Mixed Race Studies

I’m Filipino too: Filipino-ness and Multiraciality

gal-dem
2016-06-01

Amena Conopio-Ziard

When I first participated in an online Austronesian community group, a member questioned me, in Tagalog, if I was Filipino. He thought by messaging me in Tagalog he could cleverly catch me out in an autonomous space he believed I shouldn’t be in…

Read the entire article here.

‘Breaking’ Presents: Xenia Rubinos, a Powerhose Singer/Songwriter Unafraid to Learn Out Loud

Colorlines
2016-06-10

Sameer Rao, Culture Reporter/Blogger

Xenia Rubinos in concert Photo: John Felix Shaw/Anti- Records

On her funky second album, “Black Terry Cat,” the genre-bender explores identity, police violence and the hidden labor of Latino/a restaurant workers.

For our latest Breaking, we’re highlighting singer-songwriter Xenia Rubinos. The multi-instrumentalist, who hit the national scene with 2013’s “Magic Trix,” continues her personal and creative development on the funky, frenetic “Black Terry Cat.”

Hometown: Hartford, Connecticut

Based In: New York City

Sound: A chaotic mix of R&B, rock, hip-hop and jazz that underscores Rubinos’ robust mezzo-soprano. Her lyrics are sometimes wry, sometimes incorporating Spanish-language passages,

Why You Should Care: Depending on your background and worldview, Xenia Rubinos’ music sounds either like modern-day Latin pop, avant-garde R&B or a tapestry from an indie artist with too many influences to count. Either way, it sounds like nothing you’ve heard before—which, as she told us, is kind of the point.

…Juxtaposed, “Mexican Chef” and “Black Stars” speak volumes about the ongoing evolution of Rubios’ identity. While she identifies as Afro-Latina, she tells Colorlines that she does not identify as Black. “My family history is complicated, and I still don’t fully know the extent of it,” she says after describing her Black maternal great grandmother, her Puerto Rican family’s Taino heritage and her paternal grandfather’s emigration from Spain. “I started reading on the Afro-Latina diaspora two years ago, and I’m still ignorant to a lot of that, but I started seeing myself in that term. I explore the ‘Afro’ part of my cultural identity, and how I do or don’t fit into that, on ‘Black Terry Cat.'” She says that’s a big part of why hip-hop permeates this album…

Read the entire article here.

On Her Second Album, Xenia Rubinos Finds a New Language to Talk About Latinidad

Remezcla
2016-06-01

Isabelia Herrera

At a time when the political utility of the Afro-Latino label is as urgent as ever, it’s easy to forget that the journey to embrace that identity isn’t always immediate. Before recording her sophomore album Black Terry Cat (ANTI- Records), Boricua-Cuban artist Xenia Rubinos did not identify as Afro-Latina. So when she embarked on the recording process this time around, Rubinos envisioned the album as a vehicle to explore her brownness and blackness, to rediscover her place in the African diaspora.

That’s why hip-hop is Black Terry Cat’s lifeblood. “I was listening to a lot of hip-hop at the time. It was a new exploration for me, getting into Slum Village and KRS-One, as well as going back to Erykah Badu, which was starting to become my daily diet,” she explains. Rubinos lays those influences bare on Black Terry Cat; the record vibrates with clanging percussive interludes, stream-of-consciousness lyrics, and deep pocket backbeats. It’s a clattering, experimental triumph that leaps from thick funk basslines to spooky horn sections and then to broken-down hip-hop beats, like a kid playing with Legos. Above it all, Rubinos’ warm, smoky voice flutters about, revealing a vocal dexterity and a slew of alter egos the listener is constantly trying to catch up with…

Read the entire interview here.

Decoding Racial Ideology in Genomics

Lexington Books (an imprint of Rowman & Littlefield)
May 2016
190 pages
Size: 6 x 9
Hardback ISBN: 978-0-7391-4895-2
eBook ISBN: 978-0-7391-4897-6

Johnny E. Williams, Associate Professor of Sociology
Trinity College, Hartford, Connecticut

Foreword by Joseph L. Graves Jr.

Although the human genome exists apart from society, knowledge about it is produced through socially-created language and interactions. As such, genomicists’ thinking is informed by their inability to escape the wake of the ‘race’ concept. This book investigates how racism makes genomics and how genomics makes racism and ‘race,’ and the consequences of these constructions. Specifically, Williams explores how racial ideology works in genomics. The simple assumption that frames the book is that ‘race’ as an ideology justifying a system of oppression is persistently recreated as a practical and familiar way to understand biological reality. This book reveals that genomicists’ preoccupation with ‘race’—regardless of good or ill intent—contributes to its perception as a category of differences that is scientifically rigorous.

• Foreword, Joseph L. Graves, Jr.
• Chapter 1: Genomics’ ‘Race’ Legacy
• Chapter 2: Socialized Interpreters
• Chapter 3: Racialized Culture—Genomic Nexus
• Chapter 4: Racialization via Assertions of Objectivity and Heuristic Practice
• Chapter 5: ‘Bad Science’ Discourse as Covering for Racial Thinking
• Chapter 6: Reorienting Genomics

Piers Morgan shot down after trying to justify comments about ‘racist’ Muhammad Ali during GMB

The Daily Mirror
London, England
2016-06-06

The host previously tweeted that Ali was responsible for a number of ‘inflammatory’ and ‘racist’ comments

Piers Morgan was shot down as he discussed Muhammad Ali during Good Morning Britain.

Over the weekend the outspoken host was met with a backlash when he claimed Ali was responsible for a number of ‘racist’ comments following his death on Friday.

He tweeted: “Muhammad Ali said far more inflammatory/racist things about white people than Donald Trump ever has about Muslims. #fact.”

