged through fear, colonialism, imperialism and anti-Blackness, not through the purity of blood. The time has come not to seek access to farcical social constructs used to oppress, but instead to seek liberation through rejection of such. Racial superiority doesn’t actually exist, and to accept the concept of whiteness inherently represents a denial of Black humanity. The expression of who we are as individuals is what makes cultures and people the world across beautiful. Embracing who we are without dehumanizing anyone else or distancing oneself from Blackness poses a direct threat to the ideation of whiteness. In order to invest in humanity, we must divest from whiteness and our contributions to it.

William C. Anderson, “The Changing Face of Whiteness,” Truthout, June 5, 2016. http://www.truth-out.org/news/item/36292-the-changing-face-of-whiteness.