Piers looked to be trying to justify his comments about the boxer when he presented Good Morning Britain on Monday.

Speaking to barrister Miranda Brawn, he said: “There was another side to Ali, he was incredibly controversial.”…

…But guest Miranda didn’t let Piers’ comments go uncontested as she set the record straight about Ali’s racial agenda.

She instead reminded Piers that Ali was integral in helping improve self-pride amongst black people…

Read the entire article here.

National Women’s History Museum presents Chinese American Women: A History of Resilience and Resistance

National Women’s History Museum
2016-06-08

Joseph, Emily, Mamie, Frank, and Mary Tape.

Tape v. Hurley

Mary Tape was a biracial Chinese American woman who believed that her daughter, Mamie, should have the same access to education as white children in San Francisco. In particular, Mary Tape wanted her daughter to be able to attend public school. When the local school principal, Jennie Hurley, stood in the schoolhouse door to bar Mamie’s entrance on the sole grounds that she was Chinese, Mary Tape took Jennie Hurley to court.

In 1885, almost seventy years before the famous Supreme Court Decision Brown v. Board of Education desegregated American public schools, Mary Tape sued the San Francisco School District to offer public education to all Chinese children. Tape v. Hurley was one of the most important civil rights decisions in American history. In this ground breaking case, Superior Court Judge James Maguire ruled that Chinese children must have access to public education: “To deny a child, born of Chinese parents in this state, entrance to the public schools would be a violation of the law of the state and the Constitution of the United States.”…

Read the entire article here.

“Slow Jam the News” with President Obama

The Tonight Show Starring Jimmy Fallon
NBC
2016-09-06

Jimmy Fallon and President Obama slow jam the news, discussing Obama’s legacy, accomplishments and thoughts on the 2016 election.

Necessarily Black: Cape Verdean Youth, Hip-Hop Culture, and a Critique of Identity

Michigan State University Press
August 2015
134 pages
6 in x 9 in
Paperback ISBN: 9781611861686

P. Khalil Saucier, Associate Professor of Africana Studies and Sociology
Rhode Island College

Necessarily Black is an ethnographic account of second-generation Cape Verdean youth identity in the United States and a theoretical attempt to broaden and complicate current discussions about race and racial identity in the twenty-first century. P. Khalil Saucier grapples with the performance, embodiment, and nuances of racialized identities (blackened bodies) in empirical contexts. He looks into the durability and (in)flexibility of race and racial discourse through an imbricated and multidimensional understanding of racial identity and racial positioning. In doing so, Saucier examines how Cape Verdean youth negotiate their identity within the popular fabrication of “multiracial America.” He also explores the ways in which racial blackness has come to be lived by Cape Verdean youth in everyday life and how racialization feeds back into the experience of these youth classified as black through a matrix of social and material settings. Saucier examines how ascriptions of blackness and forms of black popular culture inform subjectivities. The author also examines hip-hop culture to see how it is used as a site where new (and old) identities of being, becoming, and belonging are fashioned and reworked. Necessarily Black explores race and how Cape Verdean youth think and feel their identities into existence, while keeping in mind the dynamics and politics of racialization, mixed-race identities, and anti-blackness.

Searching for Identity: Race, adoption and awareness in the millennial generation

Medium
2016-05-19

Dwight Smith

What happens when a black boy is adopted at birth into a white world where race and racism are ghosts of the past and racial identity is a silly thing to waste time thinking about? As a transracial adult adoptee of color, my life journey reveals some insight into this very question.

And what happens when a mostly white millennial generation is raised without an accurate understanding of race, racism or their role in a racialized society? As Slate’s chief political correspondent Jamelle Bouie puts it, our generation “think[s] if we ignore skin color, racism will somehow disappear.”

Both questions are connected because I — and many of my millennial peers — came up in similar race-erasing worlds. Both questions are important to me, because my life experiences motivate me to address the racial confusion of the millennial generation.

I lead the Impact Race initiative for a global nonprofit called Net Impact, connecting our 100,000 members with the awareness, language and resources to lead for racial equity in their communities and careers. Members represent hundreds of campuses and companies across a wide variety of industries, including the local tech industry. Aspects of my journey as a transracial adoptee, and the majority white millennial generation experience in the United States, highlight the importance of pushing the conversation toward an honest, reflective look at how to understand racism and lead for racial equity.

Ignorance is bliss, until it isn’t.

I am a mixed-race black male raised in and around whiteness. Race had about as much real significance as the color of one’s shoelaces, and racism was a wrong of years gone by. In this world, to be ‘black’ (this is how I was and am categorized) meant a list of hollow stereotypes such as the expectation of athletic skill. But mostly there was just deafening silence when it came to me being black. Of course, all of this was ‘normal’ to me, in the sense that it was all I ever knew. It was also normal to all the white kids I grew up around. This is, in part, the reason that a ‘raceless’, colorblind worldview is normal to many of my white millennial peers today…

…Simply opening one’s eyes is not enough, we must seek the context to interpret that which we now see. My faith, my current understanding of the factors that influenced my childhood experiences as a transracial adoptee, and my everyday experience as a black man in America, fuel my life’s commitment to education and advocacy…

Read the entire article here.

Nadia Karizat: Divided into nothing

The Michigan Daily
2016-05-18

Nadia Karizat

There are moments in my life that have burned me silently and set me up for questioning what I am. I say “what” and not “who” because I know who I am. I am someone who believes that the best moments are spontaneous, that music cures all and that the most fun thing one can do on a Saturday night is sit with friends and discuss our exquisite lives. I am also a biracial (Arab and White [Italian]) woman from Michigan who’s checked “other” on every single form she’s needed to fill out since she was 8 years old and made aware that society felt the need to force all her complexities into a single box…

Read the entire article here.